Guys how are you.
And this is the tutorial for the challenge that I propose then lecture before Fisher for new resources
you need to download the project file that contains the files.
Let's start doing the first animation.
We click on the video.
I mean it is 1920 by 2025 frames per second.
That's very good.
We can create a camera by dragging it down to the timeline.
So we have our first comp.
So the first thing to do is to create our tracking points for that.
We come to the tracker which was our motion source dancing bulbs.
And here it is.
And then we want to track motion and select the layer.
And there's a track motion I'll choose track motion.
You create a track point for me now this track point is very small compared to the bulb.
You know it's not always obvious which area you want to convert me.
Try to three times.
So let me do my best here and hopefully I will hit it from the first time.
Good.
Let's press and zoom in and I will take the track point just above here.
Now we need to make it big Not that this is a white area that's cool but there is also a lot of white
around so maybe we do the tracking you know the area a big big move it over here.
And this one also bigger.
Here you are something like this or even like this.
Right.
We do it big like this fight.
So now I'm going to try is not.
It doesn't have to happen from the first time but we need to try.
And so now I have a nice forward and saves working fine.
You notice that it's moving already.
With the bulb Let's go back to 100 percent ok and continue tracking or analyzing.
And it's quite ok.
It's not bad at all.
And we have to decide how long we want to go.
I assume six seconds will be OK if you have time you can go to all the video to 12 seconds.
So now six seconds is very near.
We will wait for it to happen.
So it'll stop at a six second replace the spacebar and that is the fight.
Now I've read that the tracking less press you and see all our keyframes they're all there.
Our press and to bring the work area and to the site that's cool.
Now I need to create another track here.
How do I do that.
It's very simple I just click on track motion and another tracker is given to me and this is tracker
too.
I'm going to do the same here and bring the tracker over here.
OK now I can cut you better and make it as big as the other one maybe it works very fine.
Maybe this one doesn't work very fine.
I don't know.
But you.
I encourage you to try and try a lot.
So you get a perfect track.
So now I'm going to analyze for what and bring the timeline here is there is a mistake because I put
the truck when it was you know in the end and the bulb was not in the right position.
So this mistakes you will always encounter them don't worry about it just correct them.
And I think with call to go.
I would look forward.
Here you are and see if it's working fine.
Well actually this one is not but it is.
OK.
The other one was better but you notice the movement here is going back and forth from the light itself
the original light.
I don't think this will be you know a major problem.
But if you want to be perfect you can even try it again stop here and retract.
Change your tracking boring to make it bigger or something like this.
So it's approaching six seconds and must be ready to press the spacebar to stop it.
And here you are fine.
So we have our second point cause now we want to do our third point and we'll follow the same procedure.
I would click on the track motion to create the last track.
That's Drakkar three.
And I will zoom in hold it and move it to this side and move it again.
Here you are then make it bigger and it's quite fun.
So this is not difficult it's very fun.
There's a lot of fun.
You are not good.
We want to make it bigger and this women make it bigger.
Move them both to the side.
Yeah I think this will work.
So I'll go back to 100 percent fit and see if it's going to work.
I will come to the beginning of the timeline and go ahead and Elize forward.
I think this one's working the best is really on the point and we're happy from it.
And actually it's going faster.
So at six seconds we want to stop it.
Be patient with me.
And here you are.
I play space but it's stopped fine.
I know I have some keyframes outside the time I need to get up but that doesn't really matter.
Now what I want to do is the first tracker I will go to the tracker one.
So I'm in that I could run I want to attach the city lights.
How do I do that.
If you remember very well it was pretty easy by the way.
So I will go to effects and click and look for see see the light.
Here it is.
This is the light rays that we want to use.
Take the city light rays and drop it over the dancing but it will open here in the effort to control.
Now I'll go back to the tracker and I will choose the track one.
That's the first track and then I want to edit the target.
Now I have only one targets the light rays.
I'll click OK and I will apply they say okay fine now I need to adjust the radius and so on.
I would take that it is very high to 220 or anything you want.
This is a matter of taste here and I will keep it around and saw.
But the intensity here I can reduce and increase the intensity.
It will be nice if the intensity was it wiggle less click while holding the alternate on the stopwatch
and will open here we will see wiggle twice a second for one of the 50 will do.
I think so at least.
Now here you are.
Let's preview a bit and see what you have achieved now but it's OK.
Now of course you can come and play with this you see light rays you know adjust the radius make it
bigger or even the you know Warper softness make it not soft at all.
There is the option of square.
Look this is beautiful.
You know let's leave it like this for this story.
Now I want to put the skull on the second track.
How do I do that.
I'll come back to my neighbor.
I'll come back to cracker.
I'll find my second point.
This is my second point.
Now first of all I need to get the skull that's the bone here.
I would drop it inside the composition.
It's pretty big.
I will make it smaller.
OK.
Pull over here.
That's nice.
Nice color.
And then I will come back to my earlier panel and choose my layer of course and go to Cracker.
They're very fine.
You know it's Vaizey.
Go to bone here is suggesting to me bone because this is already attached.
And I would say OK fine.
Now we want to try.
So we have to apply apply X Y of course.
And is that now the opposite is very high here open.
We opened up a city take it down.
Yeah it looks like Wow.
Mysterious cool.
Let's go to preview and preview our composition.
Have you done a good job.
Is it working.
Well that's very fine.
But the skull here if you notice the track is not perfect the skull is not moving only with a bag but
it looks like are sitting inside the bag.
Well that's a nice effect you can leave it like this.
Let's go to the last one here.
And we want to put on the track at three.
We want to put some text fine.
I will stop it.
I will go to the beginning.
I'm there.
I will click on text and write a warning.
Now you can use any color you want you might want to make it as beautiful as you want but the most important
is to put the anchor point in the middle so you don't have problems later on.
So I press control alt and home and put the anchor point of the text in the middle.
Now I want to attach it to the tracker 3 or whatever whenever I put it.
It really doesn't matter because it's going to go back and the anchor points are going to be with the
attach point and it will connect together.
So now I want to attach that text.
I will go to the panel panel here and come to track and free.
That's it.
The target.
And I will go to warning you have warning here.
I will press OK get the Wanning press apply X Y and here it is over here.
But now this warning is really inside the bulb.
I will open it by pressing able to open and can port and take it down.
Now I want to create that flickering effect to create that flickering effect you come to opacity and
the press alt and click on the stopwatch and introduce it we get less we get it twice or three times
a second to 100.
So you go from 100 percent capacity and even to zero or negative call that's happening.
Let's go to preview and preview our work.
Not bad.
It's working 100 percent.
And you know the fact that we are put here is quite good.
Of course you can come and put more effects here are more effects here.
And you know make it much more beautiful than are done now.
I hope this one is for and it's very important that you go to after effects and try it by yourself.
You see how fast I went if I wasn't talking I would have gone faster but that's the trick here.
It's about training yourself I'm getting used to it.
Then you can go to YouTube and video and find these fantastic things and try to do like them or even
better.
But first please start with the basic start you know training yourself about the point.
Don't go to these videos and get intimidated with motion tracking.
I know people show off.
You want really the basics.
And after the basics and you really master of them you can go ahead and create anything you want with
it.
Thank you very much for listening and I will see you in the next lecture or even the next section.