1

00:00:01,590 --> 00:00:05,090

Hi guys this live as you and I hope you're doing well in this course.



2

00:00:05,100 --> 00:00:06,220

I really hope so.



3

00:00:06,300 --> 00:00:08,440

If you have any questions you know where to post them.



4

00:00:08,440 --> 00:00:14,770

I repeated that many times and I will repeat again to encourage you to put even more questions.



5

00:00:14,790 --> 00:00:17,940

Everything that you need to know or learn more about.



6

00:00:18,000 --> 00:00:24,640

Even if it doesn't have anything to do with the section you are in good now we want to do this a practice.



7

00:00:24,770 --> 00:00:28,980

OK I'm calling it practice because I would like you to follow up with me.



8

00:00:29,040 --> 00:00:35,250

Hopefully you will download the project file and we can work together to create this animation.



9

00:00:35,250 --> 00:00:39,090

The first thing of course I want to create a composition.



10

00:00:39,260 --> 00:00:42,120

I will make 12 by 720 the usual 1.



11

00:00:42,120 --> 00:00:44,490

5 seconds on background is black.



12

00:00:44,490 --> 00:00:47,340

Now of course I want to create a decided not this.



13

00:00:47,340 --> 00:00:50,660

I have a folder here where all my solids are.



14

00:00:50,820 --> 00:00:57,740

If I tried to delete it solid and it gives me a question it means this solid is being used.



15

00:00:57,780 --> 00:01:04,230

You see Edge which is used in one composition so don't delete it but I can use any solid For example



16

00:01:04,230 --> 00:01:11,520

I can use this solid for this composition that exists so in other places and you have seen how to change



17

00:01:11,520 --> 00:01:15,210

the color of solid obviously in a previous lecture.



18

00:01:15,420 --> 00:01:22,120

So the first thing I want to do is make it 3D and then open the rotation and rotate it on its y axis.



19

00:01:22,280 --> 00:01:24,120

Minus 90 degree.



20

00:01:24,210 --> 00:01:31,190

Now one day also this solid is not 12 80 by 720 the size of composition.



21

00:01:31,470 --> 00:01:36,000

The height here is 12 18 meaning this is a square solid.



22

00:01:36,000 --> 00:01:42,590

It's bigger because it will save me some time in trying to scale that solid to the size I want.



23

00:01:42,630 --> 00:01:46,110

And when you give it a square it will look better.



24

00:01:46,110 --> 00:01:47,960

You'll see how it will work.



25

00:01:47,970 --> 00:01:53,880

The second thing I want to do is to come to our course here to find cube theory and drop it inside the



26

00:01:53,880 --> 00:01:54,470

composition.



27

00:01:54,480 --> 00:02:00,450

Of course make it 3 and open the effect for the collapse transformation.



28

00:02:00,540 --> 00:02:04,590

It will become 3D now is sitting like this is not good for me at all.



29

00:02:04,590 --> 00:02:11,280

What I will do I will open the anchor point and the position and to see how I'm going to put this really



30

00:02:11,340 --> 00:02:12,150

on the same line.



31

00:02:12,150 --> 00:02:19,370

First of all I move the anchor point up so it was a 360 I'll make it for 60.



32

00:02:19,500 --> 00:02:24,120

Cool that's very fine but you're not the anchor point is not really in the middle here it's on this



33

00:02:24,120 --> 00:02:24,640

corner.



34

00:02:24,750 --> 00:02:30,350

Let's change view and see that we go to left for example you see where is the entry point.



35

00:02:30,390 --> 00:02:35,400

I need to move it on its head so it can be in the middle.



36

00:02:35,880 --> 00:02:41,900

And for that I will use here the Zad and make it 100.



37

00:02:42,150 --> 00:02:47,490

And now the anchor point is in the middle of the X base down there.



38

00:02:47,510 --> 00:02:49,530

Or the zombies or the stand.



39

00:02:49,800 --> 00:02:55,770

Let's go back to our active camera and here you are what I will do immediately is to parent the cube



40

00:02:55,800 --> 00:02:59,180

to the surface or the solid layer.



41

00:02:59,490 --> 00:03:05,010

Then I will come to the solid layer here on the X rotation and start rotating it.



42

00:03:05,070 --> 00:03:11,160

If you want to know if you are really in the same plan that is the solid and your cube you need to see



43

00:03:11,160 --> 00:03:14,790

is just the figurehead of any depth in it.



44

00:03:14,790 --> 00:03:18,600

Or you can look at the Zad and you see it's really OK.



45

00:03:18,840 --> 00:03:20,680

But let's put it that way.



46

00:03:22,130 --> 00:03:23,140

That's fine.



47

00:03:23,270 --> 00:03:24,770

I can now open the scale.



48

00:03:24,800 --> 00:03:28,660

And of course if I scale both will scale which is OK with me.



49

00:03:28,970 --> 00:03:32,290

Ok lets turn it a bit more.



50

00:03:32,300 --> 00:03:39,140

OK we take it $278 say something like this like the other one a bit down shift.



51

00:03:39,140 --> 00:03:42,830

Good then I can of course come and scale the cube.



52

00:03:43,070 --> 00:03:50,150

If I open as much as shift as I can skip it and not just because the anchor point is on the solid or



53

00:03:50,150 --> 00:03:52,790

the intersect at 100 percent.



54

00:03:52,790 --> 00:03:56,060

Then it will scale very nicely which you find less.



55

00:03:56,060 --> 00:03:57,980

I think this is too big let's get it done.



56

00:03:57,990 --> 00:03:59,700

It really doesn't matter.



57

00:03:59,690 --> 00:04:00,670

Can you do it.



58

00:04:00,680 --> 00:04:01,630

Shootist.



59

00:04:01,790 --> 00:04:04,450

Let's go back to solids before we continue.



60

00:04:04,610 --> 00:04:10,880

Let's take the pail right here and drop it at the bottom so we get some depth.



61

00:04:10,880 --> 00:04:15,630

Of course now we need to lock it and then we take our cube.



62

00:04:15,800 --> 00:04:20,670

We duplicate it and we can use the axes here to move it.



63

00:04:20,680 --> 00:04:28,160

So just click or point on the X and move it up or on the left or right whatever you want.



64

00:04:28,190 --> 00:04:29,960

I would duplicate this one again.



65

00:04:30,310 --> 00:04:33,440

Move it here and take it backward.



66

00:04:33,890 --> 00:04:35,180

Now this is fine.



67

00:04:35,190 --> 00:04:40,880

Or I move it in the middle for example and then the middle one I will take it backwards just to make



68

00:04:40,880 --> 00:04:42,670

a simple pattern.



69

00:04:42,680 --> 00:04:49,460

Now if I want to see what's happening here I can use the Zad rotation down here and turn it and see



70

00:04:49,460 --> 00:04:54,930

exactly how it's gonna to display when it is just at 90 degree or something like this.



71

00:04:54,960 --> 00:04:57,900

Fine I can adjust a bit if I want.



72

00:04:58,070 --> 00:05:00,910

I'll keep this one the bit in the middle.



73

00:05:00,980 --> 00:05:03,410

The way you wanted it can work.



74

00:05:03,410 --> 00:05:10,520

I would rotate now even more and see from this perspective what is happening maybe I will take this



75

00:05:10,520 --> 00:05:11,950

one just here.



76

00:05:12,910 --> 00:05:17,740

I want to watch and then this one just here and here.



77

00:05:17,780 --> 00:05:21,880

I think we managed to make the three of them look from all directions.



78

00:05:21,890 --> 00:05:23,140

Not this one.



79

00:05:23,360 --> 00:05:26,270

OK this one sorry this one.



80

00:05:26,270 --> 00:05:34,640

We want to move it here good let's see what is what's happening if I turn it that's OK this is OK.



81

00:05:34,640 --> 00:05:35,330

Nice.



82

00:05:35,330 --> 00:05:36,630

And this is nice.



83

00:05:36,650 --> 00:05:37,690

Fantastic.



84

00:05:37,710 --> 00:05:37,940

Good.



85

00:05:37,940 --> 00:05:43,140

Now we can start animating this one we put zero on the salad.



86

00:05:43,290 --> 00:05:49,640

We give them the salad and then we go just before one second for example we give it 90 degrees so it



87

00:05:49,640 --> 00:05:51,810

will turn clockwise 9.



88

00:05:51,860 --> 00:06:00,460

After this we make sure it stays on the same position that we don't stay on the same position just before



89

00:06:00,470 --> 00:06:11,210

two seconds and right plus 90 so it takes 90 plus 90 to be 180 come to two seconds and then again go



90

00:06:11,210 --> 00:06:13,760

before the three.



91

00:06:13,760 --> 00:06:16,580

Of course you can do this keyframes the way you want.



92

00:06:16,580 --> 00:06:19,870

There is really no rule I'm just showing you how it works.



93

00:06:19,880 --> 00:06:24,210

Plus 90 and then go here.



94

00:06:24,300 --> 00:06:25,500

I made a mistake here.



95

00:06:25,650 --> 00:06:32,740

So it was just keyframe and go back here and see plus 90.



96

00:06:32,840 --> 00:06:34,110

I hope I'm doing right.



97

00:06:34,290 --> 00:06:39,560

So here it is 180 180 and then hit 270.



98

00:06:39,790 --> 00:06:42,100

Of course here are just keyframe it.



99

00:06:42,360 --> 00:06:52,090

And at the end maybe I will make it 0 or plus 90 but it will go to zero and a full rotation as you see.



100

00:06:52,200 --> 00:06:56,020

Now this is a very nice and very synchronized.



101

00:06:56,040 --> 00:07:01,200

That's pretty good pay pain is beautiful but there is more we can do fine let's come here.



102

00:07:01,290 --> 00:07:04,200

First of all we don't want this to start on the same face.



103

00:07:04,320 --> 00:07:06,510

So we take for example the first one.



104

00:07:06,510 --> 00:07:08,360

This one opened the rotation.



105

00:07:08,610 --> 00:07:11,870

We can change the orientation or change the rotation.



106

00:07:11,880 --> 00:07:14,470

Now there's this one minute it is on the y axis.



107

00:07:14,640 --> 00:07:21,060

Maybe we'll change the Y rotation to 90 degrees call this one.



108

00:07:21,060 --> 00:07:22,310

We change the rotation.



109

00:07:22,310 --> 00:07:29,040

Here we open the rotation and change the Y rotation at minus 90 for example.



110

00:07:29,310 --> 00:07:36,620

And this one if you open the rotation the see what you can do we give this face or this face the back.



111

00:07:36,690 --> 00:07:41,210

So it will be 90 times three now.



112

00:07:41,490 --> 00:07:47,300

So it is 90 times to call that's it.



113

00:07:47,300 --> 00:07:54,120

So now they rotate and you can see all the faces more we can add to this that will make all the beauty.



114

00:07:54,530 --> 00:07:58,130

Ok now we want to create the rotation for the three of them.



115

00:07:58,130 --> 00:08:00,640

Of course I will select the three of them.



116

00:08:00,650 --> 00:08:09,970

Keyframe the rotation and make sure it does keyframe everywhere and go to the end at 4 and add 1 for



117

00:08:09,970 --> 00:08:13,490

the rotation and see if that's keyframe everywhere.



118

00:08:13,660 --> 00:08:19,750

So now what we have is the platform or the solid is turning and the cubes are turning.



119

00:08:19,850 --> 00:08:21,060

That's de-select everything.



120

00:08:21,070 --> 00:08:23,350

And see our animation.



121

00:08:23,500 --> 00:08:26,460

Now this is pretty nice still very synchronized.



122

00:08:26,560 --> 00:08:32,200

I select the three cubes open you gain and maybe move them around.



123

00:08:32,210 --> 00:08:33,930

Put this one here it goes five.



124

00:08:33,970 --> 00:08:36,780

This one goes this one goes in the middle.



125

00:08:36,910 --> 00:08:39,470

Something like this or anything you want to do.



126

00:08:39,580 --> 00:08:42,690

And then they are rotating but they are not in sync.



127

00:08:42,690 --> 00:08:44,500

And that will make the beauty of it.



128

00:08:44,620 --> 00:08:45,350

So here we are.



129

00:08:45,400 --> 00:08:52,990

You see it's not so difficult but yet it's very amazing that if you use a certain concept and you know



130

00:08:52,990 --> 00:08:59,800

how to use the axes you can end up with fantastic animations the things that I want to recommend that



131

00:08:59,800 --> 00:09:01,060

you don't do.



132

00:09:01,060 --> 00:09:07,480

For example if you want to fix the anchor point in the beginning if you come to our left you'll remember



133

00:09:07,480 --> 00:09:08,830

how it is now.



134

00:09:08,980 --> 00:09:16,780

Look how it's very well if you start moving randomly like this and try to eyeballing it it will not



135

00:09:16,780 --> 00:09:18,980

work better work with the figures.



136

00:09:19,030 --> 00:09:20,390

That is what I do.



137

00:09:20,410 --> 00:09:25,480

You can do something else you can eyeballing it if you don't want that precise 100 percent and not if



138

00:09:25,480 --> 00:09:27,100

you leave them a bit more.



139

00:09:27,280 --> 00:09:28,290

Right.



140

00:09:28,330 --> 00:09:30,850

We have something totally different.



141

00:09:31,060 --> 00:09:33,080

Let's go back to our active camera.



142

00:09:33,680 --> 00:09:38,390

And if you notice the rotation now will look different like this is floating.



143

00:09:38,410 --> 00:09:41,220

This is on the same plan.



144

00:09:41,470 --> 00:09:46,840

And something like that so actually you can do anything that you want provided that you have a system



145

00:09:46,840 --> 00:09:47,790

you're working with.



146

00:09:47,940 --> 00:09:54,820

You are using the access you're using logical rotations and you're working to get an animation that



147

00:09:54,820 --> 00:09:59,260

is somehow symmetric and an animation that repeats itself.



148

00:09:59,260 --> 00:10:01,150

I hope you benefited from this one.



149

00:10:01,150 --> 00:10:06,940

I hope this was a good practice for 3-D and I hope you will open the project file as fiddling with this



150

00:10:06,940 --> 00:10:07,490

one.



151

00:10:07,540 --> 00:10:14,050

Create your own project or your only cube and move it around and do whatever you want.



152

00:10:14,050 --> 00:10:15,140

Thanks very much for listening.



153

00:10:15,140 --> 00:10:16,460

I'll see you in the next lecture.