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Guys welcome to this new lecture about tracking and I remind you that you are still in track motion.



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We didn't do anything else.



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We still have a lot to cover here and it's pretty interesting pretty nice not to be scared from talking.



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I know that you might go to YouTube and find these guys doing for you you fancy fancy things.



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These guys have more than 10 15 years experience and they are like everyday on after effects from morning



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to evening.



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To be able to do that but learning the strategies and learning what's right and how to do it the right



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will really capture learning time by I don't know 90 percent or even 200 percent.



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So in this lecture I must show you how to add an air effect to the truck and then move that effect around.



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See how we can play with ethics and how come it's track ethics.



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Now the fact I would like to track is the CC light.



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I like this ever very much and you are going to take this effect and drop it on the layer not this.



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What does this affect.



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It has intensity that's very fine.



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It has a center.



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So anything that has a center a single center can be added to the tracker to the transform over here



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and we'll see how to do that.



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Now what I will do is to select my layer go back and find track 1.



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Now you see here we have added target.



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If you click now you have another option here since the light rays center you notice we are going to



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take from the light rays the center and attach it to the point of our track.



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That's very beautiful.



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Let's click OK.



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And obviously nothing will happen you need to apply if you can to the effect here let's close the motion



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tracker and we open the effect.



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You notice that you have city lights that's very fine but also you have the center.



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So I will highlight the center here.



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That is nothing when I say apply it will applied x y to the center and here you are.



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It's a copy paste of all the keyframes of the tracker.



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If you run your animation now it's going to take some time don't worry.



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Slowly slowly it will get there you know.



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Now we have the effect and the composition here running at the same time this part of the composition



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for a second and see exactly what's happening.



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Cool beautiful.



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Now you know that this effort is very beautiful but it's being wasted when I put it here.



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Maybe if you put on the top of the mast it will be you know give it more light here it like it's following



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a star something like this.



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How do you do that.



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Now the first thing you can do it is to retract here and have a trackers too.



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And stories like this that's OK.



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But the best way to do it is to play with a simple property in the motion tracker and that is the attach



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point of it.



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Let's go to our panel.



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Now we want to move our attach point to the top here.



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Now it's not possible to move that that point you know the attach point here has so many keyframes if



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you want to move it you need to hold it all together.



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But also you have practice at a certain point here that you might want to add more attachment to that



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point.



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So how do you do it.



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Do you use the attach point of set it's very easy to use.



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Let's move our attach point.



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Let's give it more of said.



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If I move to the left you can see it here moving to the right now is on top.



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Good.



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I like moving like this very nicely.



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Let's pull it over here.



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And take it up



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good now.



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I've done this so the attachment is over there.



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Nothing nothing has happened but the position of the attach point now is 305 and 134 it means it will



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add these to.



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How do I get the effects to be here.



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I will go to any target choose the effect again that's cool with me and I see applied as soon as I apply



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it will ask me for x y.



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It comes here.



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Now what happened exactly.



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It recalculated all the keyframes and copy pasted them.



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That is the attach point plus it's offset.



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So now if you go to the light and look at the center that is 439 and 439 is the sum of three or five



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that is the X of that point plus the attach point offset.



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Now if you run your animation and we want to enable everything that either put on if you run the animation



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here you are with a single tracking.



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You have the effect on top of the mast and it's very beautiful.



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Notice that the effect here is moving wrongly.



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We need to come at this point find the keyframes and really adjust it or not do that because it's just



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missing in this.



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And you can retrack or do lots of other solutions here.



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So let's not waste your time.



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But the concept is that what we have we done we have taken center from an effect and we have attach



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it to the attach point.



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Let's try another one.



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A very nice effect will be the radial radial blur radial blurred the simple algebra.



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This one I'm going to take it and put it on top of the layer again.



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Now not is that the lead Blur has also a sensor.



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OK you can see the center so immediately it's towards the center.



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If you come to your tracker and we choose our layer we go to the lappers it will appear here.



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One tracker one keeps on changing.



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Make sure we have transform Cool Edit track and not just here.



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Now I have the option I would take a radial bluff so I already done this is the light I will choose



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the radial blurred and say apply but not this is going to apply with the offset.



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Now how do I remove the offset.



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You know now this blurb I want to for example from the middle here or back to zero.



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Let's go to the a touchpoint put it back to zero.



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So you're not these these are not dynamic values these are values that we copy and paste your keyframes



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here.



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I will say apply and I would say OK of course spoiled our Assissi like trays but nevertheless I'm showing



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you here.



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So now if you're on your own admission will find everything is going very smoothly and they're both



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following though.



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But this is the light there you're not is that it has a certain effect and the radio blurb is quite



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impressive.



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Let's reduce the intensity although we come to the radio blurry.



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The amount is let's make it only for that to have so much.



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And here you are.



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You can still see.



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See that 100 percent.



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You can still see the lights here and it's all blurred and it's fantastic by the way as using very simple



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techniques.



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This is what you can do with After Effects now after it renders it's going to be very beautiful let's



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put it back to the beginning and play it.



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And here you are.



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So you have Attash now in effect.



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And you have a pick up.



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You can also go ahead and attach text and you can also Attash shapes any way you want.



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I would give you that.



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And I will hope to see you in the next lecture.



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These are easy techniques that are not difficult and don't tell me there are advanced techniques we



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are not needed.



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Advanced advance will be quite complicated effects on each other and things like that so we still in



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the beginning I would say a bit of the intermediates have college you know work on it.



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And you know create all the efforts that you want to create and play with it.



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So come to tracker to come to motion and use it and play with it.



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Do you have any questions please ask them.



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And I'm here to really do my best so you can learn the best of after effects and do extraordinary things.



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See them.