1 00:00:01,050 --> 00:00:07,120 Guys in this lecture I want to bring to your attention the use of the busy path here and how to create 2 00:00:07,120 --> 00:00:15,190 busy shapes we are used to come to the toolbar click on the rectangle tool or any other shape tool and 3 00:00:15,190 --> 00:00:21,430 keep the busy path off and create our ship and that is that when we create a ship like this it's called 4 00:00:21,480 --> 00:00:22,760 parametric shape. 5 00:00:22,840 --> 00:00:26,180 It has eight corners on it. 6 00:00:26,290 --> 00:00:34,170 The emitters here and in our Shipler rectangle for example is created and a rectangle that is created 7 00:00:34,180 --> 00:00:36,790 the size position and roundness. 8 00:00:37,030 --> 00:00:41,820 And you can imagine this once but if you use the busy path. 9 00:00:41,950 --> 00:00:43,600 Use also rectangle. 10 00:00:43,600 --> 00:00:49,360 If you click and drag you notice first of all that you have four corners on one of them is big. 11 00:00:49,540 --> 00:00:54,280 These corners are called vertex corners or vertex points. 12 00:00:54,490 --> 00:01:00,850 Now in the Shipler what you have is a rectangle one and you have a rectangle but one you have just about 13 00:01:00,880 --> 00:01:01,250 one. 14 00:01:01,260 --> 00:01:03,250 And inside there is a path. 15 00:01:03,250 --> 00:01:04,250 Now this is pretty good. 16 00:01:04,250 --> 00:01:08,710 So we create a shape here with size position and roundness. 17 00:01:08,710 --> 00:01:10,360 And here we just have a path. 18 00:01:10,690 --> 00:01:18,160 But if you click on path you can come using your selection tool and drag the points you are just animate 19 00:01:18,310 --> 00:01:20,270 and emitting a path. 20 00:01:20,290 --> 00:01:26,290 This is exactly like the mask by limiting this path you're not is that you have quite some power to 21 00:01:26,290 --> 00:01:28,550 create certain shapes. 22 00:01:28,600 --> 00:01:34,930 Of course it works with the rounded rectangle hips and all of them was fine. 23 00:01:34,930 --> 00:01:37,480 So how do we meet these basic shape. 24 00:01:37,510 --> 00:01:38,850 You will use the path. 25 00:01:39,070 --> 00:01:46,810 For example if I give him the path here go few frames and then using my selection tool I can come and 26 00:01:46,810 --> 00:01:51,040 double click to now change the path you know the line. 27 00:01:51,040 --> 00:01:52,680 Here is a line. 28 00:01:52,690 --> 00:01:59,170 This is the line that is used or this is the free mode that is used to animate Bharath or change the 29 00:01:59,170 --> 00:01:59,760 path. 30 00:01:59,860 --> 00:02:05,680 If you run your animation now let's make more changes if you're not in your animation now you can see 31 00:02:05,680 --> 00:02:10,800 that it has changed completely goes from one state to another state. 32 00:02:10,840 --> 00:02:18,190 This is exactly like path but also you can come to the path and using your animation tool just click 33 00:02:18,250 --> 00:02:25,500 on the path itself and you will also be able to animated or change it the way you would like it. 34 00:02:25,780 --> 00:02:31,620 Now these are the animations using path which are different from using parametric shapes. 35 00:02:31,720 --> 00:02:35,970 If you click on a layer on a path shape you also have the free tool. 36 00:02:36,040 --> 00:02:41,200 But now you're not this you are changing or modifying the ship itself. 37 00:02:41,200 --> 00:02:46,180 You'll notice here the scale has changed and maybe also the rotation could change. 38 00:02:46,180 --> 00:02:53,890 So you have the option of working with a shape to change it or to too scary scale that or rotated or 39 00:02:53,950 --> 00:03:01,030 you have the option to work with the pass itself and you do the changes quite what is beneficial about 40 00:03:01,030 --> 00:03:01,330 this. 41 00:03:01,330 --> 00:03:04,420 There is something called morphing chips which is quite nice. 42 00:03:04,450 --> 00:03:07,870 Let's create a rectangle with the bezier here. 43 00:03:07,990 --> 00:03:13,880 We create a simple rectangle and then in a second layer and I want to put them in the same place just 44 00:03:13,870 --> 00:03:16,570 to make sure that we are quite clear about that. 45 00:03:16,570 --> 00:03:18,870 Let's create a new ellipse too. 46 00:03:19,240 --> 00:03:21,870 And we drag and created as simple as this. 47 00:03:21,870 --> 00:03:28,530 The ellipse tool here presents even more if you click on the path you can modify the path. 48 00:03:28,690 --> 00:03:32,200 But also if you choose the path select the path here. 49 00:03:33,140 --> 00:03:40,250 You have now immediately some busy hands that can change the ellipse and make it you a different shape. 50 00:03:40,490 --> 00:03:41,480 Let's go to this. 51 00:03:41,500 --> 00:03:44,830 This is a rectangle and we open it. 52 00:03:44,840 --> 00:03:53,810 We go to the path and simply we press control-C to copy the path we come to the ellipse and we go to 53 00:03:53,810 --> 00:03:56,610 the path and be Control-C now. 54 00:03:56,630 --> 00:03:57,970 Notice how it has jumped. 55 00:03:57,980 --> 00:04:04,530 Actually the ellipse became a rectangle like the one we have copied the puzzle. 56 00:04:04,530 --> 00:04:09,940 If you now if you had the friendliest keyframe first and then go forward. 57 00:04:10,100 --> 00:04:13,710 And now Bastet you're not just now. 58 00:04:13,730 --> 00:04:18,370 The ellipse is morphing into the rectangle. 59 00:04:18,370 --> 00:04:21,710 You can take the rectangle and just pull it off. 60 00:04:22,040 --> 00:04:26,240 And here you have a simple animation of one morphing into the other. 61 00:04:26,240 --> 00:04:31,850 So I wanted to bring this to your attention the most important here that you will be creating ship path 62 00:04:31,880 --> 00:04:39,650 or busy path or busy ships or like calling them like this for no you know just to make sure that there 63 00:04:39,650 --> 00:04:45,500 is no confusion and you can manipulate its points just like in mosque and you create some different 64 00:04:45,500 --> 00:04:46,000 ships. 65 00:04:46,160 --> 00:04:51,350 In the case of a device here if you come to the ellipse itself for example we come to the path of it 66 00:04:51,680 --> 00:04:57,220 and you click on one point you have the big zero and there is that you can move around. 67 00:04:57,290 --> 00:05:05,250 Of course if you are keyframes just over here for example we can keyframe and go back. 68 00:05:05,270 --> 00:05:09,200 You notice what's happening from this shape to the shape area. 69 00:05:09,380 --> 00:05:15,970 So this is your simple explanation about the busy and how to use the busy path. 70 00:05:15,970 --> 00:05:19,650 It's not much but it has a lot of use and in Somalia. 71 00:05:19,700 --> 00:05:24,800 Sometimes you have to make sure that you are not confusing each one of them. 72 00:05:24,800 --> 00:05:26,690 Now we have the rectangle here. 73 00:05:26,810 --> 00:05:30,860 If we drew a parametric rectangle for example we take a rectangle. 74 00:05:30,860 --> 00:05:33,920 We don't have a busy and we draw just better. 75 00:05:33,930 --> 00:05:38,190 I think that's a normal one and we come to the rectangle rectangle path. 76 00:05:38,210 --> 00:05:43,120 We can still convert this one to convert the busy path. 77 00:05:43,340 --> 00:05:52,130 Now the rectangle itself it became a busy path that you can animate or actually you can change as a 78 00:05:52,130 --> 00:05:53,040 busy path. 79 00:05:53,150 --> 00:05:58,830 Now not is that it still have the forehand there's also this one has all the handles. 80 00:05:58,880 --> 00:06:00,080 Thanks very much for listening. 81 00:06:00,080 --> 00:06:01,570 I hope this was useful. 82 00:06:01,580 --> 00:06:07,330 I hope you pay attention and you're not confused when you're creating a busy path or a permit to actually 83 00:06:07,640 --> 00:06:09,410 see you in the next lecture.