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In this lecture guys I'm going to show you a very powerful technique whether you will use expressions

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and effects inside your motion graphics template.

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And I hope you will enjoy it.

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So let's start.

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What about if you want to change the position you know position here has come from the composition after

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effect.

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How about if we would like to change it implement a.

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How do we do that.

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Let's go to aftereffects.

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And here we notice there is no position we can take and drop in our motion graphics template.

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We have to create one.

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OK so what can we exactly do let's try few things.

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First of all let's come to a facsimile set and look for control.

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OK so you have the slider control.

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Well actually if I want to change the position left or right I could use a slider and link it to the

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exposition of the text there.

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That could be cool.

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Let's take the slider control and just drop it over here.

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So before we start doing anything let's go and click on solar properties again to open it and we turned

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up the animator we don't need it.

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And here you are you can drop the slider control take the slider and put it just under the text input

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text or the text color.

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I call it the texta position.

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Now all I have to do is to link this slider to the position.

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Got.

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Let's come over here and press A B and we had our position.

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I will now start creating the expression to do that.

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I have to press alt and click on the stopwatch.

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If you are on the back you press option click on the stopwatch and I will link.

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Now using the clip to the slider control Heriot.

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Now notice carefully if I click out I will be using the x and y meaning horizontal and vertical link.

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I don't want that.

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I want this file to the second value over here to link it to the second value here so there is no change

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at all.

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And now if I click out and come and increase the slider here you are working pretty fine.

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And my slider the position is inside my template which is great.

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Let's put the slider at 0 and this is not good for us so we are going to move it not not is what's happening

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this guy is getting stuck at 100 we need to change the range.

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Now what I do here added arr. is not going to appear because of the resolution I'm using.

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So I would click on any strange and come over here.

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Notice how beautiful it is.

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You have a slight range from 0 to 1.

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So I can change the values here.

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I'll keep it Friday from 0 2.

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For example 1200.

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Remember your composition is 720 by 12.

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80 I think 1200 will do.

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I'll click OK.

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Now the slider over here will go from zero to the last value one thousand two hundred.

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Here you are over there and the slider is inside the next position.

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Actually now I have full control of the position the way I would like.

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And the editor the video natural that me.

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Tell me this text.

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I don't want it centered on a change in the composition.

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That's right.

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If it works ImpreMedia I would export save and say OK and I say OK.

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All right.

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Go to a premiere.

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I will delete this one for now and then come to Blob's come to the L.D. for me.

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Click on it.

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Drag and drop it over here.

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Select it and go to Edit.

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Here you are.

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You have the exposition and I'm sliding from zero till one thousand two hundred.

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You notice that the position is limited here.

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So it's up to you to make sure that your range is correct in after effects.

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Now I can position it let's say want to position over here.

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OK let's run and see exactly is it really raining.

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Here you are.

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OK it's happening now it's really happening because we have used the opacity intelligently we have used

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the opacity.

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So this method from after effect to use certain effect and to test if these efforts can come in your

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motion graphics template is very important.

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I can add here that if you come to your text and you can add the image here are some of them pretty

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hard to use but you can work with them.

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I challenge you to use the scale with the tragi together in one single animator so you can simulate

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the scale itself on a single line.

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This is a bit.

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Now if you really want it to succeed succeed in aftereffect.

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Never give up.

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Always try to find OK how can I combine all this affects the controls whatever I can find.

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So I can create what I want and this will lead you to create extraordinary animation and exploding effects.

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Thank you very much for listening.

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I'll see you in the next lecture.
