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Hi guys in this lecture we are going to use animation for masks using the opacity of the mosque.



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And it's a bit tricky but I want to show you how to use it and how to create these kinds of video mats



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that are very useful later on.



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Let's take up our video composition over here and duplicate.



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We have video to Tejan in into video Mott's opacity.



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So you know very well what is happening.



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I would double click to open.



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I will come to the name here and say close other comps.



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So I have only this game that is opened the render is not on comp.



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Now I want to change the kind of animation I'm doing here.



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I have animated the ship.



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That's very good.



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Let's come here and read all this keyframes.



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So we have zero animation but what do we have if you come to the layer.



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Here we have the capacity.



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Now there is a small trick about that opacity the opacity can go to zero.



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Unfortunately for the first layer it will clear everything else.



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Let's put it back to 100.



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But for the second layer if you open opacity it will work very fine for you.



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You see you have you can darken it or make it opaque.



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And this is transparent.



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The trick here is if you want to use the first layer opacity we need to create a layer before and we



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are hided around here.



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So it becomes the major layer.



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I would select the solid layer and click and make a small rectangle here and take the mask six now and



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put it on top and say I would rename it to hidden actually.



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I would lock it later on a press enter.



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So now let's do this more trick.



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The first mask I'm going to inverted and then the second mask here I'm going to put it subsect.



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So it's good except this one we are going to lock so we don't touch.



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Now we like fiddle with the opacity.



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Not as I have it nontransparent transparent the same for all the other layers.



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Cool.



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So let's come to one second and we want them all nontransparent so I keyframe the past to here come



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to this one keyframe the opacity or so I would come to opacity.



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Copy go to the next mass based opacity go to the third mask based again the first mask base and paste



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again.



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Now I stick light.



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Bless you and you have the opacity all keyframe.



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I will come to the beginning here.



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Take the opacity to zero.



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Now I will copy the opacity Control-C come to the second mass control V it can do the third mass control.



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You see it's happening.



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This one called Revie and Contrave.



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I am so lazy and I love it.



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Now not what's happening.



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The opacity is playing its role but of course we're not going to leave it like this.



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What you'll want to do is first of all to make it a bit shorter.



49

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OK then take the keyframes and start moving them on the side.



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Just like this you can put the timing you want.



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I don't know if I am doing good timing by the way but we will test and see OK.



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Let's run our own emission.



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Could you see what that appearing fine.



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So we created video might opacity.



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Let's take the video clip create a new composition with the video clip.



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Take our latest one which is video posted.



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Drop it on top.



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Running low on ammunition.



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And here we are we have it fantastically working right click on the mask if you like transform and see



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fit to come up and you have a very nice animation here with the opacity.



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And I have seen this in very many professional sites.



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Now of course what we have to do is to come out of opacity go to composition say to render you come



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to the best setting if we don't need messaging we wanted best and we got the last less you will actually



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turn it into a quick time Aggi plus Alfar that's very easy.



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And we have the mission is special 100 percent we're happy from everything we know what is going to



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render and render it in two seconds.



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Right click and import file.



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Now it's called Video Martes with something else.



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Now it's video Mott's opacity with a mistake in spelling but it's ok.



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I think you would forgive me.



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Good.



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So we have it here.



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Let's take our video.



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Create a new camp and take our video motet and drop it on top.



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And here you are.



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You have it at 100 percent.



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Let's play it.



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We think sometimes to render up we can come back here we see transform and fit to come up.



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So now you have your mat video that you can put anywhere you want.



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Thank you very much for listening.



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I hope this section was very useful to what you can do and what I do sometimes if I have time free and



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I feel like it I will go and create so many of these in many many fashions with firework stories like



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this and so on and just store them as my video library.



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It's very useful.



85

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Actually I will use one over 100 when there is a need.



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But the ideas that are there are very good and they helped me create even more and more.



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Thanks for listening.



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I'll see you in the next section or in the next lecture.