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I Guys welcome to the second step of your challenge is about any meeting now before you watch this lecture.

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Please go ahead and start any meeting.

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Open the motion graphic dash challenge dash start that AP and then start any meeting guys consider that

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there is a million ways to animate these motion graphics project so the one I'm doing is just a simple

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example.

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You can go ahead.

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Make it better.

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Expand on it or even reduce it depending on your taste.

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So do whatever you like but it's important that all the layers here are ultimate goal.

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So let's start first thing.

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I don't need to anymore.

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First I don't need X to workspace.

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I will go back to the default and reset the default and close the library here.

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I don't like it.

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So I would select design to contradict duplicated and I press enter and call it and emit OK.

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You can call it any name you like.

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Now let's start animating distractingly and the mission is all about where you place the anchor point.

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It can make a lot of difference.

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Before we start creating any keyframe first we adjust the anchor point and you will decide exactly how

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you want your mission to go.

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The case of the stick then I'm thinking about slugging it in while it's being screwed up.

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Well that could be pretty selected open the scale then let's place the anchor point in the right place.

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A place why it's like the anchor point just click on it and drag if by shift it would go in a straight

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line control.

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It does not but I want to put it just over here.

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Now let's try the animation here.

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Of course you remove the chain link and it's right from over here.

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Well this seems a good animation from this piece.

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I do go to 20 frames.

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I'm going to use a lapse of 20 frames it would be OK then we retimed the I will click on the stopwatch

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to read the first keyframe come back to the beginning and put it at zero.

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The scale here we try on any mission now but it's working fine.

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Let's animate global warming.

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The point is overhead it's OK just to meet with the position I placed before the position.

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Best to jump to the next keyframe go to the beginning of the composition and with the selection tool.

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Just click and drag and put them outside.

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Well that will do for now.

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Notice the animation is very simple let's animate the two backgrounds over here.

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Select the top one and not the anchor point just in the middle of the layer and the bottom one the anchor

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point is also in the middle of the first.

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Adjust the anchor point for this guy take the anchor point.

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Just snap it over here.

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Good for this guy.

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I would just snap it just over here.

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If it's not working is you like jumping you can just press alt irruption on the mark and point where

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you want to zoom and just scroll the mass.

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This is quite good.

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Now you can see where the anchor point is snapping.

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Let's go back to 100 percent.

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Both background's I want to animate them with this kid.

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I would go for the section tool so both of them if you are best.

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As for the scale jump to the previous keyframe click on the stopwatch to create the keyframes.

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Go back to the beginning and simply remove the chain link and put it at 0.

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Here you are you're not Howard that limited.

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Well that's pretty cool.

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I put 0 here you are being animated very nicely.

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They come one after the other.

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That's not the only animation guys you can create much more than that.

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Now let's go for the three bars here.

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The entire point is in the middle.

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I wish that the anchor point tool could move the anchor point of relearns but actually it can go one

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layer at a time and if you click while having more than one selected it's not going to move.

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So I would have to select select the bar here and drag the anchor point to the bottom and I press control

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and it's not working so I need to zoom in again I'm showing you all the details here possible.

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Then come to the sky just over the select team the anchor point is your press control command on the

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map and just snap it to the bottom middle.

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OK and this guy also.

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I will just snap it to the middle button over here shift it.

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Go back to 100 percent so we have been right about me Jim and Bob left.

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We opened the scale of an emissions scale all the time.

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You go to the next keyframe click on the stopwatch to create the animation go back to the beginning

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and simply remove the chain link.

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Already done this and vertically now you want to take them to zero.

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Here you are.

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So you have a very nice animation just over here.

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Notice of course you need to sequestrate.

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You'll notice that the three decks over overhear the percentages have the anchor point at the bottom

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in the middle.

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Bottom line I would select the three of them and I want to animate them through the opacity that is

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T and then through the scale that is shift s and jump to the previous keyframe here click on the stopwatch

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for both properties come back to the beginning put the skills to zero not just how they are scaling

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down.

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It's much nicer to use the opacity or so put opacity to zero.

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Here you are you have a very nice animation.

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The three guys here I'm going to use opacity.

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So I pressed D to get opacity and I can keyframe it.

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Now that you know OK at the beginning here put the value to zero.

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OK.

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Jump to the next frame and put the value to 100 percent.

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OK I knew what I was doing.

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Here we are.

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Usually at a very nice animation.

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Now later on you would sequence it.

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Now these guys display here this enemy the top guy here.

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OK with the rotation open the rotation you're not just out of the rotation to 45 degrees.

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I did not rotate the ship because I want to see the 45 degrees here.

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Let's go to the next frame and frame it at 45 degrees.

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Come back to the beginning and scrub through.

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It is a very stupid mission like this.

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Let's take care of that.

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Good point.

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Click on it and Dragon and just not get to the border of the composition I'm using shift and control

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or commands on the Mac.

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So this guy has the ankle point over here.

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Now if you fiddle with the rotation not this is pretty cool.

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OK.

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So we can start from here I think minus 90 will be cool.

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And then you have a nice animation here.

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But unfortunately it's coming over everything to avoid this.

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I can just add this scale that would be shift as I will at keyframe the scale here at zero both.

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OK come to the next keyframe and make it 100 percent.

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Now the animation is a bit better where it doesn't climb over everything you can just adjust it or take

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it to the lower side.

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OK not this now is not going to come over and we think now I'm left with these two guys here.

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Well these guys you can intimidate them the way you would like and rotate them out or you can move them

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with the position.

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The nice way here I would like to do is using the position I would give from the position come back

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to the beginning gear and using the Selection to click on one of them drag and put it just outside.

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Good now I notice that you mention here it's cool but not that good at all.

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So the way I want to do it is when this is settled here I want them to be at the same position Sedlak

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both of them.

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Come to the alarm panel and just land.

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Notice it jumped in the middle.

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Since I can't grab them anymore I'm going to use this round just over here and put it just here.

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OK.

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That's for both of them.

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After some time here let's say then flames going to take the right one and just move it to the other

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position.

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So I'm trying to be creative.

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So to see but I want you to get used to this and try to be also creative.

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Nice.

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I like the animation.

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So actually we have animated already.

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Everything except the ancients here.

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Now the ancient is badly positioned I guess so we click on it just move it in the middle over here.

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OK let's do all the opacity it will look nicer.

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So we'll come to the previous keyframe and on the flamed opacity come back to the beginning.

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We put you here.

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Now we need to sequence them to make sense.

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So guys it's very easy to meet if you follow the method I'm showing you if you wanted to start guessing

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and playing around and so on is going to be hard.

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Please believe me now that you watched how I animated This is not the only one.

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Of course you can do a lot of other things.

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You can get the bars to come from top for example or skill them from the middle here.

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Any anything you want you can get the background to come from outside.

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Using the position this guy even to slided in a different way.

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So please come and play here.

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Is very important.

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So now that we completed the mission wanted to go to the next step and seek was the layers and make

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it you know much nicer.

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Thank you.

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I will see you in the next election.