Let's play some tricks with the adjustment there.
First of all I want to read Kalorama it's a kill of course and then we use back didn't didn't really
do for us.
Gynt and drop it on the adjustment that he had and she is everything to Bradley for example.
OK.
Something like this go let's take the adjustment lead and put on top coat.
That's it.
Now I want to introduce the globe.
OK.
So the glow is very nice and very beautiful.
I drop it on the adjustments there and here the oil.
Everything is glowing.
It is not like exactly what I wanted because I don't want all the layers to find what I can do is layer
in you.
Another adjustment layer.
It comes on top.
I would put it down and come to this land.
The glow from here and take the globe again and put it on the second adjustment there.
Now not all the layers are glowing.
Only the layers under adjustment too.
So now we have just one layer one.
It gives its effect to all the layers including the adjustment that in between.
But of course it's not seen the adjustment.
Now if you go to the second one and you know how big the glow or change the alpha channel or do something
is going to affect the rest.
Now you know you have an adjustment layer here that has green but that is a layer.
If I remove it's a solid layer.
So I will come to start here and draw a star.
I will place in the middle and try to draw it.
And here you can use your cursor to OD and make it a bit thicker for example.
Any kind that you want.
That's OK.
Something like this.
Now not exactly what happened if I select only whatever is in the mask has been adjusted so you can
apply a mask to the adjustment that I'm better than that because can't do rotation for example keyframe
rotation go after a few seconds or at the end and give it three rotations.
Now I actually am rotating the lead not to look at the letter.
Don't look at the how it's going to rotate just watch what's the color are doing.
Now this is a fantastic animation now just with an adjustment layer and a mask.
Look what happened now I'm just colorizing certain areas and moving areas of all the layers below.
Now I have the blow here which I can do the same.
This is a complicated grow but nevertheless this is the radius.
You make it bigger a bit and the grow intensity.
And here you are you know this is what's happening here.
So actually using the adjustment layer to adjust other layers or to introduce effects without touching
the layers is a very practical and very convenient when you have several layers.
Now there is more than that if you have a couple of videos there and you have made a merge or a blender
then you want to adjust the colors or you want to adjust the glow or maybe even the blur.
You can really do that very easily with the adjustment there.
Let's move on to the next lecture where I'm going to show you a couple of more tricks that are very
important.