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Hi guys I hope you're doing very well with discourse and you really enjoyed the spotlight lectures that

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we had before.

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Now you notice we covered a lot in the spotlight.

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We have covered everything when it comes to the light the light only the light and the light channel.

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Now we want to cover the gel.

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The gel in concept will operate exactly as the light options with one single major difference.

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And we are going to see what is this difference and how to handle it.

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Let's start let's create a new composition from our project panel.

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We come to create new camp.

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We call it spotlight.

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Gen. we are OK with 19:20 by 10 A-T and we take 30 frames per second whatever.

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Here is OK we're doing just graphics.

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As long as our videos are working fine and we click OK fine.

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In spotlight gel I will take the Las Vegas and drop it inside the composition.

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We take the spotlight and we drop it immediately.

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I will change from light cello to for example gel and we are going to work on the gel only.

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I will show you lots of examples if you want to apply gel shadow or gel only it's the same concept as

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a light only a light.

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So we go for jet.

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Now you know there's something in the timeline over here.

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I will eliminate this one and even the second one that's not is that if you play the video the light

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itself is our video because in the gel layer there is a Las Vegas video.

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So actually what's happening here.

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The light is coming from the gel layer.

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Just it makes sense to create a new gel layer.

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In our case here being in the same video it doesn't make sense at all.

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So let's go back to our project and create a new composition.

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We are going to college and that will be our jail or our light.

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So here we have an empty composition.

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First thing I want to do for example let's fill it with something less try to create a new solid and

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give it yellow color is OK.

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Make it the cup size.

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We click OK.

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Let's go back to our spotlight gel and go back to the effect itself to be able to choose here.

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The come gel the come gel has to be within the composition.

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So we go back to our project and we take the gel camp and drop it in.

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There is no need even to have it visible just pull it off.

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Good guys.

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Now we go back to Las Vegas.

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Hey Izzy go back to the control and from here.

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Choose.

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You not this you had to drop it in a bit over here.

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Now as soon as I put gel with gel I already have the gel Champa as my spotlight and this very interesting.

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If you come for example to intensity this is the same as the light ad and you have the height and you

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have of course the corn.

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But now there is a problem if you notice these lines if you want to eliminate these lines you're not

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very happy.

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You want your life to be pretty nice what you can do is to come to gel.

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Just select the solid layer and DoubleClick when you double click.

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Of course you have created the mask.

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Let's say that there are a mask over here let's double doubleclick on the mask so we can make it smaller

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and we just stretch it in less control and shift and make it smaller.

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I will come to the mosque further and further as much as possible.

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OK that's enough.

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Let's go to the spotlight.

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And here you are you have now a different kind of light.

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So you notice whatever you put in the gel composition you will have it as light if you choose it in

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the jet layer.

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As simple as this.

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Of course you can have the intensity now you can play with the cone angle and you can play maybe with

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the height a bit not much.

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That's what's happening.

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It is going to disappear.

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This is because of the intensity.

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We need to change it.

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So we'll call now we have our flight the way we want.

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That's pretty beautiful by the way.

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But let's make it more beautiful.

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Let's come to the jail over here.

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DoubleClick on the gel layer.

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And actually remove the mask with the mask.

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So we have the let's create some other kind of masks.

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Let's take the Arab stool and create one circle over here I'll just press barabar to put it in the right

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position.

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Then let's take again and put another circle press shift to make it to circle I will press the spacebar

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to bring it in shift.

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I have them over the phone.

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Of course these are mosques and it's gonna to be a bit hard to animate them yet you can use your selection

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to click on them and just position them anywhere you want the same you can do to this one and position

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it just over the goal let's go to the spotlight and you'll have your two lights or your two masks in

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form of your lights.

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Now look how funny it is.

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They are moving the same way.

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If we come over here we for example increase the cone and we can increase the height.

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The way you like reduce the intensity.

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OK.

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You have them like this but they are very sharp even if you play with the softness here.

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They were quite sharp because the origin is pretty sharp.

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They select both masks come to the feathering and feather them again.

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And we got spotlight here you have now two spotlights that you can move around.

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That's not bilateral.

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Let's go play again.

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We have two masks here.

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I'm going to put another mask just like this over.

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This one's OK.

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I will take a mask of three and put it on top and the mask one I will make it subtract and must do.

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I will also make it subtract.

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Not just now we have a very nice shape.

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If you come back to your spotlight now you have a very strange shape that you can make a spotlight.

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Let's go to the mosque three here and give it some federating not too much actually here.

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I want to use the feathering and also the last one.

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They use the feathering 2:54 the same as the previous one.

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Of course you can come to this mask position it right away.

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Come back to spotlight.

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You have a ghost here.

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Now if you add in intensity you reduce the feathering a bit.

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Ok that's cool.

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And of course you can play with the high it becomes big.

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So you have a scary guy.

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Of course it is your light and you can move it the way you want.

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Good.

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So what did I show you until now.

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If you look at the spotlight all we have done is to put gel you can put gel shadow.

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It will do the same effect as the light Chido.

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But still to gel.

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And then you create a composition gel and you put there any graphic that you want in this case.

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I mean this guy.

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But you can also have a goose or anything that you want the shape is solid irradiation.

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You can also have an animation.

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That's where I'm going to do here to show you about the animation.

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I will keyframe mask one mask too and then come back to the beginning.

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That's OK.

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It's like a mask gwon just move it to the side.

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Press enter then mask too.

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I would double click on it and put it aside.

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Let's make it more than 10 frames here let's go for example to two seconds only.

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I think the animation is quite speedy that's OK.

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Let's go back to spotlight and play our animation now.

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Not only are any meeting your mask itself not only you or any meeting the jail but you can come back

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and start animating the from and the two of course are going to take time to render.

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And here you are.

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You create some kind of double animation in this case.

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Stop it over here.

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You can also come and move your mask make it big or small whatever you like.

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Of course I cleared a funny face here to give you some interest to play with you.

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But you can put lots of useful graphic over here.

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You can animate your graphics over here.

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Then you bring it as a gel or as a gel only if you like on a gel shallow whatever you like and you can

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play the animation it will playing.

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Pretty cool.

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Thank you guys for listening.

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And in the next lecture we will see how to manipulate the gel with videos and images.

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See you then.
