Guys and this is the tutorial for the challenge or the practice it's important that you start combining
facts and pre-sets together to obtain for example the transition or the anti transition that you wanted
to create.
It is not an easy job but also it's very important that you get used to certain effects you get used
to certain presets and use them you know frequently.
So when you have a project or when you do something you know what which one to work with you and go
ahead directly to it and just start implementing it.
So in this small movie here we have the lemons falling.
I will run a preview.
I want to show you something what I will do here is running slowly.
I will take the resolution to quarter and the view here I will make it an adaptive resolution that will
make it faster than any of the movie and it will you know render much faster.
Fine.
Let's start now applying our presets.
So I will go to simply set and open animation presets and go to bypass transitions wipes and insight
transition wipes.
You have venetian blind.
I will take the Venetian blind and drop it Venetian blinds is very much used.
You notice how it's opening.
So these are my initials and you see how the animation is coming from zero pixel and it opens pretty
cool fight.
So what do we have here.
We have an immediate transition completion at 0 percent and it seems there are already keyframes so
I will choose the latter unless you can see the keyframes.
Fine let's make them a bit longer or more time so we can see it properly.
Good then you have the angle now.
If you change the angle here the lines or the blinds the Venetian blinds will change direction.
And this is pretty cool the way you can do it.
You know you will change the animation coming from a certain point of view.
You know obliques or something like this.
I worked on it a bit here.
Let's leave this out minus 90 degrees.
Now what do you have you have that with the width of the pixels.
Let's stop here and increase the weight.
It's increasing here the width of the Venetians.
Now the animation at 100 percent you're not is it's quite different.
It's are much bigger and it's pretty interesting so with the angle and the weight that you can do a
lot of manipal.
If I give a wave of 1000 I will have Mellot maybe two.
Pretty nice pretty cool watch it.
Is opening up and down.
Of course we need to reduce the time here.
Now what I will do I will just leave it to 24 like we have done before you can use fettering.
But if everything is not nice.
In our case because it will feather in between the blinds is not going to look good.
You know I just looked all blurred.
Now this is one but we did not achieve our goal.
Let's apply another Venetian blinds you can apply under this or you can drop it on the layer itself.
I will put it down here.
Now there's another Venetian blind.
Of course you'll have different keyframes.
In fact I made a mistake because I just dropped it.
I press you to get the keyframes.
Let's put this one in the beginning and this one just on top of the other one.
Not this nothing is happening because they are one on top of each other.
What can I change here immediately.
I will change the angle.
So let's bring our timeline between and turn the angle.
Not is that the animation preset went to none from Venetian blind it went to none because Venetian blinds
is about an angle of minus 90.
If you change the angle it's no more Venetian blinds is using Venetian blinds that affect the way you
want.
So here we are we can just put it here and see exactly what we were hiding.
So when you change the angle of course they cannot criss cross or cross on each other so they're crushing
on each other like this.
Let's put this one at 0 and you will have squares.
Pretty interesting right.
OK so let's end the mission now.
My bad.
It's coming in it's opening.
That's beautiful.
Now that's not all what I have done.
There is something else that we have done is dissolving.
I used blood disorders so you can take blood dissolve and drop it on the layer.
It will come under.
So we have now new keyframes here.
Let's press you another time to see all our keyframes and we get our keyframes saw the transition here.
The is pretty fast and the rest will come in.
If I take this one and push them a bit like this I will have a new mission.
That's it.
So I play the bit with the keyframes you can adjust them you can make them as speedy as you want in
the dissolve.
I did not change anything but you can come and play with it give it some laddering for example or even
cancel the expressions and start you know doing your own blocks.
But this is fine what else can be.
Let's add a blurb.
Of course I don't have a preset with blurred so I will go to fast bowler
and this is the first blurb and we drop it on the player.
It will come at the end here.
Now the blurb doesn't have a keyframe because we took a Nefert we took an effect we didn't take a preset
so I can keyframe it.
I will keyframe it here.
Give it 50 for example high baller then move a bit further in time.
For example here and make it zero.
If you run your animation now they will be rendering time of because of the blue eyes not open.
We cannot see the blurred very well.
I will also open the keyframes again and move everything you know out a bit out just like this and the
blurb has put it here and see what happens.
Here you are.
You have a very nice animation that starts
and there is the blood coming in.
Very beautiful.
Cool.
So I put all together if you want to look at your animation thats it or GOP said it has a very nice
animation.
They are compiling one two and three and four with the fast bowler to save it you know now how to save
it.
You just come to fact and you go to animation save animation preserve.
If we take you to the folder of after effects and you can save it and record it anytime you want.
So we are in my preset year.
I will say this is the challenge of course I'm going to delete this later.
So I have Manumission preset and I can see it in fact simply said.
Now this is.
I applied this on the video.
You can also apply this on solid lead on the shape player on anything that you think you can use it
on.
Now what is important is to add more to combine and to learn all about presets.
Thanks very much for listening.
I will see you in the next section and I hope you are enjoying this.
Of course if you have any questions please put them in the question and of this lecture or the section
of question answers in the course of that.