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In this lecture I want to take the opportunity to show you something else or so about adjustment that



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and how you can use them somehow in transitions.



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Let's say that you got your letter and sent you an ad an adjustment.



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So now you have your adjustment clearly has no effect on it.



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Let's go to for example effect and we look at transform.



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OK.



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There is a magical one called the transform and it's a very beautiful transform will introduce an effect



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that is about the transformation that you upscaled skew rotation opacity.



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The other angle or whatever even position.



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Now this is very important when you come to the adjustment layer like we said I don't know if you said



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it if you use the scale here.



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Nothing is going to happen.



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OK guys because you are skinning the layer and it's not an effect that descaling so no layers below



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that adjustment layer is affected.



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I would have done this to 100 percent good.



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So if I use an effect and I scare you not is the whole thing on a scale meaning all the layers below



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are going to be affected by this effect which is a scale that's pretty interesting what animation you



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can do here is easy come to the beginning for example and you say OK we keyframe the scale at one hundred



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for example and then go back bless you and get our keyframes to see them.



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Then after some time here for example you hike to make its way big.



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And then after some time you'll have to make it 100 percent again or 100 sorry area.



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Now you have a very nice animation very simple.



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So it comes in as everything is coming towards you.



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And then everything will go backwards using the scale.



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We are not in 3D here but it's somehow very nice.



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Any machine you can use it to zoom in many layers.



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If you have a hard if you have you know so many ideas you can have here using the transform inside the



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adjustment layer.



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Something else I want to draw your attention let me remove this one this bullet as 100 is at one hand



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remove the keyframes.



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Good.



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I'm going to hike the blade to 150 but I love to use the hole that I can use a portion of the lever.



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In short I can make the you as small or as big as I want.



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That is pretty nice but also I can only make her and that will be very interesting.



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Let's take the adjustment lead position for example Heike the scale a bit.



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Let's take it for a minute.



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And then this position will put it outside guys.



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Then we come up a few frames here.



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We take this and it Swype and comes out.



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So now we have this very simple animation.



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But then let's come after a few seconds here.



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Keyframe again then move a bit in the timeline.



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Hold it and take it out.



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So it is outside the camp.



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What is what's happening is like it is sweer being totally fine.



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I will take my GASTEYER open opacity Presti and at the beginning here in the opacity the what I want



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to do let's zoom in just when this guy is not yet out I'm going to give him go past year zero.



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Then when these guys come in you see the ghost is supposed to still be showing just from here again



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at school then when he comes here I want the girls to be 100 percent hero or not this it is like this



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that I was introduced to Ghost and then when we come here we keyframe again at 100 percent and before



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it comes out I say over here in fact here we want it at 0 percent.



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No not what's happening guys.



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It's amazing.



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It introduce the ghosts and it goes into there's the ghost Yes.



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OK here's the ghost and becomes more and then we have the ghost disappearing totally.



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Here you are.



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This is a very simple animation.



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Get it here because I want to make it simple just to show you.



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Thanks very much for listening.



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I'll see you in the next lecture.