1 00:00:01,480 --> 00:00:04,990 I hope guys in the previous two lectures were following along. 2 00:00:05,030 --> 00:00:11,790 And you designed as we have seen your graphics and you have animated your graphics. 3 00:00:11,870 --> 00:00:18,080 Now it's time to start sequencing meaning deciding what's going to come first and what's going to come 4 00:00:18,080 --> 00:00:18,610 last. 5 00:00:18,700 --> 00:00:19,020 OK. 6 00:00:19,010 --> 00:00:21,240 So let's stop the animation. 7 00:00:21,240 --> 00:00:23,750 We can see everything to sequence. 8 00:00:23,750 --> 00:00:30,970 Obviously you need to see the keyframes four or so to tweak the speed of the animation to see the frames. 9 00:00:30,970 --> 00:00:36,770 Of course you can turn it down and you can see the keyframes here maybe not so much. 10 00:00:36,810 --> 00:00:42,010 And again stories like this where there is a shortcut for that that is extremely useful. 11 00:00:42,260 --> 00:00:44,810 You select a layer and you press the key. 12 00:00:44,810 --> 00:00:48,790 You just you once had you are now. 13 00:00:48,860 --> 00:00:52,190 All the properties that have the frames are listed. 14 00:00:52,190 --> 00:00:57,190 And of course you can see the properties and the key frames if you press you again. 15 00:00:57,200 --> 00:01:02,290 Then it would close the properties that have keyframes that's very fine. 16 00:01:02,390 --> 00:01:03,520 But now you can do better. 17 00:01:03,530 --> 00:01:05,420 You can select all your layers. 18 00:01:05,510 --> 00:01:06,140 Here you are. 19 00:01:06,170 --> 00:01:12,850 I just created laser on all of them and press the Yuuki once again it's reclosed them. 20 00:01:12,950 --> 00:01:19,250 So you see all the properties that have keyframes and subsequently you'll see the keyframes of course 21 00:01:19,800 --> 00:01:22,760 fans say let's look at it carefully here. 22 00:01:22,820 --> 00:01:24,270 Why do you want to achieve. 23 00:01:24,320 --> 00:01:29,840 We want to for example the background appeared first then the graphic design motion graphics and web 24 00:01:29,840 --> 00:01:33,500 design text to appear later on after the background. 25 00:01:33,500 --> 00:01:39,430 Not really when the background has settled 100 percent but just before it sets. 26 00:01:39,500 --> 00:01:41,170 So how do you sequence your last. 27 00:01:41,340 --> 00:01:45,800 Sequence sequencing Golez is about moving your legs around in the timeline. 28 00:01:45,920 --> 00:01:49,180 Was that keyframes How do you do that. 29 00:01:49,250 --> 00:01:54,770 First make sure that you are in your selection tool and not in your prime behind tool. 30 00:01:55,040 --> 00:01:56,500 Is your selection tool. 31 00:01:56,540 --> 00:01:59,500 You can click on the layer and drag it. 32 00:01:59,510 --> 00:02:00,570 Here you are. 33 00:02:00,670 --> 00:02:01,340 You see how. 34 00:02:01,460 --> 00:02:04,850 So now you are delaying the layer to come in. 35 00:02:04,850 --> 00:02:08,240 For example now you are 27 frames. 36 00:02:08,240 --> 00:02:15,470 If you play your animation you will notice that this player we start printing after 27 OK at the beginning 37 00:02:15,470 --> 00:02:21,660 here is called The point of the ladder if you want to jump to the point of the left you press. 38 00:02:21,860 --> 00:02:26,620 And it's pretty important you would see there's this side that background. 39 00:02:26,620 --> 00:02:33,460 We wanted to come out at 10 Fame's only to know that you can start clicking on the time line indicator 40 00:02:33,490 --> 00:02:37,720 and taking it to 10 Fame's for example or simply come over here. 41 00:02:37,960 --> 00:02:44,530 And it's much easier you know it jumps to timeframes then you click on the background layer and you 42 00:02:44,530 --> 00:02:51,500 start looking at that and if you press the shift key then it will snap to the time line indicator call. 43 00:02:51,730 --> 00:02:54,660 So now we have the background delayed timeframes. 44 00:02:54,730 --> 00:02:55,600 That's not bad. 45 00:02:55,870 --> 00:03:00,070 Let's try now to sequence the web design motion and graphics. 46 00:03:00,070 --> 00:03:04,190 Let's say you wanted to come at 20 frames at 20 frames. 47 00:03:04,290 --> 00:03:11,500 I can select one and start dragging it or I can press shift select all of them or maybe one by one like 48 00:03:11,500 --> 00:03:15,590 this control or command on the map and click and drag. 49 00:03:15,730 --> 00:03:21,750 When I get to the timeline indicator or nearby I press shift they snap pretty quick as I look at our 50 00:03:21,890 --> 00:03:22,960 mission now. 51 00:03:22,960 --> 00:03:24,220 Very nice. 52 00:03:24,220 --> 00:03:26,850 Well a bit nice but now I have a slight problem here. 53 00:03:26,860 --> 00:03:30,240 Before I go on this animation it is too slow. 54 00:03:30,250 --> 00:03:32,220 How about if you make it speedier. 55 00:03:32,440 --> 00:03:36,810 Well there is one way to do it is to start moving the keyframes around. 56 00:03:36,880 --> 00:03:40,180 The best way is to reduce the distance in between keyframes. 57 00:03:40,180 --> 00:03:42,070 This is the visual distance. 58 00:03:42,160 --> 00:03:45,020 For example we click on one frame and you get in here. 59 00:03:45,190 --> 00:03:50,760 So you're not is what these are now is appearing or skinning up much before the rest of the animation 60 00:03:50,760 --> 00:03:51,900 is speedier. 61 00:03:52,090 --> 00:03:53,980 The animation has been delayed. 62 00:03:54,330 --> 00:04:00,460 Let's get it back here and let's select all our key flips to select all the keyframes the visible one 63 00:04:00,460 --> 00:04:01,050 at least. 64 00:04:01,150 --> 00:04:03,290 You click and drag and create al-Assal. 65 00:04:03,520 --> 00:04:10,210 Not this is selecting two key frames for example and all of them then you can click on one of them and 66 00:04:10,210 --> 00:04:12,690 decide to make it slow or speedy. 67 00:04:12,850 --> 00:04:14,830 Make it speedy just over here. 68 00:04:15,340 --> 00:04:19,660 You can work with damningly now and decide exactly I want them at timeframes. 69 00:04:19,660 --> 00:04:22,430 Let's go to the important press. 70 00:04:22,460 --> 00:04:31,150 I and I want to go plus 10 frames so our right plus time frames as simple as this and the timing to 71 00:04:31,150 --> 00:04:38,080 get that would jump Plus them friends from where it was then they select the keyframes again and go 72 00:04:38,080 --> 00:04:40,510 nearby the timeline indicate a press shift. 73 00:04:40,510 --> 00:04:41,460 It was not. 74 00:04:41,650 --> 00:04:44,100 Let's look at our animation now. 75 00:04:45,010 --> 00:04:50,060 You notice they became a bit speedier more speed will be even nicer. 76 00:04:51,150 --> 00:04:52,890 Zelalem tweaking it very easy. 77 00:04:53,000 --> 00:04:53,480 Fine. 78 00:04:53,700 --> 00:04:56,120 Well this is beautiful but not that beautiful. 79 00:04:56,340 --> 00:05:03,120 How about if you sequence more meaning we showed that graphics comes first then motion graphics then 80 00:05:03,290 --> 00:05:05,150 webdesign. 81 00:05:05,310 --> 00:05:10,930 So we leave the graphic design whatever it does then we take the motion graphics and push it in. 82 00:05:10,930 --> 00:05:15,050 Here you are not as there is a kind of snap back here to align your keyframes. 83 00:05:15,210 --> 00:05:18,570 And then we do the same for the first layer. 84 00:05:18,780 --> 00:05:20,600 And let's play our animation now. 85 00:05:21,700 --> 00:05:26,620 Here you are actually it became a very nice mission. 86 00:05:26,690 --> 00:05:32,690 Another option I want to show you here or a switch is the marshmallows which this is the motion blur 87 00:05:32,810 --> 00:05:40,800 which is simulate shutter duration so you can add a motion blur to a layer but it won't be visible until 88 00:05:40,800 --> 00:05:43,710 you enable the preview was in the composition. 89 00:05:43,710 --> 00:05:51,600 This one will only enable the preview will not add blur to any layer the added from here and you enable 90 00:05:51,600 --> 00:05:55,560 it from the composition now is now the motion blur. 91 00:05:55,770 --> 00:05:57,160 OK look at this layer. 92 00:05:57,270 --> 00:05:58,980 You notice what design now. 93 00:05:58,980 --> 00:06:01,480 It has motion blur because it's appearing. 94 00:06:01,650 --> 00:06:07,400 If you remove motion blur it will be just like this arcade very stick with motion blur. 95 00:06:07,500 --> 00:06:13,710 It's like a fast car when you're taking a really slow motion blur can be applied to all layers and to 96 00:06:13,710 --> 00:06:18,000 preview it over here you need to enable it in the composition. 97 00:06:18,020 --> 00:06:18,630 Good guys. 98 00:06:18,690 --> 00:06:20,820 If I disable it it will go away. 99 00:06:20,850 --> 00:06:23,040 That's for the purposes of speed. 100 00:06:23,100 --> 00:06:29,740 Sometimes you might be blurring some very complicated animation and you don't want to see it you know 101 00:06:29,760 --> 00:06:31,570 the effect you just put it off. 102 00:06:31,660 --> 00:06:39,090 I want to see it you put it on and it's visible but when you create your video if motion blur is checked 103 00:06:39,180 --> 00:06:42,560 on it later it will be shown in the video. 104 00:06:42,570 --> 00:06:45,250 So this is just for the matter of a preview. 105 00:06:45,260 --> 00:06:45,600 Good. 106 00:06:45,600 --> 00:06:47,290 So I want animation now. 107 00:06:47,310 --> 00:06:49,290 And look at the effect of the motion blur. 108 00:06:49,500 --> 00:06:50,870 Much nicer. 109 00:06:50,970 --> 00:06:53,030 You know these guys I'll show you. 110 00:06:53,280 --> 00:06:53,650 OK. 111 00:06:53,660 --> 00:07:01,670 You notice how the rectangle is with motion blurred here and over here the text coming with motion blur. 112 00:07:01,690 --> 00:07:09,720 So this is an option that maybe you use all the time it's very nice and it give you this effect of shut. 113 00:07:09,840 --> 00:07:14,880 Now you are very able to create lots of motion graphics on your videos and images. 114 00:07:14,970 --> 00:07:19,950 So please come to aftereffects and start training and I will see you in the next lecture.