1

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So let's try to resolve the challenge and I will show you how to do it.



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I might not do everything but that this will do the mean expressions here.



3

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Let's create a new composition of our background to be block cool.



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Here we are.



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The first thing you want to draw is the lines here.



6

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Let's put the first line.



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Let's put a stroke of for example 10 will do.



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And give it the stroke itself white who you are and then let's put the anchor point just in the middle



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and just for the sake of it and draw another one with another line.



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Here we can put them in the same shape.



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That's no big deal.



12

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It's going like this.



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Pull over here.



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So this is that.



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These are the Xs and everything is fine.



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So let's do our first rectangle that we want to make it about.



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I would draw the rectangle that would be cool.



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I would remove the stroke.



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Let's just eliminate it and put the anchor point in the middle.



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Now of course it's going to go from down.



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So what we will do is take the anchor point of the lead and to put it just at the bottom here is supposed



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to SNOPT fantastic.



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Now we need the text less than X.



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So this would be the name of one and we add the text just here.



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Let's say one two three call and put the anchor point in the middle.



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Let's take the text and just put it on bottom here is napping list.



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Move this knapping and just put it here.



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Good.



29

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So I want the graph or this bar to grow from zero here to and evaluate can be 100 200 300.



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OK.



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So we will call the scale will keyframe the scale here we go above.



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Let's say one second or something like this and we remove the link.



33

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We make it bigger.



34

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For example one hundred six or 100.



35

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OK we come back to the beginning we make it a zero call.



36

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Let's look at it.



37

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Very good.



38

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So we have a small animation.



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We come to that text of course as usual we going to come to the source decks as the net and we have



40

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that expression and we go and pick the value which is the scale value here.



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Call this clique outside did we get it yeah pretty easy.



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You see how it's done.



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Now verify we've done this work but you know the figures here because this keyframe is here is giving



44

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you know full figures without decimals.



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I was just come to the decks here to the expression of the text come home and you know now you have



46

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to put math at that around open brackets go to the end and close the brackets.



47

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We don't have to put a percentage here because it's not really a percentage call.



48

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This is dumb.



49

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Now this is the zero is appearing here.



50

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No problem we got to move this to last.



51

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So I bought one and the next here we say the bar one platys.



52

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We have that very fine let's take it a bit around to see.



53

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We are cool with the speed.



54

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Now what we want to do is to duplicate this we don't press control the we press control C and control



55

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V.



56

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So we have to add texture here and we click call and move it to the left.



57

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We will do same control See control the click and hold and take it this side.



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OK fine.



59

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We try to adjust them make them in the middle.



60

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Good.



61

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So the only barometer I have here is the scale.



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I will come to free open the scale and the bus and just give it any value provided that of course I



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am on the right keyframe I can use the keyframe here and move it up for example.



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OK.



65

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And you notice the value here is not really this is because if I press double it is still tied to bar



66

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1.



67

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So we're going to do is to put about three here and now it's OK it's moving with the box.



68

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Come to this one.



69

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This is but to open the scale and come to its keyframe and make it maybe smaller and come to that text



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here press double E.



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And make this one bar to good does that fine.



72

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So this is 56 and the other one is working fine.



73

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But when we leave it the way it is there are no changes to be done here.



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Good what have we done.



75

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We have our own mission and let's make it bigger a bit.



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The first chip player this one we call it access and we open opacity come in the beginning keyframe



77

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the opacity at zero and come a bit more.



78

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I make it 100.



79

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So it is pretty nice to call.



80

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You see the zeros and sarnies appearing no problem.



81

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What are you going to do is take all of them and move them on the side so the axes appeared first then



82

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we take the other two.



83

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This is about to move it by three.



84

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Move it over here and let's see what we have done.



85

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It's pretty simple and pretty easy provided that you have the habit of doing it of course I've done



86

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thousands of this.



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But you want really to manipulate all this because of course you can come and put the title.



88

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So that was a pretty easy challenge.



89

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There are several things that you can add here what I will do.



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Create a new composition.



91

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Let's take two for now.



92

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Doesn't matter and come to complain here.



93

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The one that has the challenge of composition setting and say Goffe.



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OK.



95

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Now I will come to the comp to and put it in the graph.



96

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This is the graph.



97

00:06:03,840 --> 00:06:04,870

I'll put it here.



98

00:06:05,330 --> 00:06:08,040

But I want to do is I want to make it three dimensional.



99

00:06:08,040 --> 00:06:12,580

So if you open very fine I will open the rotation here.



100

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Our rotating on the wife for example opened the position to get behind the bit OK that's pretty cool.



101

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This open shift are having the rotation a little bit more cool.



102

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That will be the first date I will keyframe the rotation and keyframe the position come back out for



103

00:06:34,380 --> 00:06:41,700

a few seconds here and releases that all the animation so we take the rotation make it zero.



104

00:06:41,730 --> 00:06:46,940

And the value here the position they get at zero also.



105

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OK.



106

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So that's what will happen now would be pretty cool.



107

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It will swing a bit and adjust more.



108

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For example here make it more like this.



109

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This is the way you like and maybe also you can move it this way.



110

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On the y axis move that way and you have a very nice animation pretty speediness make it slower.



111

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Of course it depends on what you want to do.



112

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Here you are.



113

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So this is how you can make it three dimensional.



114

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This infographics and these expressions are all explained in my course for infographics.



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If you take that course you will become really quite knowledgeable in infographics and expressions at



116

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the same time.



117

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Thank you very much for listening.



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I appreciate it and move on to the next section or to the next lecture.