Hi guys hope you're doing well in this course we are going to tackle in this lecture masques overtaxed
and this is very exciting and very interesting.
But you have to know that masks can be tricky sometimes when animated and the text is also limited.
But I would like you to train yourself to become you know experts in animating masks and motion graphic.
Everything that I would do in this lecture will also work with images and movies and also shapes or
layers.
Anything you want.
Fine.
Let's start.
So I've hit a motion graphic.
This is correct an Access board if you don't have it is free.
You can download it and it will increase a bit.
The leading in between characters and I would do no no good.
So I will create a mask.
I will not go to shape's to clean the mask.
Right-Click go to mosque.
That will be the first one and say new mosque.
You know the city has a lot about mosques ships that are the same one down there.
I would say in your mosque it would give me a very tight mask on the text there to make it a bit bigger.
Just come to the mosque you know the mosque would change to block doubleclick on it hold control.
Now you are in the free edit mode and you just put it up you can put it that way or that way any way
you want to make it a bit bigger.
The reason is I want to make space for the fettering fine.
That's OK when I'm done.
I will just press enter.
Now you want to animate the mask.
Come to the layer.
If you press and it will open directly the mask.
But have one second I want the mass to be here I will give them it using the stopwatch to initiate I
can before.
Now remember what we said about moving the all together the mass.
This is the square that will allow me to move the mosque.
I would click and press shift and take it up.
Now you have a very simple animation with the mask.
The mask just comes down.
It swipes the characters in but this is done.
This is one single mask that's very fine.
Let me read this mask and do something more exciting.
I will carry it now using the shape that I did my first mask here.
I will only take the first line and create another mask here.
Now I need to move the second mask.
I will come to my Spaf and use the selection to move it up a bit less.
Now the most masks I will come to motion graphic best and it will open to my spot.
Let's see after one second I want them all you know here I would go to the beginning.
I would choose the mass path one.
This is the green one.
Hold it hold shift and take it up.
Come to my bathroom.
This is the red one.
Take it and put it down.
And here you are.
You have a new enemy.
I'm going to press and get all the mask properties and select the first mask and the second mask and
give the fettering for example 15 area is very nice.
Now that I have done this I can press you and get all the keyframes as vague.
Our press shift be.
And this is where the funding would start to get the position at this level here this time.
I want to be at this position so I would keyframe it come back here and I will just take it down for
example.
Cool.
Now look at this animation is really nice.
Cool.
So it's pretty easy and pretty simple to use the masks and motion.
Now we have to be very careful how you frame the mask but if you make a mistake or the timing is wrong
then the mass path will really move too much or too little.
With the text.
But actually that's it.
It's amazing.
Let's do the second one for the second one.
I will delete the two masks again and I will delete the position animation.
I will come to one second here and what I will do is I will create a elipse mask just here.
Give it some leathering less and less.
I mean let's say we give it fettering 15 and I will keyframe the mask here come back to the beginning
again at and here I want to hold the mask and just move it.
You see how it's moving.
And pretty good.
So you know it's just going through when it gets here.
At this point I'm going to create a new mask.
Now take a rectangle mask and just put it here.
So I actually had the mask here.
I will open the mask Poth keyframe it go to see at this point use my selection to choose the layer so
I can move the mask and open it like this
Heriot
very nice.
You know it is what's happening.
It's just going.
You know first of all it shows you some collectors then open up.
These are some ideas I want to give you.
You can even make it further in time for the first one and speedier
ups and it opens.
So this is one other method.
Let's go to the third method.
The third one is make it relatively easy.
We delete all the masks.
We don't want them.
I don't think we have any other keyframe that's it.
And in the middle here the center again let's create any ellipse.
And we click this go to one second and I will click pest control and shift and open as big as possible
find Give it some fettering of 25.
That's cool.
I will keyframe it coming to the beginning here.
I will use my selection tool.
DoubleClick on the mask and simply make it very small or pest control and shift and make it very small
so it's not the scene at all.
I will make it smaller even video.
Now let's go back to 100 percent and play our animation.
This is how you can do it.
You notice there are several ways to work with the mask fight a timing here.
Let's use this one I will delete this mosque and create another mosque.
That is a rectangle mosque.
Just make it as big.
That's very fine.
So one second I want the mass to be here.
I will open and keyframe the path.
Come back to the beginning.
Now I will click on the last I can move the points I would use my selection to move this point to the
side and move this forward to the side.
OK you can go crazy here and you can do a lot of the things here you are.
That dimension is opening very nicely.
Let's give it some federating of 25 maybe.
OK.
And look at it.
It's pretty nice.
Go crazy about it and do a lot of beautiful things.
Let's see the other one that I'm proposing to you.
And the last one we are going to do here together you will be using many masks to gather and also you
will learn how to use the whole keyframe is not miracle is very easy and I will show you how.
Let's create Now the masks our Choose matter.
Choose the right thing to that's OK and create small mosques here that's one.
Another one here and another on here.
See the raw
ants at one second year.
I will press M to get the both.
All of them.
I would select all the layers
and click on the mosque BAAF then come back in the beginning.
Then choose one of the mosques for example the first one that's the first one which was my selection
to just pick it up choose the second one.
And just also take it up.
Simply choose the third one and take it down and choose the fourth one.
And also take it down and choose the fifth one and take it down.
So actually now we have an admission that completely nonsense is not happening.
But what I'm going to do I'll open up here.
I will start shifting these keyframes in different places.
For example like this then I will take all the keyframes I would select them use creating sort on them
I would right click and say toggle hold Keithley.
Now halti frames is very nice.
It is either in this position or in this position but not in between.
Meaning there is no interpellation.
So it jumps from this position to that position.
Let's open up outside and play.
Notice how it's appearing this way cool.
They just pop up corrected by character or section by section.
Of course you can play with this.
You can change the position of the whole keyframes.
So the small trick here just to select all your keyframes right click and say toggle hold keyframes
and that's all about Hoult keyframes.
They just you know either in this position or the other position.
There are very many things you can do with masks.
Masks are not always the best solution.
There are track mats and there is camps that you can use also to make your job much easier in the next
lecture.
We are going to jump in and do the math and it's going to be great.
Thanks for listening to me and I will see you in the next lecture.