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Guys and welcome to this lecture we are going to explore a bit about the repeater.



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The repeater has many applications.



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It applies only for shape.



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I had a question once trying to apply the repeated text repeated only is applied to shapes.



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This is an effect of shape.



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We want to explore the repeater and we want to understand how to create repeats.



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We have our first example here where we open a circle and then we have another one where we open the



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square and try to make no kind of swipe to change screen for example and we are going to use all the



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functions of a repeater.



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Let's start just create a new composition.



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Doesn't matter the name because we will delete it later.



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And let's create a circle.



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I would just make a circle in the middle of anywhere and I would come to the ellipse go to transform



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and put it in the middle of its layer and in the middle of the composition let's it repeater will come



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to our.



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And we have the not just here and that by default the repeater has three copies so it will repeat three



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times.



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You can increase this.



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For example we can make it 12 and you have the offset the offset lets make it minus six to show you.



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So it has offset minus 6 on the left side.



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You can count them and the rest including the original on the right side or minus six on the left side



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and the rest is on the right side.



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You can make it any figure you want my history for example to see how it goes.



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We will put it to zero.



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Then they are separated with 100 pieces.



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Thats because in the transform Peter you have 100 Bissel in the position.



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What does it mean 100 pixel.



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This is under the transform early Peter 1.



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It means repeat 12 times and each separated 100 pixels from the previous one of course.



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So the first one the original comes in its position.



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The second one comes at 100 pixel from the previous one and the third one 100 pixel from the previous



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one.



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Thats how it works.



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If you give it a bit of scale you will notice how it works.



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The first one is adversion scale and then this one is 8 percent or 108 percent from the previous one.



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And the third one is also 8 percent bigger than the previous one and so on until the last one.



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So I will put back this to 100.



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So this is the job of the repeater.



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It does not repeat the first shape or the way it repeats according to the parameters here and it repeats



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according to the shape that is before you notice that they went in one line here.



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Fine I will go up to my ellipse and move the Arabs above like this.



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OK.



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And you're not is the anchor point of the Ellipse just here and we come up with this at zero.



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So that all on top of each other then we start rotating or giving it a rotation so it is rotating 25



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degrees from the previous one.



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If we have 12 and we want to make a full rotation then it's real obvious that we have 360 divided by



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12 which would make it 30.



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So these are a 30 degree from each other.



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Let's say this one 18.



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Now they're overlapping each other.



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Can I change the rotation here.



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I make it smaller.



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You can see that a certain point.



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I have the 18 of them appearing.



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I can't make 360 divided by 18.



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And here you are this pretty cool.



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Let's meet the number of copies.



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If I put the number of copies 0 that's the first keyframe and after 20 frames for example make it 18.



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Now you're not as you have a very smooth animation a very cool one.



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So it can turn around of course you could have used as rectangles or lines whatever.



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But the most important is that you learn that you can estimate the number of copies and sometimes it's



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a pretty good animation.



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Let's bring the time line here and play it here.



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So this is the concept of the repeater.



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You will come to the repeater and give a certain offset and you do your animation all the movement from



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the ellipse path or the transform ellipse.



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So that is our first animation and it's quite good.



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Let's add something here.



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If I come to size for example I can keyframe the size here and make it zero maybe call and then come



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back.



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They're all appearing.



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Make the size 50 again.



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I don't know if it's doing the right one now but we can move the size here.



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So depending on what you want you can really make this animation pretty cool.



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Fine.



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Let's use now repeated and understand how it works.



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I will delete the Shipler.



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I will come and create a rectangle and put the rectangle the way I want shift will do here.



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And then I will come to the transform repeat that I make the rectangle position 0 0 according to the



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slab.



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Now take the lead the layer all together and put it just here.



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I will introduce Peter.



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I will choose the layer I always like to put the repeater in the content not inside the rectangle because



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it can go inside the tangled path one can get it sometimes confusing.



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Just put it here if you have too many layers then you can pick on both.



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Let's repeat it here.



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And what I would like to do is to open the repeater and give it for example 6 copies or 7 copies.



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I think that's not enough let's make 13 copies call or 12 with the and we come to the transform the



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Peter and I want to increase the 100 just a bit to make it just hit the end of the composition here.



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Fine.



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Good.



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So now I have my GP that I can and he made the number of copies.



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Click here.



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Zero.



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Tom after 20 frames or so and make it like we said 12.



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Yup.



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So I have this animation good.



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Now I want also to duplicate down there.



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So what I will do I will add another repeater that will come under the First.



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Peter I remember we did this in complex shapes.



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So this too is going to affect the one rectangle one of course going to work on the rectangle.



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It's come over here and it take the number of copies that make them seven on the.



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But now we are going to come to the transform and put this one to zero and put this one to 100 I guess.



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Or something more Akihito or something like this.



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I guess we have too many copies.



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Let's remove one copy.



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Six will do good.



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So now I will also animate.



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Here it comes.



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It opens is going to also open.



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This is zero and go to so many frames here.



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OK make it seven or six.



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Like we said Slovic cool animation where it opens find of course what I will do is to come to the Shepler



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place you select the keyframes press 9 and make it more interesting as pest control and shift.



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And here you are.



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It's quite cool like this fine.



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Now this you can use it as a big screen so it comes in.



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It weighs a second so I'm going to copy this up so I'm going to copy this to keyframe Control-C Contrave



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maybe put them here.



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Then I want it to come out.



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I can also duplicate the keyframes.



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I will take the first keyframes and duplicate them there.



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So now here you are you have your animation and it leaves.



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That's pretty cool.



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There is another method to remove them.



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And I want to work on this or I will delete this keyframes it just opens and it will come to the repeaters



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and look at transform the Peter one and you have a opacity and opacity will keyframes start on.



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And on this site and I come here I will make them 0 percent.



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OK.



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So let's look at our animation and it goes out fine.



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This is cool.



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You know just how they're coming out.



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And then if I shift these then I have even nicer animation where they come out you know in a certain



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way of course you can come and do the same but you have to eliminate this once this started and opacity



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in repeated to delete these ones and go to repeat it to the stage here.



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Open the transform keyframe the start and end opacity and come after some time make them both 0.



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So it is somehow that action and let's shift this.



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Now let's shift the lower ones.



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So it changes that actions.



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So this is very interesting.



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You can use too big screen you can use it also as a tack might add remove videos and swipe in swipe



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out and stories like this you know blackline fine.



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Now that you have done this in the next lecture what you are going to do is to work on the repeater.



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This one and create these shapes where you have a burst elements and see exactly how you do it is just



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how to use all the animations possible inside.



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Peter thank you very much for listening and see you in the next lecture.