1 00:00:00,780 --> 00:00:02,350 In this lecture we want to do. 2 00:00:02,370 --> 00:00:04,720 Our challenge won't resolve our challenge. 3 00:00:04,740 --> 00:00:07,170 It's pretty easy pretty simple by the way. 4 00:00:07,170 --> 00:00:12,600 I'd have to say and you have learned all the techniques and I'm sure that I didn't use any trick at 5 00:00:12,600 --> 00:00:13,120 all. 6 00:00:13,410 --> 00:00:17,820 So let's start first I want to show I am emotion them graphic artist. 7 00:00:17,850 --> 00:00:20,880 Then the lines are written up and then it moves out. 8 00:00:20,940 --> 00:00:26,630 For that I put the challenge here you can download this project file and challenge Section 2. 9 00:00:26,640 --> 00:00:28,520 So this is the original one that you're seeing. 10 00:00:28,530 --> 00:00:32,790 And together we're going to build a new one that you will find down here. 11 00:00:32,790 --> 00:00:34,490 Now we are going to play it. 12 00:00:34,620 --> 00:00:36,240 I would close this composition. 13 00:00:36,290 --> 00:00:38,820 I would say close or the composition is closed. 14 00:00:39,150 --> 00:00:46,830 I will create a new composition and we call it mean let's make it the 10 seconds. 15 00:00:46,860 --> 00:00:49,320 We can change that later no problem. 16 00:00:49,330 --> 00:00:52,460 The width is 12 80 by 720 area. 17 00:00:52,660 --> 00:00:56,220 But now we have our first composition got to start typing in. 18 00:00:56,210 --> 00:01:02,540 I was choose rubato bald but not italic or even Black will do. 19 00:01:02,820 --> 00:01:08,390 And here let's do one 1:51 will cease to be so reduce it. 20 00:01:08,610 --> 00:01:09,240 That's good. 21 00:01:09,420 --> 00:01:15,760 So I want to get this one and move it. 22 00:01:15,900 --> 00:01:17,850 Then you say YUM. 23 00:01:18,380 --> 00:01:26,250 And the control and tell if I want duplicate duplicated move it I am a. 24 00:01:26,270 --> 00:01:31,640 And you picked this one for example and come and say motion. 25 00:01:31,730 --> 00:01:33,970 That's the first which we have on the screen. 26 00:01:34,280 --> 00:01:38,420 Well the font is OK but I want to make it a bit bigger. 27 00:01:38,750 --> 00:01:39,630 That's nice. 28 00:01:39,770 --> 00:01:41,460 I'm going to align them a bit. 29 00:01:41,660 --> 00:01:43,410 Let's say I need to and then like this. 30 00:01:43,460 --> 00:01:46,940 OK then I'll take them and try to put them somehow in the middle. 31 00:01:47,180 --> 00:01:49,870 I'll take the last two and duplicate them only. 32 00:01:49,910 --> 00:01:52,550 I'll come over here and see graphics 33 00:01:54,430 --> 00:01:56,330 fix. 34 00:01:56,360 --> 00:02:00,860 You know if you can see here you can look around here and you see what you're typing Cotterell enter 35 00:02:01,190 --> 00:02:08,780 and then select the selection to move it with this one and this one is artist right. 36 00:02:09,040 --> 00:02:10,920 Just cool. 37 00:02:10,940 --> 00:02:17,350 Now we have a line then we have a text you know this is like I said in the previous lectures. 38 00:02:17,360 --> 00:02:22,730 In fact in the previous section it is you can set it up and then start at the meetings and I would say 39 00:02:22,740 --> 00:02:25,640 OK let's move them in the middle. 40 00:02:25,640 --> 00:02:26,100 Good. 41 00:02:26,300 --> 00:02:33,130 I will create a solid layer here to make the line I would come to later say new and say solve it not 42 00:02:33,180 --> 00:02:34,150 in the solid player. 43 00:02:34,160 --> 00:02:38,240 I already done a you know a proof for that before I start. 44 00:02:38,420 --> 00:02:43,310 I will make that with 1400 to make it slightly larger than the composition. 45 00:02:43,310 --> 00:02:47,880 So if I rotate it I don't see the extremities and the high is only 15. 46 00:02:48,110 --> 00:02:54,260 And I click OK and just come in the middle I can hold that and just put it in between. 47 00:02:54,340 --> 00:02:55,150 That's good for now. 48 00:02:55,150 --> 00:03:01,660 I will take the I am in motion so I will play compose you gasted say motion here 49 00:03:05,020 --> 00:03:06,150 and press enter. 50 00:03:06,250 --> 00:03:09,050 This is the pick up now for motion pick motion. 51 00:03:09,190 --> 00:03:13,580 I will come to the region of interest and the club them. 52 00:03:13,660 --> 00:03:15,030 Now there is no magic here. 53 00:03:15,030 --> 00:03:17,140 It's very simple and very easy. 54 00:03:17,250 --> 00:03:19,130 Just learning how to think. 55 00:03:19,410 --> 00:03:23,280 And this is how you become you know a good artist in motion graphics. 56 00:03:23,490 --> 00:03:28,660 Then I will come to composition I say crop composition fine on these ones to come from under. 57 00:03:28,940 --> 00:03:30,650 I need very little time here. 58 00:03:30,660 --> 00:03:32,810 This is 10 seconds is too much. 59 00:03:32,820 --> 00:03:37,400 So what I will do I will take my time line and get in and take it to five seconds. 60 00:03:37,740 --> 00:03:44,820 Now you have your work area and and you have your work area begin on start. 61 00:03:44,880 --> 00:03:50,940 I will take the work area and bring it to my timeline and to get a better way to do that just to press 62 00:03:51,090 --> 00:03:57,670 and my timeline indicate that is stopping at 5 and I want this composition to become five seconds bringing 63 00:03:57,690 --> 00:04:03,600 in the work area and to that timeline indicator I will come to the work area. 64 00:04:03,630 --> 00:04:10,980 Now the work area our right click and say comp to work area and here you are now your composition is 65 00:04:10,980 --> 00:04:14,910 five seconds and you really dont need more than five seconds. 66 00:04:14,910 --> 00:04:19,730 Fine I will come to see a few frames then frames will do. 67 00:04:19,890 --> 00:04:26,750 I will select all the layers press before position and keyframe the position come back to the beginning 68 00:04:26,850 --> 00:04:29,040 and keyframe again the position. 69 00:04:29,040 --> 00:04:32,290 Take everything out down call. 70 00:04:32,400 --> 00:04:34,320 First of all you need to test the timing. 71 00:04:34,320 --> 00:04:35,870 Are you happy from the timing. 72 00:04:35,910 --> 00:04:37,920 Is it fast enough or not. 73 00:04:37,920 --> 00:04:39,150 If you are now about 74 00:04:42,290 --> 00:04:43,920 I will make it a bit speedier. 75 00:04:44,130 --> 00:04:45,260 Ok cool. 76 00:04:45,330 --> 00:04:47,830 It's coming in and I will mix period here. 77 00:04:48,680 --> 00:04:54,140 Then later on what you want to do after a few seconds or one second maybe you wanted to go down so you 78 00:04:54,140 --> 00:04:55,130 will keyframe here. 79 00:04:55,160 --> 00:04:56,530 That's a stable position now. 80 00:04:56,540 --> 00:05:03,680 Nothing happens in between these two keyframes But what will happen is after some time like few frames 81 00:05:04,070 --> 00:05:06,010 I will dig them all down. 82 00:05:06,380 --> 00:05:11,020 So now I have an entry and exit animation. 83 00:05:11,410 --> 00:05:12,590 It's anthers. 84 00:05:12,890 --> 00:05:14,690 And then it's exiting. 85 00:05:14,840 --> 00:05:20,540 If you want to have more time in between that's fine you take select all these keyframes move them to 86 00:05:20,540 --> 00:05:23,970 the left for example and see like is it working. 87 00:05:24,140 --> 00:05:25,640 You wait it disappears. 88 00:05:25,630 --> 00:05:26,800 That's not bad. 89 00:05:26,930 --> 00:05:34,530 Fine having the entrain that's good but what I want to do here is I should come first then motion or 90 00:05:34,570 --> 00:05:39,290 item then a later than motion. 91 00:05:39,530 --> 00:05:45,750 If I play a motion filed but now I don't want them to exit that way. 92 00:05:45,880 --> 00:05:48,220 I want to the motion to exit first. 93 00:05:48,240 --> 00:05:50,930 I would take the keyframes of the motion and bring them here. 94 00:05:51,750 --> 00:05:58,630 And then the I Am i bring it here and I adjust them you know is the pyramid way. 95 00:05:58,800 --> 00:06:00,880 This is the easiest solution to do. 96 00:06:01,080 --> 00:06:03,460 And sometimes it's very practical just like no. 97 00:06:03,870 --> 00:06:06,740 And if you run your animation I am in motion. 98 00:06:06,810 --> 00:06:10,110 Wow that's pretty nice and pretty easy to be that fun. 99 00:06:10,110 --> 00:06:11,100 This is has been done. 100 00:06:11,100 --> 00:06:19,650 I will go to graphic artist and also I will compose so I saved myself a lot of work for masks and track 101 00:06:19,650 --> 00:06:22,250 mats and whatever using the. 102 00:06:22,260 --> 00:06:30,220 So this is a pre-camp for example artists press Enter comes here. 103 00:06:30,410 --> 00:06:31,760 This is the composition. 104 00:06:31,760 --> 00:06:33,520 Let's make this one down. 105 00:06:33,560 --> 00:06:37,180 And I want to use the original of interest. 106 00:06:37,850 --> 00:06:40,140 Now this this one is going to come from top. 107 00:06:40,330 --> 00:06:42,660 OK so I have to be careful on the top. 108 00:06:42,780 --> 00:06:48,960 And I would come and say OK composition crop region of interest confuse frames. 109 00:06:49,060 --> 00:06:51,610 I said then we took a I think last time. 110 00:06:51,610 --> 00:06:52,120 Fine. 111 00:06:52,210 --> 00:06:54,200 Take the two layers select them. 112 00:06:54,420 --> 00:07:00,690 Press the from the position here back to the beginning and take them out. 113 00:07:00,690 --> 00:07:01,870 That is up now. 114 00:07:03,010 --> 00:07:05,230 First of all let's test it speed is good. 115 00:07:05,230 --> 00:07:12,520 I remember well enough is ok i'll go to two seconds and I'm going to take these two keyframes controversy 116 00:07:12,660 --> 00:07:14,580 the keyframes and control them. 117 00:07:14,940 --> 00:07:18,070 I will take also these two keyframes control-C. 118 00:07:18,150 --> 00:07:24,600 So when I copy and paste paste the starting from the time line indicator so it will paste the first 119 00:07:24,660 --> 00:07:26,810 keyframe the second keyframe the way they were. 120 00:07:26,880 --> 00:07:27,420 Copy it. 121 00:07:27,420 --> 00:07:31,990 Now this is not a good animation because it's moving in between here. 122 00:07:32,310 --> 00:07:34,110 I need to reverse this keyframes. 123 00:07:34,110 --> 00:07:37,130 So this will come first and this one should come second. 124 00:07:37,350 --> 00:07:39,480 I can select both of them and start moving them. 125 00:07:39,480 --> 00:07:41,820 That's one way to do it but there is a very easy way. 126 00:07:41,820 --> 00:07:47,120 I'm going to show you now is to right click you select your keyframes the one that you want to reverse. 127 00:07:47,280 --> 00:07:47,830 Right. 128 00:07:47,880 --> 00:07:51,940 Good to keyframe assistant and say time reverse keyframes. 129 00:07:51,980 --> 00:07:54,900 This is a very nice trick and many people don't use it. 130 00:07:54,900 --> 00:07:56,080 Now start using it. 131 00:07:56,190 --> 00:08:01,530 When I say time reverse the one on the right came on the left and the one on the left game on the right 132 00:08:01,580 --> 00:08:03,950 a simple as if I had many friends. 133 00:08:03,990 --> 00:08:09,060 Then the last one will come in the beginning and the first one will come at the end and we'll go on 134 00:08:09,420 --> 00:08:10,970 from right to left. 135 00:08:10,980 --> 00:08:13,190 That's our animation now. 136 00:08:13,230 --> 00:08:16,650 It comes in weights and it comes out very nice. 137 00:08:16,650 --> 00:08:18,550 Now one of these two come first. 138 00:08:18,570 --> 00:08:20,400 So graphics should be delayed. 139 00:08:20,430 --> 00:08:24,040 I can relate to here one to cool and the reverse. 140 00:08:24,090 --> 00:08:28,530 Artists should come on graphics should come out first. 141 00:08:28,770 --> 00:08:33,840 But you have very little time so I'm going to put it that way this and take the key frames and make 142 00:08:33,840 --> 00:08:37,110 them nice to each other area. 143 00:08:40,010 --> 00:08:44,780 So I would come first graphics and then graphics goes out of this code. 144 00:08:44,840 --> 00:08:50,540 Let's see my make up position now if I look at it that are all on top of each other I will take the 145 00:08:50,540 --> 00:08:52,990 motion one that's here. 146 00:08:53,060 --> 00:08:55,980 This one here and this one on this side. 147 00:08:57,030 --> 00:08:59,010 OK we will adjust them when that. 148 00:08:59,020 --> 00:09:01,620 All showing fine I think is done. 149 00:09:02,020 --> 00:09:03,300 And here you are. 150 00:09:03,650 --> 00:09:09,910 Now not notice this composition is very long and I can double click on it it will open the composition 151 00:09:10,320 --> 00:09:12,310 gone for four seconds that's enough. 152 00:09:12,310 --> 00:09:15,050 Let's take five seconds like the other one press. 153 00:09:15,070 --> 00:09:23,140 And so I will bring in the work area and the time line indicated right click and say trim camp to work 154 00:09:23,140 --> 00:09:24,080 area here. 155 00:09:25,340 --> 00:09:26,600 And it's pretty neat. 156 00:09:26,600 --> 00:09:27,610 I like this. 157 00:09:27,930 --> 00:09:28,520 OK. 158 00:09:28,580 --> 00:09:30,960 Now you got to what's happening here. 159 00:09:31,390 --> 00:09:36,300 So I want the motion to start and then this will start. 160 00:09:36,350 --> 00:09:38,510 Let's decide when it is starting. 161 00:09:38,540 --> 00:09:44,540 So when it's starting the motion coming out I want the artist to come in at the shift to stop it on 162 00:09:44,540 --> 00:09:46,010 the timeline indicator. 163 00:09:46,370 --> 00:09:51,210 So one two three four five is slow they get here. 164 00:09:51,620 --> 00:09:54,680 So one two three Come on. 165 00:09:54,680 --> 00:09:57,050 So one two three four. 166 00:09:57,550 --> 00:09:58,150 Nice. 167 00:09:58,170 --> 00:09:59,210 This is very nice. 168 00:09:59,210 --> 00:10:00,540 I like it very much. 169 00:10:00,590 --> 00:10:01,100 Good. 170 00:10:01,130 --> 00:10:03,490 Now I'm going to take the three players here. 171 00:10:03,570 --> 00:10:04,340 The rotation. 172 00:10:04,360 --> 00:10:06,540 I drop them 10 degrees. 173 00:10:06,550 --> 00:10:07,620 Now not this however. 174 00:10:07,730 --> 00:10:10,240 I bought I did them straight first. 175 00:10:10,280 --> 00:10:15,620 Then I rotated because if I did it first knives dick out of the rotation everywhere and stories. 176 00:10:15,620 --> 00:10:21,640 So this is an easier way to do things first do them straight or resentful and then do them good. 177 00:10:21,650 --> 00:10:23,800 I'm very happy from this animation. 178 00:10:23,870 --> 00:10:30,100 Now what I want to do is to come to the orange ladder here and start you know opening it up. 179 00:10:30,110 --> 00:10:33,500 So how will I do when this is finished. 180 00:10:33,530 --> 00:10:36,590 It comes to this time for example. 181 00:10:36,590 --> 00:10:39,030 Now the animations I finish just here. 182 00:10:39,230 --> 00:10:40,110 It's coming up. 183 00:10:40,220 --> 00:10:42,190 I want to start working on the orange later. 184 00:10:42,350 --> 00:10:47,000 So the first thing I would do I would open the rotation keyframe the rotation Maybe I'll take it back 185 00:10:47,000 --> 00:10:49,460 a bit Yep. 186 00:10:49,560 --> 00:10:52,980 And then just a few frames put it to zero. 187 00:10:52,980 --> 00:10:54,410 So now it's straight again. 188 00:10:54,570 --> 00:10:58,260 I will open shift as does the scale and give re-emitted. 189 00:10:58,260 --> 00:11:00,010 So there is no change. 190 00:11:00,100 --> 00:11:04,920 And when I come just a few frames I want to make it very big. 191 00:11:05,400 --> 00:11:08,990 Your Cool let's see what we have. 192 00:11:09,260 --> 00:11:10,460 So they start 193 00:11:14,960 --> 00:11:23,330 and then they open let's add something nice here instead of starting with you know a bleak layer we 194 00:11:23,330 --> 00:11:28,800 are going to get from the rotation here and put it at zero. 195 00:11:28,850 --> 00:11:37,080 So he said and then here we are going to make it 10 degrees so not just now. 196 00:11:37,100 --> 00:11:43,660 It starts it turns then it opens and the rest will come. 197 00:11:43,710 --> 00:11:47,260 So now that it has opened I am at this level here. 198 00:11:47,550 --> 00:11:49,990 I will add the text here to hire me. 199 00:11:50,100 --> 00:11:51,000 If you remember. 200 00:11:51,270 --> 00:11:52,580 So I would take the text. 201 00:11:52,620 --> 00:12:03,070 I will go to the BOTO black it Alik so I will type here hire I hired me. 202 00:12:03,080 --> 00:12:04,790 It's one more call. 203 00:12:04,810 --> 00:12:08,320 The font is more or less make it like 200. 204 00:12:08,490 --> 00:12:10,020 Thats ok I like it like this. 205 00:12:10,030 --> 00:12:15,540 Hire me just in the middle we can come to a line and a line in the middle. 206 00:12:15,560 --> 00:12:17,350 Now I want to clear the animation here. 207 00:12:17,410 --> 00:12:23,210 First I would create the masks so I select my layer and make the first mask for hire. 208 00:12:23,270 --> 00:12:29,100 And another mask is good to try to make the masks the same size hire me. 209 00:12:29,270 --> 00:12:29,690 Cool. 210 00:12:29,840 --> 00:12:35,440 So at this stage I will open the masks press and here that will open the mask. 211 00:12:35,810 --> 00:12:37,900 Keyframe the mask was fine. 212 00:12:38,050 --> 00:12:40,430 I will go back just a bit. 213 00:12:40,550 --> 00:12:42,680 Okay and keyframe Miggie. 214 00:12:43,080 --> 00:12:50,340 Now at this level what I want to do which would Musk gwon press DV The selection and take the mask up 215 00:12:53,230 --> 00:12:56,680 and take the mask up or shift. 216 00:12:57,070 --> 00:13:01,570 And then I would select my spot too and take it down. 217 00:13:02,050 --> 00:13:07,950 And here you you have a nice animation if its too speedy you can make it longer in time. 218 00:13:07,950 --> 00:13:10,060 Lets look at all our work. 219 00:13:10,100 --> 00:13:14,430 I will come to previewer and see OK now is showing us the masks. 220 00:13:14,460 --> 00:13:15,070 We remove it 221 00:13:18,770 --> 00:13:24,830 it Bach and hired him he comes in you know hired me is coming up very nice. 222 00:13:24,860 --> 00:13:26,850 Now there is a small trick I did here. 223 00:13:26,900 --> 00:13:29,750 I would create a third mask and just put it here. 224 00:13:31,490 --> 00:13:32,200 OK. 225 00:13:32,610 --> 00:13:34,830 I need this mask to go down. 226 00:13:36,130 --> 00:13:37,780 At this level for example. 227 00:13:37,780 --> 00:13:43,750 Now this mask what you're going to do is to make this mask substract mask remove them. 228 00:13:44,080 --> 00:13:50,310 So I will zoom in to the mascot place at the net point the mast where I want to zoom in and I was zooming. 229 00:13:50,470 --> 00:13:52,210 I would click on the mask. 230 00:13:52,450 --> 00:14:01,310 Then at this stage I will keyframe the mask Poth it here and maybe I can make it smaller to start with. 231 00:14:02,480 --> 00:14:08,950 Then I move a frame or to double click the mask path and make it up to here. 232 00:14:09,350 --> 00:14:11,300 Even here I would like just that. 233 00:14:11,540 --> 00:14:12,920 So now this is your enemy. 234 00:14:12,950 --> 00:14:18,350 You see the mask opens you can make it slow so you can see it and move it forward. 235 00:14:18,350 --> 00:14:21,260 Now let's go back to the beginning and press enter. 236 00:14:21,380 --> 00:14:28,880 First this go to 100 percent de-select everything press to go back to the beginning of the composition 237 00:14:29,210 --> 00:14:31,280 and it would start fine. 238 00:14:31,280 --> 00:14:31,870 That's it. 239 00:14:31,880 --> 00:14:32,890 It's beautiful. 240 00:14:33,740 --> 00:14:36,470 And you have done your first challenge. 241 00:14:36,500 --> 00:14:37,460 It wasn't much. 242 00:14:37,460 --> 00:14:38,860 I am sure you have done it. 243 00:14:38,900 --> 00:14:41,950 I'm sure you tried your best and it has been easy. 244 00:14:41,970 --> 00:14:43,530 It's not so hard. 245 00:14:44,090 --> 00:14:48,250 What you want to do is to understand how motion graphics one stage at the time. 246 00:14:48,260 --> 00:14:53,930 So that is how we went about the first I tried to lay out my text then I turned it around then I put 247 00:14:53,930 --> 00:14:59,460 the additional dimensions for hire me and opening the solid layer. 248 00:14:59,720 --> 00:15:05,510 Thanks for listening and I hope this was a good challenge for you and you managed to do much more. 249 00:15:05,510 --> 00:15:10,340 Please take this composition take this project and start doing a lot of changes. 250 00:15:10,340 --> 00:15:13,700 Thanks for listening and I see you in the next lecture on the next section.