Welcome guys.
And please remember to ask your questions.
This is a very important topic.
If you want to follow along please open the project file motion path.
Thus start that EPEAT AP in this project please click on special interpellation position to open it
so we can start working in this lecture.
I want to explore with you the spatial interpellation and it's very interesting.
It will allow you to create you know very interesting motion path.
Let's take this one down to make it bigger and then select a key from all all the keyframes to select
all the keyframes.
You can just click on the position if you select them or.
Now go back to the beginning and right click on one of the keyframes that is selected.
You have your keyframe interpellation.
It means this is how you are going to interpret the keyframes.
Now not this we are in linear now and you have real estate corners or sharp corners here but when you
go to keyframe interpellation you have the option in spatial interpolation to change from linear too
busy to continue busy and busy.
For example this shows biz year here so we are changing the special interpellation too busy.
We have selected all our keyframes So we expect a change in all the key thing here.
Now this will happen.
First of all the graph has been most whites most in fact very nice.
So you don't have these sharp corners here and the motion is quite nice.
No not this.
Nothing has changed in the timeline temporally speaking.
In the time nothing changed.
So what are these hundreds.
Here in the busy these handles are broken they are independent.
They will allow you to create a motion path or change your motion path.
The way you would like it you are pretty interesting right.
So you have a ball or the conductor or whatever you want.
You can design how the motion pass is going to go.
I would click out and play.
Not just what's happening.
Cool.
Let's see it with the motion part.
Now that's how the circle is moving according to the bezier.
Let's stop the animation.
Right click on the keyframe.
Any of them that's selected.
Go to keyframe interpellation and from busy day continues busy and click OK.
No not the whole graph has changed is back to being very small.
OK you practically changed the interpretation of the key thing.
The hander's here are connected means that will always stay in one single line and that always parallel
or tangent if you like on the motion path.
Now notice here it's bit harder maybe to work but you so avoid sharp angles and you can make for example
things like this.
Not this so if I go very far the influence on the other bar will be less if I go very near the influence
will be very strong.
Not this man.
The bar is small.
The influence on the other side of the keyframe is very hard and when it is very long the influence
on the other frame is less.
Your pretty nice by the way.
OK so now let's design a motion path that is interesting.
OK what's happening.
It's not going to be is the first time but I'm sure you are going to get used to it.
OK here you are and let's play pretty cool.
It's de-select and you're not sure but I mean it's amusing to put now some blurred and that's what's
happening.
Let's remove the blur and now the Select again.
All the keyframes and try the next one in keyframe interpellation special.
You can go now to auto busy what actually is the default when you do it is we'll see that later is that
was auto busy.
Well you say you cannot see the hundreds here.
The truth is it has Musson the path but as soon as you change the handle with them they go back to continuous
busier.
OK guys here you are as simple as this but live it the way it is.
It's very nice is auto busy.
Now this is the default mode when you is.
Let's play this animation and you notice that you have a nice path just to get your attention you have
changed nothing in the timeline in terms of time.
It's only in space and this is spatial in that position.
Pretty cool.
To have that effect guys get a board somewhere try to play with the path try to do something amusing
but in the next lecture you will learn about temporal interpellation and you will be able to manipulate
much more.
Your motion path Susan.