In this lecture we want to do.
Our challenge won't resolve our challenge.
It's pretty easy pretty simple by the way.
I'd have to say and you have learned all the techniques and I'm sure that I didn't use any trick at
all.
So let's start first I want to show I am emotion them graphic artist.
Then the lines are written up and then it moves out.
For that I put the challenge here you can download this project file and challenge Section 2.
So this is the original one that you're seeing.
And together we're going to build a new one that you will find down here.
Now we are going to play it.
I would close this composition.
I would say close or the composition is closed.
I will create a new composition and we call it mean let's make it the 10 seconds.
We can change that later no problem.
The width is 12 80 by 720 area.
But now we have our first composition got to start typing in.
I was choose rubato bald but not italic or even Black will do.
And here let's do one 1:51 will cease to be so reduce it.
That's good.
So I want to get this one and move it.
Then you say YUM.
And the control and tell if I want duplicate duplicated move it I am a.
And you picked this one for example and come and say motion.
That's the first which we have on the screen.
Well the font is OK but I want to make it a bit bigger.
That's nice.
I'm going to align them a bit.
Let's say I need to and then like this.
OK then I'll take them and try to put them somehow in the middle.
I'll take the last two and duplicate them only.
I'll come over here and see graphics
fix.
You know if you can see here you can look around here and you see what you're typing Cotterell enter
and then select the selection to move it with this one and this one is artist right.
Just cool.
Now we have a line then we have a text you know this is like I said in the previous lectures.
In fact in the previous section it is you can set it up and then start at the meetings and I would say
OK let's move them in the middle.
Good.
I will create a solid layer here to make the line I would come to later say new and say solve it not
in the solid player.
I already done a you know a proof for that before I start.
I will make that with 1400 to make it slightly larger than the composition.
So if I rotate it I don't see the extremities and the high is only 15.
And I click OK and just come in the middle I can hold that and just put it in between.
That's good for now.
I will take the I am in motion so I will play compose you gasted say motion here
and press enter.
This is the pick up now for motion pick motion.
I will come to the region of interest and the club them.
Now there is no magic here.
It's very simple and very easy.
Just learning how to think.
And this is how you become you know a good artist in motion graphics.
Then I will come to composition I say crop composition fine on these ones to come from under.
I need very little time here.
This is 10 seconds is too much.
So what I will do I will take my time line and get in and take it to five seconds.
Now you have your work area and and you have your work area begin on start.
I will take the work area and bring it to my timeline and to get a better way to do that just to press
and my timeline indicate that is stopping at 5 and I want this composition to become five seconds bringing
in the work area and to that timeline indicator I will come to the work area.
Now the work area our right click and say comp to work area and here you are now your composition is
five seconds and you really dont need more than five seconds.
Fine I will come to see a few frames then frames will do.
I will select all the layers press before position and keyframe the position come back to the beginning
and keyframe again the position.
Take everything out down call.
First of all you need to test the timing.
Are you happy from the timing.
Is it fast enough or not.
If you are now about
I will make it a bit speedier.
Ok cool.
It's coming in and I will mix period here.
Then later on what you want to do after a few seconds or one second maybe you wanted to go down so you
will keyframe here.
That's a stable position now.
Nothing happens in between these two keyframes But what will happen is after some time like few frames
I will dig them all down.
So now I have an entry and exit animation.
It's anthers.
And then it's exiting.
If you want to have more time in between that's fine you take select all these keyframes move them to
the left for example and see like is it working.
You wait it disappears.
That's not bad.
Fine having the entrain that's good but what I want to do here is I should come first then motion or
item then a later than motion.
If I play a motion filed but now I don't want them to exit that way.
I want to the motion to exit first.
I would take the keyframes of the motion and bring them here.
And then the I Am i bring it here and I adjust them you know is the pyramid way.
This is the easiest solution to do.
And sometimes it's very practical just like no.
And if you run your animation I am in motion.
Wow that's pretty nice and pretty easy to be that fun.
This is has been done.
I will go to graphic artist and also I will compose so I saved myself a lot of work for masks and track
mats and whatever using the.
So this is a pre-camp for example artists press Enter comes here.
This is the composition.
Let's make this one down.
And I want to use the original of interest.
Now this this one is going to come from top.
OK so I have to be careful on the top.
And I would come and say OK composition crop region of interest confuse frames.
I said then we took a I think last time.
Fine.
Take the two layers select them.
Press the from the position here back to the beginning and take them out.
That is up now.
First of all let's test it speed is good.
I remember well enough is ok i'll go to two seconds and I'm going to take these two keyframes controversy
the keyframes and control them.
I will take also these two keyframes control-C.
So when I copy and paste paste the starting from the time line indicator so it will paste the first
keyframe the second keyframe the way they were.
Copy it.
Now this is not a good animation because it's moving in between here.
I need to reverse this keyframes.
So this will come first and this one should come second.
I can select both of them and start moving them.
That's one way to do it but there is a very easy way.
I'm going to show you now is to right click you select your keyframes the one that you want to reverse.
Right.
Good to keyframe assistant and say time reverse keyframes.
This is a very nice trick and many people don't use it.
Now start using it.
When I say time reverse the one on the right came on the left and the one on the left game on the right
a simple as if I had many friends.
Then the last one will come in the beginning and the first one will come at the end and we'll go on
from right to left.
That's our animation now.
It comes in weights and it comes out very nice.
Now one of these two come first.
So graphics should be delayed.
I can relate to here one to cool and the reverse.
Artists should come on graphics should come out first.
But you have very little time so I'm going to put it that way this and take the key frames and make
them nice to each other area.
So I would come first graphics and then graphics goes out of this code.
Let's see my make up position now if I look at it that are all on top of each other I will take the
motion one that's here.
This one here and this one on this side.
OK we will adjust them when that.
All showing fine I think is done.
And here you are.
Now not notice this composition is very long and I can double click on it it will open the composition
gone for four seconds that's enough.
Let's take five seconds like the other one press.
And so I will bring in the work area and the time line indicated right click and say trim camp to work
area here.
And it's pretty neat.
I like this.
OK.
Now you got to what's happening here.
So I want the motion to start and then this will start.
Let's decide when it is starting.
So when it's starting the motion coming out I want the artist to come in at the shift to stop it on
the timeline indicator.
So one two three four five is slow they get here.
So one two three Come on.
So one two three four.
Nice.
This is very nice.
I like it very much.
Good.
Now I'm going to take the three players here.
The rotation.
I drop them 10 degrees.
Now not this however.
I bought I did them straight first.
Then I rotated because if I did it first knives dick out of the rotation everywhere and stories.
So this is an easier way to do things first do them straight or resentful and then do them good.
I'm very happy from this animation.
Now what I want to do is to come to the orange ladder here and start you know opening it up.
So how will I do when this is finished.
It comes to this time for example.
Now the animations I finish just here.
It's coming up.
I want to start working on the orange later.
So the first thing I would do I would open the rotation keyframe the rotation Maybe I'll take it back
a bit Yep.
And then just a few frames put it to zero.
So now it's straight again.
I will open shift as does the scale and give re-emitted.
So there is no change.
And when I come just a few frames I want to make it very big.
Your Cool let's see what we have.
So they start
and then they open let's add something nice here instead of starting with you know a bleak layer we
are going to get from the rotation here and put it at zero.
So he said and then here we are going to make it 10 degrees so not just now.
It starts it turns then it opens and the rest will come.
So now that it has opened I am at this level here.
I will add the text here to hire me.
If you remember.
So I would take the text.
I will go to the BOTO black it Alik so I will type here hire I hired me.
It's one more call.
The font is more or less make it like 200.
Thats ok I like it like this.
Hire me just in the middle we can come to a line and a line in the middle.
Now I want to clear the animation here.
First I would create the masks so I select my layer and make the first mask for hire.
And another mask is good to try to make the masks the same size hire me.
Cool.
So at this stage I will open the masks press and here that will open the mask.
Keyframe the mask was fine.
I will go back just a bit.
Okay and keyframe Miggie.
Now at this level what I want to do which would Musk gwon press DV The selection and take the mask up
and take the mask up or shift.
And then I would select my spot too and take it down.
And here you you have a nice animation if its too speedy you can make it longer in time.
Lets look at all our work.
I will come to previewer and see OK now is showing us the masks.
We remove it
it Bach and hired him he comes in you know hired me is coming up very nice.
Now there is a small trick I did here.
I would create a third mask and just put it here.
OK.
I need this mask to go down.
At this level for example.
Now this mask what you're going to do is to make this mask substract mask remove them.
So I will zoom in to the mascot place at the net point the mast where I want to zoom in and I was zooming.
I would click on the mask.
Then at this stage I will keyframe the mask Poth it here and maybe I can make it smaller to start with.
Then I move a frame or to double click the mask path and make it up to here.
Even here I would like just that.
So now this is your enemy.
You see the mask opens you can make it slow so you can see it and move it forward.
Now let's go back to the beginning and press enter.
First this go to 100 percent de-select everything press to go back to the beginning of the composition
and it would start fine.
That's it.
It's beautiful.
And you have done your first challenge.
It wasn't much.
I am sure you have done it.
I'm sure you tried your best and it has been easy.
It's not so hard.
What you want to do is to understand how motion graphics one stage at the time.
So that is how we went about the first I tried to lay out my text then I turned it around then I put
the additional dimensions for hire me and opening the solid layer.
Thanks for listening and I hope this was a good challenge for you and you managed to do much more.
Please take this composition take this project and start doing a lot of changes.
Thanks for listening and I see you in the next lecture on the next section.