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Let's play some tricks with the adjustment there.



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First of all I want to read Kalorama it's a kill of course and then we use back didn't didn't really



3

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do for us.



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Gynt and drop it on the adjustment that he had and she is everything to Bradley for example.



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OK.



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Something like this go let's take the adjustment lead and put on top coat.



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That's it.



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Now I want to introduce the globe.



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OK.



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So the glow is very nice and very beautiful.



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I drop it on the adjustments there and here the oil.



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Everything is glowing.



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It is not like exactly what I wanted because I don't want all the layers to find what I can do is layer



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in you.



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Another adjustment layer.



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It comes on top.



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I would put it down and come to this land.



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The glow from here and take the globe again and put it on the second adjustment there.



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Now not all the layers are glowing.



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Only the layers under adjustment too.



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So now we have just one layer one.



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It gives its effect to all the layers including the adjustment that in between.



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But of course it's not seen the adjustment.



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Now if you go to the second one and you know how big the glow or change the alpha channel or do something



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is going to affect the rest.



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Now you know you have an adjustment layer here that has green but that is a layer.



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If I remove it's a solid layer.



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So I will come to start here and draw a star.



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I will place in the middle and try to draw it.



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And here you can use your cursor to OD and make it a bit thicker for example.



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Any kind that you want.



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That's OK.



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Something like this.



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Now not exactly what happened if I select only whatever is in the mask has been adjusted so you can



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apply a mask to the adjustment that I'm better than that because can't do rotation for example keyframe



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rotation go after a few seconds or at the end and give it three rotations.



37

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Now I actually am rotating the lead not to look at the letter.



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Don't look at the how it's going to rotate just watch what's the color are doing.



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Now this is a fantastic animation now just with an adjustment layer and a mask.



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Look what happened now I'm just colorizing certain areas and moving areas of all the layers below.



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Now I have the blow here which I can do the same.



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This is a complicated grow but nevertheless this is the radius.



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You make it bigger a bit and the grow intensity.



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And here you are you know this is what's happening here.



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So actually using the adjustment layer to adjust other layers or to introduce effects without touching



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the layers is a very practical and very convenient when you have several layers.



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Now there is more than that if you have a couple of videos there and you have made a merge or a blender



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then you want to adjust the colors or you want to adjust the glow or maybe even the blur.



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You can really do that very easily with the adjustment there.



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Let's move on to the next lecture where I'm going to show you a couple of more tricks that are very



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important.