Hi Guys welcome to this new lecture about pre-sets on this lecture I will show you how to use the faith
in overlay or below.
So actually we're going to take the first letter and it's going to fade in and appear on the layer below.
So obviously this first will not start from the beginning.
Just click on the beginning of the layer and submit and that's okay with me.
He is not bad.
And then the second layer here is not going to go to the end.
So what I will do I will also treatment for example that for whatever you want and then press alternate
and right to blanket to treatment from the timeline indicator to the end.
So now the first video will start at this point and will end at the end of the composition.
And the second one will start from the beginning and will be replaced by the one above.
So if I play Manumission Now you notice its very abrupt change here.
What I would like to do is this layer will fit in so I will use the presets and drop it over the layer
that I want to be filled in.
And then the control panel will show.
And this is a very useful panel where it shows you the parameters that are being used and what you can
change what attributes and what properties you can change.
The first thing I notice is I have an option here animation preset.
I have faith in overlayed below and find out overlay below and the colorize.
So I have chosen faith in overlearned below from the Fed in pre-sets.
So you had faith out which is also here.
So at the same present that has two options here and has two options.
The next thing you notice is the source opacity is in red meaning it's driven by an expression and then
you have the faith in color fine.
You notice now that the fit in the start at the beginning of this layer you know this is 0 percent for
this last so it's not showing at all.
And then at the end of the intersection it comes to 100 percent.
So actually the Fed is the intersection all the time of the fit in is the intersection of the two layers.
Now if you play around the mission by pressing spacebar you can see that the Fed is working very fine.
So that's the way to use fade in overlay or below.
It is the intersection that determines the time of the Fade in.
If you make the time of or if you make the intersection a bit longer you notice that the fade in will
take longer.
Now this is very useful because it would cut a lot of time on your work.
You don't have to put the frame as for opacity for the first layer and the second layer and so on.
Good.
Now let's look at a fade out what you can do is come here and say OK now give me fade out of the lead
below.
So now this Larry is going to disappear if it's going to disappear.
It means we are going to start with it true and then we are going to treatment for example or two seconds
by pressing underneath and right back again.
And same same the fade out will be the intersection of the two layers.
OK.
Let's play it.
And you can see how the upper layer will fade out into the bottom layer fight this that has something
like stable which is not nice to have a steel framed here which are not nice This is better.
Now let's take the first layer and we have our ethics control panel here.
For every effect you have in effect control panel.
But here now let's press each and see how they have done this.
We notice that the source opacity is driven by in expression.
So let's open the expression here we can see it.
And you know there's that it's working with the outpoint and in point and there is a linear that we
learned in the previous section about expressions and that using this Linnea.
So practically it's pretty easy to use but it's not maybe so easy to create.
So that is a fade in and fade out.
I urge you to start using it in and fade out.
Do not you know do the keyframes and so on.
Think about the presets when you want to do an animation mainly transitions.
Think about the process try to find the presets that fits you and you can make some changes and you
will save a lot of time in the future after you have learned very well haven't used the video and it
out on videos.
Let's see if it can work on solid laughs simple story there.
So here is much easier.
I'll put that solid layer here on this form bring it over.
I will threaten them all and we are going to use it in overlayed below.
Let's put it on the orange and there is no changes here to be done.
Let's press the spacebar and play it.
And here you are.
There is a very beautiful face in that you can use.
Of course the fadeout also will work the same if you do something like this.
OK you can make it short or long remember it will take the intersection for the time of the fade out
or the first we have to change year from fade in oberl below to fade out layer below and less play.
And here you are.
Is happening is a beautiful one does appear to give space to the other one using the opacity.
I notice you don't have any keyframes that's what's below.
What about that.
If it saves you a lot of work.
So all you have to do is to stretch them to determine where they're going to fit in and how long the
fit in is going to take you know time to fit in and out.
Thanks very much for listening.
I will see you on the next lecture.
What we see is some rotate overtime or something like this.