Guys in this lecture we are going to create a complete the project using camps and other animation also.
But I need to show you what you can do is play camps and from then on you can be on your own and do
in projects.
The pre-camp project is with you the one that I worked very slowly on it.
You can find it and click on Project.
But we are going to work in the project lecture here where we don't have any files yet.
So I would start by creating the first composition that is 12 80 by 720 and I'll give it 10 seconds
is OK and call it a pre-camp pre-camp project for the lesson.
Now this is my composition and the background is black.
That's OK.
I would start by putting some text I will use the next Alite I would write for example motion graphics
motion and remove the uppercase cool and no bold make it smaller.
Yes.
You duplicate that and make graphics.
Now we want motion and graphics to be the same size.
I think that's really do like this could I will take these two oh let's correct the mistake here it's
graphics.
I was wondering and motion would go bigger.
Fine then I will take these two here and I will play compose and call a pre-camp motion.
So not just all my compositions and compositions are coming in side that these four that are here being
in the camp I mean the limited use the area of interest that's OK in fact will come to composition say
crop composition.
Now I want to animate it.
I would come.
They say that enflames your open the position that's the easiest way for now and the keyframe both of
them you are.
I'll come back to the beginning and take the first text and move it to the left and take the second
text and move it to the right.
Cool.
I will put motion blur and innovate in the composition.
Great preview here.
Nabat come back to my make up position.
You can see that I have the composition here and it's start motion graphics.
That's vague.
So big big licks make it smaller make it smaller like this.
Kids no keyframes you know after he comes in the sunlight it comes in and at one second for example
here what I want to do is to open the rotation keyframe the rotation go back to just a bit rotated 180
degrees.
I think so.
I truly not we want to rotate that minus 90 degrees.
Yes.
And in the same time now after it rotates I will press shift and be keyframe the position move a bit
here and hold it and take it to the side here.
That's it.
So this is our animation.
You notice how we combined the animations all together.
You have the animation within the composition that you can change any time and you have keyframes here
and animation for the rotation and the position within the make up position fine.
So when it arrives here.
Now I want to create some more text.
I was started by putting the text here and this is very big let's make it small OK.
From the left or right control and turn and I would duplicate once that my selection to twice selection
tool and here you are from Eve for example.
Control enter DoubleClick school sorry school online.
Of course you can't put any text you like I think you have enough of school online and so on.
I will move this not being with this one here on top.
That's what I wanted.
And this one I would like them all come to a line.
And then left and distribute them.
That's OK.
That's not bad.
Fine.
I will come now and play compose all of them.
I will call here like from.
That's OK.
And I have the pecans.
Now I'm in the pre-canned.
I will choose the area of interest.
Give it some space here.
That could don open it more give it some space so we can see it you know coming in called there will
be enough.
Then I will come to composition and say Cup to comp and I will come at a few seconds maybe ten.
That will be good.
Open the position again.
Keyframe the position.
And then at the beginning here I want from G come from this side.
In fact all of them I would select all of them to come from this side and even from to come from here.
That's very fine.
I want to test and see is the speed of K about the speed is not bad but from starts then that is easy.
Then there is school then there is online.
That's it.
If you run the animation cool we give them motion blurred altogether and they start again.
OK not bad let's go to our main play composition or composition and we're bring this ones here but we
don't want this animation.
It's a bit big.
Let's because smaller we don't want this animation to start from here.
We wanted to start as soon as this guy stands here.
OK this one we start.
So not this is what's happening between the camps.
And of course not but I will come over here and I want to put in new text.
I would say all son and then duplicated.
You say simple small capitals and
he rewrite techniques.
I hope you like my techniques.
Seriously.
Now Osam let's make it bold for example simple list make it very big to be as big as awesome.
This is awesome.
Then we can put techniques here and make it as big as simple.
Yeah not bad.
OK let's align them and see.
We come to align well and then left and maybe distribution them good.
I will dig the three of them and recompose and see here it is awesome.
We forgot the space we put the space Herriott then arriving here.
We need to determine the area of interest.
I would do that I'm going to take this one up a bit.
I will come in the beginning go to learn.
Then frame's we do open the position you frame the positions and I'm going to go back just a bit here
and take some a bit further than go to the beginning.
Or some will come from the bottom OK simple will come from this side and techniques will come from this
side that can go composition crop composition.
Let's see our animation.
Not bad of course some will come first then techniques then the other one let's see what's happening
here.
Did we make it.
I will go to preview.
Nabat you have the bouncing off or.
That's good.
I will go to the main opposition and of course this one is going to come after the player has started.
OK.
So let's start here.
We'll put it here.
Let's look at our animation now.
It's coming in or something fun.
Now to make it more fun I'm going to take a shape and while I'm here everything is here.
Now take that chip.
I make it pretty big.
I like the colors here.
Fine.
And that shape in the beginningless open position.
It will be coming in that tape will be framed and then we move a bit and we keep flip it again we go
back to the beginning.
We can hold it and move it backwards here.
And here you are.
Let's look at it
girl.
And then the shape will cover everything.
The shape is coming too soon.
Give it some time.
So let's add some text now we add beautiful
and we put it here.
We duplicate this one is the right size right.
Effective.
That's OK let's make them a bit bigger to fill the whole space.
I would come here and decompose the two layers recompose and say Here are some or beautiful whatever
anyone you want.
Before then when coming here I can work on the area of interest.
I will be OK.
Cool that's it can position crop composition.
Now I need to animate these ones.
First of all I'll take care of the entry points.
Let's put them in the middle.
We do not appear to be very precise.
And also here we can snap it in the middle.
Fine.
Effective.
I'm going to open the rotation and give it minus 90 or minus one 88 plus.
It doesn't matter.
I like that.
So it's coming up upside down.
So we'll select both of them go to a few frames just a few frames 9 and Presby keyframe them here come
back to the beginning one comes from above.
You need the selection tool and one comes from Don let's look at the timing.
Is it good enough or they are slow.
Again that's OK.
Then after some time here let's say one second we are going to open the rotation keyframe the rotation
here a bit after that we're going to put it back to zero it goes back to normal.
Here you are and it goes back to normal.
I like that.
Then when we come here we have beautiful of course we don't want to start here.
So this one will come as soon as we finished coming.
You have beautiful coming in.
And here you are.
All your animation is cool done in 10 15 minutes while explaining to you now.
Honestly if you come to the opposition setting and you change the background here to something that
Gray the whole composition will have much more meaning.
Ok so the Shipler needs to change clothes.
I will make it a bit lighter which will do OK.
Here you are.
Let's look at our animation.
Fantastic.
It's working now you learned a lot here.
Now the first thing you learn that we can click on pause.
So either I can send the text here or Americans oppose them or create a composition with the text and
put it here and how to animate the compositions using keyframes in the main composition.
Now notice how neat is your camp.
There are not 55000 layers.
Any time you want to change a camp or you have to do is to come to it and click.
And here you are within the pre-camp and you can change anything you want if you want to chastely motion
for example just double click on it.
It's over here and you can change whatever he wants including the text.
Thanks for listening.
This was a good practice for using composition and creating a whole emotional graphic small project.
But still it's a good project.
See you in the next section.