Guys this is live as you are from a school online that come and I hope you're enjoying the audio spectrum
and you're enjoying visual effects in aftereffects and trying to demonstrate a lot you.
Unfortunately I cannot give you an exact size for each one of them.
I can do a project for each type of animation or a control within the audio spectrum you need to to
work it out yourself.
You need to come up and be certain projects and the composite on your videos composite on your own motion
graphics.
Now in this lecture incipit focus on news aborad path to that.
I want to reset.
So we have absolutely nothing.
And I want to use Of course the emptily sound.
I want to check use a path now not just what happened here.
The line disappeared.
Actually the line did not disappear.
It just wrapped around the start.
This is a start.
Notice how the values here are changing.
And the end became totally useless and now doesn't work.
Wherever you put it.
So that's pretty interesting.
But we have two small lines coming up.
Let's see what you can do with the starter frequency.
I'm going to give you a very obvious example.
I'll put the frequency to one put at the end the frequency to 1.
So actually I have nothing left because the maximum height is too small.
That's one I'm going to make it as big as possible to 32000.
But what is important here is to play with the audio duration.
I don't make it 30 just 30 and I will play the animation.
No that's exactly what's happening.
You have a flashing circle with lines.
Please guys.
Can you imagine what you can do with that.
If it does this is disco scene it if it is I don't know a transition.
Anything you can think about.
You know when you have more of a subject it'll be easier to play with.
Then stop the animation at 5 second place and overhear and we play it again so we have it's almost completely
random.
Look at the speed it's working with Maudling.
Is it the order duration.
More you will have not just a bouncing circle.
Or the lines.
Let's come and see it blend and we give it to you.
Maybe a big huge something like this.
Here you are.
We don't want color symmetry and you're creating something that is pretty impressive just using a simple
as that.
And since you have learned everything about it becomes very easy and there is another magical thing
that I would like to show you also.
I am going to put the end the frequency to 500 OK and that we are OK here let me show you something
pretty magical if I keyframe the start the frequency and the end the frequency here come to the letter.
Bless you I see the keyframes come after 5 seconds and as simple as this.
I'm going to take the study frequency make it 500 and the nth frequency make it one.
So I would like you to notice what's happening here.
OK that's important for me that you notice the colors are very beautiful.
If you scrub through your timeline you'll notice that the color is moving to the right because you have
inverted or inversed the values.
And here you have it.
On the other side and that is what's happening in between here.
When the values are here we are two sixty eight and 2:32 they're almost equal.
And it's coming to the other side.
So what can you do with this guy.
I do a lot of animations with this one.
Sometimes when I need to have this craziness for music videos or composite did I lose the modes on top
of it.
It's pretty interesting a bit about what is interesting here.
Also let's come to 2.5 seconds I think and you will notice that almost equal.
And here you are.
You see the shapes this read used to do or you do racialists make it just 30 and not just now you have
to try something different.
If you play now you have something different.
So notice how the audio duration is really affecting the shape itself.
You can now reduce maybe the height a bit or a lot if you play it.
You have a totally magnificent animation that you can really use.
It's not the butterfly it's not a flower but compositing over videos is pretty interesting.
Let's do something else.
We have seen a one by one I think.
And if you play it you have this flashing circle.
That's very nice.
I will cancel the keyframes here just to make it one by one.
I am going to change from digital to analog line and increase the thickness just to show you what you
can do.
Just don't take it at face value guys.
You need really to dig into every single effect that you'll meet.
Here you are.
Now if I play it not as that I'm having a research I know you're seeing many circles and I'm seeing
lots of Zucker's.
But actually it's just one circle.
And because the older generation is pretty small at 30 we see as if we had a similar focus.
But if I use a page down to move frame by frame it's actually one single circle.
You know what's happening here and present page down and is moving very randomly according to the frequency
and the wave form of the sound.
So there's another line if you go to dots and make it a bit smaller nothing will change much except
you have dots here you are less eliminate the softness.
And if you play it now you have the same effect of a circuit.
Let's say now we give it 500 by 500 just randomly playing it and you have the same almost.
But now it has changed the kind of size it's using.
So a lot is what you give them the same frequencies and we have a perfect circle somehow.
Let's take this one to one and it's up to you to play with it.
We've come to use Bollaert path.
I know that these kind of animations will be very useful for you to create some extraordinary effects.
Sorry we cannot do a project together on this one is going to take long but you already know about use
for a bath and a virtue.
Please use your imagination and dig in.
I didn't do much here.
I just been aggressive while I put five hundred of them equal and move all the other controls.
Tried to find something that will work.
Thank you very much for listing in the next lecture.
We are going to get serious and build the first project and we are going to use the back.
See you then.