1 00:00:00,300 --> 00:00:01,030 I guys. 2 00:00:01,030 --> 00:00:06,510 And welcome to this new lecture about radiowaves and this time we are going to learn about the wave 3 00:00:06,530 --> 00:00:07,840 type mask. 4 00:00:07,910 --> 00:00:09,200 It's going to be very interesting. 5 00:00:09,200 --> 00:00:14,890 And you really can create some really nice waves and some earth movement if you like anything. 6 00:00:14,900 --> 00:00:16,280 It's really very practical. 7 00:00:16,290 --> 00:00:19,080 If you master it and learn how to use it very well. 8 00:00:19,490 --> 00:00:23,610 Let's start with create our first composition 1920 by 10. 9 00:00:23,630 --> 00:00:25,670 Ten seconds will do good. 10 00:00:25,760 --> 00:00:29,580 Of course we need to create our new solid layer that's done. 11 00:00:29,870 --> 00:00:36,900 I hope you are reading and this is me and we take the radio wave and drop it on the Salida now by default. 12 00:00:36,950 --> 00:00:38,750 It's set to Polygon. 13 00:00:39,170 --> 00:00:45,110 And if you change that to mask what you want to work on you notice that the polygon controls have been 14 00:00:45,120 --> 00:00:48,700 upgraded and the mask control has been turned down. 15 00:00:48,740 --> 00:00:50,320 Now we needed to choose the mask. 16 00:00:50,330 --> 00:00:56,990 Of course we let's not that we have a solid layer on which we have put the radio waves so obviously 17 00:00:56,990 --> 00:00:59,630 is looking for a mask within the solid there. 18 00:00:59,840 --> 00:01:05,700 So you don't create your mask on another solid lead on something else you created on this Saturday. 19 00:01:05,990 --> 00:01:11,230 Let's do that let's come to two seconds here and start throwing our mask. 20 00:01:11,270 --> 00:01:12,830 We click and drag. 21 00:01:12,900 --> 00:01:20,350 I would create a nice beautiful mask as much as I can as beautiful as I can in fact. 22 00:01:20,540 --> 00:01:24,490 So this is our mosque and now still nothing is working. 23 00:01:24,500 --> 00:01:29,320 We need to go to the mosque and specify that we want a mosque one. 24 00:01:29,600 --> 00:01:30,260 Here we are. 25 00:01:30,320 --> 00:01:37,600 If we play now our animation unit is that the radiowaves have taken the shape of the mosque and they 26 00:01:37,670 --> 00:01:40,790 coming out somehow within the center. 27 00:01:41,120 --> 00:01:42,650 Let's notice a few things here. 28 00:01:42,650 --> 00:01:44,080 I'm going to show you a few things. 29 00:01:44,090 --> 00:01:49,270 First of all I have the anchor point of the lead in the middle of the composition for that Bidlake on 30 00:01:49,310 --> 00:01:55,310 the mosque is that the center of the mosque or the anchor point of the mosque if you like is not really 31 00:01:55,310 --> 00:01:58,080 on top of the anchor point of the laya. 32 00:01:58,480 --> 00:02:05,120 A press conference and we get our rulers we click on our layer and let's determine exactly where is 33 00:02:05,120 --> 00:02:09,690 our anchor on just to make it very easy and very visual. 34 00:02:09,740 --> 00:02:12,340 Let's say it's over here right now. 35 00:02:12,410 --> 00:02:17,770 If you take your mask and double click on it you need to move it like in the middle. 36 00:02:17,800 --> 00:02:19,440 So that's what's happening here. 37 00:02:19,460 --> 00:02:29,450 If I move the mask it's like the waves are going from the producer point towards the center of the mask. 38 00:02:29,480 --> 00:02:31,100 This Pejic All right guys. 39 00:02:31,100 --> 00:02:33,190 So now you have something different. 40 00:02:33,260 --> 00:02:34,170 Let's play it. 41 00:02:34,250 --> 00:02:40,150 Now it seems they're coming from the center point towards the center of the mask. 42 00:02:40,250 --> 00:02:41,110 Is that true. 43 00:02:41,420 --> 00:02:45,330 Let's take the producers just put it over here and say over here. 44 00:02:45,590 --> 00:02:49,780 Now they still seem that coming towards the center of the mosque. 45 00:02:49,850 --> 00:02:52,400 But let's take the central point down. 46 00:02:52,660 --> 00:02:55,280 Now they're going in a certain direction. 47 00:02:55,280 --> 00:02:59,060 Now what they find is that action is very interesting. 48 00:02:59,120 --> 00:03:06,410 We just marked the anchor point of the letter itself that the center of the layer and not this we have 49 00:03:06,500 --> 00:03:09,190 the center of the mosque itself. 50 00:03:09,230 --> 00:03:14,930 So there is this direction from the anchor point towards the center of the mosque and that's exactly 51 00:03:14,930 --> 00:03:15,680 what's happening here. 52 00:03:15,680 --> 00:03:23,090 The waves are coming out from the producer and going in the same direction as the anchor point and the 53 00:03:23,150 --> 00:03:25,310 center of the mosque itself. 54 00:03:25,310 --> 00:03:27,940 If you put it up you're not in the direction here. 55 00:03:28,040 --> 00:03:29,710 And you know the direction here. 56 00:03:29,900 --> 00:03:35,960 So one trick that happens all the time is that people withdraw in Moscow somewhere and start moving 57 00:03:35,960 --> 00:03:36,160 it. 58 00:03:36,170 --> 00:03:41,740 I'm wondering why is going in this direction and it's not opening parallel to the center. 59 00:03:41,930 --> 00:03:49,430 That is because as we said the anchor point of the lead and the center of the mosque will determine 60 00:03:49,430 --> 00:03:52,160 the direction of the waves. 61 00:03:52,310 --> 00:03:59,030 Then you can take your producer and just put it anywhere you like and they're still doing the same. 62 00:03:59,090 --> 00:04:00,290 That's pretty cool. 63 00:04:00,320 --> 00:04:01,020 You can move in. 64 00:04:01,070 --> 00:04:07,560 But if you want the waves to not be like this you can just move your mask. 65 00:04:07,580 --> 00:04:09,710 I would double click on it. 66 00:04:09,710 --> 00:04:13,850 And when you move your mask everything comes differently now. 67 00:04:13,910 --> 00:04:20,360 I'll put it back in the middle and I will come and edit the mask I press enter and then shift the click. 68 00:04:20,390 --> 00:04:22,030 I will be able to edit the mask. 69 00:04:22,040 --> 00:04:24,520 Now look how beautiful it is. 70 00:04:24,560 --> 00:04:30,060 Let's take the center point the producer point and put it in the middle also. 71 00:04:30,130 --> 00:04:31,150 OK. 72 00:04:31,250 --> 00:04:35,960 And then we can click on the mask again and start playing with the waves. 73 00:04:35,960 --> 00:04:39,850 Let's have some more whiz by using the frequency. 74 00:04:40,340 --> 00:04:45,390 And I want to show you how beautiful it could be if you play around quite nicely with it. 75 00:04:45,420 --> 00:04:48,320 And these handles are pretty practical. 76 00:04:48,320 --> 00:04:55,010 Of course you could have created some kind of other mask with the circle or rectangle or anything you 77 00:04:55,010 --> 00:04:56,690 want but not is what's happening. 78 00:04:56,870 --> 00:05:05,450 The ships itself is a very nice you know that aftereffects has created this mask just to make sure that 79 00:05:05,450 --> 00:05:13,280 we can play with certain plans or levels or you know earth waves or water waves and lots of other stories 80 00:05:13,280 --> 00:05:16,480 yet you can use it in motion graphic let's play our animation now. 81 00:05:16,590 --> 00:05:18,730 And we notice we have something very beautiful. 82 00:05:18,850 --> 00:05:24,740 So I showed you about the direction between the anchor point and the center of the mask and the producer 83 00:05:24,740 --> 00:05:30,410 both have to play with them in the next lecture area and we are going to create a simple animation where 84 00:05:30,410 --> 00:05:36,210 we will use this as is feared and try to have some waves coming out from the earth. 85 00:05:36,320 --> 00:05:38,050 Thank you very much for listening. 86 00:05:38,060 --> 00:05:39,520 I hope you got masks. 87 00:05:39,530 --> 00:05:44,750 Of course you can come and play with the controls other controls and create some fantastic any emissions 88 00:05:44,750 --> 00:05:48,030 here and at composite them on top of your videos. 89 00:05:48,050 --> 00:05:49,800 I will see you in the next lecture.