WEBVTT 00:00.480 --> 00:06.960 Welcome to text during the head in this video will make sure our scenes are actually in the right place. 00:06.960 --> 00:10.520 We put them on our model but we don't really know if they're in the right place. 00:10.620 --> 00:16.920 We start texturing we're going to connect our texture to the model itself because even though they're 00:16.920 --> 00:23.940 kind of connected at the moment we won't be able to see what's going on and we have tests to make sure 00:24.060 --> 00:26.010 it is working as expected. 00:26.010 --> 00:32.830 Once we've plucked the texture into a model that's go ahead and hop straight on over into a blender. 00:33.270 --> 00:39.660 Okay so in front of us we have you v mesh that we've been working on and let's bring up. 00:39.780 --> 00:43.020 Well in fact on the change the outline I don't think I'm going to need it. 00:43.020 --> 00:46.330 Famous last words of course to the 3-d view. 00:46.590 --> 00:52.290 And let's scoot round and hit render in that viewport so we can see what's going on. 00:52.470 --> 00:54.660 Now that looks okay for the moment. 00:54.690 --> 00:57.930 We need a node editor up now. 00:57.960 --> 01:05.820 Ahead a few smap after a star against sellers make sure I save that so save as image head a few smap 01:05.880 --> 01:09.840 and I need to add that to my assets. 01:09.840 --> 01:12.710 I'm gonna add it to my texture's head the first map. 01:12.750 --> 01:13.980 There we go. 01:14.100 --> 01:19.560 Now it is important that you save and I'll show you why in a few moments so first of all let's go ahead 01:19.620 --> 01:21.280 and will. 01:21.300 --> 01:22.620 Lots of things we can do here. 01:22.620 --> 01:23.820 Let's open up the node editor. 01:23.820 --> 01:26.310 First of all so we can see what's going on. 01:26.310 --> 01:30.440 And let's find our diffuse input which is here. 01:30.690 --> 01:36.600 And we need to go ahead and add in a texture to that and because it's you've even mapped and we've got 01:36.600 --> 01:39.630 node Wrangler enabled in there add ons. 01:40.020 --> 01:45.240 Okay so back over in blender there are a couple of things that I would want to do before getting on 01:45.270 --> 01:47.610 texturing so we can see what's going on. 01:47.610 --> 01:53.010 So first of all angara Changed my outline here to a 3D view image can make its tiny bit bigger. 01:53.020 --> 01:54.370 So see what is going on. 01:54.600 --> 02:00.420 Excellent And so there's a 3D view and I'm going to pop it in rendered mode for the moment will switch 02:00.420 --> 02:05.820 over to material mode as well just to see the difference between those two. 02:05.850 --> 02:11.970 Now at the moment it won't show anything at all in rendered mode to do with this image because we've 02:11.970 --> 02:14.050 not set any of that up. 02:14.160 --> 02:20.330 And secondly we haven't saved our image someone is going to go ahead and save the image save us image. 02:20.670 --> 02:28.550 Okay let's move this bit open and then go to the node editor that's whizzed down through the bottom. 02:28.550 --> 02:31.040 Here we have art a few shader now. 02:31.060 --> 02:33.480 The colour of that is going to be controlled by this texture. 02:33.660 --> 02:41.400 Now because I have no Wrangler enabled I've lit she just go control and tea and that will add in the 02:41.400 --> 02:45.200 necessary nodes for me and I can just move those across. 02:45.300 --> 02:51.720 And because we've generated this texture in blender it should just be on this drop down here head diffuse 02:51.720 --> 02:52.480 smap. 02:52.590 --> 02:53.340 There we go. 02:53.470 --> 02:59.830 We can see it's made the colour off the overall face I suppose and man made this orthographic. 03:00.110 --> 03:04.890 Wow a difference perspective makes an orthographic huge difference. 03:05.250 --> 03:09.260 Okay so let's leave it like that for the moment. 03:09.360 --> 03:15.990 So we've got this now controlling the texture itself of the colour strip of the femur and is matched 03:16.050 --> 03:18.260 with you visalus absolutely fine. 03:18.300 --> 03:23.610 So we should be able to do now is hop on ovett in TO PAINT mode. 03:23.610 --> 03:29.100 In either of these and start painting if I go ahead I need a different colour than black so you can 03:29.100 --> 03:29.710 see it. 03:29.790 --> 03:34.650 Now if I go ahead and paint in the U V Ed panel nothing changes here. 03:34.650 --> 03:41.580 In fact if we isolate the diffuse map itself everything will go black because something that is a true 03:41.580 --> 03:44.580 black doesn't reflect any light it absorbs all. 03:44.730 --> 03:50.850 So that won't happen at all until we go ahead and I can't hear EF 3 Unfortunately on my Mac it won't 03:50.850 --> 03:51.360 work. 03:51.510 --> 03:58.890 But as soon as I go to save his image and save that image it will then show the actual text to change 03:58.890 --> 04:00.110 that I have done. 04:00.150 --> 04:01.770 Now that's a bit different. 04:01.770 --> 04:06.570 If we're in material mode if we're in material modem with a hop out of edit mode as well so we can see 04:06.570 --> 04:11.810 what's going on and then go in to paint texture paint. 04:11.850 --> 04:15.090 We can actually all that is probably going to slow down. 04:15.090 --> 04:19.920 Blender didn't mean to do that straightaway but basically if you go ahead and paint directly on your 04:19.920 --> 04:27.180 model whilst in texture mode in the viewport itself we will see the changes occurring on the rest of 04:27.180 --> 04:27.740 our model. 04:27.750 --> 04:30.360 Once it's caught up then or whether you see the spinning wheel. 04:30.360 --> 04:30.810 There we go. 04:30.860 --> 04:37.950 For you V map itself has actually updated or rather the image has updated but it hasn't saved. 04:37.950 --> 04:42.210 It works one way and not the other so if your painting in the view port it will update your image but 04:42.210 --> 04:44.970 you do need to make sure you save your image. 04:44.970 --> 04:50.220 If you don't save your image then you can end up what you will end up losing it. 04:50.220 --> 04:53.510 And don't worry I have lost data that way too. 04:53.590 --> 04:58.590 Everything link looks great with your model and then all of a sudden you reopen your file and you like 04:58.660 --> 04:59.880 well where's my dick. 05:00.290 --> 05:03.280 No I know I've done I've not bothered saving it. 05:03.280 --> 05:03.870 Whoops. 05:03.880 --> 05:05.740 Because everything looks right. 05:05.740 --> 05:10.960 We do need to make sure you've saved your image songas going to get into the habit of saving my image. 05:10.960 --> 05:17.230 You can of course pack the data into the blend far as our special use will if your giving the file to 05:17.230 --> 05:21.760 other people to work on as well or even just to share that model with other people. 05:21.910 --> 05:27.730 Remember to pack into the blend file otherwise they will get something that looks magento rather than 05:28.030 --> 05:30.980 your actual wonderful texture that you've done so. 05:30.980 --> 05:38.080 The final thing to go over in here is when actually painting it may be worthwhile turning down the malty 05:38.080 --> 05:44.500 rows modifiers preview setting because then you're not having to render quite so many triangles and 05:44.500 --> 05:49.090 the view poor be much more responsive for painting than it would be otherwise. 05:49.090 --> 05:53.950 And we can see updating there now one of the things when you paint in the viewport is you will end up 05:53.950 --> 05:57.230 with anything that's not facing the camera. 05:57.280 --> 06:02.430 Anything that's beyond that 90 degrees you sometimes end up with this horrible black outline. 06:02.440 --> 06:09.340 Well that's when you need to use the u v editor itself the U.S. image editor itself in order to paint 06:09.370 --> 06:10.690 that detail on. 06:10.930 --> 06:16.930 And of course providing you've remembered to save in the rendered mode and you can see that it hasn't 06:16.990 --> 06:20.780 updated since the last render so are half up from the last save. 06:20.830 --> 06:24.380 We can go in and save as image. 06:24.430 --> 06:30.070 Once you've done that there we go we can see that one half of our model is now shaded a map or that 06:30.070 --> 06:32.830 is actually pretty cool. 06:33.040 --> 06:35.290 That's a bit of a side point there. 06:35.320 --> 06:39.450 When you shade something like this you can create quite an artistic effect. 06:39.610 --> 06:43.370 Not intended but that does look pretty awesome anyway. 06:43.560 --> 06:48.090 So now it is time to give you guys a challenge. 06:49.240 --> 06:53.280 I'd like you to go ahead and create your diffuse and gloss map. 06:53.530 --> 06:58.690 So remember a diffused map is a map without any shadows. 06:58.690 --> 07:03.140 It will look quite washed out and that is okay. 07:03.340 --> 07:05.110 We will have colorin it of course. 07:05.110 --> 07:12.670 Now use the same UV map for all your images so whether you're using it for a class map a normal map 07:12.700 --> 07:18.340 or anything else you'll want to use the same you v map that we've already unwrapped. 07:18.340 --> 07:23.660 Now looking at reference material to get this right is quite important. 07:23.740 --> 07:31.750 Remember start off with a almost a block work colour model so the base colour and then start adding 07:31.750 --> 07:35.300 in colour variations and you can even go down to Freckles. 07:35.320 --> 07:42.670 If you want to to add that little bit of extra realism and have a look at where the skin is naturally 07:42.670 --> 07:45.810 shiny that's very important very useful. 07:45.940 --> 07:51.170 And of course above all else remember to save your images that is really important. 07:51.190 --> 07:53.200 We don't want you losing your work. 07:53.200 --> 07:56.230 As I said I've done it before and it's really frustrating. 07:56.320 --> 08:01.570 Having opened up your file again to find that the image that you've spent a couple of hours working 08:01.570 --> 08:05.150 on has gone or at least part of it has gone. 08:05.530 --> 08:08.730 Okay so pause video now and give that a go. 08:10.730 --> 08:12.270 Okay guys welcome back. 08:12.290 --> 08:15.680 Let's go ahead and create are diffuse anger loss maps. 08:16.350 --> 08:21.990 Okay so back over in blender here and one of the first things I'm going to do is just make sure we've 08:21.990 --> 08:27.300 got a basically a default covering of our model. 08:27.420 --> 08:34.440 So you've got something to work on and because I want the overall white I can go in here right now make 08:34.440 --> 08:40.350 sure we've got white selected and then go ahead and paint in the necessary colour. 08:40.350 --> 08:47.700 Now you may see the screen go a bit funny on the side here I've got myself my iPad plugged in so I can 08:47.700 --> 08:52.970 literally just go in and scribble over the areas that I need coloured in. 08:53.010 --> 09:00.030 Okay so we've now got a white base mesh around our model and of course I've got to remember to go ahead 09:00.330 --> 09:02.100 and save that image in the moment. 09:02.100 --> 09:07.200 I save the image the rest of the screen showed up dates for us. 09:07.350 --> 09:09.490 I'll just click in this window here. 09:10.400 --> 09:12.120 And move it around. 09:12.280 --> 09:13.670 I go in and out. 09:13.700 --> 09:14.410 There we go. 09:14.540 --> 09:22.080 So if that doesn't work for whatever reason come in and out of rendered mode as well will help you massively. 09:22.110 --> 09:27.040 Now this is going to be the diffuse smap and it's certainly not going to be bright white. 09:27.050 --> 09:28.970 It's going to be a slightly different colour. 09:28.970 --> 09:36.350 So of course you can pick for colour that you want and then go ahead and colour it in how you want to 09:36.440 --> 09:38.210 have your mesh coloured in. 09:38.390 --> 09:43.320 And again don't be shy with just experimenting with how things look. 09:43.320 --> 09:46.350 Of course any to go ahead and save that. 09:46.700 --> 09:49.900 So go ahead and save that now go down the image. 09:51.480 --> 09:55.870 Save as image and save as image again. 09:55.940 --> 09:56.690 That's a refresher. 09:56.700 --> 10:02.280 We've got her a nice base colorin here now I've got a few streaks but I'll go in and sort out those 10:02.580 --> 10:03.290 in a bit. 10:03.300 --> 10:10.290 One of my favourite tools brushes to use is either softer or smear to try and blend in different colours 10:10.320 --> 10:13.280 especially when you go ahead and let's say. 10:13.620 --> 10:15.070 Oh I don't know Pop. 10:15.090 --> 10:16.780 I don't want to use it just yet. 10:16.920 --> 10:21.240 Let's say I go in and create some bags under the eyes. 10:21.240 --> 10:25.070 Now they're generally slightly pinkey so I can go in here. 10:25.320 --> 10:33.300 Zoom into the eyes themselves here and let's say add this source of colour effects to one and the other. 10:33.300 --> 10:37.160 And then once we've got these the colours in there we can scroll back up. 10:37.160 --> 10:44.160 Go and use the smear tool for instance come in and just blend it around our model a bit more. 10:44.160 --> 10:49.650 Now this is on point a low setting a strength of 30 percent a bit higher. 10:49.650 --> 10:54.520 I can start moving this colour out and around our model. 10:54.680 --> 10:58.620 Now you will have to obviously have a look at some real reference images. 10:58.650 --> 11:04.650 I'm not doing that right at this moment so I'm going to go and grab some as I'm just demonstrating the 11:04.650 --> 11:08.040 art of what I'm about to go off and do. 11:08.130 --> 11:10.250 And I'll rejoin in a few moments. 11:10.320 --> 11:16.410 So I've got basically a base map here so I'm going to go around now and start adding in the textual 11:16.410 --> 11:19.320 variants across a the model itself. 11:19.320 --> 11:26.910 Remember specifically looking at colour and not lighting information it's very easy to mix the two up 11:26.910 --> 11:28.310 if we're not careful. 11:28.320 --> 11:33.930 So the final thing I want to do here is actually switch over from rendered mode which chews up my computer's 11:33.930 --> 11:40.030 processing power into material mode and then we can see what's actually going on life. 11:40.080 --> 11:43.170 Now of course this isn't particularly bright at the moment. 11:43.170 --> 11:44.070 That's not to worry. 11:44.070 --> 11:47.840 We can also be in texture mode and we can also see what's going on. 11:47.900 --> 11:50.540 I mean see of whopping great big line across the top. 11:50.610 --> 11:52.430 Of course these are the scenes. 11:52.440 --> 11:54.750 This is why you want to avoid. 11:54.870 --> 12:00.120 In fact the seams look like they're in a really nice place with they be hidden behind a hairline or 12:00.120 --> 12:02.120 out of shots even better. 12:02.280 --> 12:02.940 Hmm. 12:02.940 --> 12:08.910 So here's our model looking pretty good now was we're here of course we can also use the smear tool 12:08.910 --> 12:15.790 so I can go to this area here and make this look at least well try and make it look a little bit better. 12:15.870 --> 12:19.820 And the same around the eyes here as well. 12:19.830 --> 12:28.290 Now of course depending on how fast your computer is amongst other things you can up the preview count 12:28.350 --> 12:33.040 as well if you want to do some more detailed textures on the surface of your model. 12:33.210 --> 12:40.030 Anyway so I'm going to go off now and do some more texturing and I will see you guys back in a few moments. 12:42.750 --> 12:49.460 Okay so playing about with a bit I've managed to get a basic map done and we can see the various areas 12:49.460 --> 12:51.150 here that just make him a bit bigger. 12:51.320 --> 12:57.630 So I've got some slight freckling on the fore head and over the bridge of the nose as well. 12:57.740 --> 13:03.350 I could work on those a bit further to bring them out a little more but I'm happy with the subtle effect 13:03.380 --> 13:09.890 that creates as well as I have hit F 12 and rent that out just to see what it's like in full rended 13:09.920 --> 13:16.040 our Mugler bore you guys wait for that to all come out because I've got the spec map to do now the glossy 13:16.040 --> 13:20.770 map and of course that's going to be a black and white image based upon this. 13:20.810 --> 13:25.450 So the first thing to do of course is to make sure that we have saved any work we've done. 13:26.480 --> 13:34.850 And then I'm going to literally just hit new and I'm going to call it head on Lossie. 13:36.540 --> 13:42.680 And I'm going to make sure it is the same size so that when I hit. 13:42.710 --> 13:43.910 Okay. 13:44.180 --> 13:44.790 There we go. 13:44.810 --> 13:45.890 We're ready to go. 13:45.890 --> 13:49.950 Obviously if I made it a different size I also have the scale that you've map accordingly. 13:50.180 --> 13:59.540 So the next thing to know is where glossy areas are will be white and where not glossy is are will be 14:00.200 --> 14:02.570 not white or black in this case. 14:02.570 --> 14:10.900 Now of course it won't be a one or the other there will be a sort of a gloss fall off so it will go. 14:11.240 --> 14:13.130 Well we just use the paint brush basically. 14:13.130 --> 14:17.060 This one here will draw the areas white that need to be white. 14:17.090 --> 14:24.810 And let's go in here set the hue and saturation to zero and the brightness all the value to one. 14:24.890 --> 14:30.620 And then we can that she say with the fall head is going to be glossy and I can just build that up like 14:30.620 --> 14:31.290 so. 14:32.440 --> 14:33.600 And of course I can paint. 14:33.610 --> 14:35.140 This is what this looking like. 14:35.140 --> 14:40.420 By the way that's come out of some nice rough marks on it this coming out really well I'm really pleased 14:40.420 --> 14:40.870 with it. 14:40.870 --> 14:42.190 I leave it all to the eyes. 14:42.220 --> 14:43.590 They're not looking right. 14:43.600 --> 14:49.420 On this side for some reason I am in the middle but not around the edge I still think that the face 14:49.420 --> 14:52.490 isn't forward enough on this right hand side of the eye anyway. 14:52.510 --> 14:58.630 That's what you get when you play with your models you start to see things that are wrong quite often 14:58.630 --> 15:01.870 no doubt how the bridge of the nose will also be shining. 15:01.870 --> 15:06.880 So you start painting that and I'll do this in 3-d mode as well because we're about to do symmetry. 15:06.920 --> 15:09.400 If you're in 3-d mode in your painting. 15:09.400 --> 15:13.210 You can turn on the symmetry down at the bottom here on the tall shelf. 15:13.210 --> 15:14.380 Very useful. 15:14.590 --> 15:19.660 Of course I want to be able to see the map I'm working on some will go to slots and make sure that when 15:19.660 --> 15:22.600 I'm here I'm not painting on ahead diffused in facts. 15:22.610 --> 15:30.320 In this case I have to save my image because it has not been saved yet and still says available to lots. 15:30.340 --> 15:30.790 Nothing. 15:30.790 --> 15:35.410 And that is because in the node editing we've not plugged it into anything. 15:35.410 --> 15:39.570 So you've got the layaways at the moment controlling what's glossy and what's not. 15:39.760 --> 15:43.490 And this time we can go to a. 15:46.360 --> 15:50.130 We just go control here no we can't unfortunately get control TV. 15:50.290 --> 15:52.130 So I wanted to add an image. 15:53.410 --> 15:54.130 Texture. 15:54.250 --> 15:56.080 So the image texture. 15:56.080 --> 16:02.440 And of course for the rest of this is not going to be a nothing is going to be a nonkosher data and 16:02.440 --> 16:03.790 that can come out of there. 16:03.820 --> 16:07.850 Now the rest of this the facts are and everything can be taken directly from here. 16:07.870 --> 16:09.790 I can't see everything at once. 16:09.790 --> 16:12.520 They're a bit far away of that of there. 16:12.670 --> 16:16.840 And that will be basically saying what is glossy and what is not. 16:16.990 --> 16:20.610 And we can have a look specifically at the bloche shade. 16:22.750 --> 16:25.610 We're not attached to anything just yet that's go ahead. 16:25.660 --> 16:31.340 Head glossy so we can see where it's going to be glossy on here now by preview and this image here. 16:31.370 --> 16:35.350 Of course if we preview one further down the line it'll look completely different. 16:35.350 --> 16:41.590 But let's start working on this and I'll see you guys back in a few moments once I've covered in the 16:41.590 --> 16:43.650 areas that I want to be glossy. 16:46.980 --> 16:53.850 Okay so after playing around with a while I haven't finished off the years quite yet but this is what 16:53.850 --> 16:55.770 my model is looking like. 16:55.770 --> 17:00.630 So I think it's time now to go out and save it. 17:00.630 --> 17:02.880 First of all I have not done that. 17:03.060 --> 17:07.620 Otherwise I won't be able to see it working and miss isn't fully on my screen. 17:07.620 --> 17:08.470 There we go. 17:08.640 --> 17:15.360 Okay so we need to savours image and save fat and we know it's in there and let's just have a quick 17:15.360 --> 17:17.350 look at it on the rended moaned. 17:18.910 --> 17:26.380 Cause I haven't previewed the right areas that go to my node editor and go to the final mix so we can 17:26.380 --> 17:32.890 see where things are now excellent so we can see where it's shiny and where it's not that's working 17:32.920 --> 17:36.290 really well and now just a matter of tweaking. 17:37.820 --> 17:42.100 The mix of things coming in so we've gots is it. 17:42.260 --> 17:45.010 So there's not enough of that coming through now. 17:45.200 --> 17:52.820 The actual gloss shelf we can see here after playing with it it has made some areas very shiny So I 17:52.820 --> 17:58.730 think I actually need to tone that down a little and I'm going to do that by adding in a colour ramp. 17:58.930 --> 18:00.280 So only need a vector. 18:00.290 --> 18:02.370 No I need to convert a colour ramp. 18:03.910 --> 18:06.220 When I've lost my colour ramp over it's gone. 18:06.220 --> 18:07.180 There it is. 18:07.180 --> 18:07.920 Pop it in there. 18:07.930 --> 18:15.400 Now I can change where the white value starts and ends can make everything shinier or I can make everything 18:15.430 --> 18:20.830 less shiny and less shiny is what I need to do and I need to zoom in to do that I can actually click 18:20.830 --> 18:21.790 on the right. 18:22.210 --> 18:22.990 Okay. 18:23.020 --> 18:27.140 And I don't want to shift the Black Value up or the white. 18:27.310 --> 18:29.500 Let's preview what's going on. 18:29.590 --> 18:30.630 Okay. 18:30.790 --> 18:33.560 I think I need to bring the white value down. 18:33.850 --> 18:35.130 That's making everything white. 18:35.140 --> 18:39.080 I need to change the white to a grace. 18:39.110 --> 18:39.790 Ah there we go. 18:39.790 --> 18:45.720 So let's go for a mid Grey let's go back into render mode and see what's going on. 18:46.150 --> 18:52.720 Let's view the right things we need to go to this make shader here and preview that's our that's starting 18:52.720 --> 18:54.950 to look much much better. 18:55.670 --> 18:56.880 Excellent. 18:57.930 --> 19:00.220 Tell us looking much better it's not. 19:00.220 --> 19:07.200 Well it is no longer overly shiny but it's shiny in the appropriate places like around the lips along 19:07.200 --> 19:09.410 the nose et cetera et cetera. 19:09.480 --> 19:10.230 Really. 19:10.410 --> 19:15.750 How did you guys get on how how did you did you make a similar sort of blue. 19:16.910 --> 19:19.610 Brillion How did you guys get on. 19:19.610 --> 19:24.710 Share your work in the discussions I'd love to see how you've combined these maps and the matou as you've 19:24.710 --> 19:25.580 come up with. 19:25.760 --> 19:32.180 I need to alter my eyes I'm signed to spot some things that I just need a whole touch and tweak with 19:32.180 --> 19:35.130 my model because they're not quite right at the moment. 19:35.240 --> 19:40.280 And they've started to come about by just looking at the model and actually doing this materials work 19:40.280 --> 19:40.850 on it. 19:40.910 --> 19:43.340 They really start to stand out. 19:43.340 --> 19:47.770 Appreciate your work in the discussions and I will see you in the next lecture.