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Hi guys hope you're doing well in this lecture and I hope every lecture before you have gained a lot



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of knowledge and a lot of experience and you are on the way to become an expert on the.



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And I'm here to help you please remember that any questions you have just post them in the queue in



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any section of the dashboard of this course and I will be here just Or there just to help you out to



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answer all your questions and give you the utmost benefit from this course and in this lecture we are



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going to explore how to put text on the path not emotion but you see here I created emotion by using



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5:6 the flames whatever.



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And I can run it now that school and I use the position well what happens if I want to use the position



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for something else.



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And yet I want my text to be certain but how do I do that.



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Let's do it together.



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I will remove all the keyframes on this position so I have just a text.



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I will come to the pen tool and I choose my letter of course and I start creating a path I would click



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click again and move.



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So I create this curve path it will need some adjusting later on.



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OK.



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And something like this file I can come and adjust this point and so on.



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So this is exactly what I have created is a mask.



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And of course you have the position it was appealing.



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If Altro down the mask have a mask on.



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Let's go back to our texts.



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If I open text I will find source text we worked on that.



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And we have a path options.



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If I open see none.



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Where do I get the bathroom.



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I will get it from the mask.



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Notice none.



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And I can choose now must go on to be the path for this text.



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This option is only available in text.



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Now several other options have shown up.



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There is a reverse path where we reverse the path.



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Notice that I started my path from here to here.



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So if I reverse the path it's going to come on the other side but it will take like my path have started



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from here so I'll put the reverse path back and there is perpendicular to path where it makes the characters



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you know just perpendicular to the path.



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I go back to fit remove perpendicular and there is a force alignment which we are going to see in a



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moment and there is first Martian last Martian.



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I noticed all these attributes or properties are keyframes



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in the first version you just move your text on the path from the beginning to the end.



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Anywhere you want.



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Last margin will operate the same but combined them will make a very nice mission.



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Let's start simply let's start with last Magin being at 0.



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I play a shift and take the characters all the words outside not is that if I go out of the path it



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will go just in a straight line.



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So I'll take it outside the composition just for the example.



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I can keyframe here come for example after two seconds so you can see it slowly and bring it in and



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pressing shift so the values increment very fast.



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Let's say it is here.



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Then I got done with my selection tool and adjust my path for example.



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That's pretty convenient.



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A much more convenient than having a motion path with keyframes you notice what's happening now.



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I want to come here and I have it like in a straight line.



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Let's bring it back to this point and make it way to the other one is good.



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So you know it's not keyframe has been put here.



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So now I have my own emission list but just one more more.



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If you run it and preview here is pretty cool and pretty nice.



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So here you have your animation on the motion path.



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That's very nice so how do we the motion bastardy cope with create a mask using one of the pen tool



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or the shape mask.



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You'll see that now and then we put the path on the mask and we choose mask as the path and then we



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have the first and last margin Marjan this we can keyframe fine.



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I will delete this keyframes.



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In fact what I will do.



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I will delete the mask totally and now I have a fresh new one.



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This create a different mask here and I will show you how to use the last and first margins.



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I will take the pen tool and create a simple mask.



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And we are going to make it straight.



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Please shift.



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And here it is.



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Then I'll take the path here and put my on.



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Now what I will do here is to start with a force alignment.



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I was just forced the alignment and it's all over the place.



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Now it's all over your motion but I would give him the first margin keyframe the last margin and move



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the last margin until everything is back together.



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Of course I will use opacity here to eliminate this you know bundle all together.



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There's got to 2 seconds and then let's bring back the last module.



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Shift the only goal and then break also in the first margin.



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Now not just any mission that you have that is very cool and very nice.



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The text opens and come to set.



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Of course if you play with this keyframes it will give even more animation at the end which is pretty



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cool and pretty nice.



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So this is the system to use Last and First imagine using force alignment and first alignment now is



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not with do you understand how to use it and how to take advantage of this.



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Of course there is a million animation you can do here you can create some very nice spots and some



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very nice stories.



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Let's go back and read about the mosque and of course everything will go.



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Now I will select my layer and let's try the ellipse.



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Let's click and make their lives.



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Now my ex has disappeared because this is a mosque to eliminate the masking not the mosque masking the



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text.



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Just come to our doors say none.



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Now this is what will be the end of that.



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It means the mosque will not mask anything.



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Then I will come to Bath and put it to someone here I have my text inside the mosque.



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They find out the first path that is useful now I will come to first margin and take my decks on this



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site.



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Could you not what's happening.



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Now you can do a nice animation here.



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If you move it over here for example given the first margin go after two seconds just make it slow so



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we can see and then press shift and take it to its rightful place.



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Look what happens if you're a to here it will be very nice which I will do now.



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I press for opacity at keyframe but the zero is the bit you know I will give it to 100 percent so I



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don't see the beginning.



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Here you are.



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De-select everything and you see it's coming.



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Very nice.



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Of course what you can do here is using these keyframes you can ease them you can.



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Is everything as a matter.



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And now you can come chill Goffe and simply start working with the first margin.



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This is the speed graph as you notice.



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OK you can start for the first modern day at the beginning and then it settles here even more.



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You can do that and the animation will look very cool.



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Or you can do the other way around and you will go easy or slow.



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In the beginning and then at the end here you make it pretty fast.



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It was set fast.



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Let's try it here.



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See that's a pretty cool animation OK.



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Maybe we should change it a bit of the opacity but that will give you a clue how to work with it and



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how to use the easy ears which is very important.



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With this motion another different motion that you can do lets go back to our keyframes and simply come



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over here and delete all of them just play.



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Now let's go back to the beginning.



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Open the path we have masked one that's pretty cool.



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We are going to come here at two seconds and keyframe the first Martian and the last margin.



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But first let's put the force alignment on.



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So I don't want them to appear like this one of them is inv..



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Maybe we press shift and Lititz And here something like this.



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So we adjusted at the last key points that scored let's do it like this.



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Yes.



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OK I come to the beginning.



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I will take the last margin and just pack it on top of everything.



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Of course if I use opacity here you will have quite some interesting animation.



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It opens your text adjust on the motion path or the mask itself or the path itself.



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So here you are.



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You have taken a lot of information a ton of them in fact about first and last Marjan forcing alignment



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and doing animation on a mosque or a path.



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Please use the strategies.



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We will be using it in our development of the animations and it's pretty cool and it gives you like



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a different way to use many animators.



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Don't use this one mainly for beginners.



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I find it complicated because creating this animation will take some effort and will take some imagination



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and also playing with the first or last match.



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Thanks for listening.



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I'll see you in the next lecture.