Hi guys I'm excited Sure.
In this lecture how to manipulate the layers to be able to create some kind of sequence within your
animations going to become quite good.
First of all let's make this one a bit bigger.
I would select all of my life as a pest control a and twirl it up.
You see now that or GROSS Let's look at the animation pretty fine by now if you're not.
Let's start with coffee shop.
We want a coffee.
These are the three layers here.
We want coffee.
The coffee shop we want the to come first.
Fine coffee to delay a bit and a shop to delay a bit more.
If you notice I'm moving the layers.
So all you have to do is to click and drag the player to bring it inside.
And then it will delay the time.
If you choose the three layers press you you will notice now the keyframes are coming to the inside.
Notice how it's happening now.
It comes now less deadly more shop.
Endlessly the animation nice.
You know this is totally changing.
Of course I could play with the keyframes.
But this is a better model.
Now if I want to make it faster all I have to do is to change the keyframes.
So not as for the speed of the animation.
I will use the keyframes that's my method.
If I wanted to delete the animation within the composition then I will move the layers in and out the
way I want it.
So fine.
This is done now after it comes here.
I don't want always to be at this level.
I want this to settle the coffee shop to settle then always restart appearing.
So I would go to always here and I move the player I can look place you look at the keyframes and move
the letters and maybe make this one a bit faster.
See exactly how it's going to go.
You notice now the coffee shop always comes in nice.
But as soon as it's set it always has come in.
After all this is done.
I want this circle to start growing as soon as always has been there and I'll meet you there is in the
middle but it's ok.
I want the circle to start animating just went all ways is starting so when it's at this point I want
the circle to start or move the circle here.
And see my butt now.
Premium and quality have to come after the circle is almost halfway here.
Display good.
Now the stars we are going to start one and start to add more of them after this.
Here you are know about we are left with the last one me to.
I'm going to take me through that and put it at the end.
They see girl.
So you see it without having a lot of trouble with the keyframes.
We have animated and sequenced our animation in a certain way that now looks much nicer.
Of course here the options are tremendous.
And what I would like you to do is to look at the animation now.
You notice how the sequence affected the look of all the animation said this meet you that is bothering
me.
It's in the middle.
I'm going to take it and put it on top.
The reason is this is the last layer I'm animated.
So the first lead I will animate is the background that actually is not animated less any he made the
background layer will open position or maybe scale.
And look at the anchor point where it is.
Let's bring it to its corner.
And after very few frames and six frames I wanted to be here.
I come here and in the beginning I'll make it easier.
So now it will appear as not that convenient because it's really over the coffee shop.
It is.
That's not good.
So what I will do I will select all the other layers and just move them a bit using the V.
That is the selection tool from here.
See now are there any mission call.
The last thing you want to do is to introduce the blood.
Now this one will enable motion blur and will give you a totally different look and it's really nice.
So I will enable the blur in the composition select all my layers that are already selected and click
on the blurred for one of them.
It will get blurred for all of them.
Of course I could have gone and clicked on each one of them.
So this is how to set the blur.
You first said it for all the layers then set it for the composition.
Not just now what's happening.
It's giving a blur for the speedy and emissions.
The coffee shop is blurred.
Speedier gives you more blood.
Let's watch this in full screen.
And this is the final stage.
I will come to the preview here and click on full screen and make sure I am at 100 percent.
Come back here stop the animation.
Go to the beginning and play on full screen.
Herriott.
That's the animation we have to get together.
Now the most important thing is for you to come back take the same files and create your own animation
with your own skills that you have learned know if you have any questions please post them in the Q&A
section in the dashboard of the scores.
Thanks for listening and I will see you in the next lecture where I will present for you your challenge.