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Hi Guys welcome to this new lecture about pre-sets on this lecture I will show you how to use the faith

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in overlay or below.

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So actually we're going to take the first letter and it's going to fade in and appear on the layer below.

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So obviously this first will not start from the beginning.

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Just click on the beginning of the layer and submit and that's okay with me.

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He is not bad.

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And then the second layer here is not going to go to the end.

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So what I will do I will also treatment for example that for whatever you want and then press alternate

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and right to blanket to treatment from the timeline indicator to the end.

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So now the first video will start at this point and will end at the end of the composition.

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And the second one will start from the beginning and will be replaced by the one above.

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So if I play Manumission Now you notice its very abrupt change here.

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What I would like to do is this layer will fit in so I will use the presets and drop it over the layer

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that I want to be filled in.

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And then the control panel will show.

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And this is a very useful panel where it shows you the parameters that are being used and what you can

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change what attributes and what properties you can change.

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The first thing I notice is I have an option here animation preset.

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I have faith in overlayed below and find out overlay below and the colorize.

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So I have chosen faith in overlearned below from the Fed in pre-sets.

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So you had faith out which is also here.

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So at the same present that has two options here and has two options.

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The next thing you notice is the source opacity is in red meaning it's driven by an expression and then

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you have the faith in color fine.

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You notice now that the fit in the start at the beginning of this layer you know this is 0 percent for

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this last so it's not showing at all.

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And then at the end of the intersection it comes to 100 percent.

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So actually the Fed is the intersection all the time of the fit in is the intersection of the two layers.

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Now if you play around the mission by pressing spacebar you can see that the Fed is working very fine.

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So that's the way to use fade in overlay or below.

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It is the intersection that determines the time of the Fade in.

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If you make the time of or if you make the intersection a bit longer you notice that the fade in will

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take longer.

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Now this is very useful because it would cut a lot of time on your work.

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You don't have to put the frame as for opacity for the first layer and the second layer and so on.

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Good.

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Now let's look at a fade out what you can do is come here and say OK now give me fade out of the lead

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below.

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So now this Larry is going to disappear if it's going to disappear.

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It means we are going to start with it true and then we are going to treatment for example or two seconds

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by pressing underneath and right back again.

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And same same the fade out will be the intersection of the two layers.

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OK.

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Let's play it.

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And you can see how the upper layer will fade out into the bottom layer fight this that has something

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like stable which is not nice to have a steel framed here which are not nice This is better.

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Now let's take the first layer and we have our ethics control panel here.

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For every effect you have in effect control panel.

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But here now let's press each and see how they have done this.

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We notice that the source opacity is driven by in expression.

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So let's open the expression here we can see it.

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And you know there's that it's working with the outpoint and in point and there is a linear that we

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learned in the previous section about expressions and that using this Linnea.

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So practically it's pretty easy to use but it's not maybe so easy to create.

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So that is a fade in and fade out.

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I urge you to start using it in and fade out.

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Do not you know do the keyframes and so on.

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Think about the presets when you want to do an animation mainly transitions.

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Think about the process try to find the presets that fits you and you can make some changes and you

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will save a lot of time in the future after you have learned very well haven't used the video and it

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out on videos.

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Let's see if it can work on solid laughs simple story there.

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So here is much easier.

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I'll put that solid layer here on this form bring it over.

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I will threaten them all and we are going to use it in overlayed below.

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Let's put it on the orange and there is no changes here to be done.

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Let's press the spacebar and play it.

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And here you are.

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There is a very beautiful face in that you can use.

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Of course the fadeout also will work the same if you do something like this.

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OK you can make it short or long remember it will take the intersection for the time of the fade out

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or the first we have to change year from fade in oberl below to fade out layer below and less play.

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And here you are.

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Is happening is a beautiful one does appear to give space to the other one using the opacity.

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I notice you don't have any keyframes that's what's below.

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What about that.

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If it saves you a lot of work.

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So all you have to do is to stretch them to determine where they're going to fit in and how long the

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fit in is going to take you know time to fit in and out.

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Thanks very much for listening.

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I will see you on the next lecture.

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What we see is some rotate overtime or something like this.

