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In the next few lectures guys you are going to learn a lot about the motion path created by position

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and about interpellation if it is spatial or temper is important guys that the concept of motion path

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is very clear to you.

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Now you notice here we have an animation using position and I think I'm repeating myself within the

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course that when you create a position animation you immediately get a motion path for position in motion

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path.

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In principle is not drawn is created through the position and emission not physical.

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So how do you create this.

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Let me read the Shipler and recreate all this.

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Select your circle tool you are the ellipse tool if you like and draw a simple circle and press shift

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to make it a full circle.

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As soon as you release you not is that the End Point is in the middle of the composition or in the middle

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of the shape where you want to put it in the middle of the circle.

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For this you will use the shortcut control alt home or command option home on the Mac.

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So now the anchor part is in the middle of the circle.

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Now you want to create a position animation for which you will have a motion path for position call.

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Let's bring the position animation be keyframe and then move down the time line to one second.

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For example use the selection tool the shortcut is we you know that you click and drag lasy over here.

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Then you move down the timeline again and then you take it down for example and then two three seconds

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and then you move it up.

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And here you are.

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And so on.

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You can create the animation for which now you have a motion pass that is very easy to use later on

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and you will need it.

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So please create this animation using position going up and down and in the next lecture you are going

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to use your composition here to work with the interpellation and the motion path itself.

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Thank you very much for listening.

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See you in the next lecture after you have created the simple animation.

