1 00:00:00,340 --> 00:00:07,230 So now that we have our blackpoint what we want to do is to attach a solid text or whatever we want 2 00:00:07,480 --> 00:00:07,920 now. 3 00:00:07,980 --> 00:00:13,530 Now it has its own objective and I will show you it's similar to having a solid but you cannot just 4 00:00:13,590 --> 00:00:21,140 attach an image you attach a solid and later on you replace that solid with an image a PRNG or you know 5 00:00:21,150 --> 00:00:27,030 a whole video or another video if you like I will show you how of course or you can just attach text. 6 00:00:27,030 --> 00:00:28,610 Now what is happening exactly. 7 00:00:28,860 --> 00:00:30,560 Let's zoom in here. 8 00:00:30,930 --> 00:00:35,040 If you look at this a circle is called The Target. 9 00:00:35,250 --> 00:00:42,830 And you can make the size bigger that is becoming bigger and it depends also how far is the track pointer 10 00:00:42,870 --> 00:00:46,340 from your scene or coming to the front of the camera here. 11 00:00:46,470 --> 00:00:48,360 If you bring it here is becoming very huge. 12 00:00:48,390 --> 00:00:55,660 And maybe I would need to reduce it if I want to kill or if I'm working far depending on the camera 13 00:00:55,730 --> 00:00:59,360 the three DICOM tracker then it's OK to live with this size. 14 00:00:59,440 --> 00:01:02,790 But now this was happening look at it how it is changing shapes. 15 00:01:02,820 --> 00:01:08,680 If you come over here for example it has located the three track points you can see them. 16 00:01:09,000 --> 00:01:12,190 Ok I will zoom in a bit so you can see them even better. 17 00:01:13,130 --> 00:01:15,700 It has a look at it three track points here. 18 00:01:15,830 --> 00:01:22,820 And these three track points are a different distance on the z axis and they constitute a plan in which 19 00:01:22,910 --> 00:01:25,350 you are going to put a solid on in layer. 20 00:01:25,370 --> 00:01:33,330 Let's say it's solid but not is the solid will come exactly in this shape or in the plan of the target. 21 00:01:33,380 --> 00:01:34,840 This is the target list right. 22 00:01:34,850 --> 00:01:39,340 If I right click here I see create a solid look what happens. 23 00:01:39,350 --> 00:01:46,070 The solid is in the plan of the three points I have chosen here automatically is chosen and then a solid 24 00:01:46,070 --> 00:01:47,740 lead is created here. 25 00:01:47,810 --> 00:01:54,840 If you go back in your video you notice the solid layer Lazarou out the solid layer will be moving totally 26 00:01:54,980 --> 00:01:57,330 to de-select will be moving. 27 00:01:57,340 --> 00:02:02,250 Please notice here it's moving with the clouds is not moving with the House. 28 00:02:02,270 --> 00:02:04,720 And that is how it's going very far. 29 00:02:04,910 --> 00:02:09,800 We can change the solid color solid setting for example let's make it black. 30 00:02:09,800 --> 00:02:12,550 Black will do here we can see it on black. 31 00:02:12,750 --> 00:02:14,920 Call this de-select EF. 32 00:02:15,230 --> 00:02:22,860 And that is how you are solid layer is like attached within the video and it's attached in this plan. 33 00:02:22,880 --> 00:02:30,550 Now it seems to you that it's really in the clouds and when you zoom in or the video is zooming in OK. 34 00:02:31,440 --> 00:02:35,620 You know does that now it's in front because the track points disappear. 35 00:02:35,650 --> 00:02:38,520 So this is something you need really to work with. 36 00:02:38,520 --> 00:02:41,240 I'm sorry this is very small but it gives you the point. 37 00:02:41,250 --> 00:02:44,660 So at this stage here everything must cool is my point. 38 00:02:44,670 --> 00:02:50,700 But when I came inside here the track points are behind now and this is not very useful. 39 00:02:50,890 --> 00:02:52,590 So it could. 40 00:02:52,680 --> 00:02:57,410 Let's take back our video and look at the points that we can put here. 41 00:02:57,480 --> 00:03:02,310 First of all let me look at something I like I will make this one the target size a bit smaller because 42 00:03:02,310 --> 00:03:03,660 I want to replace the window. 43 00:03:03,870 --> 00:03:05,070 So this seems cool. 44 00:03:05,070 --> 00:03:07,800 In fact they're all cool not as they are in the plan. 45 00:03:07,800 --> 00:03:11,440 They look parallel to the wall here again just sliding. 46 00:03:11,470 --> 00:03:12,860 It's not something that you can see. 47 00:03:12,870 --> 00:03:14,230 Oh wow it's going to work. 48 00:03:14,370 --> 00:03:20,390 You need to try and build as you will try for hours some videos you will try for two minutes it works. 49 00:03:20,410 --> 00:03:24,110 This seems good to you but not the track on my disappear. 50 00:03:24,120 --> 00:03:29,150 So what do you want to do is to check all your track points if you can and decide OK which structures 51 00:03:29,220 --> 00:03:29,880 are still inside. 52 00:03:29,880 --> 00:03:33,780 So my best bet is the one inside the window. 53 00:03:34,110 --> 00:03:38,820 So I would choose for example this one right click and say create solid. 54 00:03:38,970 --> 00:03:43,610 So this is my story that has been there so there has been to it it's all sort of this big. 55 00:03:43,620 --> 00:03:45,290 Of course I can move it. 56 00:03:45,630 --> 00:03:49,200 It's 3D by the way your video here is not 3-D. 57 00:03:49,200 --> 00:03:52,260 Don't ever put it to 3-D things will go very wrong. 58 00:03:52,440 --> 00:03:54,480 But your layer is 3-D. 59 00:03:54,540 --> 00:03:56,390 And of course it's following the camera. 60 00:03:56,430 --> 00:03:57,580 And that's the clever thing. 61 00:03:57,750 --> 00:04:04,830 So your video actually is to the video that you put there and then you start attaching a camera or you 62 00:04:04,830 --> 00:04:09,630 know analyzing it through a camera and then attaching a solid layer that will follow the camera and 63 00:04:09,630 --> 00:04:11,220 that's the cool thing about it. 64 00:04:11,220 --> 00:04:12,200 Now let's test this. 65 00:04:12,210 --> 00:04:15,410 Let's go to 100 percent or let's go to 50. 66 00:04:15,490 --> 00:04:20,950 Know is fine I'll go back to the beginning and notice how my leg is my legs are moving less. 67 00:04:21,000 --> 00:04:25,970 The selector layer is my lead and moving according to the tower. 68 00:04:25,970 --> 00:04:28,520 I think it's pretty good not bad. 69 00:04:28,530 --> 00:04:31,430 It looks a bit distorted but we will solve that problem. 70 00:04:31,740 --> 00:04:36,680 So now I stashed in a lab that can work with and replace the window. 71 00:04:36,750 --> 00:04:40,750 If I go to a project here I have a window in the asset here. 72 00:04:40,890 --> 00:04:46,030 I have I mean he is not cool is not bad but it's OK you know there's the black here. 73 00:04:46,360 --> 00:04:48,510 OK I don't want to give you a perfect example. 74 00:04:48,570 --> 00:04:52,830 I want to show you the problems that you'll get not just what's happening here. 75 00:04:52,830 --> 00:04:54,720 There is some kind of border's not good. 76 00:04:54,720 --> 00:04:55,760 So what would I do. 77 00:04:55,950 --> 00:04:58,470 I want a 3-D composition. 78 00:04:58,710 --> 00:05:00,500 And this is my composition here. 79 00:05:00,540 --> 00:05:06,920 And inside this corporation created a mask for only what I need to use and that's cool with me. 80 00:05:07,170 --> 00:05:07,650 OK. 81 00:05:07,770 --> 00:05:14,340 So the other side the black one will never appear because it's masked so it's transparent good. 82 00:05:14,400 --> 00:05:21,140 So I have the window inside a click on and in this comp I already you know mask what I need. 83 00:05:21,270 --> 00:05:23,500 Let's go back to my old house here. 84 00:05:23,610 --> 00:05:31,500 Click on the last row we select the letter hold out and drag the comp on top of the solid layer. 85 00:05:31,530 --> 00:05:32,990 You know it's going to replace it. 86 00:05:33,060 --> 00:05:33,710 Wow. 87 00:05:33,810 --> 00:05:35,940 Now I have the window here let's test it. 88 00:05:36,240 --> 00:05:36,510 OK. 89 00:05:36,510 --> 00:05:37,630 That seems good. 90 00:05:37,650 --> 00:05:39,610 Not bad but of course it's very big. 91 00:05:39,810 --> 00:05:41,120 What can I do in this case. 92 00:05:41,130 --> 00:05:43,180 All I have to do is to make it smaller. 93 00:05:43,410 --> 00:05:46,230 Now I'm using the shift just to make it fit. 94 00:05:46,230 --> 00:05:47,700 That's pretty cool. 95 00:05:47,730 --> 00:05:52,580 Zoom in is it fitting nicely and we can do it like this. 96 00:05:52,900 --> 00:05:53,390 OK. 97 00:05:53,400 --> 00:05:56,210 It's fitting now but I can also rotate it. 98 00:05:56,220 --> 00:06:06,100 I press w rotate the just a tiny bit thing on the axes a certain untap get fired on the y it tiny bit 99 00:06:06,150 --> 00:06:08,470 not really something like this of course. 100 00:06:08,540 --> 00:06:10,720 Every time I do it I have a different result. 101 00:06:10,920 --> 00:06:12,640 I need to take it down a bit. 102 00:06:13,680 --> 00:06:21,210 OK now it's not really fitting 100 percent of the window if you scrub through this like is not fatigue. 103 00:06:21,380 --> 00:06:23,610 Well there is something you can do here. 104 00:06:23,900 --> 00:06:32,180 I would come to present in effects and look for an effect that is called pardoner been Cordner been. 105 00:06:32,380 --> 00:06:33,340 OK I have it here. 106 00:06:33,420 --> 00:06:37,640 Take the corner pin and just drop it on the comp or the layer if you like. 107 00:06:37,640 --> 00:06:42,520 Now if you look at the corner pin here you will find out that it has four corners. 108 00:06:42,530 --> 00:06:43,750 And here are the corners. 109 00:06:43,770 --> 00:06:50,930 If I click on a corner and you notice how it's moving somehow in a plan the same plan I have but I can 110 00:06:50,930 --> 00:06:53,120 really manipulate the layer the way I want. 111 00:06:53,120 --> 00:07:02,660 Maybe we want to move with a bit here want to move the layer here could go back to the corner bin and 112 00:07:02,710 --> 00:07:09,850 lower in here and drag it and put it on the track here it looks good not bad fine. 113 00:07:09,880 --> 00:07:14,620 We can also go back here and adjust this one. 114 00:07:14,870 --> 00:07:15,120 OK. 115 00:07:15,130 --> 00:07:18,250 It's not bad but it's good for the course here. 116 00:07:18,280 --> 00:07:23,110 Of course I will tweak it for one hour if I were making a good project. 117 00:07:23,110 --> 00:07:27,370 You know I'm making money out of it of course I'll take it for three hours to make the utmost. 118 00:07:27,370 --> 00:07:32,050 Now let's go back to 100 percent and see exactly how it works. 119 00:07:32,110 --> 00:07:37,820 Go to the beginning and we are going to review and see if our window is really stuck to the dollar. 120 00:07:38,020 --> 00:07:41,230 So you look at it it's not bad at all. 121 00:07:41,230 --> 00:07:42,560 It's really stuck. 122 00:07:42,580 --> 00:07:49,570 We are not still on 100 percent of rendering time but we see it is stuck and it's doing quite a good 123 00:07:49,570 --> 00:07:50,170 job. 124 00:07:50,440 --> 00:07:53,440 Of course by the end of the video let's run it again. 125 00:07:53,650 --> 00:07:55,320 We need to see it from the beginning. 126 00:07:55,330 --> 00:07:56,910 Well is doing a good job. 127 00:07:57,160 --> 00:07:59,160 So this is the way we have done it. 128 00:07:59,170 --> 00:08:00,550 It's vey easy. 129 00:08:00,550 --> 00:08:06,160 You choose your blackpoint if you come to your video you choose the track point where you choose the 130 00:08:06,160 --> 00:08:07,440 plan that you want. 131 00:08:07,450 --> 00:08:10,680 You put a solid layer if you went to the solid layer of fine. 132 00:08:10,690 --> 00:08:11,460 That's great. 133 00:08:11,680 --> 00:08:17,920 You could have both a Null-A or do that in the next lecture and then after adjusting the solid lead 134 00:08:17,980 --> 00:08:25,330 as much as you can you bring the pre-camp or you bring the other image that you want and just replace 135 00:08:25,330 --> 00:08:25,560 it. 136 00:08:25,600 --> 00:08:30,400 And here you have it completely stuck or attached to your truck. 137 00:08:30,400 --> 00:08:36,940 Thanks very much for listening in the next lecture we are going to do the other window using the non-leather 138 00:08:37,040 --> 00:08:37,690 as you then.