WEBVTT 1 00:00:00.000 --> 00:00:04.000 Welcome to the Final Scene! So 2 00:00:04.000 --> 00:00:08.000 it's challenge time, straight away! You need to make 10 3 00:00:08.000 --> 00:00:12.000 pins, correctly spaced. Now, if you're unsure about the spacing, 4 00:00:12.000 --> 00:00:16.000 that they need to be, use reference material for the correct spacing, 5 00:00:16.000 --> 00:00:20.000 and remember, you may be working at a scale. We're 6 00:00:20.000 --> 00:00:24.000 working, in general, at 10 times at the moment, so 30 centimeters would 7 00:00:24.000 --> 00:00:28.000 be 3 Blender units. You're going to have to create 8 00:00:28.000 --> 00:00:32.000 9 additional pins in our scene. 9 00:00:32.000 --> 00:00:36.000 So you can do that in a number of ways, I'll let you choose how you go about that. 10 00:00:36.000 --> 00:00:40.000 There's a couple of ways I can think of, you can just duplicate and move, 11 00:00:40.000 --> 00:00:44.000 you could use the Array Modifier. It's up to you, go ahead and try that! 12 00:00:44.000 --> 00:00:48.000 Name your object in the Outliner, and you can use the reference material for 13 00:00:48.000 --> 00:00:52.000 the numbering of the pins, for instance. And go crazy, make it exciting, 14 00:00:52.000 --> 00:00:56.000 so manipulate those pins, make them look like they've been smashed in to by the ball! And 15 00:00:56.000 --> 00:01:00.000 I want to see your final composition! Please 16 00:01:00.000 --> 00:01:04.000 share in the discussion, it would be great! So pause the video now and go and 17 00:01:04.000 --> 00:01:08.000 give that a go! So here we 18 00:01:08.000 --> 00:01:12.000 are, back in Blender! Let's go ahead and multiply 19 00:01:12.000 --> 00:01:16.000 our pin! Alright, so the first thing we need to consider 20 00:01:16.000 --> 00:01:20.000 is, how many of these do we want? We want 9 of them, and there are several 21 00:01:20.000 --> 00:01:24.000 ways we could go, we could literally just duplicate 9 of them and manually position 22 00:01:24.000 --> 00:01:28.000 them, or we could use an Array Modifier and go 23 00:01:28.000 --> 00:01:32.000 through that way. I'm going to use a combination of them both. So I'm going to 24 00:01:32.000 --> 00:01:36.000 create four of them first, by going to the Array Modifier. 25 00:01:36.000 --> 00:01:40.000 So with our pin selected I'm going to go to our wrench, 26 00:01:40.000 --> 00:01:44.000 I'm going to go to Add Modifier, and go to Array, 27 00:01:44.000 --> 00:01:48.000 and I want four of them, so I'm going to put the Count at 4. 28 00:01:48.000 --> 00:01:52.000 Now, before we used Relative Offset, I'm going to use Constant Offset 29 00:01:52.000 --> 00:01:56.000 this time, so it's not spacing off pins, it's actually a 30 00:01:56.000 --> 00:02:00.000 distance between. And I think they're about 12 inches, which is about 31 00:02:00.000 --> 00:02:04.000 30 centimeters. I'm not going to do the exact number to keep 32 00:02:04.000 --> 00:02:08.000 things easy for our calculations here. So that would transpire 33 00:02:08.000 --> 00:02:12.000 up, because we're working at 10 times scale to 3 Blender units. 34 00:02:12.000 --> 00:02:16.000 So there we go, with a constant Offset of X equaling 35 00:02:16.000 --> 00:02:20.000 3, we get our four pins ready. And I'm going to apply that 36 00:02:20.000 --> 00:02:24.000 straight away. So now that that is 37 00:02:24.000 --> 00:02:28.000 applied, the next thing we need to do is create our additional pins. So I'm simply going 38 00:02:28.000 --> 00:02:32.000 to duplicate this new mesh that we've made. So there we go, I'm 39 00:02:32.000 --> 00:02:36.000 going to lock it to the X Y axis, by holding down Shift and 40 00:02:36.000 --> 00:02:40.000 Z, so now it's not going to fall through the floor or end up in the air. Now we need to do 41 00:02:40.000 --> 00:02:44.000 some positioning here, and I know we're going to be moving this one forward 42 00:02:44.000 --> 00:02:48.000 by 3 Blender units and then moving it across by 43 00:02:48.000 --> 00:02:52.000 half of that, so 1.5, so we're moving along here. And 44 00:02:52.000 --> 00:02:56.000 we look down at our little axis, that is positive Y to go that way 45 00:02:56.000 --> 00:03:00.000 and then positive X. So 46 00:03:00.000 --> 00:03:04.000 I'm just going to go and move that, 47 00:03:04.000 --> 00:03:08.000 I could do it in the Operator Panel, that'll be far easier, 48 00:03:08.000 --> 00:03:12.000 because then I don't need to worry about where it is. So X needs to be 1.5. 49 00:03:12.000 --> 00:03:16.000 There we go! And Y needs to be 3. 50 00:03:16.000 --> 00:03:20.000 Excellent, so that's in the right position! Yes we've got an odd one over here but we're just 51 00:03:20.000 --> 00:03:24.000 going to delete that in a few moments. And I'm going to do exactly the same 52 00:03:24.000 --> 00:03:28.000 process again, I'm going to duplicate it. Job done! 53 00:03:28.000 --> 00:03:32.000 Oh, I've positioned it in a very weird place, but that's OK, because in this Operator 54 00:03:32.000 --> 00:03:36.000 Panel we've got X, Y, and Z there. So I can set the Z back to 0! 55 00:03:36.000 --> 00:03:40.000 The Y again, so it's forward by 3, so I've almost got that 56 00:03:40.000 --> 00:03:44.000 right there, but the X needs to be 1.5 again. 57 00:03:44.000 --> 00:03:48.000 And then, I'm not going to produce another four 58 00:03:48.000 --> 00:03:52.000 or another three additional ones here, I'm just going to go into our 59 00:03:52.000 --> 00:03:56.000 objects here, and I'm 60 00:03:56.000 --> 00:04:00.000 going to separate them out. So I do need to be in Edit Mode to do that, so select one of 61 00:04:00.000 --> 00:04:04.000 these first of all, select this first group, and we're going to separate 62 00:04:04.000 --> 00:04:08.000 all of these. So let's hop over into Edit Mode and 63 00:04:08.000 --> 00:04:12.000 then P to Separate, and then, 64 00:04:12.000 --> 00:04:16.000 we need to choose not by selection, like we've done before, but By 65 00:04:16.000 --> 00:04:20.000 Loose Parts. So all of these bits of geometry are not 66 00:04:20.000 --> 00:04:24.000 connected to one another. So first thing, before I do that, I do need to highlight 67 00:04:24.000 --> 00:04:28.000 the entire mesh, there we go, otherwise we'll be separating that little 68 00:04:28.000 --> 00:04:32.000 window that was selected at the front. So P, 69 00:04:32.000 --> 00:04:36.000 Separate, By Loose Parts. And you can see it's generated 70 00:04:36.000 --> 00:04:40.000 a few more meshes and we'll go ahead and name those, in a moment. 71 00:04:40.000 --> 00:04:44.000 And let's go on to this section here, hop 72 00:04:44.000 --> 00:04:48.000 into Edit Mode! Select all of our model, 73 00:04:48.000 --> 00:04:52.000 Separate, By Loose Parts. And we'll do it once more on this 74 00:04:52.000 --> 00:04:56.000 top one, so we're going to simply go into Edit Mode, 75 00:04:56.000 --> 00:05:00.000 select everything, press B, 76 00:05:00.000 --> 00:05:04.000 Separate, By Loose Parts. So again, we're here 77 00:05:04.000 --> 00:05:08.000 and I'm going to use one of these, so let's leave them. 78 00:05:08.000 --> 00:05:12.000 I'm going to use that one there and actually move it to the forefront here for 79 00:05:12.000 --> 00:05:16.000 us. So I'm going to use that, I'm going to move it in 80 00:05:16.000 --> 00:05:20.000 the X by 81 00:05:20.000 --> 00:05:24.000 -4.5 I think. Yeah brilliant, that's in the middle! Then, I'll just need to move it 82 00:05:24.000 --> 00:05:28.000 again, in the Y by 3. So there we go, 83 00:05:28.000 --> 00:05:32.000 we've got that sorted! There are our pines laid out! I'm going to 84 00:05:32.000 --> 00:05:36.000 select these two and delete them. 85 00:05:36.000 --> 00:05:40.000 Brilliant! So we should have a count 86 00:05:40.000 --> 00:05:44.000 of 10 pins. 1, 2, 3, 4, 5, 87 00:05:44.000 --> 00:05:48.000 6, 7, 8, 9, 10. Brilliant! Now the reason why 88 00:05:48.000 --> 00:05:52.000 you can't just count the ones on the screen is, because if there was a pin on top of a pin 89 00:05:52.000 --> 00:05:56.000 you wouldn't necessarily see it, but that's not the case in here. 90 00:05:56.000 --> 00:06:00.000 The Outliner shows 10 pins, but they're not named correctly. So let's go get 91 00:06:00.000 --> 00:06:04.000 the naming convention and see how we're supposed to name them! 92 00:06:04.000 --> 00:06:08.000 Wow, so we didn't have to go far here to see our 93 00:06:08.000 --> 00:06:12.000 layout and what the numbers are. So that's great, now we've got that for reference. We can 94 00:06:12.000 --> 00:06:16.000 hop straight back over into Blender and name our pins! 95 00:06:16.000 --> 00:06:20.000 Alright, so let's whiz around here, I feel like this is the way they 96 00:06:20.000 --> 00:06:24.000 should be labeled. So this one's going to be Pin 01 and it's blatantly 97 00:06:24.000 --> 00:06:28.000 not, at the moment. And because we're going up to 10, I'm going to leave the dot 98 00:06:28.000 --> 00:06:32.000 in there and call it Pin 01. There's 2, 3, 4, 5, 6, 7, 8, 99 00:06:32.000 --> 00:06:36.000 9, 10. So a very arduous thing, I may 100 00:06:36.000 --> 00:06:40.000 need to speed up the video, if I can't bore you all with waffle. 101 00:06:40.000 --> 00:06:44.000 So I'm just going through here, 102 00:06:44.000 --> 00:06:48.000 really quickly, renaming all of our pins to the appropriate 103 00:06:48.000 --> 00:06:52.000 names, making sure that I'm referencing them correctly. 104 00:06:52.000 --> 00:06:56.000 OK, so with all of our pins 105 00:06:56.000 --> 00:07:00.000 labeled now, we can start being crazy with it! So let's 106 00:07:00.000 --> 00:07:04.000 move this bowling ball into a much more dynamic position. Let's 107 00:07:04.000 --> 00:07:08.000 move this over here, let's move it right 108 00:07:08.000 --> 00:07:12.000 into the middle of our pins, and now, let's move these pins 109 00:07:12.000 --> 00:07:16.000 with a bit of artistic license. 110 00:07:16.000 --> 00:07:20.000 So I'm just going to grab a pin, 111 00:07:20.000 --> 00:07:24.000 rotate it around slightly, lift it up, have some fun with it. 112 00:07:24.000 --> 00:07:28.000 This one, of course, because the ball's come in, will 113 00:07:28.000 --> 00:07:32.000 be somewhere over here, so shift it over there, rotate it around. 114 00:07:32.000 --> 00:07:36.000 Brilliant! And we can just play with this to our heart's 115 00:07:36.000 --> 00:07:40.000 content, until we've got something looking relatively 116 00:07:40.000 --> 00:07:44.000 dynamic and exciting. In fact, I think that's getting... 117 00:07:44.000 --> 00:07:48.000 Well these two look too similar, I think. Well I suppose they would be, if they were falling 118 00:07:48.000 --> 00:07:52.000 in the same direction, but let's just rotate this one around a bit more 119 00:07:52.000 --> 00:07:56.000 there and move it there so it's a bit more 120 00:07:56.000 --> 00:08:00.000 dynamic. That's great! This one here.. In fact, let's 121 00:08:00.000 --> 00:08:04.000 go a bit crazy! Let's just lift that one right up out of here, so it's going 122 00:08:04.000 --> 00:08:08.000 absolutely flying. Well that's starting to look really good! And let's put this one 123 00:08:08.000 --> 00:08:12.000 having a slight wobble. You see it's going into the floor there, we do need to watch 124 00:08:12.000 --> 00:08:16.000 that. So we can select it and just pull it back up again! 125 00:08:16.000 --> 00:08:20.000 Of course, because these things are moving, they can be slightly off of the ground, that's absolutely fine! 126 00:08:20.000 --> 00:08:24.000 And this one's obviously been impacted by the ball, because the ball's 127 00:08:24.000 --> 00:08:28.000 inside it. So we can move that one over here, and just, again, play with it, 128 00:08:28.000 --> 00:08:32.000 be more dynamic! The ball hasn't reached here yet, 129 00:08:32.000 --> 00:08:36.000 so that's absolutely fine! And then, 130 00:08:36.000 --> 00:08:40.000 we can look at it from various angles, and there we go, I think that's a pretty dynamic 131 00:08:40.000 --> 00:08:44.000 scene! How did you guys get on? Please share in the discussions, 132 00:08:44.000 --> 00:08:47.500 and I'll see you again soon!