1 00:00:01,470 --> 00:00:08,490 So in the previous lecture guys we created a composition title from the main composition and now we 2 00:00:08,490 --> 00:00:12,100 have the whole full size but we don't need it. 3 00:00:12,120 --> 00:00:16,340 All we need just a portion to animate the text. 4 00:00:16,440 --> 00:00:17,970 That's all that we need. 5 00:00:17,970 --> 00:00:23,130 Now there are two ways to do it you can start animating then copying or cropping first. 6 00:00:23,130 --> 00:00:24,960 I prefer to crop first. 7 00:00:24,960 --> 00:00:29,150 Keeping in mind what kind of animation I want to create. 8 00:00:29,170 --> 00:00:33,450 So let's start by copying then animating to crop composition. 9 00:00:33,460 --> 00:00:39,510 In fact you will be setting the region of interest if you click on a region of interest. 10 00:00:39,510 --> 00:00:41,390 The mouse pointer changes into cross. 11 00:00:41,400 --> 00:00:45,030 You can click now and you are drawing the region of interest. 12 00:00:45,030 --> 00:00:46,810 That's what interests you. 13 00:00:46,820 --> 00:00:47,570 It really is. 14 00:00:47,610 --> 00:00:52,480 You can still come over and just make sure you adjusted the way you would like. 15 00:00:52,490 --> 00:00:54,060 Here you are for example. 16 00:00:54,060 --> 00:00:55,550 This is fine with me. 17 00:00:55,920 --> 00:01:02,670 Now make sure you are satisfied from this region of interest because going back to crap will be several 18 00:01:02,670 --> 00:01:05,090 steps not just a simple step. 19 00:01:05,460 --> 00:01:09,930 Then when you're happy of course you go to composition and you have the option here. 20 00:01:10,080 --> 00:01:12,270 Club camp to a region of interest. 21 00:01:13,010 --> 00:01:14,270 And you click on it. 22 00:01:14,360 --> 00:01:14,990 Here you are. 23 00:01:15,140 --> 00:01:18,020 Your composition changed size only. 24 00:01:18,180 --> 00:01:26,800 OK so if you go to composition settings composition settings you will notice now it is 696 by to 80. 25 00:01:26,870 --> 00:01:31,840 This is the height and the width start from the top left corner. 26 00:01:31,900 --> 00:01:33,140 From over here. 27 00:01:33,140 --> 00:01:38,550 So if you cut more you might eat things that you have put you so let's add an animation here. 28 00:01:38,560 --> 00:01:45,630 Let's see after 15 frames are Carex close the MOD and the track Monteagle we don't need them and we 29 00:01:45,630 --> 00:01:48,090 take this one up a bit. 30 00:01:48,270 --> 00:01:55,290 So after 15 frames here I want all these decks to be at this position of select all the text press B 31 00:01:55,350 --> 00:02:02,320 for position keyframe it come back to the beginning for example and then click and take them all outside. 32 00:02:02,340 --> 00:02:04,110 Good guys fight. 33 00:02:04,110 --> 00:02:06,360 Of course I can select the keyframes. 34 00:02:06,390 --> 00:02:12,540 The last one because the first one outside there is no need to is is M-Pesa f 9 to is. 35 00:02:12,570 --> 00:02:21,000 So now I have a very nice girth I can select my keyframes give them more time OK and then maybe do something 36 00:02:21,000 --> 00:02:21,840 like this. 37 00:02:21,900 --> 00:02:23,040 The Saranda animation 38 00:02:25,830 --> 00:02:26,940 pretty nice. 39 00:02:26,940 --> 00:02:29,350 Now there is a trick I want to show you here. 40 00:02:29,460 --> 00:02:31,200 You can just come to this frame. 41 00:02:31,200 --> 00:02:37,430 Select all your layers so I'm an keyframe and align them to the right who you. 42 00:02:37,700 --> 00:02:39,370 Knows what's happening when you play. 43 00:02:39,510 --> 00:02:41,330 They're not coming all together. 44 00:02:41,340 --> 00:02:45,540 The long ones would take longer to arrive than the short text. 45 00:02:45,540 --> 00:02:47,370 In this case it's pretty cool. 46 00:02:47,600 --> 00:02:51,020 Ok sometimes it's not nice depending on what you want to do. 47 00:02:51,060 --> 00:02:57,020 So now that we have created our composition happy from the animation Let's go back and see what happens 48 00:02:57,030 --> 00:02:58,100 in the pickup's. 49 00:02:58,150 --> 00:03:00,860 Click on the camps and play. 50 00:03:00,990 --> 00:03:01,860 Here you are. 51 00:03:02,180 --> 00:03:03,550 Wow that's pretty cool. 52 00:03:03,570 --> 00:03:10,390 So actually this is your small position now the corrupt one or only with a region of interest. 53 00:03:10,650 --> 00:03:16,650 Before I start saying how powerful is this let's go back to title and let's say you want to make it 54 00:03:16,650 --> 00:03:17,300 bigger. 55 00:03:17,490 --> 00:03:22,290 So you come to a region of interest and you try to click outside to make it bigger. 56 00:03:22,290 --> 00:03:23,490 It does not work. 57 00:03:23,520 --> 00:03:25,910 You only can make it smaller. 58 00:03:26,130 --> 00:03:28,250 Well that makes some sense. 59 00:03:28,270 --> 00:03:31,280 You see this is the region of interest from what you're seeing. 60 00:03:31,440 --> 00:03:36,510 It is not about resizing your comp it's only the region of interest. 61 00:03:36,570 --> 00:03:43,500 In that case I'm interested to make it so small if I look at Manumission is cool I will go back to composition 62 00:03:43,800 --> 00:03:46,140 and crop gompa to a region of interest. 63 00:03:46,140 --> 00:03:52,650 If you want to reset that all you can do is to come back to composition settings and here you say for 64 00:03:52,650 --> 00:03:59,990 example 12 18 by 720 or lock them by 720. 65 00:04:00,320 --> 00:04:01,960 OK this is the initial settings. 66 00:04:02,130 --> 00:04:05,910 Press enter and you're back to the normal size of the comp. 67 00:04:05,940 --> 00:04:08,320 I will undo this. 68 00:04:08,500 --> 00:04:11,180 Let's go back to play cards and see exactly what's happening. 69 00:04:12,030 --> 00:04:15,180 First of all you can place it anywhere. 70 00:04:15,240 --> 00:04:16,850 I like the track. 71 00:04:17,040 --> 00:04:23,690 There is no other layer to move and the animation will work perfectly. 72 00:04:24,120 --> 00:04:30,870 You see how cool not only that you have all the transformations that you can play with it. 73 00:04:30,870 --> 00:04:37,780 For example let's stop this here Richard transform you have positions scale rotation. 74 00:04:37,880 --> 00:04:40,100 For example you can come over here. 75 00:04:40,550 --> 00:04:43,520 OK start let's say from here. 76 00:04:43,560 --> 00:04:48,480 OK you keyframe Let's go to the beginning. 77 00:04:48,620 --> 00:04:56,480 Keyframe and then move one second or two or three even if whatever you like and then move it just over 78 00:04:56,480 --> 00:04:57,070 here. 79 00:04:57,380 --> 00:05:00,530 OK so now you have a nice double animation. 80 00:05:00,560 --> 00:05:01,590 So what's going to happen. 81 00:05:02,920 --> 00:05:03,870 Pretty cool. 82 00:05:04,090 --> 00:05:05,370 Pretty powerful also. 83 00:05:05,590 --> 00:05:11,050 But then you can come to the scale and decide OK let's make it 50 percent or even and you made the scale 84 00:05:11,050 --> 00:05:11,930 if you like. 85 00:05:11,950 --> 00:05:15,500 So you have this coming in and it's pretty nice. 86 00:05:15,650 --> 00:05:21,540 If you don't like it 50 percent you make it 100 50 if that is possible for you. 87 00:05:21,610 --> 00:05:22,910 I will do that. 88 00:05:22,930 --> 00:05:25,260 And the second one and here you are. 89 00:05:25,420 --> 00:05:29,020 You created a reveal that is extremely powerful. 90 00:05:29,020 --> 00:05:32,360 Remember you still have the opacity and the rotation to play with. 91 00:05:32,410 --> 00:05:33,440 If you want. 92 00:05:33,520 --> 00:05:36,700 Now let's say you want to take these letters out through opacity. 93 00:05:36,940 --> 00:05:41,830 After three seconds not much you keyframe the opacity. 94 00:05:41,830 --> 00:05:46,540 And of course you know that after some time just a bit you make it zero. 95 00:05:46,660 --> 00:05:52,840 Here you are now in the meantime you could keyframe the position again so you have a stable position 96 00:05:52,870 --> 00:05:56,130 over here and somehow take it out. 97 00:05:56,340 --> 00:05:56,890 OK. 98 00:05:57,010 --> 00:06:00,510 So it will come to this keyframe recopy controversy. 99 00:06:00,540 --> 00:06:03,830 We based it on this side and not just now. 100 00:06:03,900 --> 00:06:09,350 Very powerful animation that you have created comes over people read it goes back it does appear 101 00:06:12,980 --> 00:06:14,520 not very beautiful. 102 00:06:14,700 --> 00:06:20,730 Of course the possibilities here are enormous guys you know it's about your creativity and not this 103 00:06:20,730 --> 00:06:24,040 you can come and create the exit animation over here. 104 00:06:24,040 --> 00:06:28,530 There is nothing wrong in saying OK after a few frames people have seen it. 105 00:06:28,620 --> 00:06:36,020 I'm gonna frame again for all the layers and then come back and take it out. 106 00:06:36,220 --> 00:06:41,030 Just like this fine let's go back to the main one. 107 00:06:42,100 --> 00:06:44,080 And remove the position animation. 108 00:06:44,440 --> 00:06:48,230 Let's remove the opacity from here at 100 percent. 109 00:06:48,490 --> 00:06:48,910 OK. 110 00:06:49,030 --> 00:06:55,250 Now if you play on a machine you have an animation and you have the animation here you are. 111 00:06:55,420 --> 00:07:02,400 So you created something quite important and quite powerful and I gave it to you to explore the big 112 00:07:02,470 --> 00:07:04,290 camps and the reveal methods. 113 00:07:04,450 --> 00:07:10,300 This method will work with anything anything that you can put in after effects from Illustrator Photoshop 114 00:07:10,300 --> 00:07:12,570 videos images whatever you like. 115 00:07:12,580 --> 00:07:19,330 You can use the play comps and also it's extremely useful and sometimes is mandatory for certain visual 116 00:07:19,390 --> 00:07:20,280 effects. 117 00:07:20,290 --> 00:07:22,350 Thank you very much for listening. 118 00:07:22,360 --> 00:07:23,860 I hope you'll use this method. 119 00:07:23,860 --> 00:07:27,090 I know you will and I will see you in the next decade.