1 00:00:00,790 --> 00:00:06,000 Hi guys and welcome to this lecture about time games in this lecture we are going to learn about time 2 00:00:06,010 --> 00:00:11,130 in the map the famous time remop time map concept is easy it's not difficult. 3 00:00:11,350 --> 00:00:13,450 Let's look at the animation that we have. 4 00:00:13,480 --> 00:00:19,450 So we have an intermission only where the text is showing amazing tidal animations scaling differently. 5 00:00:19,690 --> 00:00:25,180 There's a pretty nice one here and it's a simple one is that the animation does not move itself. 6 00:00:25,180 --> 00:00:32,000 So we are going to remap it so it can come in and come out of the decks in and out as you know. 7 00:00:32,020 --> 00:00:34,130 So the first thing I will do is to play compose. 8 00:00:34,160 --> 00:00:39,400 I will go play compose and say the three dash animation something like this. 9 00:00:39,400 --> 00:00:42,300 And you name will do you good. 10 00:00:42,340 --> 00:00:45,100 Now I have these animations very long. 11 00:00:45,100 --> 00:00:47,280 You notice here it's a very long animation. 12 00:00:47,290 --> 00:00:54,190 I wanted to limit it bit I would come here and say let's see three seconds yes three seconds will be 13 00:00:54,190 --> 00:00:54,800 fine. 14 00:00:54,940 --> 00:01:00,830 I'll press and for the workarea and then I will come to training camp. 15 00:01:00,850 --> 00:01:03,390 So now it is only three seconds. 16 00:01:03,580 --> 00:01:09,820 I would come to the original one and see my animation in three seconds or my total animation is seconds. 17 00:01:09,910 --> 00:01:15,010 I was right click on the layer go to time and say enable time read my pick. 18 00:01:15,070 --> 00:01:15,590 Good. 19 00:01:15,670 --> 00:01:17,230 Let's not this is what happened first. 20 00:01:17,230 --> 00:01:23,380 First of all there is time the timing not is the time any map is not under any properties such as transform 21 00:01:23,380 --> 00:01:25,220 or affect just time the map. 22 00:01:25,480 --> 00:01:31,300 And it was created to keyframes And also it has extended the layer to the end of the composition. 23 00:01:31,300 --> 00:01:33,850 Now the layer is you know eight seconds. 24 00:01:33,850 --> 00:01:37,120 It was before remember three seconds on the call. 25 00:01:37,330 --> 00:01:42,820 If I skip through I mean not is that the animation is working and then come here it just disappears 26 00:01:43,270 --> 00:01:47,530 and it disappears just one frame before the keyframe. 27 00:01:47,560 --> 00:01:49,330 Now what have we done. 28 00:01:49,330 --> 00:01:50,900 Let's look at the keyframes. 29 00:01:51,100 --> 00:01:52,970 The first keyframe has the time here. 30 00:01:52,990 --> 00:01:59,510 Of course this is time zero and the time in the timeline of the composition is also zero. 31 00:01:59,830 --> 00:02:01,800 Now we move to the next frame. 32 00:02:01,810 --> 00:02:08,930 I will use K to move the next keyframe I have the time here 3 seconds and zero point one frames. 33 00:02:08,950 --> 00:02:10,360 Let's go back to our animation. 34 00:02:10,360 --> 00:02:13,690 You know we have our animation three point zero 1. 35 00:02:13,810 --> 00:02:15,860 But let's go to the beginning. 36 00:02:16,030 --> 00:02:20,530 And I actually cannot go to three point zero one. 37 00:02:20,530 --> 00:02:27,030 I can go only to three and there is an extended frame one single frame at the end. 38 00:02:27,130 --> 00:02:28,440 So let's fix that. 39 00:02:28,470 --> 00:02:33,160 We go back to the main camp we go to three seconds we are there. 40 00:02:33,400 --> 00:02:40,450 We take that keyframe and we can keyframe again at three and three and delete the last keyframe that 41 00:02:40,450 --> 00:02:43,160 was put by the time the map call. 42 00:02:43,240 --> 00:02:49,170 Not just what will happen that after this keyframe is still in the same position and is not disappearing 43 00:02:49,180 --> 00:02:54,380 so we're taking from zero to three and not from 0 to 3 or 1 could. 44 00:02:54,520 --> 00:02:56,560 Let's look again at what is happening. 45 00:02:56,560 --> 00:03:02,240 First of all we have on the timeline the time 0 in the timeline map we also have time zero. 46 00:03:02,440 --> 00:03:08,320 If you go to the next keyframe the time on the keyframe is three seconds and the time in the timeline 47 00:03:08,350 --> 00:03:10,740 of the composition is three seconds. 48 00:03:11,020 --> 00:03:15,120 Now what will happen if I take the keyframe and bring it to two seconds. 49 00:03:15,130 --> 00:03:17,780 Let's go to two seconds to be precise. 50 00:03:18,160 --> 00:03:21,380 And our key phrase we want to snap it to two seconds. 51 00:03:21,400 --> 00:03:22,040 Fine. 52 00:03:22,370 --> 00:03:24,900 Now that is what's happening in the timeline. 53 00:03:24,910 --> 00:03:28,070 It's going to go from zero to two seconds. 54 00:03:28,180 --> 00:03:28,770 OK. 55 00:03:28,960 --> 00:03:34,180 But the keyframes of the tiny bop are going from zero to three seconds. 56 00:03:34,390 --> 00:03:38,820 If you play your animation you will notice that image has become a bit speedier. 57 00:03:38,820 --> 00:03:39,450 It's speedier. 58 00:03:39,460 --> 00:03:40,100 Why. 59 00:03:40,360 --> 00:03:48,100 Because in the lapse of time of two seconds on the timeline of the composition our leader here has executed 60 00:03:48,250 --> 00:03:49,520 three seconds. 61 00:03:49,570 --> 00:03:57,280 It means we have remapped zero to three seconds into zero to two seconds and hence it's speedier. 62 00:03:57,280 --> 00:04:04,060 So this is the function of time the map you take certain time from your lab and you re map it using 63 00:04:04,060 --> 00:04:08,860 the keyframes to a different time on the timeline of the composition. 64 00:04:08,890 --> 00:04:16,270 For example again if we take it to one second goal we notice that now our composition is pretty speedy 65 00:04:18,570 --> 00:04:23,530 and it's exec using zero to 3 seconds in one second only. 66 00:04:23,550 --> 00:04:26,220 Now what happens if you take it to six seconds. 67 00:04:26,220 --> 00:04:28,020 Let's look at it for example. 68 00:04:28,020 --> 00:04:36,510 And you notice that it has remapped the three seconds of the day camp into a six second inside your 69 00:04:37,190 --> 00:04:39,230 timeline of the main opposition. 70 00:04:39,270 --> 00:04:40,900 And this is timely mapping. 71 00:04:40,920 --> 00:04:46,100 You can speed or slow your animations using these two key frames. 72 00:04:46,140 --> 00:04:47,560 But there is more you can do. 73 00:04:47,760 --> 00:04:56,600 Let's take it and put it out one second for example and come to two seconds and keep them again. 74 00:04:56,610 --> 00:05:02,630 So the animation here will go from zero to three seconds in one second. 75 00:05:02,730 --> 00:05:06,480 Then it goes from three seconds to let's say. 76 00:05:06,480 --> 00:05:09,020 Now we change our value zero. 77 00:05:09,510 --> 00:05:14,700 So actually it's going from zero to three. 78 00:05:14,910 --> 00:05:21,680 If you look at the keyframes from 0 to 3 and then from three to zero again. 79 00:05:21,870 --> 00:05:24,720 Let's play our animation and see exactly what happened. 80 00:05:25,050 --> 00:05:26,040 Here you are. 81 00:05:26,070 --> 00:05:27,710 Your animation has been reversed. 82 00:05:27,720 --> 00:05:28,040 OK. 83 00:05:28,050 --> 00:05:32,750 We want to take this one and move it inside it would be better. 84 00:05:32,840 --> 00:05:33,320 Cool. 85 00:05:33,510 --> 00:05:35,150 So here you are. 86 00:05:35,250 --> 00:05:38,930 Your animation has been reversed now we can do more than that. 87 00:05:39,060 --> 00:05:40,690 Let's see if we come over here. 88 00:05:40,710 --> 00:05:43,980 Can we keyframe again at zero. 89 00:05:43,980 --> 00:05:50,970 We come back one frame and actually we take the same time as the previous frame which is three seconds. 90 00:05:50,970 --> 00:05:52,290 Now look what's happening. 91 00:05:52,470 --> 00:05:54,120 The animation will come in. 92 00:05:54,120 --> 00:05:56,880 We stay stable then we'll disappear. 93 00:05:56,880 --> 00:06:03,000 Now imagine how much you can do as entry and exit using just a simple time remop. 94 00:06:03,090 --> 00:06:09,000 There is also more you can select all your keyframes press al-Thani and stretch it in any way you want. 95 00:06:09,000 --> 00:06:14,450 At seven seconds for example and if you play it you audio or animation slowed down. 96 00:06:14,490 --> 00:06:21,110 It still has the same structure of moving from zero to three seconds in a certain lapse of time of 2.5 97 00:06:21,120 --> 00:06:22,380 seconds for example here. 98 00:06:22,590 --> 00:06:24,590 But it is much slower. 99 00:06:24,630 --> 00:06:26,070 So this is about time limit. 100 00:06:26,130 --> 00:06:33,150 Now you can come into your keyframes press alternate make them only two seconds come to your time remop 101 00:06:33,150 --> 00:06:35,700 press Altan it and click. 102 00:06:35,700 --> 00:06:42,460 Now you have the expression's let's write a very simple one that we know it is a loop out. 103 00:06:42,940 --> 00:06:50,430 OK this has been explained before and now you have the animation playing indefinitely through the time 104 00:06:50,430 --> 00:06:51,890 of this composition. 105 00:06:51,930 --> 00:06:54,320 Thanks very much for listening for time remop. 106 00:06:54,600 --> 00:06:57,480 And please use timely but get used to it. 107 00:06:57,480 --> 00:06:58,320 It is not difficult. 108 00:06:58,320 --> 00:07:01,600 It's very easy you could have done everything with timely map. 109 00:07:01,620 --> 00:07:08,610 Now Tamny map is my favorite and I like always use it to reverse any missions is the most accurate. 110 00:07:08,610 --> 00:07:15,330 By the way the only problem with Damrey map is the last keyframe here remember it that you have to adjust 111 00:07:15,420 --> 00:07:16,700 your keyframes here. 112 00:07:16,980 --> 00:07:18,930 Thank you very much and I see you in the next lecture.