Welcome guys to the second lecture for tracking.
Now in the previous lecture if you remember we created the tracker 1 and we created all the keyframes
and the motion path for tracking.
If you press you will find out that we had a feature center confidence and the attach point.
So we attach everything to this attach point.
How do I do that in your absence.
I created a simple animation that just like a radar Asmara nothing much.
It's very simple.
I don't care about this animation but I want to show you how to post a pre-camp and using this animation.
Go back.
I think that is a mistake.
Yes we are going to make it through the seconds all doing fine.
Let's come here.
Now we wanted to attach the radar to the man here.
How do we do that.
First of all let's drop Rodarte inside our camp.
So it's over here.
We come to our la we go to our panel.
We open our tracker and we have here with with.
So how do you do it using the tracker panel.
You come to edit target.
And here we can have a radar or Also we can have a checkpoint but we have only here that.
It that either.
And we click OK.
Now if you click ok come to radar and open this position.
I will show you how nothing happens to radar here.
It's not following the tracker.
What do you have to do is to apply and not just what's going to happen to the position when I apply.
If I click Apply it will ask me apply dimension X Y or you can apply X or Y only.
But most of the time you go for x y.
I would click OK now not as exactly in the position of radar it copied the keyframes.
All of them is like a copy paste is not a link.
So if you change any value from the attach point it will not change in the position of the rudder.
We are in our capacity less than on air and preview I will open it a bit here and we go to preview and
run it completely.
Here you are you're right that is following 100 percent our track.
If we de-select you can see it nicely it is following.
But now we have a slight problem here.
I want to just add that this pool is coming you know behind the radar something like this which is not
very normal.
We can adjust this one using the masks.
This is how I'm going to do it.
OK I will show you because I want to show you because it's nice.
I will take another layer.
That is the same video.
I know.
But above the OR above all.
OK.
And come here and say OK I want to use the pen tool to create a mask.
I will zoom in here and starts creating a mask for the layer as simple as this.
I'm not gonna be careful here.
Just want to show you.
It's not going to look perfect but it's going to look somehow ok.
Call and here and here you are it was a small band Teer.
And here with this movement also something like this.
And we closed it is not perfect but it will do the job.
Now this lead has been masked so the only thing about the Twichell from this lab is the portal.
And here you have fixed your problem remove the sound from both of them.
Let's view it at 100 percent and we come over here for example.
We put that on and we try it.
Now that will come behind the pool I de-select blessing if too.
And you can see it let's bring it over here.
And here you are your pool is in front of the radar is not 100 percent perfect you must come back and
adjust the mask.
So this has been done in the next lecture we would be attaching an effect to the attach point and see
how we can move it using the offset.
I would see you in the next lecture.