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Hi guys we have seen in previous lecture how to put a tax on a path or how to choose the path option



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for the text.



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But also we can do the same with anything any shape.



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Let's try to work out the small things first.



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I will draw a small circle here.



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I will remove busy path.



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Nothing that is busy passing I would remove it and I draw just a simple circle and I give it a bigger



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stroke.



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Now we have our circle here.



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Our pest control alt. and whom to bring the anchor point of the ladder in the middle.



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So now I have a center the shape within that are fine.



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If I look in the contented and I look at the lips I have lips but one and inside the half size and position



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of course the explanation about these shapes.



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You can get it all at 100 percent in complex shapes.



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It's a section that you have in this course and it should be very good if you go through it and learn



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everything about chips and so many things so you can learn fast.



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But now I'm going to create another shape but I'm going to use the busy path.



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If I click and open I have just a circle here which is a stroke not feel fine but that circle here is



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a path I will name it pass so we know how.



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If I come to elipse here I open the lips open path one will see path in the previous one we haven't



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seen path.



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We have seen size and position but because I take on bezier path I created a shared that is only a path.



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What I will do I will copy this parse using Control-C as simple.



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Then I will go to my shape lead the second one.



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The circle this one circle and open position that is B can to position here.



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Adjust my timeline indicator to the beginning and press Contrave.



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Now notice what happened first of all I will hide.



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The path is not seen.



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Now the position has taken the path or the shape of the reviews about the previous shape.



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You know here now we have a roving keyframes and we have a position or emotional path that is exactly



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like the shape we have drawn.



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So actually became we copied the path from this but later and opposed it as a position and it created



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for us the keyframes and is roving keyframes in time meaning we have the same speed all over.



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If you play now your animation you notice that the circle is Garro going around the bars that you have



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created and that is extremely important and very useful.



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You have roving the frame so you can play with your motion path and keep the same speed everywhere.



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If you would like to.



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So now you have a different kind of motion but it's a busy path.



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We'll be going exactly on the bus but notice how I adjusted the anchor point in the beginning.



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Please notice that the anchor point is moving on the path.



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So if you move the anchor point of your leg or you don't adjust it you might wonder why your shape is



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moving in a funny funny way.



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So always put the anchor point in the middle or in any position you want in the shape.



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That's very nice.



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Let's do it in this circle.



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We don't want it.



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We are going to import an image the same import file.



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And I have here a kind of cash.



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This is my card here.



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I just bought it.



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So either got here.



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I will put the card in the composition.



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I will scale down with the scale that's OK.



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Make it smaller and I will come to the path here and as you know I will copy the path.



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Go to the car open position click on position adjust my time line indicator whatever I want to start



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and just PSP and now my car is on the motion path.



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Now you know this is very nice.



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I have the car going around but is not turning according as this motion path here is not closed.



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We have keyframes lets move it over here for example you notice here I have keyframe and is not a closed



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motion motion but never close.



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So I can adjust the mortum motion past now to make it exactly the way I want for example.



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And here is my car.



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It comes from there and turns around and goes up.



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Nice very nice.



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Now I have a nice motion.



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So if you have taken your time to create a path in a debate stage or brought it here this is the way



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to do it and this is the way to create a path or position and emission from a path.



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Now there is something else.



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This car doesn't look good.



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We want this car to be pointing towards the path that will be interesting.



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Right click on the car come to transform our famous transforms will fit to comp and so on and click



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auto Orient.



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If you give me the option of three and four off or auto Orient or orient along the path I will choose



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orient on the path.



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Click OK.



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Now you have an amazing car going on your path of course.



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The best you could have done is read the position from here is to design your path for example if you



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have a road or something and you can come and draw your path and then take that path and make it the



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motion path of the car you are.



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For example I come here this is I have a shit bath because I use the pen tool of course is going to



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be a busy path.



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It cannot be a shape.



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OK I will copy the path from here.



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Go to my car go to the position in the timeline indicator Contrave and paste.



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I have my roving keyframes.



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I click drive and it drives which will be more interesting to put the path under than the car will be



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driving on the path so you can come and adjust your motion path and it plays on the line.



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So what we have learned now is to take a bath if it is inside a shape like you have seen or created



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by the pen tool.



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Or you can import that path from I.



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That's an advanced option that you would see later and copy it into position and you will have roving



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keyframes.



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If a roving keyframes is not really what you want you can always come to the graph and change the way



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you want and you will have the speed that you want without any changes to the path itself.



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So now is going down the hill so it should be very speedy for example.



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Just like this comes to the hill and then is starting to go up.



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Start to be slow you know.



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Hard to go up there now is going down the hill so the speed is high it slows down.



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Now is that speed coming on top speed go down very fast.



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And so on you have your motion here.



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That will be an extraordinary path that you have created what I wanted to demonstrate to you is how



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easy is it to create motion path in after effects and you have the option either to create a mask or



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a base shape and copy that into the text bash option or copy that into the position of a.



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In this case we have a the image.



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Of course I could have chosen a shape or whatever you want.



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This is an instrument of animations that is very powerful and later on I will try to use it and it's



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up to you.



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Now let's say you download a p n g for a road and you will create the path and your car will be going



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on the path.



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And of course you can have a bird flying around or whatever you want.



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Thanks very much for listening.



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I hope you are benefiting.



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I have been very concise in this lecture though it has taken around ten minutes but what is important



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is that you get to know these small elements that makes any mention what is supposed to do before you



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become an expert.



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Thanks.