Guys and welcome to this lecture we are going to explore a bit about the repeater.
The repeater has many applications.
It applies only for shape.
I had a question once trying to apply the repeated text repeated only is applied to shapes.
This is an effect of shape.
We want to explore the repeater and we want to understand how to create repeats.
We have our first example here where we open a circle and then we have another one where we open the
square and try to make no kind of swipe to change screen for example and we are going to use all the
functions of a repeater.
Let's start just create a new composition.
Doesn't matter the name because we will delete it later.
And let's create a circle.
I would just make a circle in the middle of anywhere and I would come to the ellipse go to transform
and put it in the middle of its layer and in the middle of the composition let's it repeater will come
to our.
And we have the not just here and that by default the repeater has three copies so it will repeat three
times.
You can increase this.
For example we can make it 12 and you have the offset the offset lets make it minus six to show you.
So it has offset minus 6 on the left side.
You can count them and the rest including the original on the right side or minus six on the left side
and the rest is on the right side.
You can make it any figure you want my history for example to see how it goes.
We will put it to zero.
Then they are separated with 100 pieces.
Thats because in the transform Peter you have 100 Bissel in the position.
What does it mean 100 pixel.
This is under the transform early Peter 1.
It means repeat 12 times and each separated 100 pixels from the previous one of course.
So the first one the original comes in its position.
The second one comes at 100 pixel from the previous one and the third one 100 pixel from the previous
one.
Thats how it works.
If you give it a bit of scale you will notice how it works.
The first one is adversion scale and then this one is 8 percent or 108 percent from the previous one.
And the third one is also 8 percent bigger than the previous one and so on until the last one.
So I will put back this to 100.
So this is the job of the repeater.
It does not repeat the first shape or the way it repeats according to the parameters here and it repeats
according to the shape that is before you notice that they went in one line here.
Fine I will go up to my ellipse and move the Arabs above like this.
OK.
And you're not is the anchor point of the Ellipse just here and we come up with this at zero.
So that all on top of each other then we start rotating or giving it a rotation so it is rotating 25
degrees from the previous one.
If we have 12 and we want to make a full rotation then it's real obvious that we have 360 divided by
12 which would make it 30.
So these are a 30 degree from each other.
Let's say this one 18.
Now they're overlapping each other.
Can I change the rotation here.
I make it smaller.
You can see that a certain point.
I have the 18 of them appearing.
I can't make 360 divided by 18.
And here you are this pretty cool.
Let's meet the number of copies.
If I put the number of copies 0 that's the first keyframe and after 20 frames for example make it 18.
Now you're not as you have a very smooth animation a very cool one.
So it can turn around of course you could have used as rectangles or lines whatever.
But the most important is that you learn that you can estimate the number of copies and sometimes it's
a pretty good animation.
Let's bring the time line here and play it here.
So this is the concept of the repeater.
You will come to the repeater and give a certain offset and you do your animation all the movement from
the ellipse path or the transform ellipse.
So that is our first animation and it's quite good.
Let's add something here.
If I come to size for example I can keyframe the size here and make it zero maybe call and then come
back.
They're all appearing.
Make the size 50 again.
I don't know if it's doing the right one now but we can move the size here.
So depending on what you want you can really make this animation pretty cool.
Fine.
Let's use now repeated and understand how it works.
I will delete the Shipler.
I will come and create a rectangle and put the rectangle the way I want shift will do here.
And then I will come to the transform repeat that I make the rectangle position 0 0 according to the
slab.
Now take the lead the layer all together and put it just here.
I will introduce Peter.
I will choose the layer I always like to put the repeater in the content not inside the rectangle because
it can go inside the tangled path one can get it sometimes confusing.
Just put it here if you have too many layers then you can pick on both.
Let's repeat it here.
And what I would like to do is to open the repeater and give it for example 6 copies or 7 copies.
I think that's not enough let's make 13 copies call or 12 with the and we come to the transform the
Peter and I want to increase the 100 just a bit to make it just hit the end of the composition here.
Fine.
Good.
So now I have my GP that I can and he made the number of copies.
Click here.
Zero.
Tom after 20 frames or so and make it like we said 12.
Yup.
So I have this animation good.
Now I want also to duplicate down there.
So what I will do I will add another repeater that will come under the First.
Peter I remember we did this in complex shapes.
So this too is going to affect the one rectangle one of course going to work on the rectangle.
It's come over here and it take the number of copies that make them seven on the.
But now we are going to come to the transform and put this one to zero and put this one to 100 I guess.
Or something more Akihito or something like this.
I guess we have too many copies.
Let's remove one copy.
Six will do good.
So now I will also animate.
Here it comes.
It opens is going to also open.
This is zero and go to so many frames here.
OK make it seven or six.
Like we said Slovic cool animation where it opens find of course what I will do is to come to the Shepler
place you select the keyframes press 9 and make it more interesting as pest control and shift.
And here you are.
It's quite cool like this fine.
Now this you can use it as a big screen so it comes in.
It weighs a second so I'm going to copy this up so I'm going to copy this to keyframe Control-C Contrave
maybe put them here.
Then I want it to come out.
I can also duplicate the keyframes.
I will take the first keyframes and duplicate them there.
So now here you are you have your animation and it leaves.
That's pretty cool.
There is another method to remove them.
And I want to work on this or I will delete this keyframes it just opens and it will come to the repeaters
and look at transform the Peter one and you have a opacity and opacity will keyframes start on.
And on this site and I come here I will make them 0 percent.
OK.
So let's look at our animation and it goes out fine.
This is cool.
You know just how they're coming out.
And then if I shift these then I have even nicer animation where they come out you know in a certain
way of course you can come and do the same but you have to eliminate this once this started and opacity
in repeated to delete these ones and go to repeat it to the stage here.
Open the transform keyframe the start and end opacity and come after some time make them both 0.
So it is somehow that action and let's shift this.
Now let's shift the lower ones.
So it changes that actions.
So this is very interesting.
You can use too big screen you can use it also as a tack might add remove videos and swipe in swipe
out and stories like this you know blackline fine.
Now that you have done this in the next lecture what you are going to do is to work on the repeater.
This one and create these shapes where you have a burst elements and see exactly how you do it is just
how to use all the animations possible inside.
Peter thank you very much for listening and see you in the next lecture.