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So this is an animation that we are going to create now the concept here is like to have a follow through.

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So the pie chart and the background of it is following a ball or a point if you like.

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Of course it could be not all a bar or wherever you like.

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All kind of shape even a star.

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So let's start we create a new composition as usual and we are going to call it circle dash 4.

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OK guys.

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Beautiful we start by creating the background pi.

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So I'm gonna select the ellipse tool of course and just do a circle just over here.

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Best control room to center it.

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Remove the field when I want to work with the field.

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And this is too much maybe even make it 15 depending what you want.

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And so on.

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Okay guys you can choose the colors that you want or whatever you like.

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You know created according to your taste I'm just demonstrating to you so let's rename this layer and

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call it a PI background by Biggie.

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That will be background.

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Of course you want to immediately add the three path and in the dream path here I am going to move 10

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frames only.

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And a key frame the end a 0 percent and move another 10 frames or two one second if you like to put

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it at 100 percent.

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So I have this very simple image I want to create a ball or a point if you like it will be leading the

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background part.

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So make sure you select everything otherwise you will be creating some kind of masks and I'll select

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their lips dude come over and make sure I can see the tile action safe.

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Okay.

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And then I'm gonna come over here in the middle.

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Just create a small ball.

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I don't want any stroke to it but I want it to be filled.

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I will fill it with white so it's a bit small so I'm gonna go to the Ellipse of course and make it a

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bit bigger.

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Let's make it 35 or 40.

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Okay let's look at it.

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With the selection tool I would select my little ball and control room to put it in the middle.

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Over here I'm gonna zoom in select the and use shift up arrow to move it up so you'll notice I want

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to move it up a line to the center vertically here.

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And of course I want to zoom even more.

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Make sure that it's aligned on the stroke of the background which it is now we have created the first

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animation.

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So I'm gonna open the rotation here but I'm gonna adjust the anchor point to snap in the middle of the

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composition.

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So now notice how the ball is rotating.

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Now we want to link the ball to the end or the 3D path and animation.

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How do we do that.

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We already done this.

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We gonna just choose the big grip on the rotation of the shape layer and snap it to the end.

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Over here then open the rotation and we need to do some adjustment which is multiplying by three point

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six.

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Or if you like you can multiply by 360 divide the 100 which gives you the percentage in degrees.

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So you're converting some kind of percentage into a rotation percentage if you like to.

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Here you are.

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So now we have the nice animation.

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Here it is.

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You notice how the ball is leading let's call this ball for the background after creating this animation.

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I want to start creating the reel chart.

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So I'm gonna take both of them and culturally to duplicate them but not just how they are duplicated.

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So one is under the other and so I'm not really what I want.

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I'm gonna put it just over here.

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Now this is not the ball background anymore.

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This is the ball for the PI.

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And this one is the read by I'm gonna change the color to something just like this.

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Come over here.

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Copy this color.

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And come to the pie and change the stroke color control.

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Because I copied it from the other side.

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Put it over here and maybe and make it 30 a bit thicker.

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So my ball now is a bit small so I will come to the ball by and in the ellipse here.

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I'm gonna increase its size.

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Okay.

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All this.

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You know let's make it 60.

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I think it should be good.

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So if you notice here they're all coming at the same time.

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Let's do like this.

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I'm gonna press you to see the key frames and actually this is not what you want.

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Want to put them just in the beginning for these layers and then move these layers to one second.

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Here you are solid this.

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Now the animation the first ball will come in and then is followed by the other one.

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Let's make the other one a bit.

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Now notice what's happening.

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The ball for the PI is not working.

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It's following the previous one.

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If you have noticed so I'm gonna come to the rotation at press R and open the rotation here and you

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notice it's following the PI background.

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That's not exactly what I want.

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I will select it all and start writing by.

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Notice how it's already giving me the PI there is even by two here.

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So I'm gonna go for by the public click and click out and not just now it's coming over.

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OK.

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Very nice.

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We have a problem that the ball for the background should be above the pile.

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Here you are all the ball Pi.

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And now you have a very nice animation.

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Let's see it at 100 percent.

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And we move the dial action see if this select everything.

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And here you are.

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For the by itself let's put it out for example it is 80 percent.

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Something like this.

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So you have now a very nice animation where you have the leading pulse is pretty cool by the way and

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here you are.

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Now I'm going to show you another trick.

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I press El to twirl up all the layers that I'm gonna go to circle three and I have here the null the

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percent and the zero zero and I know they are linked to pi.

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Okay.

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The percent is linked to pi.

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So I'm gonna copy this these as controversy commencing on the mark.

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Come over here and just simply paste them.

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You notice that I did not get an error at all.

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And actually they're starting pretty cool let's move them over here so you're not this the reason why

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I didn't get any error because if you look in 0 0 press double eat you will not this is linked to the

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player Pi and I called it the same here.

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If the layers were different I would have had a narrower.

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Here you are.

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Let's take all these and put them in the middle.

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Okay.

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And you have your animation.

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Still one thing to do is to estimate this little ball over here.

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I'm gonna open scale and count to ten frames only.

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Shift page down and frame the scale at 100 percent.

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Go back and put it at zero.

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So not just now the animation is gonna go from the anchor point.

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So it's gonna scale up from the anchor point.

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Actually it's pretty slow.

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So when you start to overheat.

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Yes.

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Okay.

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So here you are.

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So you know this is going up now.

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Usually what you do here is you select all your layers and put the motion blur on.

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I haven't talked about the motion.

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And if you're not using sees it as a 19 please remember to enable motion blur for all layers with the

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motion blur switch when you put it on on the level of the composition you can see the motion blur pull

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off.

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You don't see it but in all cases when you render your video you will see the motion blur on the layers

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even if the motion blurred for the cup is off and put it on

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thank you guys.

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I hope this was a very useful come over here.

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I'm gonna take the ball for the PI and change its color just a bit lighter somehow it's gonna make a

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big difference.

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OK here you are

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yep it does make a difference.