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Hi guys and welcome to this new lecture and I hope you're enjoying the animation and I hope I'm doing



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a great job if I am please give me five stars for this course as a review.



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I would really appreciate it.



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And you will help others also come in to the course and learn the great things you are learning now



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in this lecture what I want to do is to bring to your attention and I'm saying bring to your attention



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two major aspect I will say is the grouping alignment and the concept of anchor point for bear character



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animation.



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We have a text layer here is a text that I want to go to the more option here.



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And you have an option here that is grouping alignment not just as soon as I choose grouping alignment



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this small Xs will start appearing.



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And I can move them around the percentage that is the vertical movement.



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I will do and that is the horizontal movement but I would take them down and notice how the rental is



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not like just moving it grouping them in a different way.



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You see this is the grouping alignment and this is the role of the group in alignment and how they are



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grouped.



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Of course we are correct that if you go to war now we have only two of them.



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And if you move the percentage or resentful and vertical They mainly stay you know at the equal distance



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if use Orientale and vertical.



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Also they will stay the same distance.



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Let's go back to take line.



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Of course you have one.



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So we go back to characteris see how many there are.



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Let me put this to zero and I will show you something else.



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Now if you come to me you have here the skew.



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Let's bring it up.



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Now the skew will just skew your characters.



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It moves them in a fashion of left and right.



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That's fine.



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But what is the condition.



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How what does the anchor point here.



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It uses the anchor point of the character or it uses the grouping alignment of the whole layer if you



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like all the characters in the layer.



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So let's put it to zero and go to grouping alignment.



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And we notice that it is just below here.



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So who is going to use you.



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According to this anchor point for each character.



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Fine but then if you change this one and take it down let's take it up.



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You notice that now from down here it's going to shoot up.



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So the lower part will start moving.



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And this is quite amazing.



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So a nice animation will be to make this and seeing it better then you know grouping alignment you can



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keyframe it so it can go up and down and you have something pretty funny by the way.



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Cool.



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Now let's go back to grouping announcement and put the 2 0 there is the concept also of the anchor point



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here.



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We go to property and we add the anchor point the anchor point is correct that anchor point if you take



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it down.



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OK.



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The letters will move.



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That's the concept of the anchor point.



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But you haven't changed the how the characters are going to Securitate and scale.



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OK let's put it over here and try this skew.



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You know this is coming from a certain distance.



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Let's take them down.



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And you know there's now the skewing happens from the upper side.



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This is a concept of the gripping alignment and the anchor point here.



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Of course there is more to the anchor point than the skew.



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Let's put this one to zero and put this one to zero and let's bring in the rotation.



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The rotation now it's difficult to demonstrate because are going to start moving all over the place.



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But let's try.



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So I will have my ankle bone for example down a bit.



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You know that if you use rotation it's going to rotate on the anchor point.



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Now the anchor point is far so the station is fine.



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If you increase the anchor point distance and the rotation will be different.



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So here you can create quite some animation using this rotation.



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I'm not saying is easy.



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You need some imagination here to create something very beautiful.



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But nevertheless if you take your lead down for example just to be naive and you put it back you have



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your attacks coming from down and up.



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Of course that's quite good.



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It can also set the end and they start to create this animation.



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Now if we let's put it back to zero.



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Now if you use the anchor point or essentially and vertically you're notice what's happening.



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The anchor point is very different from the groping alignment because the anchor point is not moving



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and they're not getting too much nearer to each other.



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But if I start moving here also now I have something else for the rotation.



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And it will rotate totally differently.



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You notice now for example these two the M and the all are very far apart and the others are nearer



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almost the I think the eye and all are on the same ancle point here.



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So this is something you want to use is why I'm bringing this to your attention because if you come



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to preset any for a fact and go to animate which you are going to do and you go to text and you use



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the 3-D text here there are so many presets.



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I will explain them in detail.



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I don't know if you already went to that section and most of them will use the gloopy alignment which



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is very tactical in character animation.



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So just to bring it to your attention you can also do some nice animation here.



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I will reset this one all together.



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I'm going to bring it here and create the position.



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Let's create an animation.



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We take it outside and come to one second.



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We need the speedy and we bring it in here.



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Now I will go to the enemy at and bring in Hugh.



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So I did and he made the laugh.



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OK.



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That's an animation.



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This is THE LEAD animation.



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It's very simple.



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But now let's play with this cue become here for once we are going to keyframe the school just for demonstration



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so you can do it with the start stars.



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And so I will keyframe the school here at 0 and when the characters are coming here I will move this



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q to this distance.



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That's too much.



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But it will work.



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Then come to.



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Doesn't matter.



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And we make it back to zero.



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Naturally what I want to do is this one here.



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So look what's happening here.



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You obviously want guards and it is just not but pretty nice by the way.



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Or you can make it a bit more abrupt.



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So your characters will come slant and then redress.



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So this was about grouping alignment and ancle pointed to four characters emission.



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Now supposing that you go to after effects and train and try to understand exactly how the grouping



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and alignments will work for you what kind of animation you can do is NOT know everything about what



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I'm saying is also about you learning about something new and go and try and get try to understand it



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and what's best for you and how it works.



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Thanks very much for listening.



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I'll see you in the next election.