1 00:00:00,380 --> 00:00:05,090 In modes you have one important mode that is the complex sport. 2 00:00:05,130 --> 00:00:11,760 It contains overlays soft light and light and the others in this lecture we are going to focus on this 3 00:00:12,150 --> 00:00:13,920 complex category. 4 00:00:13,920 --> 00:00:14,700 How does it work. 5 00:00:14,730 --> 00:00:23,240 The complex category will work on the grade levels of the underlying layer for less than 50 percent. 6 00:00:23,250 --> 00:00:30,300 So if your underlying layer does not have any glee it will not do anything and actually it will work 7 00:00:30,300 --> 00:00:31,420 on the moutons. 8 00:00:31,620 --> 00:00:33,440 Let's see what moutons. 9 00:00:33,720 --> 00:00:36,710 If you come to the tone here this is an effect. 10 00:00:36,710 --> 00:00:41,870 It can demonstrate you put it on the image it self image or video. 11 00:00:41,880 --> 00:00:42,870 It's really all of the same. 12 00:00:42,980 --> 00:00:45,150 You know that's how the color has changed. 13 00:00:45,270 --> 00:00:46,820 Now what color has changed. 14 00:00:47,010 --> 00:00:49,610 It's only the tones that have changed. 15 00:00:49,680 --> 00:00:52,720 If you click and try to change the tones. 16 00:00:52,920 --> 00:00:54,700 For example we go back to black. 17 00:00:54,710 --> 00:00:58,480 Here you go high and low. 18 00:00:58,500 --> 00:01:01,750 You notice these are the moutons that are changing. 19 00:01:02,010 --> 00:01:03,380 You know just which one they are. 20 00:01:03,400 --> 00:01:09,630 Another is that the shallows or the very dark black here are not changing at all and you notice that 21 00:01:09,630 --> 00:01:14,300 the highlights if you have any are not also changing at all fat. 22 00:01:14,430 --> 00:01:15,610 Now what is mid-tone. 23 00:01:15,660 --> 00:01:21,840 If I stay in the middle here then I am in the meat tones and it doesn't matter what color I'm using. 24 00:01:21,840 --> 00:01:26,870 This is a very simplistic you know expression because this is not a graphic design course. 25 00:01:27,000 --> 00:01:30,510 So if I come over here you know this nothing is happening. 26 00:01:30,600 --> 00:01:34,980 Are still the same I'll go down a bit and try to match the origin. 27 00:01:35,120 --> 00:01:35,610 OK. 28 00:01:36,690 --> 00:01:38,310 And let's see if we match the original. 29 00:01:38,310 --> 00:01:39,020 Not bad. 30 00:01:39,040 --> 00:01:41,360 We are at like 95 percent. 31 00:01:41,400 --> 00:01:50,160 So if I use overly overly is going to work on these moutons if they are normally tones in your underlying 32 00:01:50,610 --> 00:01:57,680 image or video or underlying layer in fact then overlay will not work or will give you final results 33 00:01:57,690 --> 00:02:00,880 not what you expect but there's this effect. 34 00:02:00,900 --> 00:02:05,130 We don't need it and let's put on the two shape players that are put here. 35 00:02:05,130 --> 00:02:07,140 So we have to shape players. 36 00:02:07,350 --> 00:02:09,960 One of them is on is one of them is green as you can see. 37 00:02:10,200 --> 00:02:17,490 I will apply to shape player 1 the overlay here and that is what's happening the color of the source 38 00:02:17,490 --> 00:02:26,430 layer has replaced the mid-tone of the underlying layers or the doors of the underlying layer had been 39 00:02:26,430 --> 00:02:29,150 replaced with the color of the top layer. 40 00:02:29,160 --> 00:02:37,410 If I take the top layer and make it the underlying layer and I put overlay now on the source layer as 41 00:02:37,410 --> 00:02:40,040 you want to see it now it's the top layer is the source there. 42 00:02:40,130 --> 00:02:42,310 You notice that it has changed. 43 00:02:42,390 --> 00:02:49,710 So it actually uses the mid terms of the shape player one now not the mid terms of the image that we 44 00:02:49,710 --> 00:02:56,260 have put here and it seems in the sheer pleasure to meet those levels are higher than our image and 45 00:02:56,310 --> 00:02:59,660 put them back and put back this way on to. 46 00:02:59,680 --> 00:03:02,770 Norman stick it up your goal. 47 00:03:02,880 --> 00:03:08,160 I will do the same for the green and I will take it and make it you know overly. 48 00:03:08,190 --> 00:03:10,550 Now we have changed the color in others. 49 00:03:10,590 --> 00:03:12,480 This is extremely useful. 50 00:03:12,480 --> 00:03:19,740 Let's rotate them just for curiosity and let's put the other layer to mid-on and here you are the same 51 00:03:19,740 --> 00:03:20,770 effect is happening here. 52 00:03:20,790 --> 00:03:22,240 Let's get it back. 53 00:03:22,320 --> 00:03:25,870 We put this one to normal and we have our motto. 54 00:03:26,010 --> 00:03:32,220 Now this is very interesting because if you take any picture for example let's take this bagong. 55 00:03:32,280 --> 00:03:33,060 Yes that's great. 56 00:03:33,060 --> 00:03:35,140 And you come up with this background. 57 00:03:35,490 --> 00:03:43,130 And if you want we can now add a solid layer layer new solid and make it blue for example. 58 00:03:43,130 --> 00:03:45,280 And here I come and say overly. 59 00:03:45,690 --> 00:03:51,270 And then I have changed it now blue and overlayed doesn't Wadleigh stitches this one he said let's go 60 00:03:51,270 --> 00:03:52,120 to. 61 00:03:52,130 --> 00:03:52,830 Right. 62 00:03:53,160 --> 00:03:53,870 OK. 63 00:03:53,880 --> 00:03:59,620 So actually I changed the picture tokens using the Mitsos and using overlay. 64 00:03:59,790 --> 00:04:05,490 So this is quite nice and quite practical to change the terms of the picture. 65 00:04:05,490 --> 00:04:06,860 Let's take this example now. 66 00:04:06,870 --> 00:04:09,700 This is very complex to please open it. 67 00:04:09,780 --> 00:04:10,960 Now we have here. 68 00:04:10,980 --> 00:04:12,390 See that's the video. 69 00:04:12,390 --> 00:04:15,380 And under it we have a player that has a certain card. 70 00:04:15,390 --> 00:04:16,730 This is of course it's solidly. 71 00:04:16,770 --> 00:04:23,100 If for the video player the top player I change the mod to overlay it has taken all the tones of the 72 00:04:23,100 --> 00:04:26,710 underlying layer and apply them to the source layer. 73 00:04:26,730 --> 00:04:32,320 Of course if you come to this there's a layer solide setting and change the colors here. 74 00:04:32,790 --> 00:04:35,470 Let's take them to yellow you'll notice what's happening. 75 00:04:35,460 --> 00:04:36,630 So I need mittens. 76 00:04:36,630 --> 00:04:39,750 Let's go back here and see what's happening here. 77 00:04:39,750 --> 00:04:41,220 You notice I want to show you here. 78 00:04:41,310 --> 00:04:44,870 If I go down I am you know darkening the tones. 79 00:04:44,880 --> 00:04:47,170 And here I am highlighting too much. 80 00:04:47,260 --> 00:04:48,570 There is normal gray here. 81 00:04:48,570 --> 00:04:49,710 So I'll take it to the middle. 82 00:04:49,710 --> 00:04:53,050 Come here and this is the appearance that you want to have. 83 00:04:53,220 --> 00:04:58,800 Of course you don't go you're going and using other colors will be also you know quite nice if you are 84 00:04:58,860 --> 00:05:03,970 this for example is not coming up in nice with me but for the course you and this are what I mean. 85 00:05:04,080 --> 00:05:08,770 Now if I take this plan and put it above the whole thing is going to change. 86 00:05:08,910 --> 00:05:10,780 And this one is pretty normal. 87 00:05:10,800 --> 00:05:11,840 Nothing is happening. 88 00:05:11,850 --> 00:05:19,200 Only a few things have changed because the underlying layer which the video does not have any gray less 89 00:05:19,200 --> 00:05:21,460 than 50 percent or any mittens. 90 00:05:21,540 --> 00:05:23,570 So it is not working very well. 91 00:05:23,910 --> 00:05:25,380 Let me give you another example. 92 00:05:25,380 --> 00:05:28,710 Now let's put this off and put this one on the plate. 93 00:05:28,950 --> 00:05:32,160 This is an escalator but the camera has been put on the floor. 94 00:05:32,160 --> 00:05:34,860 It's very interesting it's very nice in fact. 95 00:05:34,860 --> 00:05:39,880 Now what I want to do is to create a shape I will take the pen tool. 96 00:05:39,930 --> 00:05:41,230 Come over here. 97 00:05:41,370 --> 00:05:44,960 I'm going to take the floor under just like this simple 98 00:05:47,830 --> 00:05:52,370 so I'm creating a shape and that chip is just under here. 99 00:05:52,660 --> 00:05:54,050 That's adjusted a bit. 100 00:05:54,070 --> 00:05:57,580 Click the selection tool take this one down. 101 00:05:57,640 --> 00:06:06,200 Now I'm going to put the ship above the escalators arm this to show them off OK. 102 00:06:06,320 --> 00:06:11,960 Now we can see it now we put the overlay and not just the whole color has changed. 103 00:06:11,960 --> 00:06:18,440 Let's change the color of the feel here to something pretty interesting something dangerous as to make 104 00:06:18,440 --> 00:06:19,460 it dangerous. 105 00:06:20,630 --> 00:06:24,070 More app that will be fine. 106 00:06:24,080 --> 00:06:25,860 But that would do cool. 107 00:06:25,880 --> 00:06:32,230 So now I have the portion of the escalator overlaid with the shape player. 108 00:06:32,240 --> 00:06:37,670 Of course if it was moving I would have done a tracking or something like this. 109 00:06:37,840 --> 00:06:40,200 But now let's do it above. 110 00:06:40,280 --> 00:06:45,030 We take the pencil again and we do another chip. 111 00:06:45,140 --> 00:06:53,990 For example like this not to be very precise you know boring and we take it here and here. 112 00:06:54,110 --> 00:06:54,750 Good. 113 00:06:54,790 --> 00:06:56,350 Now I can I change the color. 114 00:06:56,380 --> 00:07:02,590 Stick it to blue this make it contrast but some gray inside and say overly. 115 00:07:02,660 --> 00:07:03,460 And here you are. 116 00:07:03,500 --> 00:07:07,710 Now you have created a whole illusion has changed the whole movie. 117 00:07:07,850 --> 00:07:14,060 You change the whole video to have something you know really amazing and not is willing didn't do much 118 00:07:14,060 --> 00:07:14,640 work. 119 00:07:14,750 --> 00:07:20,930 OK just changing to overlay of course let's start to change to soft like soft light has a different 120 00:07:20,960 --> 00:07:24,400 algorithm that will soften the colors a bit. 121 00:07:24,400 --> 00:07:28,830 It will not use 100 percent of the one that is less gray. 122 00:07:29,030 --> 00:07:32,620 If you go to hard light now things will change differently. 123 00:07:32,690 --> 00:07:37,760 But the concept is still the same we're still using the moutons we're still using the that is less than 124 00:07:37,760 --> 00:07:38,890 50 percent. 125 00:07:38,990 --> 00:07:43,940 To do our work if you go to linear light also the same. 126 00:07:43,940 --> 00:07:47,790 Now if you go to Vivid lights not just what's happening here. 127 00:07:47,810 --> 00:07:49,640 The mixing is quite different. 128 00:07:49,640 --> 00:07:56,810 You want to try each one of them but what don't want to explain to you is the concept of the complex 129 00:07:56,810 --> 00:08:01,910 category and how it works and how the delays affect this category. 130 00:08:01,910 --> 00:08:03,170 Thank you very much for listening. 131 00:08:03,170 --> 00:08:08,990 This has been a long lecture and I hope I was very clear and you have any questions please post them 132 00:08:09,110 --> 00:08:11,220 and I will be very happy to answer them. 133 00:08:11,230 --> 00:08:12,320 See you in the next lecture.