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I hope guys you went through with the 4 animations and you.

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Is it.

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Or the keyframes used these speed graph and the value graph and you made this animation really quite

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easy and smooth all the way.

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If you open the project file interpellation challenge final AP you'll find out that all the project

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here I try to ease them.

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I mean the best way I know right guys and some of them are pretty cool like this one I did very nicely.

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I tried again Abbad and all times or so I was very simple here I just eased everything together.

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Let's do the floodlit mission now.

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Let's start with the top news and it's background.

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I will select all the key frames and press F 9 to it is them come to the graph over here.

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Now I cannot work possibly with the scale and rotation in the same graph.

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The scale has to be in the value graph.

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So our pest control our command on the Mac and de-select the rotation here.

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Then of course I will go to the value graph for these.

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I will zoom in a bit more.

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Now what you can do is to take this to keyframes position the talent indicator where do you want to

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create these bumps.

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I'm going to create the bombs are gonna go bigger then smaller.

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Notice how it's going to do.

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OK it goes bigger then comes back smaller.

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Here you are.

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OK.

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I like this animation like this bomb and its very much used.

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Also on TVs you can see it here you are but it's good.

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Now for the rotation if I select only the rotation I have to go to the speed graph.

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Don't play with the rotation from the value glove.

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You will end up having the square you know on a certain position.

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Thats not really good good as a speed graph and everybody can play with the rotation just like this.

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OK maybe give it some more time.

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OK.

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Something like this.

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Let's see how it looks.

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Press spacebar to play.

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But I would de-select to see how its happening and go back to the beginning play.

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But its cool.

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OK let's go back to our keyframes And now let's start working with the other players we have here the

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August and it's background Tanzania is a place and it's Bugner fun.

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Let's set the time indicated our press be for beginning and end four.

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And so I'm working only in this space over here.

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Let's select all the keyframes now together.

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OK.

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For the full as Best night is is them I was stop the animation just over here and go to the graph now

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for the opacity I will select and select the opposite the opacity complete with it.

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But really it's need some time to show otherwise the viewer will not see it.

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Not just what's happening and it settings.

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Ok it's cool but it's not that you know visible but the scale here you can play with it again.

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You can go to the value graph for the scale for the scale here.

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You have two charts.

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You have the green one which is for the y axis and you have the red one for the x axis.

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The glass is plotted and you can see two of them because there is no change on the y axis only the values

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on the x axis are changing.

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That's why you have two graphs.

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Now you can select over here and try to play with the hundreds from time to time.

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You might select the green one instead of the red one or the one that is not changing in values.

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Now this is a cool animation just like this.

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What's happening is just coming up smoothy.

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That's one way to do it.

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You can also select them back and create the bump if you like too.

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But I'm going to create one that is very small something just like this.

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OK notice how it's going to go.

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It's going to come in.

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Grow a beard and go back.

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But it's very smooth.

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Let's play it.

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Yeah.

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You see it is so nice.

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OK.

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I like that

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let's go back to our keyframes now we have the other part here.

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I'll click on the work area and just drag it over here and then make it bigger so we can work with all

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these keyframes just over here.

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You are not this.

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OK.

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So select these keyframes.

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All of them plus nine.

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To is them good.

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That's good to the graph and we'll work in was position here.

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Of course you want to switch to the speed graph.

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So usually this is the method of work it's practically very easy.

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Now here we have the two text letters and the background from here you can decide OK you want to work

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on the three of them.

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I wouldn't do that.

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I would take them you know piece by piece meaning the text first and then the background itself for

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the text I'm going to do something like this.

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Select them and move it over here.

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I'm going to make the work area a bit bigger and then select the last keyframes only and then click

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and just drag them over here.

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Now I know what's going to happen here.

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They're going to settle very nicely.

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OK give it time to render.

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I would de-select you know how they're settling very nicely.

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I'm going to use all of them so I can see the graph for the text also.

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The position here you need to do it very lightweight otherwise you know the text will come before the

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background.

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So first of all let's do the same.

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OK.

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So we have this curve.

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Then we want to take a just over here.

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OK.

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And let's try it first.

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What we call

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so the background is coming in before the text and your goal at all.

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So actually this is the way to work it's fairly easy and very simple.

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Let's go back to the keyframes extend back the work area.

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Zoom back in here you are stopping at five seconds or less and less play.

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Now that the machine has changed a bit and it's much smoother it's much nicer.

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The viewer you know likes it a bit more.

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Maybe you should adjust the timing of these layers.

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Some things are coming very late at the lower thirds is coming very late so you adjust it you play with

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it you make it smooth.

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And this is the work.

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Now for every animation you should come and play with the graph editor with the speed graph and the

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value graph and make your animations very small sometimes is very important to create an attractive

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image.

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Thank you very much for listening.

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I'll see you in the next lecture and hope you're having lots of fun with the graph editor.

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See you then.