WEBVTT 00:00.550 --> 00:05.170 Welcome to using an image as a texture in this video. 00:05.170 --> 00:09.730 We're going to show you how to add a texture to your material. 00:09.730 --> 00:13.270 We're going to reinforce the diffuse and specular settings. 00:13.270 --> 00:19.260 We're going to model the boards around and then finally apply a texture to that boards around making 00:19.270 --> 00:21.410 it look much better. 00:21.430 --> 00:24.210 So let's hop straight on over into blender. 00:26.690 --> 00:30.600 So here we are in blender and with our default cube. 00:30.710 --> 00:36.950 So let's zoom into our cube a little higher the time line getting us feeling I should just set this 00:36.950 --> 00:38.470 is my standard lay helps. 00:38.480 --> 00:45.690 By now let's apply a material course that is going to be one already applied. 00:45.710 --> 00:48.680 I'm going to call it brick work. 00:49.160 --> 00:55.770 And the next section along not on the properties pane there's little chequered square here. 00:55.790 --> 00:59.750 That's the texture properties so you can click on that there. 00:59.840 --> 01:01.870 And we've got a list down here now. 01:01.880 --> 01:03.330 I'm going to name this. 01:03.330 --> 01:04.620 Bricks. 01:05.710 --> 01:07.910 And then further down. 01:08.080 --> 01:10.330 Let's just have a look here. 01:10.460 --> 01:16.360 Type well it needs to be an image in this case as those of other options which procedurally generated 01:16.420 --> 01:17.580 textures. 01:17.590 --> 01:25.330 But we're going to use in this case an image or movie so we select that and go into your assets pack 01:25.690 --> 01:31.000 and you will find a texture and can't remember. 01:31.000 --> 01:34.820 It's called a thing it's called bricks Yes it's called bricks dot j pge. 01:34.840 --> 01:39.940 So open that up and it will give us an example of fully of the texture itself. 01:39.940 --> 01:41.500 Now is it applied to here. 01:41.500 --> 01:45.870 Well we don't know at the moment what the viewport shading is sets a solid says. 01:45.880 --> 01:49.620 Change it now to rendered and we'll see how it goes. 01:50.050 --> 01:50.620 Okay. 01:50.650 --> 01:57.910 So it has applied it but it does look a bit odd there as you can see it looks a bit funny down the sides 01:57.910 --> 01:58.950 there. 01:58.960 --> 02:01.890 So first of all so we can see our entire object. 02:02.020 --> 02:09.130 I'm going to change our lamp to a Hemi just so that the whole thing's highlighted. 02:10.110 --> 02:13.380 And then I'm just going to go round our cube. 02:13.620 --> 02:17.930 Okay so this is a good example here. 02:17.940 --> 02:24.330 There's not a chance in the world that a wall is going to look that shiny glossy unless someone's going 02:24.330 --> 02:26.010 around varnishing walls. 02:26.190 --> 02:33.600 So in our materials properties for the cube if we go down and turn specular either all the way down 02:33.810 --> 02:35.110 or off. 02:35.730 --> 02:40.830 Yep I'm happy with that now and I'm just going to turn the diffuse up in this case. 02:41.220 --> 02:45.660 Okay so let's hop back over into the texture. 02:45.660 --> 02:47.190 Scroll down a little. 02:47.190 --> 02:51.090 So what we're looking for here is the mapping. 02:51.540 --> 03:00.090 So at the moment the coordinates for this texture are being generated by blender for us which is great. 03:00.210 --> 03:07.450 And their projection is flat which is why we've got these lovely stripes down the side of our blockwork. 03:07.620 --> 03:08.800 We may want that. 03:08.820 --> 03:11.190 But in this case I certainly do not. 03:11.250 --> 03:15.210 So we changed the projection of that from flat to cube. 03:15.570 --> 03:17.220 You see that. 03:17.520 --> 03:18.770 There we go. 03:18.840 --> 03:23.440 We've now got our texture applied to all of the sides. 03:23.470 --> 03:30.270 Now as your model gets more more complicated and we will get to use the mapping and unwrapping later 03:30.270 --> 03:33.280 on but you will need to do that. 03:33.300 --> 03:39.090 But since our models are quite simple at the moment with basic textures this brick work here for instance 03:39.090 --> 03:41.910 is working really well. 03:41.940 --> 03:47.880 The other one you can choose here is object so we're mapping it to the object itself and that does look 03:48.300 --> 03:49.610 a bit bizarre at the moment. 03:49.620 --> 03:50.880 And why is that. 03:50.980 --> 03:52.480 Oh that looks very bizarre. 03:52.530 --> 03:58.340 Kind of tracking our view at the moment because we've not selected an object for it to be mapped to. 03:58.360 --> 04:02.250 And if we select the cube as the mapping There we go. 04:02.250 --> 04:05.960 It's mapped in a very similar manner as it was before. 04:05.970 --> 04:10.080 There are quite a few other options in the coordinates. 04:10.080 --> 04:12.820 We won't be using any of these at the moment. 04:13.910 --> 04:14.330 Okay. 04:14.340 --> 04:22.010 So finally the size and offset will offset as you could probably guess shifts the texture from left 04:22.040 --> 04:24.510 to right up and down et cetera. 04:24.770 --> 04:30.010 And the size will this acts in the reverse manner as I was expecting it to. 04:30.200 --> 04:37.690 So if I half the values of X of Y the texture actually gets larger as we can see there. 04:37.750 --> 04:43.370 And if I double the value of x and y the texture gets half the size. 04:43.370 --> 04:47.740 So it's very easy to get confused which way round those things are. 04:47.750 --> 04:48.710 I certainly did. 04:48.710 --> 04:55.550 I'm just to one for the moment and you may need to alter this depending on the scale of the model that 04:55.550 --> 04:56.720 you're working on. 04:56.720 --> 04:59.690 In this case that looks absolutely fine. 05:00.960 --> 05:02.630 And I am happy with that. 05:03.650 --> 05:10.480 So I would just say that Brick Q For the moment just in case her need is again in future. 05:10.730 --> 05:14.670 And I'm going to go and open up my chest scene. 05:14.900 --> 05:16.530 So let's go a model. 05:16.550 --> 05:17.580 The surround. 05:17.600 --> 05:19.300 To the board itself. 05:19.340 --> 05:24.920 So the first thing I'm going to do is add a plain object. 05:25.340 --> 05:25.980 Okay. 05:26.000 --> 05:27.590 That's added in a funny location. 05:27.590 --> 05:29.510 I've got a couple of options here. 05:29.600 --> 05:32.870 I can go to the transformer up here and relocate it. 05:32.950 --> 05:37.430 0 0 0 I could go over here to the ad plane. 05:37.460 --> 05:37.690 OK. 05:37.730 --> 05:38.030 In the. 05:38.030 --> 05:39.330 Operator panel. 05:39.470 --> 05:41.270 And change that to 0 0 0. 05:41.360 --> 05:48.950 In this case I'm going to choose to just undo the creation of that and use shift and see to both Centre 05:48.950 --> 05:53.860 the view and put the 3D cursor bang in the middle of our scene. 05:54.050 --> 05:56.920 Then I can create our mesh plane. 05:56.960 --> 05:59.830 I think this is 24 radius. 05:59.840 --> 06:01.610 I'm not sure let's just give it a quick go. 06:01.610 --> 06:03.240 Twenty four. 06:03.500 --> 06:04.460 Excellent. 06:04.610 --> 06:09.420 Right we're going to use a little bit of a hack here to get this done. 06:09.450 --> 06:12.480 We're going to extrude. 06:12.680 --> 06:15.680 We're going to go into edit mode first before we extrude. 06:15.690 --> 06:23.210 Now we're going to grab the edge loop running around the outside of this plane and we're going to extrude 06:23.210 --> 06:25.900 by Absolutely nothing. 06:25.910 --> 06:31.680 Now it probably hasn't escaped you that we've got this funny pattern on top of our chequerboard. 06:31.700 --> 06:38.330 This is what happens when blender does not know which of those faces is on top of one another and it 06:38.330 --> 06:43.220 can't know because they are exactly on top of one another. 06:43.280 --> 06:49.610 So in a few moments we're going to have to delete one of those in order for it to work properly. 06:49.610 --> 06:55.630 Now sometimes it can be a bit iffy trying to select an individual face when one's on top of the other. 06:55.790 --> 07:02.090 And if you get the wrong one you can just undo right click again and it will select and cycle through 07:02.330 --> 07:05.180 the faces that are on top of one another. 07:05.180 --> 07:10.430 Now what we've got here is the edge loop around there selected and it's time to scale. 07:10.430 --> 07:17.510 I must say at this point if you do have the automatically merged vertices turned on on the 3d edita 07:17.510 --> 07:20.380 header that will not work. 07:20.390 --> 07:25.340 The process we've just done because it would just merge the four vertices at the corners back into four 07:25.340 --> 07:26.410 rather than having the eight. 07:26.420 --> 07:31.280 So if that is on your turn it off and then we can scale that outwards. 07:31.310 --> 07:33.930 And I'm going to do this by I. 07:34.130 --> 07:37.560 One of those two is upset you find one point to one point three. 07:38.500 --> 07:39.350 Brilliant. 07:39.370 --> 07:44.450 So I'm going to go in to face select and remove this centre face completely. 07:44.470 --> 07:46.720 And remember when you're deleting. 07:46.720 --> 07:55.840 In this case we are deleting faces and this middle one now I can extrude in these z axis by minus one. 07:56.200 --> 08:01.110 Now there's a chance you've inadvertently selected the chequerboard when we were doing that. 08:01.180 --> 08:05.200 In fact at this point I have not touched the chequerboard itself. 08:05.230 --> 08:11.670 It can be very confusing and somewhat frustrating we do have faces on top of one another. 08:11.710 --> 08:17.520 Fear not you will come across this quite a bit when you're doing your modelling but do play with it. 08:17.530 --> 08:22.960 Don't get too frustrated by it just accept that when you have two faces on top of one another it can 08:22.960 --> 08:28.960 be somewhat cumbersome sometimes to select the one you want to remember just right click again. 08:28.960 --> 08:31.920 If you've got the wrong one the first time round. 08:32.680 --> 08:38.590 Or indeed if you've got multiple faces more than two on top of one another then you will have the right 08:38.590 --> 08:41.790 click several times to cycle through the selection. 08:44.750 --> 08:47.760 That doesn't appear to be hazed itself. 08:47.760 --> 08:54.190 That's okay because the operator panel still has our transform in it that we've just done. 08:54.400 --> 09:00.410 Apparently I moved in the x-axis sung the set back to zero and that's a minus 1 and that should X then 09:00.410 --> 09:04.910 we don't have the hashing on the top of the board and we should find its class and depth. 09:04.940 --> 09:05.680 Brilliant. 09:06.050 --> 09:12.410 Okay so finally here I'm going to grab the edge loop running around our board. 09:12.440 --> 09:15.370 I'm going to extrude in the z axis. 09:15.380 --> 09:18.130 Yep by minus two. 09:19.430 --> 09:22.340 Essence's got some thickness. 09:22.540 --> 09:28.290 Probably going to undo that and extrude in the z axis by minus the reeds. 09:28.300 --> 09:29.720 Give it a bit more depth. 09:29.830 --> 09:32.990 Then finally fill in that face. 09:33.250 --> 09:38.980 Excellent so because we've been going in the negative direction quite a bit I can see straight away 09:39.010 --> 09:43.130 that a lot of the faces we've generated have got the Normal's round the wrong way. 09:43.270 --> 09:48.610 So whilst we are still in edit mode let's select our entire model and just flip the Normal's round the 09:48.610 --> 09:55.060 right way with control and N and whilst we're here let's just make sure we have not got any duplicate 09:55.150 --> 09:58.890 vertices by removing doubles. 09:58.990 --> 10:05.800 We haven't in this case it's removed zero excellent work so we've got our board ready to do there and 10:05.800 --> 10:06.940 what we can do. 10:06.940 --> 10:13.360 Finally I'm just going to bevell this edge so I will select the edge to go around hold down control 10:13.360 --> 10:17.000 and b and add in a bevel. 10:17.020 --> 10:24.580 We have three or so edges and let's just have a look at the operator panel and see what the other options 10:24.580 --> 10:30.760 we have armed with a set that's a whole number segments yet that's fine. 10:30.760 --> 10:34.840 Virtex ONLY all that's interesting but not what I want. 10:34.870 --> 10:37.670 Let's work our way around here. 10:37.810 --> 10:39.090 Have a look at the profile. 10:39.250 --> 10:40.450 Yes it's a nice profile. 10:40.450 --> 10:43.340 Bear in mind you can go a bit wacky on yours pop. 10:43.350 --> 10:46.540 Feet on it or whatever you want in that way. 10:46.600 --> 10:49.190 Clamp overlap. 10:50.850 --> 10:54.460 That's a bit better there that centralizes it's a little so. 10:56.380 --> 10:59.240 See so that prevents it coming too close to the edge. 10:59.300 --> 10:59.740 Brilliant. 10:59.750 --> 11:02.200 That's exactly what I want in this case. 11:02.250 --> 11:06.470 Well that's that's an interesting going light and fat rather than the other way. 11:06.470 --> 11:09.910 I think I'm going to keep that X so then right. 11:10.130 --> 11:17.790 So let's just apply that's sorted and now I think it's time for a challenge. 11:18.080 --> 11:19.910 Okay guys it's Challenge time. 11:19.910 --> 11:22.870 I'd like you to add a wooden texture. 11:22.940 --> 11:27.610 So using the Brazilian rosewood texture in your asset pack. 11:27.660 --> 11:32.120 Apply that to the board surround pause a video now and give that a go. 11:33.790 --> 11:34.790 Okay guys. 11:34.900 --> 11:35.870 Welcome back. 11:36.130 --> 11:40.670 Let's go and apply the Brazilian rosewood texture to our board around. 11:41.410 --> 11:43.800 Okay so we're back in blender now. 11:43.810 --> 11:48.190 Let's go ahead and add a texture to our board around. 11:48.190 --> 11:53.320 So first of all I'm going to go to where it says plain and change the name. 11:53.320 --> 11:56.340 This to board surround. 11:56.450 --> 11:59.200 In fact I'm going to put the word chefs in front of it. 11:59.380 --> 12:04.760 And that's purely so it lines up with the one that's just just bought. 12:04.930 --> 12:13.360 So the chessboards around I'm going to add a material to it and I'm going to call it chessboards surround. 12:13.390 --> 12:18.470 Be a good name for it I'm just going to copy and paste in that name. 12:19.880 --> 12:22.980 Then I'm going to go straight over to the texture's. 12:24.260 --> 12:27.070 Create a new texture. 12:27.170 --> 12:31.100 Scroll down a little more often than admit this window bigger now. 12:31.610 --> 12:32.830 Open up. 12:33.550 --> 12:37.070 S. assets Brazilian rosewood. 12:37.430 --> 12:38.320 Well that looks good. 12:38.320 --> 12:43.030 I'm going to turn on rendered straightaway and see what it looks like. 12:43.150 --> 12:44.740 Why aren't you see anything. 12:44.740 --> 12:50.650 We've got the lighting hidden some are going to hold down control and term both the lights on at once. 12:51.270 --> 12:51.870 Excellent. 12:51.870 --> 13:00.390 So we've got a couple of options here that looks like a proper machine bits because you would probably 13:00.510 --> 13:06.780 think the terms metered to get that 45 degree angle in there with the wood. 13:07.050 --> 13:10.980 Let's see if there's any other options that would suit us a bit of experimentation. 13:10.980 --> 13:12.030 As always. 13:12.030 --> 13:13.160 Never goes amiss. 13:13.230 --> 13:19.440 So the map at the moment is mapped to UV coordinates and we can see there it's following the face that 13:19.440 --> 13:21.180 has been generated from there. 13:21.180 --> 13:25.830 So if we go to generated itself I'm not too sure on that. 13:25.830 --> 13:32.200 The texture it looks very big was in awe of the borders for it makes the border very small. 13:32.250 --> 13:40.080 The text is there so we went in here and did X Y and I would do head as well. 13:40.350 --> 13:47.790 Yeah that looks okay as well that Scott's grain it does look a bit odd though it does look uniform. 13:47.820 --> 13:53.100 But I do prefer the U V option that was coming up before. 13:53.100 --> 13:58.000 Let's just try object and set it to chessboards surround. 13:58.110 --> 14:01.710 Wow that's searson too small there. 14:01.860 --> 14:06.060 So that's change that's two point five I think. 14:06.870 --> 14:08.640 Now it's going to have to be more than that. 14:08.760 --> 14:16.020 So I'm going to leave that as it's previous selection at you V because that looks really nice now. 14:16.050 --> 14:19.670 The spec clarity of this is that's about right. 14:19.680 --> 14:21.770 Well we've got to make a decision here. 14:21.770 --> 14:26.220 I don't think wood would be that polished. 14:26.370 --> 14:32.460 So I do want some specular arity but I don't want that much sun just kind of turn that down and still 14:32.460 --> 14:33.150 I'm happy with it. 14:33.150 --> 14:34.200 I'm going to halve it. 14:34.200 --> 14:39.050 First of all probably a little lower than that. 14:39.210 --> 14:47.880 Yes I'm happy with it having some glare on it some reflection of the lights in the environment but not 14:47.880 --> 14:50.780 so much that it's too glaring. 14:50.880 --> 14:51.530 Right. 14:51.580 --> 14:52.160 Brilliant. 14:52.230 --> 14:53.610 How did you guys get on. 14:53.700 --> 14:58.480 Please share your results in the discussions and I will see you in the next lecture.