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Guys and welcome again to puppeteering.



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In the previous lecture what you have done is to create some you know random animations where the guy



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is typically dancing and is very beautiful very nice you know crazy alien guy.



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So now we want to work on the keyframes a bit.



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Reduce the number of keyframes maybe work on our motion path if we can and do funny things.



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Good.



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Let's go and see how we can reduce the number of keyframes.



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Now usually if you like your motion there is no need to change the number of keyframes and it will not



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affect so much your rendering time or or in normal production of your next movie.



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It really doesn't matter.



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But you see I have a motion path and you have a lot of keyframes if you want to adjust your own path



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then you have to reduce the number of keyframes you can click on position for example for any puppet



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pin and come to the smoothbore here.



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I will open the Muthalik bit more.



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Actually that's it.



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Now this is a special but special meeting is moving in space went through that.



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Remember in the previous sections about spatial and temporal path.



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So I would choose bishop I have no other choice.



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And his tolerance how much I want to it can reduce by 50 by 100 by two.



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Remember our Toreadors in the this mooting tolerance was at 10 in the Roll Call the options.



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Now here I can of 250 and click Apply not as the number of keyframes have been reduced.



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I can apply again keyframes are being used.



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If you keep on applying somehow then it won't do much.



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You can't just put 100



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and apply it.



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Now I have very few keyframes if I look at it.



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Now I can work on my motion but if I can see it because other motion paths are showing and there is



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no move my keyframes around or just one keyframe and so on.



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Let's play again.



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Let's see the difference now.



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This one is doing much better than the rest for example.



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This one was which one.



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This this is the left hand you can select or a keyframes and press F 9 to ease them then come to your



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graph.



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Select all the keyframes again and just push it this side which makes the movements a bit jerky.



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Just moving up.



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Let's look at it and we play preview.



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You know these movements have become very jerky.



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It is the other hand that is moving.



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Good.



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That's one way to do it.



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Then you can come to the other paeans And of course here come to the smoother.



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That's 100 percent of the animation.



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Choose this one and say apply it much less and come to the number two.



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This is which one.



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This is the foot down there.



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Of course you want to smooth it.



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Now it has all the key to keyframes I guess 100 is too much.



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Let's make it 25.



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And the smooth call.



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I think it's OK let's play animation now but the leg is looking good.



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Good now we can't use all your keyframe press and the it you know that and move it to the end and press



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9 is in them and come to the graph.



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Select the keyframes.



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All of them are also make for example a jerky movement from the side.



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Let's see what's happening



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now.



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The leg is moving up and down very much.



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Let's move again.



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Our go for this move would apply and it changed a bit Akila stop the animation go to the beginning.



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Select all the keyframes and delete them.



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Now we want to create a movement only with this hand.



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Using the record but want to record a few key frames so would move slowly.



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And what want to do then is to work on the motion by the start.



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I would click and take it mostly up then down and then maybe to the side and that I have very few keyframes



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because I did not look the movement I would select all the keyframe plus alternate I moved them to this



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site.



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Now I have a motion path that somehow work will be to work with.



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Let's look at the motion.



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But do I like it.



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You know it's jerking jerking the good.



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Now I've selected all my keyframes the best way to do it is to right click go to give them interpellation



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and use Rove across time.



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And here you are now.



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The movement is very smooth around the whole motion.



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Let's come here and select our keyframes for example the Laski Flea and we can move it and decide exactly



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how we want the hand to move.



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If you move across time you notice the hand is coming up.



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Then come in here we need to work on it.



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Let's make it move the majority movement right and gives for example and you will adjust it very nicely



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the way you want.



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So this is the amazing thing so if you're doing a serious work this is what you will be doing trying



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to get the motion exactly what you want.



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Of course it takes time.



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Puppeteering an animation of characters is always very much time consuming.



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Any software that used now let's run our animation on this preview would with the time line indicator.



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This guy looks good here.



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It's coming out of the screen.



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So let's take this keyframe and push it inside and it's working very fine with us now.



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It has a circular shape no problem.



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Let's play.



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And we have something very nice coming up.



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If I find this slow of course I will select all the keyframes present in it and bring them in.



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Then the movement will be much faster.



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This blade could.



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So it has quite a monitored movement and not around them.



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So this is how you create using the rocket options and using the recorder and then you create your animations



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for any PFG file or any file that you can import in after effects you can distort almost everything.



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Thanks very much for listening in this lecture.



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And we will move on to see the other tools of the starch and the overlap.



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See you then.