1 00:00:00,890 --> 00:00:05,810 Guys and welcome to this new lecture where we are going to work with MOT's and complicated matters. 2 00:00:05,870 --> 00:00:11,960 I will show a couple of ways to do them in after then we will move on maybe in the next lecture or the 3 00:00:11,960 --> 00:00:18,170 one after to create mats that you can use in any Nunley or video editing software. 4 00:00:18,200 --> 00:00:20,580 We're going to start by creating this market. 5 00:00:20,660 --> 00:00:21,470 It's very beautiful. 6 00:00:21,470 --> 00:00:26,570 It opens the video and we will go on to create another one. 7 00:00:26,600 --> 00:00:29,110 This one is a bit more professional. 8 00:00:29,110 --> 00:00:33,260 It gives you the shading and you can use it commercially even now. 9 00:00:33,260 --> 00:00:35,210 This is a great business if you want to do. 10 00:00:35,210 --> 00:00:40,970 You can take them to fiber or there are so many people who are ready to give you their video so you 11 00:00:40,970 --> 00:00:47,750 can put these mats are you can really sell the movie Marts to other users that they just want to plug 12 00:00:47,750 --> 00:00:49,170 them in in their software. 13 00:00:49,270 --> 00:00:49,510 OK. 14 00:00:49,520 --> 00:00:55,310 So let's start by creating these mats as an example of music. 15 00:00:55,360 --> 00:01:02,790 And that clip this is a 12 by 720 and it's only three seconds and 25 frames per second. 16 00:01:02,950 --> 00:01:08,180 Now we are going to start to clear them out in After Effects and your video will be in After Effects. 17 00:01:08,200 --> 00:01:14,980 And then you would render to get your MP for or you're not a movie to put it on YouTube but use it in 18 00:01:14,980 --> 00:01:16,800 your work to create the comp. 19 00:01:16,800 --> 00:01:22,150 I would simply click on the video and just like the time line I have my composition I want to start 20 00:01:22,150 --> 00:01:27,000 creating demat And very quickly it all kind of players and give them the animation that you want. 21 00:01:27,040 --> 00:01:30,540 And then I will show you the procedure of how to make it a mat. 22 00:01:30,610 --> 00:01:35,010 I will do a simple one for the course for example I'll be creating a shape. 23 00:01:35,200 --> 00:01:37,550 Three four five of them as many as you need. 24 00:01:37,660 --> 00:01:39,170 I will do the first one. 25 00:01:39,200 --> 00:01:40,900 OK I like it like this. 26 00:01:41,020 --> 00:01:41,820 That is good. 27 00:01:41,830 --> 00:01:46,900 Now I press control alt and home to get the anchor point in the middle. 28 00:01:47,140 --> 00:01:53,900 I will select the shape player and just duplicate it select my selection tool pressing V and then and 29 00:01:53,950 --> 00:01:55,020 move it to this side. 30 00:01:55,780 --> 00:01:56,520 Good. 31 00:01:56,530 --> 00:02:02,890 Now I want to you know make sure that the spacing here is quite beautiful because a black line can appear 32 00:02:02,890 --> 00:02:03,580 at the white line. 33 00:02:03,580 --> 00:02:06,660 Anything you want depending on the background that you will put. 34 00:02:06,670 --> 00:02:11,180 I will also press control the get another one and just put it here. 35 00:02:12,340 --> 00:02:22,840 Ok control the other one and put it here I am set a bit so that's fine I think I am set I want to use 36 00:02:22,960 --> 00:02:24,850 this as a model. 37 00:02:24,880 --> 00:02:26,140 Now how do I do that. 38 00:02:26,140 --> 00:02:30,620 You know very well that the track will only work on the level just above. 39 00:02:30,640 --> 00:02:31,950 And here I have four letters. 40 00:02:31,960 --> 00:02:33,940 I want to use as much. 41 00:02:34,210 --> 00:02:41,950 The simple way is to create a composition right click and say compose and I will say math one for example 42 00:02:41,950 --> 00:02:43,450 because we are going to have to. 43 00:02:43,660 --> 00:02:49,390 Now the key here is to create a very beautiful animation a smooth animation if your shapes and your 44 00:02:49,390 --> 00:02:50,860 animation is not beautiful. 45 00:02:50,890 --> 00:02:56,140 The whole thing will collapse and your opening will be not good at all. 46 00:02:56,260 --> 00:03:01,840 So it is not about the technique it's also about and not where do you create this mask in a sophisticated 47 00:03:01,840 --> 00:03:03,330 beautiful and smooth way. 48 00:03:03,520 --> 00:03:08,410 I'm going to try my best to remember I'm talking to you if I'm doing it silently alone I would have 49 00:03:08,410 --> 00:03:16,420 taken my time you know meticulously adjusted 100 percent and you do that I would come to 15 frames or 50 00:03:16,530 --> 00:03:23,630 have the second I will open all the Shepler's Presby and keyframe the position come back in the beginning. 51 00:03:23,680 --> 00:03:25,560 This select select the first layer. 52 00:03:25,620 --> 00:03:27,400 There for example and move it up. 53 00:03:27,430 --> 00:03:32,540 So I wanted to come from up could this layer for example I can move it down. 54 00:03:34,330 --> 00:03:36,420 And this also I could move it down. 55 00:03:36,520 --> 00:03:39,320 I'll click on it and press shift and move it down. 56 00:03:39,700 --> 00:03:40,060 OK. 57 00:03:40,060 --> 00:03:42,750 And this then maybe I'll move it up. 58 00:03:42,880 --> 00:03:45,310 So now I have a very normal animation. 59 00:03:45,310 --> 00:03:46,450 They come together. 60 00:03:46,450 --> 00:03:51,050 I would select all the keyframes press 9 to give them an easy ease. 61 00:03:51,070 --> 00:03:52,240 I would go to the graph. 62 00:03:52,450 --> 00:03:54,830 And here now the art starts. 63 00:03:55,000 --> 00:04:02,570 I will Dignum and pushed him far for two seconds for example still having selected all of them. 64 00:04:02,800 --> 00:04:10,510 I will just press shift and move it this way and this guy make it a bit speedier from here I selected 65 00:04:10,570 --> 00:04:12,540 all the keyframes and that is what I've done. 66 00:04:12,550 --> 00:04:18,100 So he had to select all the conference call let me go back here and see how his Manumission know is 67 00:04:18,110 --> 00:04:23,420 that two seconds animation but it will work listicle less beautiful fine. 68 00:04:23,430 --> 00:04:24,250 Coming here. 69 00:04:24,250 --> 00:04:26,580 We don't want these two layers to come together. 70 00:04:26,620 --> 00:04:31,040 We can either move one of the layers or play with the keyframes. 71 00:04:31,120 --> 00:04:36,140 First of all I will move this player inside and then shorten the time. 72 00:04:36,280 --> 00:04:43,240 So actually it will start after but then it will speed up and gives you some kind of nice animation. 73 00:04:43,240 --> 00:04:44,550 Now what else can you do. 74 00:04:44,650 --> 00:04:49,860 Let's say this player here you can just move it a bit inside and this lair. 75 00:04:50,020 --> 00:04:51,630 I don't know I'll just leave it here. 76 00:04:51,640 --> 00:04:52,870 Let's look at our animation. 77 00:04:52,880 --> 00:04:54,750 I'll be happy from it. 78 00:04:54,760 --> 00:04:56,960 But it's a bit artistic just a bit. 79 00:04:57,090 --> 00:04:57,390 OK. 80 00:04:57,400 --> 00:05:00,610 You want to sit down and really work on it and make it very beautiful. 81 00:05:00,670 --> 00:05:02,280 I have created a math lab. 82 00:05:02,290 --> 00:05:08,590 How do I make it that track math if I come back to my composition here you'll notice that I have a pre-camp. 83 00:05:08,620 --> 00:05:11,260 There is nothing wrong in making a play comp a math. 84 00:05:11,290 --> 00:05:13,600 In fact aftereffects will allow you to do that. 85 00:05:13,630 --> 00:05:18,880 So I will come to the track here you open it you just click on the transfer here it will open it or 86 00:05:18,880 --> 00:05:20,760 close that depending on how it was. 87 00:05:20,980 --> 00:05:24,550 I would take the track made and ultimate to my last one. 88 00:05:24,560 --> 00:05:25,310 Here you are. 89 00:05:25,390 --> 00:05:31,290 OK it all disappeared but not this you have your math very beautiful there best part to play it. 90 00:05:31,290 --> 00:05:32,780 It's playing very nicely. 91 00:05:32,800 --> 00:05:34,000 Very beautiful. 92 00:05:34,000 --> 00:05:36,260 Now this is one way to do it of course. 93 00:05:36,430 --> 00:05:38,110 I do not have a background here. 94 00:05:38,110 --> 00:05:42,490 You could come and put the background and play with it like I've done in the samples I showed you in 95 00:05:42,490 --> 00:05:43,540 the beginning. 96 00:05:43,540 --> 00:05:46,740 So what is beautiful and practical about this kind Ahmad's. 97 00:05:46,750 --> 00:05:48,290 When you create a pickup. 98 00:05:48,330 --> 00:05:53,710 First of all when you come to the mat you are really at liberty to put any shape you want you can add 99 00:05:53,710 --> 00:06:00,850 chips here you can do any animation and you can use Shepler's or really compose inside the shape player 100 00:06:00,880 --> 00:06:06,420 in the content and make some very complicated animations and come up and make it Trackman. 101 00:06:06,540 --> 00:06:13,510 Since you have it recomposition you can come and do animation here for example I rotated 90 degrees. 102 00:06:13,510 --> 00:06:20,770 Then come see it then come and move it to over here for example something like this if you like. 103 00:06:21,040 --> 00:06:26,260 And then hides it again and it becomes a different matter so you have done something different. 104 00:06:26,270 --> 00:06:29,640 Also he can move it and say OK I wanted to here over here. 105 00:06:29,960 --> 00:06:32,090 OK that's one. 106 00:06:32,230 --> 00:06:35,130 And it's very beautiful and very practical. 107 00:06:35,140 --> 00:06:40,490 This is one math that we have created but also you can create different mats in the next lecture. 108 00:06:40,510 --> 00:06:45,970 I'm going to show you how to create a more advanced math using the repeater and using the ship's tricks 109 00:06:45,970 --> 00:06:46,710 and tips. 110 00:06:46,750 --> 00:06:47,490 I'll see you then.