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Hi guys this is live with you and we are into a lesson about motion path and we are going to explore



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today the spatial interpellation now spatial interpellation.



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It's pretty easy by the way.



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And a lot of fun you can come to animation and use keyframe interpellation here.



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All you can write on any keyframe and use keyframe into Polish.



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I would select all my keyframes now you know there are linear spatial and temporal our right click and



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go to keyframe intercalation I will change here in the spatial.



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I will go from linear to busy.



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I would really like it.



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If you open your after effects if you have the possibility and play with me I will click OK.



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Now this one happened.



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I have a nice path now with a love handles and so on.



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This is the base path.



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So it is all curved.



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It's very nice but I have more options here.



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The other hand is for every Keithley in busy path.



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The handles are independent.



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You can move them around the way you want.



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Each one of them.



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They are not connected.



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You'll see some submarines where they will be connected.



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Now I am specially designing the path or changing the path or even messing it up.



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If not is that in the time here nothing is being changed.



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There is no modification in the timeline.



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It's only the shape the spatial that is changing.



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If Arani play de-select on a plane now my motion path is totally different.



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So this is the yet.



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Let's go back and use animation different interpellation return to linear so you can see the next option.



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And you notice the difference.



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Much better.



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I will choose all the keyframes just for the sake of the example and go to different position and from



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a spatial linear I will go to special continuous busy and I click OK.



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Now Cancian is busy it seems to it's like busy but really it's not.



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If you do these modifications if you click on the handle you're not as the handles are always parallel



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to each other that discontinues busy so they move together.



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Now it has its use and it's actually this is the one I use most because of avoid the trouble of moving



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two of them and then the path here is created differently so now I created a new special path not just



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in the Temperton.



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Nothing has changed.



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I'd still have the same timing and the same time in between keyframes.



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Nothing has changed.



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Here you are.



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You have a new spatial design for your motion graphic.



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Let's go back and reset this one to Lynyrd I'll bring it back to Liniers.



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Then we go back to again and from special we gonna take auto busy auto busy.



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If not is this it's more.



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Most here if you try to move the handles.



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Usually they are transparent.



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They don't want to show all the headers but you'll go back to continue Spezia here like you see.



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You can modify your.



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Of course you can move the keyframes you can select one keyframe here and move it anywhere you want.



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You still have this ability.



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Now you know how to create a motion path that is very interesting.



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For example if I delete all these key frames and have only three keyframes here and if I go to interpellation



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and say OK make it for me here just Galchen as busy as my favorite.



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Then I can turn my graph and make it quite beautiful.



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You see what's happening here.



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It's pretty nice by the way the way you can change everything.



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Good.



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Now you have in your motion path and hope the ball falls down.



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So this is the way to do it.



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You notice nothing happens in the time line.



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Here in the next section I will look at Temperton and is going to be a lot of fun.



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See that.