WEBVTT 00:01.130 --> 00:04.150 Welcome to Profar modelling by extrusion. 00:04.430 --> 00:12.570 So in this video you'll understand what Profar modelling is potentially speed up modelling by mirroring. 00:12.570 --> 00:19.880 Use a series of methods to produce a profile that we can use in our scene and then in the next few lectures 00:19.880 --> 00:21.380 will use the same profile. 00:21.410 --> 00:26.100 In a couple of different ways which have significantly different effects. 00:26.480 --> 00:28.040 So what is profile modelling. 00:28.040 --> 00:33.200 What profile modelling is the outline you get when you view something from a particular angle. 00:33.200 --> 00:37.410 One of the best things to do is imagine slicing through your model. 00:37.430 --> 00:40.240 Now realize we have used them in the past. 00:40.350 --> 00:42.950 We've used the lab over them the ability. 00:44.360 --> 00:46.820 They realize we've used them in the past. 00:46.820 --> 00:55.040 We've got the lamp base which was produced with curves and the pin was geometry based so the methods 00:55.070 --> 00:56.880 we're going to use up ahead. 00:56.880 --> 01:01.330 We don't bump up our extrudes speed so we don't have to keep pressing E. 01:01.370 --> 01:09.110 Every time we going to be using the bevell tool for constructing and defining sharp edges and a subsurface 01:09.170 --> 01:12.400 modifier for making the surface nice and smooth. 01:12.440 --> 01:15.430 So let's hop straight on over into blender. 01:15.830 --> 01:17.600 Hello everybody and welcome back. 01:17.600 --> 01:18.620 First things first. 01:18.620 --> 01:19.970 This is an insert video. 01:19.970 --> 01:21.510 This is Michael from the future. 01:21.680 --> 01:27.050 And as you've probably noticed I'm on a P.S. here rather than a mat and I'm on a different version of 01:27.050 --> 01:27.410 blender. 01:27.410 --> 01:31.690 But what we're about to learn will apply to the version whatever you are using. 01:31.700 --> 01:37.540 So the first thing we need to do here is go ahead and continue our series by opening up our door. 01:37.550 --> 01:42.230 So I'm going to go ahead and open up my front door here and work on that and we're going to create a 01:42.230 --> 01:47.390 profile in a moment and then do an extrusion based upon that profile. 01:47.720 --> 01:53.750 So the first thing I'm going to do here is take a Jew placates of this of door frame here because we're 01:53.750 --> 01:55.770 going to produce something with a bit more detail. 01:55.850 --> 01:58.820 So I'm going to use shift indeed to duplicate it. 01:58.910 --> 02:03.640 And I'm just going to press Escape here so goes right bang on top of the previous version. 02:03.650 --> 02:09.200 Now we see here after duplicate and this is elodie a front door 001 over the outliner. 02:09.350 --> 02:10.470 I'm going to change that. 02:10.520 --> 02:13.720 It's going to be elodie be because it's going to contain more detail. 02:13.820 --> 02:14.980 Front door. 02:15.320 --> 02:16.290 And there we go. 02:16.460 --> 02:23.160 So this is our first stage here and elodie a will we can change that on the mesh data as well. 02:23.240 --> 02:27.270 Of course if you cannot see your mesh data remember it's these upside down triangle. 02:27.320 --> 02:29.810 After you've selected the mesh object. 02:29.930 --> 02:30.390 Okay. 02:30.560 --> 02:32.030 So now we've done that. 02:32.030 --> 02:35.970 The next thing we need to do is decide where we're putting our model. 02:36.050 --> 02:41.600 So we've got elodie Door front door and we want to hide the elodie a Otherwise it's gonna be messy if 02:41.600 --> 02:48.710 we try and render etc. So what we could do here is just hide elodie a by clicking the little hide icon 02:48.710 --> 02:51.230 here and we can even hide it from rendering as well. 02:51.380 --> 02:57.860 Over on the outliner what I'm going to do however is to just move this elodie front door to a different 02:58.130 --> 02:59.190 layer. 02:59.360 --> 03:03.820 So we've currently got everything on Layer 1 we can see the orange dots down at the bottom. 03:03.830 --> 03:10.010 If I press the M key whilst my cursor is in the 3D view I've got the option to move whatever the active 03:10.010 --> 03:16.400 selected object is to another LAN when to move it to Layer 2 and then we see because it is the selected 03:16.400 --> 03:21.270 object the orange daughters moved across and is now on layer 2 but we're not looking at there too so 03:21.270 --> 03:24.750 I'm going to click on layer 2 and we can now see what's going on. 03:25.040 --> 03:25.610 Okay. 03:25.730 --> 03:28.100 So now we've got everything set up ready to work. 03:28.100 --> 03:30.790 Let's go ahead and start making this profile. 03:30.800 --> 03:34.120 Now you can make a profile any which way you want to. 03:34.160 --> 03:38.050 I'm going to create a 3D object and start cutting it up a little. 03:38.090 --> 03:40.150 Some go into edit mode. 03:40.430 --> 03:45.510 No we're not going to go into edit mode and add it as more meche data to this mesh object. 03:45.620 --> 03:51.830 We're going to create a new mesh object and we're going to do that because we're going to apply some 03:51.830 --> 03:58.230 modifiers and we want the modifiers to apply to that new mesh object not just the front door. 03:58.460 --> 04:03.740 So let's go ahead into edit mode on here first because we need to find a placement for our new object. 04:03.740 --> 04:04.800 Some are going to find. 04:04.820 --> 04:11.180 Let's go to virtex select and this lower vertex at the bottom of the dorm and select that one and then 04:11.180 --> 04:15.820 go shift and S and move the cursor the 3D cursor to the selected. 04:15.830 --> 04:23.270 Now we can go ahead and add in as a separate object we can add in a cube that's going to be far too 04:23.270 --> 04:24.850 big for what we want to do. 04:24.860 --> 04:29.780 So going to bring that scale all the way down now we have got snapping turned on at the moment that 04:29.780 --> 04:33.250 shouldn't cause as many issues and we've got an object that we can work on now. 04:33.260 --> 04:41.060 I'm going to go ahead and apply that scale as well as a control an A and apply a scale okay and go into 04:41.090 --> 04:41.640 edit mode. 04:41.660 --> 04:43.280 And we're going to use bevell. 04:43.280 --> 04:49.400 We've done several before on this edge and this edge control and B and we can bring that in ever so 04:49.400 --> 04:53.160 slightly longer use my mouse will to make that slightly more curved. 04:53.480 --> 04:59.780 And on this edge here I'm going to bevel again but this time bring it inwards so we've got our curve 04:59.810 --> 05:01.850 there that's fine but I want it go any other way. 05:01.850 --> 05:05.910 So over on the operator panel I can bring that up in out a little. 05:05.960 --> 05:11.120 We've got the amount of bevell That's just bring that back down to where it was the number of segments 05:11.300 --> 05:16.290 and the profile and obviously if we push that inwards we get a slightly different profile going round. 05:16.670 --> 05:18.740 Okay so that's looking good so far. 05:18.740 --> 05:25.460 The next thing to do here is start thinking about the profile itself because we're really talking about 05:25.490 --> 05:31.940 just how it's looking here from the top and bottom so we could go ahead here in at a subdivision surface 05:31.940 --> 05:33.760 modified to smooth things out. 05:33.770 --> 05:37.310 In fact if we do that we can learn a few other tricks as we go as well. 05:37.310 --> 05:43.680 So let's go out into object mode and apply a subsurface modifier subdivision surface and you see here. 05:43.870 --> 05:45.940 It crumples everything up. 05:45.940 --> 05:50.530 Now one way we can remove the crumpling at the top and the bottom is to actually just delete the faces 05:50.530 --> 05:53.230 at the top and bottom which is absolutely fine. 05:53.230 --> 05:56.650 We can go ahead and do that we're not using these faces anyway in a few minutes. 05:56.800 --> 05:59.200 But let's learn something whilst we're here. 05:59.200 --> 06:00.230 Now we've got this here. 06:00.340 --> 06:05.760 We could increase the mean crease off the top edges as you can see there. 06:05.770 --> 06:10.960 Overall the properties panel for those particular edges we could increase it there. 06:11.200 --> 06:15.940 But in this case I am literally going to delete those faces so would both of them selected press the 06:16.000 --> 06:21.280 x key and delete faces and you can see it automatically straightens that up anywhere because there's 06:21.280 --> 06:25.860 no Lot is no longer trying to smooth out those faces because they dont exist. 06:26.230 --> 06:29.160 Okay so that is looking pretty good at the moment. 06:29.290 --> 06:35.470 And of course if we zoom in a bit too far you will notice that the clack the camera clipping distance 06:35.470 --> 06:39.180 not the rendering distance but it actually starts eating into our object. 06:39.190 --> 06:40.180 We cant see it. 06:40.240 --> 06:46.040 And again over on the property panmure facts right here we've got clippings is the 3D viewport clipping. 06:46.090 --> 06:52.250 If we move that down we can start seeing things when we zoom in nice and close into our model. 06:52.660 --> 06:55.490 Okay so now we've set up all of those options there. 06:55.540 --> 07:00.490 We can use that crease for these two edges here to make that nice and sharp. 07:00.490 --> 07:07.930 If we were to go ahead and make that sharp and then final thing I might do here is go in and set the 07:07.930 --> 07:09.850 shading to smooth. 07:09.970 --> 07:15.670 So there we go we've got a relatively straightforward object there that we could repeat round but we're 07:15.670 --> 07:19.030 more interested in the profile and controlling it a bit better. 07:19.030 --> 07:20.410 So what can we do here. 07:20.410 --> 07:26.080 Well we can go in and start with just the base and extrude it to a particular height instead of back 07:26.080 --> 07:27.470 into object mode. 07:27.480 --> 07:32.030 I'm going to use the old key and select top edge loop running round. 07:32.290 --> 07:37.030 And once that's done I can press the x key and rather than deleting just that top edge firmware delete 07:37.030 --> 07:39.670 the vertices and that I'll delete everything coming up. 07:39.820 --> 07:44.920 So again we can now go ahead and go out and select this edgerley around here. 07:44.920 --> 07:49.570 Now we're about to do some extruding some quick extruding rather than just pressing E and extruding 07:49.570 --> 07:50.270 all the time. 07:50.290 --> 07:56.020 We're going to use the control key to extrude rapidly but we need to be in the right direction because 07:56.020 --> 08:01.780 if we hold down control and left click we can see that we can put edges in but they've gone somewhere 08:01.780 --> 08:03.280 random in 3-d space. 08:03.320 --> 08:05.280 Can undo control and Z. 08:05.540 --> 08:06.170 How. 08:06.430 --> 08:07.260 So what can we do here. 08:07.260 --> 08:13.840 Well we can make the view orthographic and press the number pad 5 key and then number pad 1 to view 08:13.840 --> 08:15.340 it from the front. 08:15.340 --> 08:16.960 Now we can line everything up. 08:16.960 --> 08:22.690 I'm going to dismiss the tools on the left hand side with the T key and the properties panel on the 08:22.690 --> 08:24.580 right hand side with the n key. 08:24.580 --> 08:24.970 There we go. 08:24.970 --> 08:30.860 They are gone and now I can hold down control and zoom in to where I want to go and click there. 08:31.000 --> 08:31.940 Click here. 08:33.270 --> 08:36.830 Click there and click their number just holding down control as I do that. 08:36.900 --> 08:41.790 Now we've got a couple of options here where it comes to this top point because we're now going to mirror 08:41.850 --> 08:46.440 this object and if we go ahead and mirror this object we're going end up with this horrible triangle 08:46.440 --> 08:47.940 in intersecting geometry. 08:48.090 --> 08:52.130 But we can get around that by going all the way around to the next point. 08:52.140 --> 09:01.050 Now if you wanted to make this just a little bit let's say all you wanted to make this a bit less mechanical 09:01.050 --> 09:06.450 or less candy you could carry on going all the way around and then it would be unique on both sides 09:06.480 --> 09:10.070 which can add an element of being natural into it. 09:10.150 --> 09:14.560 But cannot undo that because I want to think about speedy workflow. 09:14.580 --> 09:20.100 So once I've gone this far because this top bit here is going to be pretty much upright I can then just 09:20.100 --> 09:25.740 delete this edge again with X and then delete the vertices and it brings it back and notice this time 09:25.740 --> 09:28.190 it's kept this relatively upright. 09:28.200 --> 09:35.310 Now the more egalite amongst you will have noticed that our lovely profile that we've extruded up in 09:35.310 --> 09:38.280 around the door frame has its Normal's the wrong way round. 09:38.280 --> 09:43.410 So I'm going to select everything there and go control an N and we can see that's flipped around and 09:43.410 --> 09:46.010 the normals are now facing the right direction. 09:46.020 --> 09:51.330 Now we may increase the subdivision count on this later on but remember we're only working at elodie 09:51.390 --> 09:52.710 B for the moment. 09:52.770 --> 09:57.550 In fact I'm going to nest this cube whats called cube we should do something with that. 09:57.550 --> 10:04.800 I'm going to put it under neefe l'eau dbe and I'm going to call this door profile number one because 10:04.800 --> 10:07.640 we may make more than one profiles. 10:07.950 --> 10:13.550 So now that's done what we can do is add a mirror modifier to this so we go to add modifiers mirror 10:13.610 --> 10:14.190 modify. 10:14.190 --> 10:19.620 And that's why we created it as a separate mesh object because otherwise the modifier would apply to 10:19.620 --> 10:20.600 the whole door. 10:20.670 --> 10:25.180 Now I'm just going to hide up the subdivision modifier for the moment subsurface to vision modify. 10:25.320 --> 10:30.060 And let's think about this mirroring at the moment it's happening around the objects origin. 10:30.120 --> 10:33.020 It be nice if we can mirror around the centre of the door. 10:33.210 --> 10:38.740 Let's just try using the mirror object as the door for the moments elodie front door. 10:39.180 --> 10:40.740 That's not worked as expected. 10:40.740 --> 10:41.820 The axis is correct. 10:41.830 --> 10:43.890 We're mirroring along the x axis. 10:43.890 --> 10:45.020 Whats happened there. 10:45.180 --> 10:49.600 Well if we use the door then it's mirroring around this origin. 10:49.680 --> 10:52.020 So we need to mirror around something else. 10:52.080 --> 10:57.210 One of the easiest things to do here is create a mirror point using an empty so we can go ahead and 10:57.210 --> 10:57.960 do that. 10:58.040 --> 10:59.580 One of you at the front again. 10:59.580 --> 11:04.950 And if I do that I can see that the middle of the door is well has a width of two we can double check 11:04.950 --> 11:10.410 that in object mode under the properties panel we can see here the X dimension of the entire object 11:10.680 --> 11:14.060 is for Blender unit so the middle is going to be two. 11:14.220 --> 11:19.440 Couple of options of moving the 3D cursor to that point to create our empty or in fact we could just 11:19.440 --> 11:21.750 place the empty there manually afterwards. 11:21.750 --> 11:27.910 But let's go down to the 3-d cursors position and on the x axis type in a number of a value of two. 11:28.000 --> 11:29.010 That's going to place it in the middle. 11:29.010 --> 11:32.770 We can then go shift and 8 add a new object. 11:32.790 --> 11:38.920 I'm going to add in an empty it's going to be just a plain axis and I'm going to call that plain axis. 11:39.210 --> 11:40.280 Mirror point. 11:40.580 --> 11:45.630 I'm going to make sure that the Mirror point is a child of the dorsal if we move the door it doesn't 11:45.630 --> 11:47.000 ruin our mirroring. 11:47.250 --> 11:53.250 And then finally on this mesh object that we've created the door profile now we've not named it door 11:53.250 --> 11:55.220 profile here let's do that as well. 11:55.290 --> 12:00.750 Now that those are named If we go to our modifiers the mirror objects we can use the mirror points and 12:00.750 --> 12:03.050 there we go things line up perfectly. 12:03.120 --> 12:06.820 But what of this very top we probably dont want a gap there. 12:06.990 --> 12:08.680 Well there are two options here. 12:08.730 --> 12:16.820 At the moment what will happen is if we're in edit mode and grab this edge loop move it just to we got 12:16.830 --> 12:21.600 snapping still turned on yes we haven't turned it on and just move it you can see that it intersects 12:21.600 --> 12:27.180 with itself which you may have that could be quite cool but around this point in the middle where it 12:27.180 --> 12:31.800 does intersect you're going to end up with it potentially looking horrible during rendering because 12:31.800 --> 12:33.570 it won't know what face to show you. 12:33.570 --> 12:38.460 So I'm going to undo that if we turn on clipping We could manually move these two things together and 12:38.460 --> 12:40.550 adjust it to our heart's content. 12:40.590 --> 12:44.380 That's a pretty good starting point and we can lower it down. 12:44.700 --> 12:50.100 Alternatively you can go to the merge limit himself and just turn up that merge limit and they will 12:50.100 --> 12:51.580 naturally snap together. 12:51.720 --> 12:56.280 Now you do have to be careful with the merge limit because because if it's a more complicated object 12:56.520 --> 13:02.350 you may end up merging points that you didn't intend to merge and that you intended to leave a gap on. 13:02.430 --> 13:05.690 But now that's set up there we've got a mirror modifier in place. 13:05.790 --> 13:10.800 You could extend this even further a mirror of the whole doll that would be a possibility especially 13:10.800 --> 13:17.220 if we wanted to join the door profile onto the front door we'd even have to do that and mirror the whole 13:17.220 --> 13:17.910 object. 13:18.090 --> 13:21.110 All we'd have to apply our mirror modifier. 13:21.240 --> 13:25.440 I'm not going to apply the mirror modifier at the moment because I still probably want to go in and 13:25.440 --> 13:27.310 tweak this a little bit more. 13:27.420 --> 13:30.290 And what you see here is a little jerky as it moves around. 13:30.390 --> 13:32.280 Not to worry with that we can even. 13:32.340 --> 13:34.680 Increase the subdivision's surface modify. 13:34.740 --> 13:40.020 And I think because we remove that looks smooth shaded to me I could see faces. 13:40.020 --> 13:45.300 So if we go to our tools here and go shading smooth That's much better and then you can easily get away 13:45.300 --> 13:52.650 with a much lower subdivision surface in its entirety and in deed we can just turn it off at the top 13:52.650 --> 13:57.660 here we can just use the eyeball to hide it and see what it looks like on its head and you know what 13:57.840 --> 13:59.290 that looks absolutely fine is. 13:59.460 --> 14:05.070 Now the shading gets a bit weird around the bottom here and that's because we have a look at the bottom 14:05.230 --> 14:10.730 is got no face around the bottom so the final thing we could do here is just fill in that base. 14:10.770 --> 14:12.890 So let the Edge loop going around the bottom. 14:12.890 --> 14:18.750 It looks like it's broken in one place and then have to select it in two lumps and then just fill that 14:18.750 --> 14:21.890 in we'll make sure we press the right key and fill that in. 14:22.140 --> 14:27.060 Now just to make sure that everything working as we'd expect there because it does look a little bit 14:27.060 --> 14:31.410 funny I'm going out once I'm in it man I'm going to select everything off my scene. 14:31.410 --> 14:36.790 I'm going to press the space bar to do a general search for all operators and I'm going to type in doubles. 14:36.840 --> 14:41.970 I think there are some doubles in our model and I would be correct it's remove seven vertices from the 14:41.970 --> 14:43.910 model and there we go. 14:43.910 --> 14:46.850 That is looking much much better. 14:46.860 --> 14:47.420 Excellent. 14:47.520 --> 14:52.950 And again I'm going to turn back on the subdivisions surface modifier and that has come along really 14:52.950 --> 14:53.830 nicely. 14:54.030 --> 14:56.870 And of course now it's time for your challenge. 14:57.090 --> 14:59.070 Okay guys a quick challenge for you. 14:59.070 --> 15:06.570 I'd like you to create some more extruded profiles so try using extruded profile on other models. 15:06.570 --> 15:12.410 So we've got the window you used to round there and you can maybe even put some detail on a wall. 15:12.540 --> 15:17.880 Now do remember this can be used at a macro and micro level so it can be used for many different levels 15:17.880 --> 15:20.500 of detail from archways to arms. 15:20.520 --> 15:25.170 Other bench for instance supports a video now and give that a go. 15:26.730 --> 15:28.490 Okay guys welcome back. 15:28.650 --> 15:31.430 Let's go add some detail to a window. 15:31.620 --> 15:36.670 Okay so first of all I'm going to make sure I've got everything named appropriately great. 15:36.810 --> 15:39.580 And I'm going to save my work. 15:39.750 --> 15:45.390 And then I go and find and open up my window a lot easier to find it now it's just called window and 15:45.390 --> 15:46.870 we're going to add a profile around here. 15:46.890 --> 15:52.590 I'm going to move the 3D cursor to where I want this detail if I can add a couple of profiles I could 15:52.590 --> 15:54.480 do the window ledge itself and the arch way. 15:54.610 --> 15:59.490 But going to focus on just the arch way and I'm going to go all the way round rather than mirroring 15:59.490 --> 16:02.410 because I want to slight a symmetry to it any way. 16:02.430 --> 16:08.930 So I'm going to flip over in two virtex select select a vertex and using the cursor movement. 16:08.940 --> 16:14.880 I'm going to move the cursor to selected once I've done that I can add in a shape for I want to work 16:14.880 --> 16:18.100 with and I'm going to add in a cube and scale it all the way down. 16:18.270 --> 16:20.480 It's nice to work with that. 16:20.490 --> 16:23.660 So now we've done that we just need to add some detail so I want it. 16:23.820 --> 16:30.360 I am actually quite pointy here so I might need an extra level of detail but again I've got to remember 16:30.360 --> 16:36.090 that this is going to be all I've jumped straight ahead another ad it started adding to the level of 16:36.090 --> 16:36.560 detail. 16:36.590 --> 16:37.690 A. 16:38.040 --> 16:39.060 So what can we do here. 16:39.090 --> 16:42.410 Well it's very straightforward to sort this lot out. 16:42.540 --> 16:45.160 Fortunately I haven't gone too far or jumped ahead of myself. 16:45.240 --> 16:50.910 I'm just going to undo a couple of times and then go ahead and duplicate that object. 16:50.910 --> 16:59.520 There we go duplicated the object and let's move it to layer to rename it l'eau dbe B and then Windows 16:59.550 --> 17:00.590 absolutely fine. 17:00.600 --> 17:04.030 The 44 just describes the size I don't have any other sizes. 17:04.050 --> 17:08.460 At the moment I was going to be a bit of a lethal one on the end. 17:08.460 --> 17:14.100 There may need to sort out that naming convention later on as long as I'm consistent. 17:14.180 --> 17:18.800 That should be absolutely fine of renamed all of those things hop to lay a toe. 17:18.820 --> 17:23.760 And now we can start modelling Fortunately the 3D cursor is still in the same place so I can go ahead 17:23.790 --> 17:25.580 and add that cube. 17:26.010 --> 17:30.930 I do want to add it is a different mesh object at the moment so its going to object mode. 17:30.990 --> 17:36.940 I could add it to the other mesh but I don't want to ruin the underlying mesh just at the moment. 17:36.960 --> 17:41.240 I don't want to ruin it at all of course but I don't want to disturb it. 17:41.280 --> 17:44.360 So let's go ahead into edit mode. 17:44.430 --> 17:51.200 Click fair and let's move this edge right in to make it nice and pointy. 17:51.210 --> 17:54.890 Now I'm going to use this profile to stick it in a little. 17:55.620 --> 18:00.500 And Paul that so we've got a nice homes or curve going on. 18:00.500 --> 18:06.230 They are like fabulous it's slightly in the wrong place so we can start moving things about snapping 18:06.230 --> 18:08.390 turned onto whole increments. 18:08.390 --> 18:12.210 I don't want that something to hold down Shift to do some smaller increments. 18:13.560 --> 18:15.710 Once we finish the bevell of course. 18:16.950 --> 18:21.400 Select everything and let's move it with much smaller instruments instruments. 18:22.690 --> 18:26.580 With much smaller increments locked to the x axis. 18:27.960 --> 18:30.450 Move it on the x axis. 18:31.980 --> 18:34.090 And yes I'll go to that. 18:34.130 --> 18:35.850 Maybe not that depth. 18:36.050 --> 18:43.580 Let's go and see where it's placed here and just move it back so it's just inside the wall that's perfect. 18:43.580 --> 18:52.070 Now I'm going to grab this face here extrude it slightly this way that's not slightly That's lots. 18:53.000 --> 18:54.410 A turnoff snapping to do that. 18:54.410 --> 18:55.370 There it go. 18:55.660 --> 18:57.260 And I'm just going to do that bit by eye. 18:57.260 --> 18:58.890 So that's that's okay. 18:58.900 --> 19:01.930 I'm going to round off this particular edge. 19:02.850 --> 19:04.480 Again using the. 19:04.740 --> 19:09.560 I'm not going to go free inside rounce on the change that profile and make it move the other way. 19:09.930 --> 19:14.400 And then finally I'm going to add a bit of detail using a subsurface modifier but I'm going to delete 19:14.400 --> 19:18.650 those top and bottom faces first so it looks nice straight away. 19:18.780 --> 19:22.970 So at top faces and bottom faces the leak those. 19:24.690 --> 19:31.710 Then we can add a subsurface modifier up seemed to have zoomed in so that selects something and they 19:31.800 --> 19:33.740 get perfect. 19:33.750 --> 19:37.780 So now we've got that now I just need to make this edge here sharp. 19:38.100 --> 19:40.420 And the one on the inside as well. 19:40.680 --> 19:43.600 So I'm going to be careful to do that. 19:44.890 --> 19:50.330 It's already on the round setting so I know that an arm and a bevel there as well. 19:51.310 --> 19:56.800 Now if this is being mirrored on the other side this would need to be totally sharp or near enough sharp 19:56.800 --> 19:58.560 otherwise it will look silly. 19:58.570 --> 20:04.690 So what we can do there to make absolutely sharp is a couple of options. 20:04.690 --> 20:09.310 I'm going to bevell but make it incredibly small bevell. 20:10.500 --> 20:15.150 And I can change that here on me and mount's by point one there. 20:15.180 --> 20:17.730 SS Absolutely tiny now. 20:18.210 --> 20:21.230 Okay now we have our I can delete this top edge loop. 20:22.670 --> 20:24.680 Select the bottom edge loop and start modelling. 20:24.680 --> 20:29.260 I'm going to whiz around to the front and I'm going to go all the way up and all the way down. 20:29.540 --> 20:31.880 So let's control and click. 20:33.100 --> 20:34.650 Click there. 20:35.750 --> 20:42.140 Now we can see there start is slightly off centre but so k. because we can go back to it later on and 20:42.140 --> 20:42.860 sort it out. 20:42.860 --> 20:49.670 One of the benefits of this ikenne or it's also slightly at the wrong place down here but that's okay 20:49.670 --> 20:55.410 because we can select that bottom edge loop and start moving it and straighten it out again. 20:55.470 --> 21:01.220 Don't have to be perfect unless it's a model that absolutely requires everyone to turn snapping on here 21:01.790 --> 21:08.030 and faces and moving in the z axis only I'm going to snap it to this bottom face. 21:08.030 --> 21:13.270 Now that's looking pretty good as a couple of things that we can do to make it look a bit better. 21:13.280 --> 21:18.590 We can go and grab an edgerley running around here for instance and scale only on the z axis and we 21:18.590 --> 21:24.540 can give it a much taller or thinner approach that's now I don't like thin ultra. 21:24.550 --> 21:28.790 This would probably work a bit better on the door and snapping turned on which is not making it very 21:28.790 --> 21:29.370 smooth. 21:29.480 --> 21:34.500 But I can make that smaller or thinner if I want to make it slightly bigger. 21:35.280 --> 21:40.360 And around these edges here I've having trouble selecting them. 21:40.420 --> 21:41.870 We'll get there eventually. 21:42.970 --> 21:44.920 That edgeley there and this one. 21:45.120 --> 21:46.150 All missed it. 21:46.170 --> 21:47.110 That one there. 21:47.880 --> 21:53.820 Hopefully that skorts the entire age group selected what we can do here is add a small bevell to those 21:53.820 --> 21:54.770 areas. 21:56.440 --> 21:58.520 To help define that shape a little more. 21:58.540 --> 22:03.280 And of course smooth shadings not turned on here so we can go ahead hop into object mode and turned 22:03.280 --> 22:04.420 smooth shading on. 22:04.510 --> 22:05.950 And that's looking pretty good. 22:05.950 --> 22:07.990 Let's check it out in rendered mode. 22:08.760 --> 22:13.680 There's no light in our scene so this is one of the downsides about removing a light so we can go ahead 22:14.070 --> 22:16.560 and add a lamp into the seen the sun. 22:16.560 --> 22:18.170 I'm going to randomly rotate. 22:18.210 --> 22:22.680 So if we can get a good light source come in I can always hop out and sort that out. 22:22.680 --> 22:24.610 But that looks pretty good. 22:24.960 --> 22:26.440 How did you guys get on. 22:26.670 --> 22:29.010 What sort of extruded profiles did you make. 22:29.010 --> 22:30.740 Please share them in the discussions. 22:30.840 --> 22:33.560 And I will see you guys in the next lecture.