1 00:00:01,170 --> 00:00:05,690 Hi guys hope you're enjoying this lesson and hopefully you enjoyed the path. 2 00:00:05,760 --> 00:00:12,680 We will move on and explore a bit that we can transform one to apply a transformer to the next layer. 3 00:00:12,990 --> 00:00:16,050 And the two shape players here which are just lines. 4 00:00:16,230 --> 00:00:19,480 Let's transform the text letters into shape last. 5 00:00:19,480 --> 00:00:21,530 This is one so I have the shape there. 6 00:00:21,600 --> 00:00:26,350 So the line also we can make it a shape player. 7 00:00:26,400 --> 00:00:33,300 So now we have both of them motion graphic and so we will take this cool and drop it down was the motion 8 00:00:33,300 --> 00:00:35,830 graphic actually what we can do is come and delete them. 9 00:00:35,910 --> 00:00:37,000 You don't need them anymore. 10 00:00:37,350 --> 00:00:38,390 I would take the first two. 11 00:00:38,400 --> 00:00:41,020 That is motion graphic and it's down there. 12 00:00:41,010 --> 00:00:41,760 Not this one. 13 00:00:41,760 --> 00:00:47,280 So I'll put this one here and this one put it on the school on my machine graphic and shape player. 14 00:00:47,310 --> 00:00:51,220 I'll come to art over here and I will transform. 15 00:00:51,230 --> 00:00:53,990 Now if I play Manumission nothing has happened. 16 00:00:54,060 --> 00:00:54,330 Why. 17 00:00:54,330 --> 00:00:57,980 Because we can transform is a bit different from the wiggle path. 18 00:00:58,080 --> 00:00:59,700 It has its own transformation. 19 00:00:59,700 --> 00:01:00,330 Let's look at it. 20 00:01:00,330 --> 00:01:06,330 You have Rigol transform one that is in the shape player of course is inside the content. 21 00:01:06,330 --> 00:01:13,450 And we have it transform special for the we get transform inside the transform of the we can transform. 22 00:01:13,500 --> 00:01:15,660 You have anchored point position scale rotation. 23 00:01:15,660 --> 00:01:18,330 These are not animations are not transformation. 24 00:01:18,330 --> 00:01:20,980 These are sad upset for the week. 25 00:01:21,030 --> 00:01:29,130 For example if I take the wiggle position here and give it 20 pixel only for the vertical and I play 26 00:01:29,130 --> 00:01:32,780 the animation now they are wiggling at 20 pixel. 27 00:01:32,790 --> 00:01:37,230 Of course if we put 300 now they will kill very nicely at 300. 28 00:01:37,230 --> 00:01:38,450 It depends what you're doing. 29 00:01:38,640 --> 00:01:40,530 Now usually I don't use this one. 30 00:01:40,530 --> 00:01:46,470 It has a little meaning and people don't get to understand that unless I'm keyframes good and doing 31 00:01:46,470 --> 00:01:51,420 a lot of things like is the 20 pixel and they move nicely. 32 00:01:51,450 --> 00:02:01,750 I would come to the line that the line under it and give it a position here not to vertical but resentful 33 00:02:01,750 --> 00:02:03,030 of 20 pixels. 34 00:02:03,340 --> 00:02:04,490 Now notice what's happening. 35 00:02:04,500 --> 00:02:08,740 That one is moving up and down the motion graphics and the line is moving left or right. 36 00:02:08,920 --> 00:02:12,100 It's smooth it's aristocratic I would say. 37 00:02:12,340 --> 00:02:15,460 Let's go to the school on line. 38 00:02:15,460 --> 00:02:22,060 I'm going to give you an example now that we can add is school online is the one on top will open and 39 00:02:22,060 --> 00:02:30,020 we will add a we can transform and then we open the transform for the Wiggles transform. 40 00:02:30,430 --> 00:02:35,890 And for example give it a rotation of 5 degrees on Lee and I give it the position. 41 00:02:35,890 --> 00:02:41,980 OK I'm going to do it horizontally just for you to see but vertical will be nicer just pictures. 42 00:02:41,980 --> 00:02:49,640 Now here we you have the animation it's looking quite nice this one but not so serious. 43 00:02:49,810 --> 00:02:54,810 You know the kids program that would be excellent for kids that would be nice. 44 00:02:54,850 --> 00:02:56,040 We'll take it Slyne. 45 00:02:56,080 --> 00:02:57,930 I think that's right. 46 00:02:58,000 --> 00:03:06,390 We apply so we get transform and we go to the we can transform it's transform and give it for example 47 00:03:06,680 --> 00:03:10,190 what isn't a let's keep it horizontal 20. 48 00:03:10,210 --> 00:03:13,750 So the line will go back and forth at 20 degrees. 49 00:03:13,780 --> 00:03:15,760 Now let's go to the wiggle itself. 50 00:03:15,760 --> 00:03:21,180 You have the wiggle per second of course you can increase the speed depending on what you're doing. 51 00:03:21,330 --> 00:03:26,310 Of course I'm doing this for the shape let's do it for the school on line. 52 00:03:27,850 --> 00:03:29,520 You can increase the speed. 53 00:03:29,880 --> 00:03:31,350 And now it's going crazy. 54 00:03:31,450 --> 00:03:37,230 Let's put it back as zero point five and now it's dreamlike and they're moving slowly. 55 00:03:37,240 --> 00:03:40,110 Unfortunately the composition is only five seconds. 56 00:03:40,120 --> 00:03:43,320 The correlation we can add a 100 percent correlation. 57 00:03:43,310 --> 00:03:49,840 So they're mostly moving and they are correlated to each other the movement temperature is we don't 58 00:03:49,840 --> 00:03:52,090 care about it and the random seed also. 59 00:03:52,130 --> 00:03:54,540 So actually this is all about. 60 00:03:54,580 --> 00:04:01,300 This is all about the we can transform the concept is you can decide what you are transforming and how 61 00:04:01,510 --> 00:04:07,570 you can give them offset on the position scale rotation and it will go continuously without keyframes 62 00:04:08,080 --> 00:04:10,330 of course you can come and do more animations. 63 00:04:10,330 --> 00:04:17,260 For example if you take here the wiggle you can keyframe the position at 10 and then go two seconds 64 00:04:17,260 --> 00:04:23,800 down the line that we do and keyframe it at 50 for example not going to look good just to show you. 65 00:04:24,010 --> 00:04:30,280 And when it's playing so I started growing the motion how it's going left or right a bit faster. 66 00:04:30,580 --> 00:04:32,350 Fine guys thanks very much for listening. 67 00:04:32,350 --> 00:04:34,810 This is about the we transform. 68 00:04:34,810 --> 00:04:36,450 See you in the next lecture.