1 00:00:01,370 --> 00:00:02,190 Welcome guys. 2 00:00:02,240 --> 00:00:04,050 And please remember to ask your questions. 3 00:00:04,050 --> 00:00:05,900 This is a very important topic. 4 00:00:06,020 --> 00:00:10,660 If you want to follow along please open the project file motion path. 5 00:00:10,820 --> 00:00:17,750 Thus start that EPEAT AP in this project please click on special interpellation position to open it 6 00:00:17,750 --> 00:00:20,830 so we can start working in this lecture. 7 00:00:20,830 --> 00:00:25,600 I want to explore with you the spatial interpellation and it's very interesting. 8 00:00:25,690 --> 00:00:30,280 It will allow you to create you know very interesting motion path. 9 00:00:30,370 --> 00:00:36,610 Let's take this one down to make it bigger and then select a key from all all the keyframes to select 10 00:00:36,640 --> 00:00:37,590 all the keyframes. 11 00:00:37,600 --> 00:00:41,210 You can just click on the position if you select them or. 12 00:00:41,380 --> 00:00:47,770 Now go back to the beginning and right click on one of the keyframes that is selected. 13 00:00:47,990 --> 00:00:50,410 You have your keyframe interpellation. 14 00:00:50,470 --> 00:00:54,580 It means this is how you are going to interpret the keyframes. 15 00:00:54,670 --> 00:01:01,150 Now not this we are in linear now and you have real estate corners or sharp corners here but when you 16 00:01:01,150 --> 00:01:08,650 go to keyframe interpellation you have the option in spatial interpolation to change from linear too 17 00:01:08,650 --> 00:01:12,160 busy to continue busy and busy. 18 00:01:12,350 --> 00:01:18,170 For example this shows biz year here so we are changing the special interpellation too busy. 19 00:01:18,230 --> 00:01:23,930 We have selected all our keyframes So we expect a change in all the key thing here. 20 00:01:24,230 --> 00:01:25,280 Now this will happen. 21 00:01:25,340 --> 00:01:30,500 First of all the graph has been most whites most in fact very nice. 22 00:01:30,500 --> 00:01:35,920 So you don't have these sharp corners here and the motion is quite nice. 23 00:01:35,930 --> 00:01:36,730 No not this. 24 00:01:36,800 --> 00:01:40,540 Nothing has changed in the timeline temporally speaking. 25 00:01:40,670 --> 00:01:43,370 In the time nothing changed. 26 00:01:43,440 --> 00:01:44,740 So what are these hundreds. 27 00:01:44,770 --> 00:01:50,090 Here in the busy these handles are broken they are independent. 28 00:01:50,130 --> 00:01:54,870 They will allow you to create a motion path or change your motion path. 29 00:01:54,990 --> 00:01:58,400 The way you would like it you are pretty interesting right. 30 00:01:58,440 --> 00:02:01,710 So you have a ball or the conductor or whatever you want. 31 00:02:01,890 --> 00:02:04,520 You can design how the motion pass is going to go. 32 00:02:04,740 --> 00:02:06,540 I would click out and play. 33 00:02:06,660 --> 00:02:08,110 Not just what's happening. 34 00:02:08,160 --> 00:02:08,760 Cool. 35 00:02:09,810 --> 00:02:11,360 Let's see it with the motion part. 36 00:02:11,370 --> 00:02:19,260 Now that's how the circle is moving according to the bezier. 37 00:02:19,290 --> 00:02:20,720 Let's stop the animation. 38 00:02:20,860 --> 00:02:23,130 Right click on the keyframe. 39 00:02:23,130 --> 00:02:24,540 Any of them that's selected. 40 00:02:24,690 --> 00:02:30,400 Go to keyframe interpellation and from busy day continues busy and click OK. 41 00:02:30,450 --> 00:02:34,950 No not the whole graph has changed is back to being very small. 42 00:02:35,010 --> 00:02:38,680 OK you practically changed the interpretation of the key thing. 43 00:02:38,820 --> 00:02:45,810 The hander's here are connected means that will always stay in one single line and that always parallel 44 00:02:46,200 --> 00:02:49,350 or tangent if you like on the motion path. 45 00:02:49,350 --> 00:02:57,240 Now notice here it's bit harder maybe to work but you so avoid sharp angles and you can make for example 46 00:02:57,270 --> 00:02:58,450 things like this. 47 00:02:58,510 --> 00:03:07,650 Not this so if I go very far the influence on the other bar will be less if I go very near the influence 48 00:03:07,650 --> 00:03:08,630 will be very strong. 49 00:03:08,660 --> 00:03:09,600 Not this man. 50 00:03:09,620 --> 00:03:10,880 The bar is small. 51 00:03:11,010 --> 00:03:17,430 The influence on the other side of the keyframe is very hard and when it is very long the influence 52 00:03:17,520 --> 00:03:20,360 on the other frame is less. 53 00:03:20,490 --> 00:03:24,290 Your pretty nice by the way. 54 00:03:24,460 --> 00:03:28,720 OK so now let's design a motion path that is interesting. 55 00:03:29,030 --> 00:03:30,850 OK what's happening. 56 00:03:30,880 --> 00:03:35,150 It's not going to be is the first time but I'm sure you are going to get used to it. 57 00:03:35,150 --> 00:03:39,310 OK here you are and let's play pretty cool. 58 00:03:39,380 --> 00:03:45,950 It's de-select and you're not sure but I mean it's amusing to put now some blurred and that's what's 59 00:03:45,950 --> 00:03:47,630 happening. 60 00:03:47,720 --> 00:03:51,660 Let's remove the blur and now the Select again. 61 00:03:51,710 --> 00:03:57,840 All the keyframes and try the next one in keyframe interpellation special. 62 00:03:58,290 --> 00:04:06,360 You can go now to auto busy what actually is the default when you do it is we'll see that later is that 63 00:04:06,360 --> 00:04:07,550 was auto busy. 64 00:04:07,720 --> 00:04:10,160 Well you say you cannot see the hundreds here. 65 00:04:10,200 --> 00:04:17,970 The truth is it has Musson the path but as soon as you change the handle with them they go back to continuous 66 00:04:17,970 --> 00:04:18,770 busier. 67 00:04:18,800 --> 00:04:22,940 OK guys here you are as simple as this but live it the way it is. 68 00:04:22,950 --> 00:04:24,950 It's very nice is auto busy. 69 00:04:25,050 --> 00:04:28,150 Now this is the default mode when you is. 70 00:04:28,320 --> 00:04:34,110 Let's play this animation and you notice that you have a nice path just to get your attention you have 71 00:04:34,110 --> 00:04:37,530 changed nothing in the timeline in terms of time. 72 00:04:37,560 --> 00:04:41,100 It's only in space and this is spatial in that position. 73 00:04:41,190 --> 00:04:42,040 Pretty cool. 74 00:04:42,110 --> 00:04:47,510 To have that effect guys get a board somewhere try to play with the path try to do something amusing 75 00:04:47,760 --> 00:04:53,700 but in the next lecture you will learn about temporal interpellation and you will be able to manipulate 76 00:04:53,880 --> 00:04:54,690 much more. 77 00:04:54,690 --> 00:04:56,310 Your motion path Susan.