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Guys in this lecture we are going to create a complete the project using camps and other animation also.



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But I need to show you what you can do is play camps and from then on you can be on your own and do



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in projects.



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The pre-camp project is with you the one that I worked very slowly on it.



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You can find it and click on Project.



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But we are going to work in the project lecture here where we don't have any files yet.



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So I would start by creating the first composition that is 12 80 by 720 and I'll give it 10 seconds



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is OK and call it a pre-camp pre-camp project for the lesson.



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Now this is my composition and the background is black.



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That's OK.



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I would start by putting some text I will use the next Alite I would write for example motion graphics



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motion and remove the uppercase cool and no bold make it smaller.



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Yes.



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You duplicate that and make graphics.



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Now we want motion and graphics to be the same size.



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I think that's really do like this could I will take these two oh let's correct the mistake here it's



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graphics.



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I was wondering and motion would go bigger.



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Fine then I will take these two here and I will play compose and call a pre-camp motion.



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So not just all my compositions and compositions are coming in side that these four that are here being



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in the camp I mean the limited use the area of interest that's OK in fact will come to composition say



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crop composition.



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Now I want to animate it.



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I would come.



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They say that enflames your open the position that's the easiest way for now and the keyframe both of



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them you are.



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I'll come back to the beginning and take the first text and move it to the left and take the second



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text and move it to the right.



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Cool.



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I will put motion blur and innovate in the composition.



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Great preview here.



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Nabat come back to my make up position.



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You can see that I have the composition here and it's start motion graphics.



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That's vague.



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So big big licks make it smaller make it smaller like this.



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Kids no keyframes you know after he comes in the sunlight it comes in and at one second for example



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here what I want to do is to open the rotation keyframe the rotation go back to just a bit rotated 180



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degrees.



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I think so.



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I truly not we want to rotate that minus 90 degrees.



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Yes.



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And in the same time now after it rotates I will press shift and be keyframe the position move a bit



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here and hold it and take it to the side here.



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That's it.



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So this is our animation.



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You notice how we combined the animations all together.



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You have the animation within the composition that you can change any time and you have keyframes here



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and animation for the rotation and the position within the make up position fine.



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So when it arrives here.



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Now I want to create some more text.



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I was started by putting the text here and this is very big let's make it small OK.



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From the left or right control and turn and I would duplicate once that my selection to twice selection



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tool and here you are from Eve for example.



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Control enter DoubleClick school sorry school online.



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Of course you can't put any text you like I think you have enough of school online and so on.



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I will move this not being with this one here on top.



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That's what I wanted.



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And this one I would like them all come to a line.



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And then left and distribute them.



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That's OK.



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That's not bad.



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Fine.



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I will come now and play compose all of them.



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I will call here like from.



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That's OK.



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And I have the pecans.



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Now I'm in the pre-canned.



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I will choose the area of interest.



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Give it some space here.



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That could don open it more give it some space so we can see it you know coming in called there will



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be enough.



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Then I will come to composition and say Cup to comp and I will come at a few seconds maybe ten.



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That will be good.



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Open the position again.



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Keyframe the position.



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And then at the beginning here I want from G come from this side.



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In fact all of them I would select all of them to come from this side and even from to come from here.



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That's very fine.



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I want to test and see is the speed of K about the speed is not bad but from starts then that is easy.



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Then there is school then there is online.



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That's it.



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If you run the animation cool we give them motion blurred altogether and they start again.



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OK not bad let's go to our main play composition or composition and we're bring this ones here but we



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don't want this animation.



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It's a bit big.



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Let's because smaller we don't want this animation to start from here.



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We wanted to start as soon as this guy stands here.



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OK this one we start.



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So not this is what's happening between the camps.



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And of course not but I will come over here and I want to put in new text.



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I would say all son and then duplicated.



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You say simple small capitals and



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he rewrite techniques.



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I hope you like my techniques.



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Seriously.



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Now Osam let's make it bold for example simple list make it very big to be as big as awesome.



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This is awesome.



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Then we can put techniques here and make it as big as simple.



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Yeah not bad.



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OK let's align them and see.



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We come to align well and then left and maybe distribution them good.



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I will dig the three of them and recompose and see here it is awesome.



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We forgot the space we put the space Herriott then arriving here.



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We need to determine the area of interest.



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I would do that I'm going to take this one up a bit.



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I will come in the beginning go to learn.



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Then frame's we do open the position you frame the positions and I'm going to go back just a bit here



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and take some a bit further than go to the beginning.



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Or some will come from the bottom OK simple will come from this side and techniques will come from this



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side that can go composition crop composition.



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Let's see our animation.



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Not bad of course some will come first then techniques then the other one let's see what's happening



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here.



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Did we make it.



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I will go to preview.



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Nabat you have the bouncing off or.



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That's good.



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I will go to the main opposition and of course this one is going to come after the player has started.



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OK.



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So let's start here.



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We'll put it here.



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Let's look at our animation now.



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It's coming in or something fun.



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Now to make it more fun I'm going to take a shape and while I'm here everything is here.



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Now take that chip.



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I make it pretty big.



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I like the colors here.



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Fine.



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And that shape in the beginningless open position.



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It will be coming in that tape will be framed and then we move a bit and we keep flip it again we go



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back to the beginning.



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We can hold it and move it backwards here.



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And here you are.



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Let's look at it



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girl.



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And then the shape will cover everything.



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The shape is coming too soon.



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Give it some time.



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So let's add some text now we add beautiful



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and we put it here.



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We duplicate this one is the right size right.



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Effective.



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That's OK let's make them a bit bigger to fill the whole space.



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I would come here and decompose the two layers recompose and say Here are some or beautiful whatever



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anyone you want.



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Before then when coming here I can work on the area of interest.



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I will be OK.



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Cool that's it can position crop composition.



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Now I need to animate these ones.



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First of all I'll take care of the entry points.



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Let's put them in the middle.



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We do not appear to be very precise.



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And also here we can snap it in the middle.



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Fine.



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Effective.



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I'm going to open the rotation and give it minus 90 or minus one 88 plus.



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It doesn't matter.



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I like that.



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So it's coming up upside down.



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So we'll select both of them go to a few frames just a few frames 9 and Presby keyframe them here come



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back to the beginning one comes from above.



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You need the selection tool and one comes from Don let's look at the timing.



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Is it good enough or they are slow.



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Again that's OK.



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Then after some time here let's say one second we are going to open the rotation keyframe the rotation



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here a bit after that we're going to put it back to zero it goes back to normal.



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Here you are and it goes back to normal.



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I like that.



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Then when we come here we have beautiful of course we don't want to start here.



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So this one will come as soon as we finished coming.



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You have beautiful coming in.



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And here you are.



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All your animation is cool done in 10 15 minutes while explaining to you now.



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Honestly if you come to the opposition setting and you change the background here to something that



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Gray the whole composition will have much more meaning.



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Ok so the Shipler needs to change clothes.



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I will make it a bit lighter which will do OK.



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Here you are.



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Let's look at our animation.



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Fantastic.



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It's working now you learned a lot here.



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Now the first thing you learn that we can click on pause.



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So either I can send the text here or Americans oppose them or create a composition with the text and



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put it here and how to animate the compositions using keyframes in the main composition.



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Now notice how neat is your camp.



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There are not 55000 layers.



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Any time you want to change a camp or you have to do is to come to it and click.



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And here you are within the pre-camp and you can change anything you want if you want to chastely motion



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for example just double click on it.



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It's over here and you can change whatever he wants including the text.



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Thanks for listening.



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This was a good practice for using composition and creating a whole emotional graphic small project.



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But still it's a good project.



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See you in the next section.