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Guys will come to this new lecture it is very important that you learn every control and its effect

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and then learn how to combine all the controls so you can get exactly the effect that you want.

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For me to show you just how to plot figures and do a circle and so on.

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It's nice.

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Pretty nice but it's not useful for you.

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What I want really is for you to learn exactly how to manipulate the controls.

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And this is why in this lecture we continue digging in the controls.

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Now these lines that you see here they are called bands according to these effects.

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Of course you can increase the number of bands by coming to the frequency bands and increasing this

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number.

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So now you have more bands or more lions coming up to the point where it can really feel it at 100 percent

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and you have a small ship.

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Now this is colossal.

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This you can use and it has this effect is has is used mainly if used modes.

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On top of or on top of a graphic it can give you something very nice.

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I would take down the frequency band.

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Let's go back to 90 for example.

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That's much better.

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Now also you know this is going very frantically.

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I mean they are so speedy how to slow them down.

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Well the first option is for you to go to MP 3 and start messing with the time.

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That's a good option but there is a better one you can come to the audio duration millisecond the order

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duration is how long a band will stay on the screen before it changes its shape.

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It's very easy if you increase it then the bands will stay longer on your screen or in your cup.

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Not just now they are smoother.

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So the men would start and end and move to another frequency.

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For example in our case 510 milliseconds which is almost half a second goal you can take it down let's

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say here.

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That's not bad.

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I will put it at 450.

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I like this figure what do you think.

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Yeah it's good.

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It's not too fast not too slow.

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Let's look at the audio offset.

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In case you want to offset meaning to start differently from the timeline let's say the time line.

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It was one second over here and you got two MP three sound.

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See I don't want to start at one second.

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I want to start for example at 3 seconds.

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Then you can offset in your letter here.

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You can say OK set it is 1000 or 1.4 seconds.

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This one put four seconds and then it will start just after the time line.

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1.4 seconds.

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Well this is good because sometimes you don't like what's appearing on the screen you really want to

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start from somewhere else or end somewhere.

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So you will use the audio offset.

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Now let's look at a thickness thickness with just a thick in the bends.

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Here you are.

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It's very easy.

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And that's what happens.

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Now they are totally overlapping.

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You notice how they're overlapping you can move around get something as you notice here.

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They are almost overlapping and I want them to overlap.

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This is the softness off of the bands.

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If you take it to zero they're completely not soft.

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And also there is the border or the stroke has been eliminated to not have a stroke see that.

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So this is the inside collar and this is the outside collar the outside collar is the stroke you could

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call it that I would take back is to 50 foot seven whatever.

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Now let's look at cholas.

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You have the inside collar and you have the outside.

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Let's make it obvious.

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That's the outside color.

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Let's take the softness to zero.

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It should be very obvious for you.

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And this is a nice animation also.

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And you can get a lot of things mainly if you add more effects.

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Called this being said let's move to blend overlapping colors you know to see if I take the thickness

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up.

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They are really overlapping on each other.

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If you say blend they're going to blend.

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See what's happening here.

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It has blended one on top of the other Actually the nimbler and they just came in sequins on top of

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each other.

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If you remove blend they come coming like next to each other and that eliminating each other is just

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a perception.

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Good.

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I'm going to leave it to bland.

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I like the blend here.

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Now this is the most fantastic things.

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This is how you entered politian you went up polishing meaning you are going to change the hue of the

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whole spectrum here.

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Now this is some kind of rotation.

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You can rotate it.

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It could be of value and that is how the colors are changing.

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I can go further.

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I have one second now or one for rotation and it is very good.

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How do you know how to change these things.

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Let's go to the inside color and within the inside color here let's come to saturation.

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It's give you a better way if I change here not just how the colors are changing.

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And it's pretty impressive and pretty easy also for you to find out which colors you want and where

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you want them depending on how you said later on the dynamic of your face.

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Here you are let's say let's put it over here.

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It's actually by putting the blend overlapping colors and playing with the you you'll have totally different

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design.

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Now when you come to dynamic you face I would like you to look for example over here.

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So you notice the colors here.

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If I remove that you then these colors will not change.

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Not just now they are staying where they are this is still yellow.

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It didn't change.

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And if you move even it didn't change at all and you move more.

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It didn't change.

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But when you put dynamic you face it means you are animating you and you are using the interpellation.

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So the colors are going to change.

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Let's look over here.

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It's yellow.

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If you move it's becoming blue or some other color and it's using the rotation here all the hue interpellation

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to give you these colors.

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Now you'll notice also something else not is that this color is equal to this color over here if you

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can make them bigger.

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Will be nice.

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Let's give them more height so we can see them better.

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OK.

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If you want to see the first color or the beginning color is equal to the end.

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This is we have color symmetry.

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If you remove color symmetry then there are no more identical It means that it is not rotating all the

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way just giving you a color over here and another color over here.

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It depends on what you want to do.

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You can put color symmetry or not.

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I prefer not to put color symmetry sometimes and sometimes I need it.

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If I'm wrapping this are the circle rectangle if I need the start point to connect with the stop power

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animation over here in the next lecture we are going to see about the remaining controls that display

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options side options and duration and Capozzi.

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And also we'll go back to path and how to use the polar path.

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Thank you very much for listening.

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I'll see you in the next lecture.