WEBVTT

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Welcome to knowing your subject in this video you reinforce the importance of reference material.

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You will see what happens when you just plough forward without consulting your reference material or

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not have any.

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Like I started to do so.

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Bit of background here.

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What happens when you're not watching me in the lectures.

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Okay so on the screen at the moment I plonked the Suzanne monkey in a field of grass and I thought oh

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that's a bit wispy so I improved upon that and made the grass look a bit more rigid but something struck

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me as odd.

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I mean it looked like very very fine grass.

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The fact is if grass gets bigger it gets bigger.

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It doesn't still retain is very thin type Strand.

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And I tried different aspects of it.

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This is a bit of a taster of what's to come in the rest of this section.

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So I went out and actually got some reference material to is to be quite honest.

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All these iterations here that I went through I did not have reference material I thought I know what

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grass looks like it's that green stuff outside is fine I'll get on with it.

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No as you can see the real grass doesn't look anything like that.

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First of all the colour obviously we can probably boost the saturation.

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This image matches the bright greenness of this one but that's what real grass looks like.

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That is still a bit too uniform maybe even a bit too dense in terms of how many strands of grass or

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how many blades of grass there are there.

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And I went out on a walk today and I took a picture of something in long grass to give me a better understanding

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about how the grass would be around it.

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So I cant stress enough the importance of going out and taking.

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These are some other pictures that I went out today and did taking as many pictures as you can to get

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a good idea so when youre back at the computer youre not scratching your head thinking oh what is this

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going to look like what what am I trying to achieve.

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And I really like this one here.

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Im actually going to probably set up my scene as close to this as possible.

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I do like the tree in the background.

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I love the grass in the foreground and going to make that little longer in our scene.

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And of course we got the background stuff going on there as well.

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Probably not going to make it that clutter to try and keep it a bit clean and clean of that scene so

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theres not so much going on in simple thing for that is I want to draw attention to the rabbit not the

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rest of the scene.

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Having a look at a couple of other types of grass you can see they tend to grow in tufts so we can see

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in the background over here that you get these tufts of grass growing up.

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So that would give us a clue of how to construct our grass and make sure it is more realistic.

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Now obviously we're not shooting for ultra realism in this scene but it's still got to be convincing.

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And here's what long grass looks like at the blades get much much thicker.

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And of course because they're longer and bigger they are heavier and they flop over more.

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So really big grass does not stick up in the air vertically.

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Weeks might do that when it's got a really thick stem.

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But the normal grass that are Bunny's going to be sat in does not do that.

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So it's very important to focus on reference material.

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So bearing that in mind we've got a bit of further planning to do just so I know that you guys are actually

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thinking about this fully and not just going at it at a whim.

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So there are going to be three or four main items in our scene three or four main objects.

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Do you know what they are.

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How important are they to the scene and do you actually know what they look like.

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So pause a video now and try and go in answer these questions.

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OK guys.

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Welcome back.

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Well looking at our scene itself.

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Do you know what they are.

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Well let's see we've got the bunny.

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That's going to be the main focal point of what we're going to be working on.

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Then we've got where the bunny's immediate environment which is going to be the grass.

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Okay.

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Next we're going to have a background object.

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We're going to have a tree in our scene.

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Now depending on how we actually set our scene up the tree is obviously less important than the grass

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that the bunny sitting on and the grass is less important than the actual subject of the whole thing.

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The bunny itself and then of course you got the far background.

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If we have just this grass and tree in isolation there's going to be a background something in the distance

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so that it's not going to be just a boring scene.

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And of course do you actually know what they look like.

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Well if not make sure you've got reference material with you whether that means you've got a phone with

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the images.

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I mean for all of my images that I need for this course in a folder that I can reference all the time.

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If I go out and take photos like I did day I make sure I store them in a specific folder so I've got

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exciting things on my computer.

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I have a folder named grass which in all intents and purposes is boring to show your family and friends.

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But it's very useful when you need it for reference material.

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So guys I hope you've got a good sense of where we're going with this project what we're going to be

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focussed on.

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And if you found some exciting photos if you've been out and about or you've found something very interesting

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on Google perhaps something you want to incorporate in your Seen it be great to see that do share anything

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exciting you find in the discussions.

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And I will see you in the next lecture.
