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Guys how are you.

2
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And this is the tutorial for the challenge that I propose then lecture before Fisher for new resources

3
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you need to download the project file that contains the files.

4
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Let's start doing the first animation.

5
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We click on the video.

6
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I mean it is 1920 by 2025 frames per second.

7
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That's very good.

8
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We can create a camera by dragging it down to the timeline.

9
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So we have our first comp.

10
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So the first thing to do is to create our tracking points for that.

11
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We come to the tracker which was our motion source dancing bulbs.

12
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And here it is.

13
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And then we want to track motion and select the layer.

14
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And there's a track motion I'll choose track motion.

15
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You create a track point for me now this track point is very small compared to the bulb.

16
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You know it's not always obvious which area you want to convert me.

17
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Try to three times.

18
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So let me do my best here and hopefully I will hit it from the first time.

19
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Good.

20
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Let's press and zoom in and I will take the track point just above here.

21
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Now we need to make it big Not that this is a white area that's cool but there is also a lot of white

22
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around so maybe we do the tracking you know the area a big big move it over here.

23
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And this one also bigger.

24
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Here you are something like this or even like this.

25
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Right.

26
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We do it big like this fight.

27
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So now I'm going to try is not.

28
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It doesn't have to happen from the first time but we need to try.

29
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And so now I have a nice forward and saves working fine.

30
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You notice that it's moving already.

31
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With the bulb Let's go back to 100 percent ok and continue tracking or analyzing.

32
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And it's quite ok.

33
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It's not bad at all.

34
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And we have to decide how long we want to go.

35
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I assume six seconds will be OK if you have time you can go to all the video to 12 seconds.

36
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So now six seconds is very near.

37
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We will wait for it to happen.

38
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So it'll stop at a six second replace the spacebar and that is the fight.

39
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Now I've read that the tracking less press you and see all our keyframes they're all there.

40
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Our press and to bring the work area and to the site that's cool.

41
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Now I need to create another track here.

42
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How do I do that.

43
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It's very simple I just click on track motion and another tracker is given to me and this is tracker

44
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too.

45
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I'm going to do the same here and bring the tracker over here.

46
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OK now I can cut you better and make it as big as the other one maybe it works very fine.

47
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Maybe this one doesn't work very fine.

48
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I don't know.

49
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But you.

50
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I encourage you to try and try a lot.

51
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So you get a perfect track.

52
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So now I'm going to analyze for what and bring the timeline here is there is a mistake because I put

53
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the truck when it was you know in the end and the bulb was not in the right position.

54
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So this mistakes you will always encounter them don't worry about it just correct them.

55
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And I think with call to go.

56
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I would look forward.

57
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Here you are and see if it's working fine.

58
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Well actually this one is not but it is.

59
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OK.

60
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The other one was better but you notice the movement here is going back and forth from the light itself

61
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the original light.

62
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I don't think this will be you know a major problem.

63
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But if you want to be perfect you can even try it again stop here and retract.

64
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Change your tracking boring to make it bigger or something like this.

65
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So it's approaching six seconds and must be ready to press the spacebar to stop it.

66
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And here you are fine.

67
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So we have our second point cause now we want to do our third point and we'll follow the same procedure.

68
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I would click on the track motion to create the last track.

69
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That's Drakkar three.

70
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And I will zoom in hold it and move it to this side and move it again.

71
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Here you are then make it bigger and it's quite fun.

72
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So this is not difficult it's very fun.

73
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There's a lot of fun.

74
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You are not good.

75
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We want to make it bigger and this women make it bigger.

76
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Move them both to the side.

77
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Yeah I think this will work.

78
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So I'll go back to 100 percent fit and see if it's going to work.

79
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I will come to the beginning of the timeline and go ahead and Elize forward.

80
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I think this one's working the best is really on the point and we're happy from it.

81
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And actually it's going faster.

82
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So at six seconds we want to stop it.

83
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Be patient with me.

84
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And here you are.

85
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I play space but it's stopped fine.

86
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I know I have some keyframes outside the time I need to get up but that doesn't really matter.

87
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Now what I want to do is the first tracker I will go to the tracker one.

88
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So I'm in that I could run I want to attach the city lights.

89
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How do I do that.

90
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If you remember very well it was pretty easy by the way.

91
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So I will go to effects and click and look for see see the light.

92
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Here it is.

93
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This is the light rays that we want to use.

94
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Take the city light rays and drop it over the dancing but it will open here in the effort to control.

95
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Now I'll go back to the tracker and I will choose the track one.

96
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That's the first track and then I want to edit the target.

97
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Now I have only one targets the light rays.

98
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I'll click OK and I will apply they say okay fine now I need to adjust the radius and so on.

99
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I would take that it is very high to 220 or anything you want.

100
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This is a matter of taste here and I will keep it around and saw.

101
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But the intensity here I can reduce and increase the intensity.

102
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It will be nice if the intensity was it wiggle less click while holding the alternate on the stopwatch

103
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and will open here we will see wiggle twice a second for one of the 50 will do.

104
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I think so at least.

105
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Now here you are.

106
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Let's preview a bit and see what you have achieved now but it's OK.

107
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Now of course you can come and play with this you see light rays you know adjust the radius make it

108
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bigger or even the you know Warper softness make it not soft at all.

109
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There is the option of square.

110
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Look this is beautiful.

111
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You know let's leave it like this for this story.

112
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Now I want to put the skull on the second track.

113
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How do I do that.

114
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I'll come back to my neighbor.

115
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I'll come back to cracker.

116
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I'll find my second point.

117
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This is my second point.

118
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Now first of all I need to get the skull that's the bone here.

119
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I would drop it inside the composition.

120
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It's pretty big.

121
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I will make it smaller.

122
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OK.

123
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Pull over here.

124
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That's nice.

125
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Nice color.

126
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And then I will come back to my earlier panel and choose my layer of course and go to Cracker.

127
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They're very fine.

128
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You know it's Vaizey.

129
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Go to bone here is suggesting to me bone because this is already attached.

130
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And I would say OK fine.

131
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Now we want to try.

132
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So we have to apply apply X Y of course.

133
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And is that now the opposite is very high here open.

134
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We opened up a city take it down.

135
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Yeah it looks like Wow.

136
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Mysterious cool.

137
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Let's go to preview and preview our composition.

138
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Have you done a good job.

139
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Is it working.

140
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Well that's very fine.

141
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But the skull here if you notice the track is not perfect the skull is not moving only with a bag but

142
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it looks like are sitting inside the bag.

143
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Well that's a nice effect you can leave it like this.

144
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Let's go to the last one here.

145
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And we want to put on the track at three.

146
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We want to put some text fine.

147
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I will stop it.

148
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I will go to the beginning.

149
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I'm there.

150
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I will click on text and write a warning.

151
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Now you can use any color you want you might want to make it as beautiful as you want but the most important

152
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is to put the anchor point in the middle so you don't have problems later on.

153
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So I press control alt and home and put the anchor point of the text in the middle.

154
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Now I want to attach it to the tracker 3 or whatever whenever I put it.

155
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It really doesn't matter because it's going to go back and the anchor points are going to be with the

156
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attach point and it will connect together.

157
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So now I want to attach that text.

158
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I will go to the panel panel here and come to track and free.

159
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That's it.

160
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The target.

161
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And I will go to warning you have warning here.

162
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I will press OK get the Wanning press apply X Y and here it is over here.

163
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But now this warning is really inside the bulb.

164
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I will open it by pressing able to open and can port and take it down.

165
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Now I want to create that flickering effect to create that flickering effect you come to opacity and

166
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the press alt and click on the stopwatch and introduce it we get less we get it twice or three times

167
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a second to 100.

168
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So you go from 100 percent capacity and even to zero or negative call that's happening.

169
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Let's go to preview and preview our work.

170
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Not bad.

171
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It's working 100 percent.

172
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And you know the fact that we are put here is quite good.

173
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Of course you can come and put more effects here are more effects here.

174
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And you know make it much more beautiful than are done now.

175
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I hope this one is for and it's very important that you go to after effects and try it by yourself.

176
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You see how fast I went if I wasn't talking I would have gone faster but that's the trick here.

177
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It's about training yourself I'm getting used to it.

178
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Then you can go to YouTube and video and find these fantastic things and try to do like them or even

179
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better.

180
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But first please start with the basic start you know training yourself about the point.

181
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Don't go to these videos and get intimidated with motion tracking.

182
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I know people show off.

183
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You want really the basics.

184
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And after the basics and you really master of them you can go ahead and create anything you want with

185
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it.

186
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Thank you very much for listening and I will see you in the next lecture or even the next section.

