1 00:00:01,390 --> 00:00:01,830 Guys. 2 00:00:01,870 --> 00:00:05,050 So you learned about the format and the alpha converters. 3 00:00:05,050 --> 00:00:12,240 Now it's time to get more sophisticated with the Lamott Lamott has the same concept the same methods 4 00:00:12,240 --> 00:00:13,200 you work with. 5 00:00:13,430 --> 00:00:19,340 It will still short and hide your layer whatever it is within the math itself. 6 00:00:19,340 --> 00:00:21,530 But there is a very big difference. 7 00:00:21,620 --> 00:00:25,690 The Lamott will not work on the alpha channel all together. 8 00:00:25,700 --> 00:00:28,860 It works on the elements of the alpha channel. 9 00:00:29,120 --> 00:00:30,950 The limpness is the brightness. 10 00:00:30,950 --> 00:00:32,090 Let me show you. 11 00:00:32,330 --> 00:00:38,690 If you take a rectangle here and change the color to solid here you are ok. 12 00:00:38,770 --> 00:00:41,610 I am going to take a nice color any color. 13 00:00:41,620 --> 00:00:45,320 Here you are then I'm going to put the rectangle on top. 14 00:00:46,420 --> 00:00:54,250 And then I will apply movement here you know I hope you can see that the color of after effects is not 15 00:00:54,250 --> 00:00:55,780 100 percent black. 16 00:00:56,020 --> 00:00:58,990 The intensity of the color has been diminished. 17 00:00:58,990 --> 00:01:04,410 This is because of the color of the Luma itself or the mouth itself. 18 00:01:05,430 --> 00:01:07,830 Let's add the color of the shape here. 19 00:01:07,860 --> 00:01:14,880 I will click on the fill and the best here to show is through brightness for example. 20 00:01:14,890 --> 00:01:20,710 Now if I cycle through the colors to change the color of the shape player not just what's happening 21 00:01:20,740 --> 00:01:24,220 to the brightness of the text there. 22 00:01:24,320 --> 00:01:24,800 OK. 23 00:01:24,940 --> 00:01:27,720 It is changing depending on the color I'm using. 24 00:01:27,830 --> 00:01:28,780 OK. 25 00:01:28,870 --> 00:01:32,140 Now if I go towards bright colors here you are. 26 00:01:32,150 --> 00:01:32,780 You got. 27 00:01:32,860 --> 00:01:35,000 It's like 100 percent appearing. 28 00:01:35,410 --> 00:01:38,120 And if I give it certain colors here do I. 29 00:01:38,380 --> 00:01:44,470 Now of course you can choose any color you would like but the best is to use for example the situation 30 00:01:44,470 --> 00:01:47,670 over here and go towards whites. 31 00:01:48,010 --> 00:01:48,810 So what do you have. 32 00:01:48,970 --> 00:01:50,690 You have a very bright over here. 33 00:01:50,720 --> 00:01:53,070 And you know it goes to a degree. 34 00:01:53,230 --> 00:02:00,500 So if you go down OK you notice the influence on the appearance or the Reminds me of the track matter. 35 00:02:00,780 --> 00:02:03,740 Who are of course Black is nothing cool. 36 00:02:03,970 --> 00:02:05,620 Now this is interesting. 37 00:02:05,750 --> 00:02:07,630 It's OK but that is better. 38 00:02:07,960 --> 00:02:13,810 I will take the selection to double click on the shape player and make it you know quite big just like 39 00:02:13,810 --> 00:02:14,300 this. 40 00:02:14,440 --> 00:02:14,750 OK. 41 00:02:14,870 --> 00:02:17,590 And move it up here. 42 00:02:17,740 --> 00:02:24,130 I will go to the fifth color the word fill of course and instead of playing a blank color result colored 43 00:02:24,240 --> 00:02:24,900 I will apply. 44 00:02:24,910 --> 00:02:27,200 Now a linear gradient. 45 00:02:27,250 --> 00:02:34,800 So here you have the linear Grenadian start point and point let's view this Shipler And of course if 46 00:02:34,800 --> 00:02:41,020 it were now into the rectangle and you have the gradient field you start playing with the start and 47 00:02:41,020 --> 00:02:42,060 the end. 48 00:02:42,100 --> 00:02:43,630 Let's put the end at zero. 49 00:02:45,570 --> 00:02:49,000 And let's scrub through the end point not to see what's happening. 50 00:02:49,140 --> 00:02:50,130 I'm going to take it up. 51 00:02:50,130 --> 00:02:57,330 So it reveals you're not in the minority of the other party is not as bright as the lower part. 52 00:02:57,360 --> 00:02:58,910 It's very easy to play with this. 53 00:02:58,940 --> 00:03:02,200 But I prefer to play from here because it's quite sensitive. 54 00:03:02,250 --> 00:03:05,510 You know it's you know just a small movement can change everything. 55 00:03:05,700 --> 00:03:07,950 OK I'll take it down here. 56 00:03:08,280 --> 00:03:13,740 Now let's put it on and go to the position for the after effects of the texture. 57 00:03:14,840 --> 00:03:16,440 And that was scrubbed to take it up. 58 00:03:16,540 --> 00:03:16,970 OK. 59 00:03:17,130 --> 00:03:18,500 Now let's see what's going to happen. 60 00:03:18,750 --> 00:03:23,070 You see the Lehman is here has the effect and after effects is almost disappearing. 61 00:03:23,280 --> 00:03:25,470 It's now out then. 62 00:03:25,540 --> 00:03:31,950 Notice the shading here and it Appius that's just the sheer pleasure. 63 00:03:32,130 --> 00:03:36,690 And we go to the grade when we go to the start point and let's take it down. 64 00:03:36,870 --> 00:03:37,650 OK. 65 00:03:37,650 --> 00:03:41,620 Just over here and that's the end point on or so take it down. 66 00:03:42,460 --> 00:03:42,820 OK. 67 00:03:42,990 --> 00:03:49,320 So if I put the visibility on you not us and that community is at 100 percent overhead come back. 68 00:03:49,410 --> 00:03:51,250 Let's put it off visibility. 69 00:03:51,510 --> 00:03:52,260 None. 70 00:03:52,350 --> 00:03:54,290 And then we come and scrub through. 71 00:03:54,300 --> 00:04:00,660 Here you are not just what's happening the shading or the kind of blow we are getting is really nice 72 00:04:01,160 --> 00:04:09,940 good guys so it's up to you to come and you know work on the end point and start point I make your shape. 73 00:04:10,140 --> 00:04:14,920 You know it has the best possible I would take it down from here because this is what I want. 74 00:04:15,210 --> 00:04:15,720 OK. 75 00:04:15,900 --> 00:04:19,470 Now I think it will be better to take it down from here. 76 00:04:19,640 --> 00:04:20,240 Fine. 77 00:04:20,340 --> 00:04:24,160 So it moved a bit to zero so it's very straight. 78 00:04:24,360 --> 00:04:27,800 And let's put it back off and then if I scraped through. 79 00:04:27,910 --> 00:04:29,350 It's pretty cool animation. 80 00:04:29,370 --> 00:04:31,740 Not this very nice. 81 00:04:31,740 --> 00:04:32,070 OK. 82 00:04:32,190 --> 00:04:34,080 Let's create our animation here. 83 00:04:34,170 --> 00:04:41,790 So I think the flames that we wanted at this position and then if you come back a bit to the beginning 84 00:04:42,120 --> 00:04:44,650 you want to take it up. 85 00:04:44,820 --> 00:04:47,300 You are in a play now. 86 00:04:47,390 --> 00:04:50,220 Notice the effect is very beautiful. 87 00:04:50,220 --> 00:04:51,170 Here you are. 88 00:04:51,240 --> 00:04:55,000 So this is actually about the limit. 89 00:04:55,020 --> 00:05:02,280 It will work on the intensity or the luminous or the brightness if you want of the Matlab and give you 90 00:05:02,280 --> 00:05:04,070 this kind of effects. 91 00:05:04,110 --> 00:05:06,470 Now I would like you to go to after effects. 92 00:05:06,480 --> 00:05:08,240 I hope you open them follow along with me. 93 00:05:08,430 --> 00:05:11,750 And using the loom or not you create the first map. 94 00:05:11,760 --> 00:05:17,970 And the second map and you apply Lamott and you create a nice fancy animation from here. 95 00:05:18,000 --> 00:05:19,830 You know I'm taking them up and down. 96 00:05:20,160 --> 00:05:25,260 Yet you can make the field to be vertical and pulling them from the sides one from here and the other 97 00:05:25,260 --> 00:05:26,830 one from the right. 98 00:05:26,880 --> 00:05:28,410 Thank you very much for listening. 99 00:05:28,590 --> 00:05:30,570 I hope you are going to use the Neumont. 100 00:05:30,570 --> 00:05:36,210 I know you will and this effect is really very nice and very effective. 101 00:05:36,210 --> 00:05:37,630 I'll see you in the next lecture.