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Guys this was your challenge in the last lecture I really do hope that you have worked on this one and



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tried to do that in the mission and do the smoothness that I proposed.



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It is not easy is not simple but it is a practice that is important that you go ahead and do so you



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can gain the skills and you know cement them and move on to create much more complicated and much more



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beautiful animations.



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Let's start we create a new composition called a challenge for example and then we create a small circle



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just here.



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We take care of the anchor point of the layer.



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Of course let's change the color here.



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I don't like the color.



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We make it a bit lighter.



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Good.



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Then you want to put the text.



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It was Option 1



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and then we aligned the next to the circle.



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But lets animate this to a circle is too big make it small x is too small to make it bigger.



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We had on lets move them and put them on the side like this.



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So unless you meet these two we will select both of them open.



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And after a few frames for example 12 frames we keyframe here come back to the beginning and we move



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them to the outside.



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Thats one good.



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Then we select the keyframes plus F 90 is them and select the two keyframes in the graph and open the



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hander's or close the handles and make this very slow so we can really have smooth movements coming



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in click not but stretching that fine.



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Now how will I the others.



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Well there is a very simple way to stop the animation for example here.



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If I select both letters and press control d then they will duplicate one on top of each other.



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Thats not what we want.



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What we can do is select both players and control C then control the code.



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Now I have both layers if I hold the lead or move it is the motion part is going to move and this is



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exactly not what we want.



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So what I will do will open both legs press you and I put the timeline indicator on one of the keyframes



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and it keyframe will do as long as it's only if not is now the time line together is only keyframe for



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each player.



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That's very fine.



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I can't take the position and just change the value.



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It didn't work.



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Why.



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Because I did not select all the keyframe so I will do this one hour to select the position control



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and select the second position.



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I could have used shift.



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Now the timeline indicator is on both keyframes here both keyframes are on the time line indicator and



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I've selected all the keyframes.



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All I have to do is to scrap the position and you know there's it's moving the whole path with it.



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That's quite cool.



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You know let's give it more distance and actually you can give any one of them the distance that you



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want.



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Now if they find I would select both legs again and control D.



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Now I control the control C and control V.



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I have them both.



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I press you.



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I put the timeline indicator on the keyframes select both positions so it selects all the keyframes.



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Of course I could have come here and selected all the keyframes but the habit of clicking on position



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is much better because if you have some keyframes that you don't see here then you make sure they're



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selected then scrub down with the position.



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And here you are you created your animations in a matter of seconds.



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If I were not explained to you that they can just seconds flat.



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Now it's quite nice.



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We have one and it's bullet and Chip two to this bullet.



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What we want to do is to move them.



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We are going to move the bullet or the text to come after the bullet and the same here we move both



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of them they say here and then the text comes after the bullet.



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The same we can do with this ones move them here this is timing the layers.



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Of course we can do anything that you want to do.



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Let's look at it now.



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Could you see how I did it here.



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Like if you memorize the Swallow to get the style of this one you will always get this effect of or



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coming like this you know as we say in French I don't know if you know that I'm French.



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OK.



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Let's throw here our circle.



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We come to and so we see how much space we have.



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We select our elipse tool.



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We click here and move it.



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OK that's fine.



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In addition while there was more space which is the color for example something brighter and we add



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some.



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Well that's done.



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Now I want to write your text so click here right.



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Your in fact your logo.



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I'll just make it one logo.



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And make it smaller of course and then move it to the media OK.



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The keyframe has to be in the middle.



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What is it.



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Yeah it is.



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And the circle the flame also let's put it in the middle.



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Now we move them align them.



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If it's not aligning with you you can come to the line and the line then center and center.



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And here you are.



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Now you can move both of them anywhere you want.



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OK that's good.



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Didn't come out as nice as the first one but it will do the job for now.



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Now you want to animate with the scale the circle I press as I will come at the beginning of the layer



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then I will adjust the layer click on the stopwatch to start the animation.



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Move it a bit.



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Click again and give it for example zero.



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Then I will select both keyframes then open the graph.



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Of course I want to have the value graph.



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Let's zoom in a bit.



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Now there are still numbers yes press 9 to make them busy come back to the graph hold it and just move



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up to me give him this to give it the boss fight.



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So now let's turn our animation OK and did not name your logo.



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So what I will do I will open the scale for your logo come to the skill of the player.



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Just click here and say OK I've selected both a keyframes press control-C come to the scale make sure



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your time line indicator is whatever you want to.



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And you base the two keyframes looks nice.



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How much time you have saved if you play it.



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Now here you are and they have the same graphs.



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OK if you come to the Skelly you're not just giving it the same galop so that Control-C Contrave is



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very useful here.



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So these two players we want to shift them and move them here.



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For example let's play all out animation and you really are.



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It's done.



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Of course you can animated the way you want whenever you want your logo to appear or when you want your



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logo to appear.



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Since this is a scale you can just move it around to where you want cake and put it here anywhere here



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and you have your own image.



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So this was your challenge and not just how easy it was I explained to you how to duplicate and how



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to move without changing the motion path.



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These are small leaks but they are very important for you to be able to do very fast.



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Nice motion laughy if I was doing this by myself and you.



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After the finish that course only got 60 percent of this course.



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Surely you can do this animation less than 30 seconds.



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OK.



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Thanks for listening and I will see you in the next section.