WEBVTT 00:00.420 --> 00:04.410 Welcome to you v unwrapping and texture mapping. 00:04.770 --> 00:11.550 In this video you will understand an image texture replaces the colour of a material. 00:11.550 --> 00:16.690 You'll learn how to unwrap part of a mesh and apply the texture to it. 00:17.040 --> 00:20.010 So let's get straight on over in a blender. 00:20.190 --> 00:26.880 Right so over in blender The first thing I'm going to do is just bring up the node editor here. 00:26.880 --> 00:27.490 Right. 00:27.690 --> 00:30.060 So on the left hand side of this no. 00:30.060 --> 00:34.410 Ed we're going to introduce a texture some of them a go at. 00:35.210 --> 00:36.380 And good texture. 00:36.380 --> 00:38.540 And we want an image texture. 00:38.540 --> 00:42.410 You could also go shift day and search for Image texture. 00:42.410 --> 00:45.490 Of course go to texture and image texture. 00:45.500 --> 00:52.160 I'm just gonna pop that there and I'm going to link straightaway the colour to colour and the colour 00:52.160 --> 00:54.440 down here as well. 00:54.620 --> 01:00.670 So that means that the image texture is going to control the colour of these two shaders. 01:00.680 --> 01:06.050 Now it would be nice to see if what's actually going on over here on the material to have you can see 01:06.050 --> 01:09.680 it's on this bright magenta this bright pink. 01:09.680 --> 01:12.520 And generally we know texture is assigned. 01:12.650 --> 01:14.010 That's the colour it goes. 01:14.150 --> 01:19.550 So let's bring this back down a little here so we can still see the note. 01:19.680 --> 01:24.680 And we'll switch to the 3-d view and change it to rended modes. 01:24.680 --> 01:26.750 I can just see what's going on. 01:27.200 --> 01:27.500 Okay. 01:27.500 --> 01:28.160 Brilliant. 01:28.160 --> 01:29.840 So we've got ourselves a pink eye. 01:29.840 --> 01:36.320 Now you may want that type of I but I actually want to apply my image to it so I'm going to go to open. 01:36.350 --> 01:39.580 I'm going to find the iris I made earlier. 01:39.840 --> 01:46.650 Well in fact we made earlier and opened up your one eye open in my chair and it goes black. 01:46.910 --> 01:50.640 So of course the first question is well why isn't it applied. 01:50.810 --> 01:54.110 It's not going to work yet because we haven't map it. 01:54.230 --> 01:56.600 So let's go ahead and do that now. 01:56.660 --> 02:00.440 So I'm going to pull down this area over on the left. 02:00.650 --> 02:03.000 I'm happy with the outliner itself. 02:03.140 --> 02:11.270 So I'm going to go down here and switch this to the image editor you ve an image editor. 02:11.530 --> 02:11.880 Then. 02:11.900 --> 02:14.980 And in here I'm also going to open up. 02:15.870 --> 02:19.070 Our Iris So that's loaded up there. 02:19.110 --> 02:25.060 Now the final thing to do is select what we want to be mapped to this image whilst it's open. 02:25.080 --> 02:29.620 So over in the 3-d editor window I'm going to switch back to solid mode. 02:29.730 --> 02:31.620 No changed my mind. 02:31.620 --> 02:35.130 Probably material no texture. 02:35.460 --> 02:37.490 Yes we can actually see it here. 02:37.740 --> 02:46.380 Okay so I need these three rings here selected so I'm going to get back to solid mode and using in face 02:46.380 --> 02:52.650 select I'm going to use oltz to and shift because I want extra rings selected. 02:52.650 --> 02:53.450 There we go. 02:53.460 --> 02:56.370 So these face loops have been selected. 02:56.370 --> 03:06.360 Now I need to go and press the UKI or you can go to mesh on a 3D Ed header bar and go to UVA unwrap 03:06.600 --> 03:10.800 and you'll get the same menu for you V mapping. 03:10.800 --> 03:18.660 And we want to unwrap them click unwrap and we can see over on the image editor on their right hand 03:18.660 --> 03:19.430 side here. 03:19.530 --> 03:25.920 We've got that mesh the area that we've selected appears on top of our image here. 03:25.920 --> 03:26.540 Brilliant. 03:26.670 --> 03:29.540 So we hop over into rendered mode. 03:29.610 --> 03:33.100 We can see that we've got ourselves in Iris. 03:33.180 --> 03:41.640 And if we go over to this image editor we can scale this in and we can scale it out. 03:41.650 --> 03:44.990 All of we keep scaling it out we get a very funky. 03:45.010 --> 03:51.490 Am I going on I don't want that so let's bring it back in almost there. 03:52.260 --> 03:54.660 As you can see you can play with this to your heart's content. 03:54.660 --> 04:00.960 I actually quite like it's low down here because it's got that extra ring going around it so there's 04:00.960 --> 04:03.760 lots of options you can do to play with that. 04:04.320 --> 04:08.460 And we've got Tom selves a pretty good looking guy as always. 04:08.460 --> 04:12.990 Let's go and render the final image as well and see how that's looking. 04:12.990 --> 04:14.810 There's a few extra steps to the high. 04:14.830 --> 04:17.260 It's not glossy enough at the moment. 04:17.340 --> 04:20.140 So in a challenge in a few moments there we go. 04:20.140 --> 04:21.650 That's an awesome looking. 04:21.650 --> 04:24.130 I'm much better than that plain orange. 04:24.270 --> 04:30.740 So let's go ahead and add one final challenge to make this a nice and complete. 04:32.050 --> 04:35.970 Okay so your challenge add a lens to the eye. 04:36.280 --> 04:42.490 So we're going to create a lens and I suggest a duplicating the iris and the pupil part of the mesh 04:42.850 --> 04:47.580 and separating it immediately into a separate object. 04:47.620 --> 04:56.710 Assign a glass shade to this new object and sets the wire to around one point four but do feel free 04:56.710 --> 04:58.240 to experiment with this. 04:58.240 --> 05:02.290 I've found one point for works rather well. 05:02.290 --> 05:05.880 Recess the iris and pupil ever so slightly. 05:05.890 --> 05:11.620 Otherwise the two meshes will be touching one another and it will look horrible. 05:11.830 --> 05:17.460 And another thing you could do is pull out the lens further from the eye. 05:17.500 --> 05:24.490 I suggest using proportional editing for this and try to remember not to pull the actual lens fully 05:24.490 --> 05:25.110 from the eye. 05:25.150 --> 05:30.370 Otherwise it'll look more like a contact lens rather than part of the self. 05:30.400 --> 05:38.770 Now finally set up a new cam camera zoomed into the rabbit's eye and share that render in the discussions 05:39.270 --> 05:41.980 pause a video an arm and give that a go. 05:44.150 --> 05:44.790 Okay guys. 05:44.850 --> 05:45.760 Welcome back. 05:45.960 --> 05:48.650 Let's add a lens to our rabbit's eye. 05:48.960 --> 05:55.350 Right so the eye is coming along lovely here so let's add a lens to it so we need to go back over to 05:55.350 --> 05:56.340 the 3D view. 05:56.520 --> 05:58.680 An unknown to struggle for a bit space here. 05:58.710 --> 06:01.020 Let's set this the solid mode. 06:01.020 --> 06:07.140 So I will want this front bit here selected as well so I'm going to use circle select in order to do 06:07.140 --> 06:07.810 that. 06:07.830 --> 06:09.490 So that's the iris part. 06:09.720 --> 06:16.310 And the people parts select and we can just confirm that it be rendered or material or textual mode 06:16.320 --> 06:18.890 that's all there we can see what's going on. 06:19.110 --> 06:21.050 So back home it's a solid mode now I've done that. 06:21.090 --> 06:30.360 I'm going to duplicate that straightaway and then separate it as a new object so it can see a shift 06:30.460 --> 06:38.500 and we will duplicate it and I'm going to hit P immediately to separate it by selection. 06:38.550 --> 06:39.390 Excellent. 06:39.660 --> 06:42.680 So now if we are we don't have an outliner anymore. 06:42.690 --> 06:44.570 Let's bring back our outliner. 06:46.130 --> 06:54.410 Okay so now under the rabbit mash we've got eyes and eyes 001 and I'm going to call this lens so we 06:54.410 --> 06:55.590 can carry on with it. 06:55.700 --> 07:00.190 Now the lens itself we can assign a material to it straight away. 07:00.380 --> 07:05.830 So let's go and remove eyeball iris and pupil from this particular lens. 07:05.910 --> 07:07.360 A new material. 07:07.380 --> 07:09.910 And I'm going to call it lens. 07:10.490 --> 07:17.960 And down here I'm on a set it's to a glossy know you want glass shade up just underneath. 07:17.990 --> 07:24.440 So already I know are of one point forty five am good at a lower that down to one point four and I'm 07:24.440 --> 07:26.180 going to leave for roughness zero. 07:26.180 --> 07:32.360 Otherwise it would look bad and this colour I'm going to make sure it is pure white. 07:33.430 --> 07:34.660 Which is not quite. 07:34.720 --> 07:36.930 But now it is excellent. 07:36.940 --> 07:41.930 So now we've done that so let's just render Well let's go in to. 07:42.890 --> 07:44.510 Viewport shading rendered. 07:44.830 --> 07:45.140 Okay. 07:45.170 --> 07:50.870 That's not quite right at the moment because the two meshes exist on top of one another really. 07:50.880 --> 07:52.200 We don't want that. 07:52.310 --> 07:59.120 So we need to lower the eyeball itself or actually push out the lens. 07:59.120 --> 08:01.330 In fact in this case I'm going to do both. 08:01.340 --> 08:04.090 So let's go back over to the eyes themselves. 08:04.130 --> 08:10.580 Switch back into solid mode over into edit mode and let's grab. 08:10.700 --> 08:11.720 I'm going to add a loop. 08:11.720 --> 08:15.430 Cut him first then I'm going to turn texture back answers here. 08:16.010 --> 08:20.840 So I'm going to add at the loop come but right up against here which would generate an edge on top of 08:20.840 --> 08:27.560 an edge but it will enable me to just move back the whole top bit here quite easily. 08:27.560 --> 08:31.860 So control an R for loop cuts here. 08:32.000 --> 08:39.380 And now the slide between medium but it up against this edge here and now when we go into phase selects 08:39.980 --> 08:41.480 we will see. 08:42.300 --> 08:46.490 Let's go back to solid mode that we've got these dots going around here. 08:46.500 --> 08:52.800 And that means that basically there's two edges on top of one another and there's an infinitesimal small 08:53.610 --> 08:59.760 face along there so let's go ahead and select all these top so I'm going to move around here and using 08:59.760 --> 09:03.250 circle select on and to make that circle a little bit bigger. 09:03.390 --> 09:10.860 And I need to select a little bit more going round here being nice and slow with it so I get all of 09:10.860 --> 09:12.280 the bits I want. 09:12.570 --> 09:14.040 Excellent. 09:14.400 --> 09:22.320 And I need to move that backwards ever so slightly so let's just move our ball around. 09:22.350 --> 09:23.320 Perfect. 09:23.460 --> 09:25.590 And I'm going to grab it and move it. 09:25.670 --> 09:31.370 But I'm going to hit Z and then Z once more to move it in and out. 09:31.410 --> 09:38.370 And I'm literally going to move it back ever so slightly as inside our model and I switching to wireframe 09:38.370 --> 09:42.480 mode you can see a bit more detail of what's going on there. 09:42.730 --> 09:43.800 That looks good to me. 09:43.800 --> 09:46.500 In fact that may be a little bit too much. 09:46.500 --> 09:47.370 Not sure. 09:47.520 --> 09:49.560 Let's see how it works out. 09:49.560 --> 09:56.040 Let's go to our lens and we're going to do a similar thing here so let's hop in to edit mode. 09:58.290 --> 10:05.280 Without wireframe on so I can see what's going on and I am literally going to select this centre bits 10:05.370 --> 10:05.850 here. 10:05.940 --> 10:10.200 But not the extra bits just remove those with the middle mouse button. 10:10.560 --> 10:18.240 Now I've selected that I can do a similar thing as I did before grab and z z but I don't want this sharp 10:18.240 --> 10:24.470 cone coming out so I'm going to stop doing that and turn on proportional editing down here and enable 10:24.470 --> 10:24.910 it. 10:25.060 --> 10:28.230 And let's grab a move that's now at the moment. 10:28.230 --> 10:33.670 That means that the proportional editing circle is far far too large. 10:33.690 --> 10:35.630 So I'm just going to use a scroll wheel there we go. 10:35.650 --> 10:36.420 It's come back down. 10:36.420 --> 10:38.760 I do not want to move this base. 10:38.810 --> 10:42.150 It's going around here. 10:42.150 --> 10:44.300 I don't want to move that away from our eye. 10:44.340 --> 10:46.420 Otherwise it would look very odd. 10:46.530 --> 10:47.760 So they on to move that far. 10:47.770 --> 10:51.750 Even so I want here to go z and z. 10:51.760 --> 10:53.390 It's coming out in the right direction. 10:54.580 --> 10:57.060 And probably to about there. 10:57.500 --> 10:58.280 Excellent. 10:58.280 --> 11:02.520 So let's see how that's looking that's go over to rent mode and have a look. 11:03.850 --> 11:05.990 That is looking much better. 11:07.510 --> 11:08.160 Excellent. 11:08.350 --> 11:10.810 So there's a couple of final things to do here. 11:10.810 --> 11:17.010 We need to set up our camera so little to borrow another camera I'm going to borrow a 35 mil one. 11:17.140 --> 11:22.120 And it's hidden at the moment so I won't be able to duplicate it whilst it's hidden so let's hide it 11:22.810 --> 11:24.570 and duplicate it. 11:24.730 --> 11:25.720 Excellent. 11:25.750 --> 11:27.100 I'm going to name that. 11:27.100 --> 11:30.580 I can so I know which one it is. 11:30.700 --> 11:31.630 Excellent. 11:31.690 --> 11:32.180 Right. 11:32.200 --> 11:33.850 Let's go round. 11:33.850 --> 11:42.040 Let's set the active object as that camera and lock for camera to view in the properties here. 11:42.070 --> 11:47.380 And let's now zoom in and round in and here. 11:47.390 --> 11:50.900 That's probably a little bit too close. 11:50.910 --> 11:51.100 No. 11:51.100 --> 11:51.880 That will do. 11:52.000 --> 11:53.530 I'm happy with that. 11:53.680 --> 11:58.160 And let's just render the image and see what we've got so far. 12:01.300 --> 12:03.320 Okay that is looking pretty good. 12:03.360 --> 12:05.900 If a little bit noisy. 12:05.950 --> 12:10.050 And of course the noise level here is simply the number of samples we've got. 12:10.090 --> 12:18.740 So let's go to our random settings here and I'm going to up in sampling. 12:19.090 --> 12:20.950 I'm going to ah it's only at 10. 12:20.950 --> 12:21.700 That's why. 12:21.850 --> 12:22.570 So I'm going to. 12:22.570 --> 12:24.840 Up to 100 for the moment. 12:24.880 --> 12:28.830 That might be a little high but I really want to see what the details are going to come out like. 12:29.050 --> 12:35.500 And further down here I've just one when that was actually rendering there and it is the tile size. 12:35.500 --> 12:39.850 Once you get used to blend yours go oh that's a bit too big so I'm going to lower that down since I'm 12:39.850 --> 12:41.270 on a C P U. 12:41.260 --> 12:48.620 I know that it works really well with 16 and 16 16 and 16 so that's render that once more. 12:48.700 --> 12:55.330 And hopefully this time we'll get a better impression of the actual quality especially when the samples 12:55.330 --> 12:56.980 have gone up tenfold. 12:57.310 --> 13:03.220 So here we go much less noise we can see already in the reflections themselves. 13:03.490 --> 13:09.220 I'll look at that that's absolutely crazy towards the top here in the rabbits I work because we've now 13:09.220 --> 13:10.710 put the lens on top. 13:10.810 --> 13:16.540 We're actually getting a reflection of the eye socket itself and at the top here that looks like a reflection 13:16.540 --> 13:18.720 of the rabbit's ear as well. 13:18.760 --> 13:24.880 So obviously when we're this close it starts to highlight some possible problems like the skin tone 13:24.880 --> 13:29.140 of the rabbit may change that to be slightly less pink. 13:29.170 --> 13:34.630 And I think to make it a bit more natural but we've got a really nice looking I hear and obviously you 13:34.630 --> 13:38.970 can play about with the type of Iris that you've gone for on your app. 13:38.980 --> 13:45.400 I'm quite happy with this dark dark rabbits I hear after looking at reference material that seems to 13:45.400 --> 13:48.240 be pretty accurate and this is looking really really nice. 13:48.250 --> 13:50.590 I'm going to stop the end of their gaze. 13:50.590 --> 13:52.930 I don't really need to see much more of it. 13:52.950 --> 13:59.500 And I just click the little cross at the top here and I'm going to save that image because I'm really 13:59.500 --> 14:05.910 happy with that so I'm going to save as image and I'm going to pop here. 14:06.960 --> 14:09.320 I close up. 14:09.720 --> 14:10.730 There we go. 14:10.830 --> 14:11.990 And save that image. 14:12.060 --> 14:12.690 Excellent. 14:12.810 --> 14:13.950 How did you guys get on. 14:13.950 --> 14:16.360 I'd love to see how your eyes are coming along. 14:16.360 --> 14:20.070 It's really detailed now it's really coming along really nicely. 14:20.140 --> 14:26.340 And we're going to start working with the rest of the scene very shortly so please share it in the discussions 14:26.550 --> 14:29.120 and I will see you guys in the next lecture.