Guys will come to this new lecture it is very important that you learn every control and its effect
and then learn how to combine all the controls so you can get exactly the effect that you want.
For me to show you just how to plot figures and do a circle and so on.
It's nice.
Pretty nice but it's not useful for you.
What I want really is for you to learn exactly how to manipulate the controls.
And this is why in this lecture we continue digging in the controls.
Now these lines that you see here they are called bands according to these effects.
Of course you can increase the number of bands by coming to the frequency bands and increasing this
number.
So now you have more bands or more lions coming up to the point where it can really feel it at 100 percent
and you have a small ship.
Now this is colossal.
This you can use and it has this effect is has is used mainly if used modes.
On top of or on top of a graphic it can give you something very nice.
I would take down the frequency band.
Let's go back to 90 for example.
That's much better.
Now also you know this is going very frantically.
I mean they are so speedy how to slow them down.
Well the first option is for you to go to MP 3 and start messing with the time.
That's a good option but there is a better one you can come to the audio duration millisecond the order
duration is how long a band will stay on the screen before it changes its shape.
It's very easy if you increase it then the bands will stay longer on your screen or in your cup.
Not just now they are smoother.
So the men would start and end and move to another frequency.
For example in our case 510 milliseconds which is almost half a second goal you can take it down let's
say here.
That's not bad.
I will put it at 450.
I like this figure what do you think.
Yeah it's good.
It's not too fast not too slow.
Let's look at the audio offset.
In case you want to offset meaning to start differently from the timeline let's say the time line.
It was one second over here and you got two MP three sound.
See I don't want to start at one second.
I want to start for example at 3 seconds.
Then you can offset in your letter here.
You can say OK set it is 1000 or 1.4 seconds.
This one put four seconds and then it will start just after the time line.
1.4 seconds.
Well this is good because sometimes you don't like what's appearing on the screen you really want to
start from somewhere else or end somewhere.
So you will use the audio offset.
Now let's look at a thickness thickness with just a thick in the bends.
Here you are.
It's very easy.
And that's what happens.
Now they are totally overlapping.
You notice how they're overlapping you can move around get something as you notice here.
They are almost overlapping and I want them to overlap.
This is the softness off of the bands.
If you take it to zero they're completely not soft.
And also there is the border or the stroke has been eliminated to not have a stroke see that.
So this is the inside collar and this is the outside collar the outside collar is the stroke you could
call it that I would take back is to 50 foot seven whatever.
Now let's look at cholas.
You have the inside collar and you have the outside.
Let's make it obvious.
That's the outside color.
Let's take the softness to zero.
It should be very obvious for you.
And this is a nice animation also.
And you can get a lot of things mainly if you add more effects.
Called this being said let's move to blend overlapping colors you know to see if I take the thickness
up.
They are really overlapping on each other.
If you say blend they're going to blend.
See what's happening here.
It has blended one on top of the other Actually the nimbler and they just came in sequins on top of
each other.
If you remove blend they come coming like next to each other and that eliminating each other is just
a perception.
Good.
I'm going to leave it to bland.
I like the blend here.
Now this is the most fantastic things.
This is how you entered politian you went up polishing meaning you are going to change the hue of the
whole spectrum here.
Now this is some kind of rotation.
You can rotate it.
It could be of value and that is how the colors are changing.
I can go further.
I have one second now or one for rotation and it is very good.
How do you know how to change these things.
Let's go to the inside color and within the inside color here let's come to saturation.
It's give you a better way if I change here not just how the colors are changing.
And it's pretty impressive and pretty easy also for you to find out which colors you want and where
you want them depending on how you said later on the dynamic of your face.
Here you are let's say let's put it over here.
It's actually by putting the blend overlapping colors and playing with the you you'll have totally different
design.
Now when you come to dynamic you face I would like you to look for example over here.
So you notice the colors here.
If I remove that you then these colors will not change.
Not just now they are staying where they are this is still yellow.
It didn't change.
And if you move even it didn't change at all and you move more.
It didn't change.
But when you put dynamic you face it means you are animating you and you are using the interpellation.
So the colors are going to change.
Let's look over here.
It's yellow.
If you move it's becoming blue or some other color and it's using the rotation here all the hue interpellation
to give you these colors.
Now you'll notice also something else not is that this color is equal to this color over here if you
can make them bigger.
Will be nice.
Let's give them more height so we can see them better.
OK.
If you want to see the first color or the beginning color is equal to the end.
This is we have color symmetry.
If you remove color symmetry then there are no more identical It means that it is not rotating all the
way just giving you a color over here and another color over here.
It depends on what you want to do.
You can put color symmetry or not.
I prefer not to put color symmetry sometimes and sometimes I need it.
If I'm wrapping this are the circle rectangle if I need the start point to connect with the stop power
animation over here in the next lecture we are going to see about the remaining controls that display
options side options and duration and Capozzi.
And also we'll go back to path and how to use the polar path.
Thank you very much for listening.
I'll see you in the next lecture.