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Guys this is live as you are from a school online that come and I hope you're enjoying the audio spectrum

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and you're enjoying visual effects in aftereffects and trying to demonstrate a lot you.

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Unfortunately I cannot give you an exact size for each one of them.

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I can do a project for each type of animation or a control within the audio spectrum you need to to

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work it out yourself.

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You need to come up and be certain projects and the composite on your videos composite on your own motion

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graphics.

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Now in this lecture incipit focus on news aborad path to that.

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I want to reset.

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So we have absolutely nothing.

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And I want to use Of course the emptily sound.

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I want to check use a path now not just what happened here.

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The line disappeared.

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Actually the line did not disappear.

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It just wrapped around the start.

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This is a start.

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Notice how the values here are changing.

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And the end became totally useless and now doesn't work.

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Wherever you put it.

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So that's pretty interesting.

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But we have two small lines coming up.

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Let's see what you can do with the starter frequency.

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I'm going to give you a very obvious example.

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I'll put the frequency to one put at the end the frequency to 1.

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So actually I have nothing left because the maximum height is too small.

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That's one I'm going to make it as big as possible to 32000.

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But what is important here is to play with the audio duration.

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I don't make it 30 just 30 and I will play the animation.

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No that's exactly what's happening.

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You have a flashing circle with lines.

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Please guys.

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Can you imagine what you can do with that.

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If it does this is disco scene it if it is I don't know a transition.

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Anything you can think about.

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You know when you have more of a subject it'll be easier to play with.

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Then stop the animation at 5 second place and overhear and we play it again so we have it's almost completely

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random.

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Look at the speed it's working with Maudling.

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Is it the order duration.

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More you will have not just a bouncing circle.

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Or the lines.

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Let's come and see it blend and we give it to you.

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Maybe a big huge something like this.

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Here you are.

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We don't want color symmetry and you're creating something that is pretty impressive just using a simple

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as that.

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And since you have learned everything about it becomes very easy and there is another magical thing

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that I would like to show you also.

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I am going to put the end the frequency to 500 OK and that we are OK here let me show you something

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pretty magical if I keyframe the start the frequency and the end the frequency here come to the letter.

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Bless you I see the keyframes come after 5 seconds and as simple as this.

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I'm going to take the study frequency make it 500 and the nth frequency make it one.

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So I would like you to notice what's happening here.

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OK that's important for me that you notice the colors are very beautiful.

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If you scrub through your timeline you'll notice that the color is moving to the right because you have

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inverted or inversed the values.

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And here you have it.

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On the other side and that is what's happening in between here.

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When the values are here we are two sixty eight and 2:32 they're almost equal.

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And it's coming to the other side.

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So what can you do with this guy.

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I do a lot of animations with this one.

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Sometimes when I need to have this craziness for music videos or composite did I lose the modes on top

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of it.

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It's pretty interesting a bit about what is interesting here.

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Also let's come to 2.5 seconds I think and you will notice that almost equal.

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And here you are.

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You see the shapes this read used to do or you do racialists make it just 30 and not just now you have

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to try something different.

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If you play now you have something different.

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So notice how the audio duration is really affecting the shape itself.

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You can now reduce maybe the height a bit or a lot if you play it.

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You have a totally magnificent animation that you can really use.

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It's not the butterfly it's not a flower but compositing over videos is pretty interesting.

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Let's do something else.

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We have seen a one by one I think.

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And if you play it you have this flashing circle.

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That's very nice.

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I will cancel the keyframes here just to make it one by one.

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I am going to change from digital to analog line and increase the thickness just to show you what you

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can do.

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Just don't take it at face value guys.

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You need really to dig into every single effect that you'll meet.

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Here you are.

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Now if I play it not as that I'm having a research I know you're seeing many circles and I'm seeing

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lots of Zucker's.

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But actually it's just one circle.

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And because the older generation is pretty small at 30 we see as if we had a similar focus.

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But if I use a page down to move frame by frame it's actually one single circle.

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You know what's happening here and present page down and is moving very randomly according to the frequency

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and the wave form of the sound.

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So there's another line if you go to dots and make it a bit smaller nothing will change much except

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you have dots here you are less eliminate the softness.

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And if you play it now you have the same effect of a circuit.

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Let's say now we give it 500 by 500 just randomly playing it and you have the same almost.

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But now it has changed the kind of size it's using.

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So a lot is what you give them the same frequencies and we have a perfect circle somehow.

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Let's take this one to one and it's up to you to play with it.

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We've come to use Bollaert path.

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I know that these kind of animations will be very useful for you to create some extraordinary effects.

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Sorry we cannot do a project together on this one is going to take long but you already know about use

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for a bath and a virtue.

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Please use your imagination and dig in.

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I didn't do much here.

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I just been aggressive while I put five hundred of them equal and move all the other controls.

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Tried to find something that will work.

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Thank you very much for listing in the next lecture.

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We are going to get serious and build the first project and we are going to use the back.

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See you then.