Hi guys in this lecture we are going to animate our design here our nice beautiful design not is that
this design you can use it for your own company.
You change your words here put your own website put your logo here something like this and you have
your own introduction for a video from YouTube or even your own company on your own website.
Let's start animating will start with motion graphics now emotion and graphics I can use months I would
need two of them.
I can use masks also and I need to Baskins complicated so the best way is to recompose.
I would like you to notice the distance that I need to keep our right click and go to decompose color
motion.
Let's say words that will do press enter.
So I will doubleclick on the composition here on pre-camp And first of all we need to limit of course.
So I would select the region of interest come like we said to keep that distance and open the region
of interest.
Adjusted the distance here seems OK fine I will go to composition and crop comp to region of interest.
Cool let's make it a bit smaller.
For example 50 percent so we can see it.
I would get my selection to select my two layers open the position and see after half a second.
I will keep framed them and in the beginning I will dig them out.
Now I don't want them out like this.
You notice here we need to align them so when they come you know graphics and motion are coming together
we will select all our key frames Plus if 9 is them go to the goth and go to the speed graph select
both keyframes be careful and lock them in and then also select both keyframes and drag them in.
I would select both frames here and make them longer in time.
Let's see our animation.
It's supposed to be good.
Nice.
Let's go back to our pre-camp position the pre-camp in the right way.
Here you are.
So the words should be coming from the line.
Let's call up a bit here.
I'm using the left go so that's cool.
So the next one we want to animate Here is our rectangle or our square.
We come to the square.
We press B shift or want to rotate it and we want to scale it up.
So come in here let's see.
12 frames 14 frames.
I would keyframe all of them.
Let's go back to the beginning.
We take our rectangle outside Iran and we'll give the rotation one.
So it's rotating coming in it is rotating in the right direction for the scale here we give it let's
say 50 percent and at the end it will come at 100 percent.
Cool.
We will take all the keyframe select them all and press F 9 to have an easy ease.
I will go to the graph and you see I can see everything here.
Now there is an option where you can see only the graph.
So you say show selected properties.
So you see only the rectangle you see only the scale you see only the position and you see only the
rotation.
But if you had this take it it would show you that all of them at the same time which is a bit annoying.
Let's remove that.
Let's go to scale.
And we want to create a pop here so we're going to move it up and it will come in and go back.
Cool.
That's pretty nice.
Fine for the rotation.
We don't have much to do here.
It's cool I think.
Let's run it and preview and see it cool.
It sits in place fine.
This is done.
Let's work now with the question O'Lakes submission Mark.
We open it's skill.
The question mark.
And at the beginning we wanted to be zero of course.
And then when the circle was settle that's over here.
So will move this zero over here.
I just before and here we will make it 100 percent cool and we select them both.
Press 9.
Easy is them go to the graph and let's also give it this jump or pop we click here and we take it up
like this.
So it's up to you but we don't want it to go bigger than the rectangle when it settles.
OK that's fine let's learn everything.
Good.
Now we are left with the on line and our small rectangle here.
So we have the square we call it square here and we have the on line.
The square is going to open the school on.
The square will go to the right when it's on the right.
It will open a school on line so obviously a school online will have a mosque.
That's what with the square.
First we'll come to the beginning here.
I press the net and scroll the mouse to zoomin move press space part and move.
So the square let's open this position keyframe the position here and then after some time let's say
five 10 frames let's zoom out so we know OK over here we want our square to be here.
After some time also we want our square to be here.
So let's the animation and see it's speed it's too speedy I would select all the keyframes I've done
it and move it here move it to the right so it will give me some space in between.
I want the going to be slower than the coming coming back.
OK.
That's fine.
I would select each school on line.
Come to the rectangle and draw a mask so I must fight.
So what I want for my mask here.
In the beginning I would give him the mask.
I want to see the frame of the rectangle.
I will choose both layers.
You.
Now we can see the keyframes.
So at this point from this point to this point the mask should be just closed.
Now this one we need to take it a bit further behind.
Call the mask.
It should be totally closed.
So I would take that frame and put it up on the time line and click on the mask and simply close its.
So when the squire goes to the beginning and when it reaches here it has to open with the mosque.
So when it issues the next keyframe a good long line I would double click on the mosque it would open
or less.
And on the animations.
Is it working fine.
It's very nice.
Now that is clear when you start.
Is it easy.
Then there will be.
Somehow it changes speed and hands.
There will be a change in how how fast they're moving together.
So the best way to overcome this is to select all the keyframes and it is all of them.
I just put a small not is it.
And they're still working in the same time.
That's pretty good.
Let's go back to 100 percent and see what does it that we didn't and he meant we didn't and he made
this later.
So this day it has to come with motion graphics of first.
At this point find the layer open position.
That's keyframe the position here.
And after some time here it's going to open and show us the motion graphic but this should be at the
bottom.
You notice that we don't want to cover anything.
OK.
So it's inflamed here.
Then we give it a few seconds and we want to bring it to the end.
Of course now we need to time it.
So in a certain way it comes with motion graphic it doesn't overlap anything.
First of all let's give it a nice ease.
Come to the graph here.
Let's make it more interesting.
I will take position.
Go to speed graph and let's do something like this.
OK.
So it comes slow and it speeds up fine.
Let's open all our layers to look at them and select one of them select all of them control.
And let's turn our animation and start to time them.
OK.
You're not as there is couple of mistakes.
First of all this line is not animated.
And the square is always there.
So let's go to the line open it scale and we want to frame it here move it and at the beginning here
want to give it zero code.
So it opens loops like this but it has to be much speedier filed with select both keyframes press 9
and go to the graph.
This is the speed graph now.
And we'll do it like this OK so it opens fast.
Fine let's go to the value graph and give it a parm.
I just a small one so it's all blues and so fun.
Now this is animated the square.
Here we need to animated.
It's always showing if you notice.
So we'll open the square Place sure to see all its frames keyframes we only have position.
So we open the sketch shift as.
So it will keyframe the scale here.
That's the way supposed to be move the scale a bit further.
And in the beginning put it zero and you notice now it's going to open and move at the same time we
don't want that then to open is a.
Look at the keyframes for both of them and not just we need to move all the keyframes Otherwise we will
have a problem.
So now it will show and then start moving.
We've done it.
Let's look at our animation.
We need to time it.
OK now that we have finished animating completely Let's look at all mission.
Most probably everything is fine.
We need to find that we don't want them all to come in the same time and we need to create that circle
that we close everything we will do that in the next lecture.
Thanks for following up and let's move the next lecture to the timing of all the layers.