1 00:00:01,490 --> 00:00:05,330 I hope you enjoyed the previous lecture is this patient in that position. 2 00:00:05,480 --> 00:00:06,460 I know you're going to use it. 3 00:00:06,470 --> 00:00:13,010 I know you're going to get some awesome motion path and you know get your animations to be outstanding. 4 00:00:13,010 --> 00:00:17,900 These guys if you have any question repeat that posted in the Chione section of the course I want you 5 00:00:17,900 --> 00:00:25,260 to understand this 100 percent fully reduce the number of keyframes here to make it simple for temporal 6 00:00:25,270 --> 00:00:26,830 in that position. 7 00:00:26,840 --> 00:00:30,850 I also if you right click you go to keyframe interpellation. 8 00:00:31,020 --> 00:00:32,660 I changed everything. 9 00:00:33,180 --> 00:00:39,150 So now I want to focus on temporal interpellation you have the same options linear busy cartoonist's 10 00:00:39,190 --> 00:00:42,630 busy and too busy and you have Hoult keyframes. 11 00:00:42,740 --> 00:00:43,890 We see that it. 12 00:00:44,210 --> 00:00:49,420 Let's start with the continuous business because it's the is used here I know click OK. 13 00:00:49,660 --> 00:00:53,770 No nothing nothing has happened in the timeline or in spatial here. 14 00:00:54,050 --> 00:01:00,980 For the most part that is because you cannot see how in time the speed is behaving or the values are 15 00:01:00,980 --> 00:01:04,560 behaving you need to go to the graph editor just over here. 16 00:01:04,720 --> 00:01:08,690 If you click now you're looking at the graph of the speed. 17 00:01:08,690 --> 00:01:10,940 How do you know that that is the second. 18 00:01:10,940 --> 00:01:12,260 I can hear that's important. 19 00:01:12,260 --> 00:01:17,440 If you click on you notice you can use that value graph or speed graph. 20 00:01:17,600 --> 00:01:20,320 So now we want to work with this graph. 21 00:01:20,340 --> 00:01:24,530 OK let's do this from the eye here you have two options you can put them. 22 00:01:24,590 --> 00:01:30,290 Leave the magnet on and leave the auto zoom graph height on. 23 00:01:30,300 --> 00:01:32,440 Now we have here the three key frames. 24 00:01:32,460 --> 00:01:37,550 If you select them you'll notice that there have also some kind of bars here. 25 00:01:37,900 --> 00:01:41,590 I will not work with or keyframes I'm going to take the middle one over here. 26 00:01:42,000 --> 00:01:49,740 And you notice if your point is this ship at one position and the speed pixels per second 282 click 27 00:01:49,740 --> 00:01:51,420 on it you can drag it down. 28 00:01:51,430 --> 00:01:53,950 Not this reducing the speed. 29 00:01:53,970 --> 00:01:59,700 Now I would like you to notice on the graph here what's happening when I change the speed the frames 30 00:01:59,790 --> 00:02:02,380 are somehow moving in a certain direction. 31 00:02:02,520 --> 00:02:05,580 So not a very high speed on this key. 32 00:02:05,970 --> 00:02:12,450 So what I'm really looking at not just here in the operation the Fame's here are very much next to each 33 00:02:12,450 --> 00:02:12,730 other. 34 00:02:12,730 --> 00:02:14,180 It means it's slow. 35 00:02:14,490 --> 00:02:20,410 And here they start separating it means the speed is fast and it comes to the keyframe. 36 00:02:20,640 --> 00:02:23,940 And from here they start very fast and then slow. 37 00:02:24,000 --> 00:02:24,770 Look at the graph. 38 00:02:24,810 --> 00:02:26,310 It's exactly the same. 39 00:02:26,310 --> 00:02:27,720 You start at a certain speed. 40 00:02:27,720 --> 00:02:35,460 In fact you decrease the speed you can read it you start at 2 7 degrees to 75 it goes up and then it 41 00:02:35,460 --> 00:02:36,110 goes down. 42 00:02:36,120 --> 00:02:36,970 That's the speed. 43 00:02:37,140 --> 00:02:39,180 Let's play an animation from here. 44 00:02:39,210 --> 00:02:44,580 Best place but not this it that's pretty cool. 45 00:02:44,580 --> 00:02:51,320 Now we are attending the speed of the motion graph the motion graph will stay intact in the speech. 46 00:02:51,570 --> 00:02:53,510 Now we have the 200 here. 47 00:02:53,550 --> 00:03:00,270 This is the influence the right handle will influence the right side of the keyframe if you click and 48 00:03:00,270 --> 00:03:02,400 drag it out and that's what's happening here. 49 00:03:02,550 --> 00:03:08,080 The claims are getting to be adjusted as they get to almost nothing zero influence here. 50 00:03:08,200 --> 00:03:10,310 You notice I'm trying not to change the speed. 51 00:03:10,560 --> 00:03:11,850 So that's what's happening here. 52 00:03:12,030 --> 00:03:16,660 Now the influence is so little on this graph that the graph has changed. 53 00:03:16,800 --> 00:03:24,120 It's going to jump to a certain speed and slow down and come to almost any speed display not just what's 54 00:03:24,120 --> 00:03:27,320 happening goor and up. 55 00:03:27,620 --> 00:03:33,260 So let's make it change it while it's playing not what's happening. 56 00:03:33,260 --> 00:03:34,250 We have got it back. 57 00:03:34,280 --> 00:03:39,200 Let's change this side and this is the left side. 58 00:03:39,630 --> 00:03:40,510 Here. 59 00:03:40,950 --> 00:03:46,460 I can play with the speed the way you would like to move the keyframes actually moving the keyframes 60 00:03:46,550 --> 00:03:49,960 in time according to the time not to where the keyframe. 61 00:03:49,960 --> 00:03:51,970 Now change is place. 62 00:03:52,040 --> 00:03:59,520 So here you are really playing how the speed is going to be within your motion graphs order motion path. 63 00:03:59,650 --> 00:04:00,300 OK. 64 00:04:00,530 --> 00:04:03,680 Now let's take this one down and notice what's going to happen. 65 00:04:03,710 --> 00:04:04,020 OK. 66 00:04:04,040 --> 00:04:06,300 The influence is very big. 67 00:04:06,470 --> 00:04:13,200 So it's going to start speedy or start at certain speed go very speedy slow down and come down. 68 00:04:13,520 --> 00:04:15,450 OK guys so it's pretty cool. 69 00:04:15,560 --> 00:04:22,150 You can come and play with it and try all what you want to try is as easy as just about adjusting it 70 00:04:22,160 --> 00:04:23,780 the way you would like. 71 00:04:23,780 --> 00:04:29,900 Now if you want to return the keyframes to linear so you can choose something else or click on position 72 00:04:30,500 --> 00:04:34,160 selected all the frames and to then them telling you that just over here. 73 00:04:34,500 --> 00:04:37,810 Convert selected keyframes to linear we click on it. 74 00:04:37,850 --> 00:04:44,390 Now the Aldine is right click on a keyframe and go to different interpellation. 75 00:04:44,390 --> 00:04:50,020 And here from tempera interpellation is change it too busy and we click OK. 76 00:04:50,210 --> 00:04:53,950 Now bezier I remember the hand is not present in this patient. 77 00:04:54,030 --> 00:04:55,330 Also it's over here. 78 00:04:55,340 --> 00:05:01,430 They are broken so if you click on a keyframe you notice it has two handles now one for the incoming 79 00:05:01,610 --> 00:05:02,960 and one for the other. 80 00:05:03,100 --> 00:05:04,430 If you play with the handle. 81 00:05:04,550 --> 00:05:05,590 Look what's happening here. 82 00:05:05,650 --> 00:05:09,670 Of course I've selected all the keyframes click out select a single key. 83 00:05:09,980 --> 00:05:12,520 So not just how we are playing with the speed. 84 00:05:12,530 --> 00:05:18,890 So this bezier will allow you to have a nice coming speed you know this keyframe and now going speed 85 00:05:18,890 --> 00:05:19,960 to this keyframe. 86 00:05:20,090 --> 00:05:24,790 Actually they don't even have correlation but they have influence does that influence who you are. 87 00:05:24,860 --> 00:05:26,840 Now notice how is changing. 88 00:05:26,900 --> 00:05:28,070 What is this complicated. 89 00:05:28,070 --> 00:05:33,350 Yes it is actually you don't need two masters like I know what's going to happen. 90 00:05:33,350 --> 00:05:34,530 Just look at the graph here. 91 00:05:34,550 --> 00:05:39,410 That's why I explained in previous lectures and decide OK this is what I would like to do. 92 00:05:41,520 --> 00:05:48,450 Now let's return them to linear just for the sake of select all of them and click them back to here 93 00:05:49,050 --> 00:05:55,050 and go back to one of them in the frame in that position and let's choose from linear to continue space 94 00:05:55,050 --> 00:05:56,150 you and me. 95 00:05:56,160 --> 00:05:56,670 OK. 96 00:05:56,880 --> 00:06:03,180 Now Clinton is busy month out and if you touches all the change it's going to become continuous busy. 97 00:06:03,240 --> 00:06:04,200 Very good. 98 00:06:04,410 --> 00:06:05,010 OK guys. 99 00:06:05,130 --> 00:06:08,210 So we're going to come over here and play with the graph during the course. 100 00:06:08,250 --> 00:06:08,940 A lot. 101 00:06:09,150 --> 00:06:14,490 And it's up to you how you want your commission to work and how we want to do the motion graphics lower 102 00:06:14,490 --> 00:06:15,750 thirds whatever. 103 00:06:15,990 --> 00:06:19,020 But guys this is all about this graph. 104 00:06:19,020 --> 00:06:24,300 It seems complicated but actually it's a matter of using it and it's going to become pretty easy you 105 00:06:24,300 --> 00:06:25,250 will see. 106 00:06:25,800 --> 00:06:27,220 Thank you very much for listening. 107 00:06:27,270 --> 00:06:33,990 This is about the temperate interpellation and in the next lecture we move to practically how to use 108 00:06:33,990 --> 00:06:34,470 it. 109 00:06:34,470 --> 00:06:35,160 I'll see you then.