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Hi guys I'm excited Sure.

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In this lecture how to manipulate the layers to be able to create some kind of sequence within your

3
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animations going to become quite good.

4
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First of all let's make this one a bit bigger.

5
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I would select all of my life as a pest control a and twirl it up.

6
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You see now that or GROSS Let's look at the animation pretty fine by now if you're not.

7
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Let's start with coffee shop.

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We want a coffee.

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These are the three layers here.

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We want coffee.

11
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The coffee shop we want the to come first.

12
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Fine coffee to delay a bit and a shop to delay a bit more.

13
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If you notice I'm moving the layers.

14
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So all you have to do is to click and drag the player to bring it inside.

15
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And then it will delay the time.

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If you choose the three layers press you you will notice now the keyframes are coming to the inside.

17
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Notice how it's happening now.

18
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It comes now less deadly more shop.

19
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Endlessly the animation nice.

20
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You know this is totally changing.

21
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Of course I could play with the keyframes.

22
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But this is a better model.

23
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Now if I want to make it faster all I have to do is to change the keyframes.

24
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So not as for the speed of the animation.

25
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I will use the keyframes that's my method.

26
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If I wanted to delete the animation within the composition then I will move the layers in and out the

27
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way I want it.

28
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So fine.

29
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This is done now after it comes here.

30
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I don't want always to be at this level.

31
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I want this to settle the coffee shop to settle then always restart appearing.

32
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So I would go to always here and I move the player I can look place you look at the keyframes and move

33
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the letters and maybe make this one a bit faster.

34
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See exactly how it's going to go.

35
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You notice now the coffee shop always comes in nice.

36
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But as soon as it's set it always has come in.

37
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After all this is done.

38
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I want this circle to start growing as soon as always has been there and I'll meet you there is in the

39
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middle but it's ok.

40
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I want the circle to start animating just went all ways is starting so when it's at this point I want

41
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the circle to start or move the circle here.

42
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And see my butt now.

43
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Premium and quality have to come after the circle is almost halfway here.

44
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Display good.

45
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Now the stars we are going to start one and start to add more of them after this.

46
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Here you are know about we are left with the last one me to.

47
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I'm going to take me through that and put it at the end.

48
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They see girl.

49
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So you see it without having a lot of trouble with the keyframes.

50
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We have animated and sequenced our animation in a certain way that now looks much nicer.

51
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Of course here the options are tremendous.

52
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And what I would like you to do is to look at the animation now.

53
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You notice how the sequence affected the look of all the animation said this meet you that is bothering

54
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me.

55
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It's in the middle.

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I'm going to take it and put it on top.

57
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The reason is this is the last layer I'm animated.

58
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So the first lead I will animate is the background that actually is not animated less any he made the

59
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background layer will open position or maybe scale.

60
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And look at the anchor point where it is.

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Let's bring it to its corner.

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And after very few frames and six frames I wanted to be here.

63
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I come here and in the beginning I'll make it easier.

64
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So now it will appear as not that convenient because it's really over the coffee shop.

65
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It is.

66
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That's not good.

67
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So what I will do I will select all the other layers and just move them a bit using the V.

68
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That is the selection tool from here.

69
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See now are there any mission call.

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The last thing you want to do is to introduce the blood.

71
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Now this one will enable motion blur and will give you a totally different look and it's really nice.

72
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So I will enable the blur in the composition select all my layers that are already selected and click

73
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on the blurred for one of them.

74
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It will get blurred for all of them.

75
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Of course I could have gone and clicked on each one of them.

76
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So this is how to set the blur.

77
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You first said it for all the layers then set it for the composition.

78
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Not just now what's happening.

79
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It's giving a blur for the speedy and emissions.

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The coffee shop is blurred.

81
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Speedier gives you more blood.

82
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Let's watch this in full screen.

83
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And this is the final stage.

84
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I will come to the preview here and click on full screen and make sure I am at 100 percent.

85
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Come back here stop the animation.

86
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Go to the beginning and play on full screen.

87
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Herriott.

88
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That's the animation we have to get together.

89
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Now the most important thing is for you to come back take the same files and create your own animation

90
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with your own skills that you have learned know if you have any questions please post them in the Q&amp;A

91
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section in the dashboard of the scores.

92
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Thanks for listening and I will see you in the next lecture where I will present for you your challenge.

