1
00:00:07,675 --> 00:00:10,711
"MELISSA & JOEY" IS RECORDED IN
FRONT OF A LIVE STUDIO AUDIENCE.

2
00:00:10,744 --> 00:00:13,681
LENNOX, I LOVE THE DRESS.
YOU HAVE GREAT STYLE.

3
00:00:13,714 --> 00:00:16,684
THANK ME VERY MUCH. OKAY,
NOW ONTO FOOTWEAR.

4
00:00:16,717 --> 00:00:18,719
REMEMBER, THE DANCE
IS SEMIFORMAL

5
00:00:18,752 --> 00:00:20,721
AND I DON'T WANT TO LOOK
LIKE I CARE THAT MUCH.

6
00:00:20,754 --> 00:00:23,391
'CAUSE YOU DON'T. I
MEAN CLEARLY YOU DON'T.

7
00:00:24,692 --> 00:00:27,095
- ALL RIGHT, SHOES.
- READY? LEG THING.

8
00:00:27,128 --> 00:00:29,297
RETRO IRONIC.

9
00:00:29,330 --> 00:00:31,599
HIPSTER BADASS.

10
00:00:31,632 --> 00:00:34,102
IRONIC AND BADASS.

11
00:00:34,135 --> 00:00:37,405
WHY CAN'T WOMEN PICK OUT
CLOTHES FOR THEMSELVES?

12
00:00:37,438 --> 00:00:41,275
BECAUSE YOU CAN'T SAY, "OH MY GOD,
YOU LOOK SO CUTE" TO YOURSELF.

13
00:00:42,610 --> 00:00:44,145
ALL RIGHT, WHICH SHOE
IS MORE UNCOMFORTABLE?

14
00:00:44,178 --> 00:00:46,747
- COMBAT BOOT.
- COMBAT BOOT IT IS.

15
00:00:46,780 --> 00:00:48,649
MAKES YOU WONDER HOW
SOLDIERS DANCE.

16
00:00:48,682 --> 00:00:51,152
ALL RIGHT, SHOW ME SWEATERS.

17
00:00:51,185 --> 00:00:52,720
OH, I ALREADY DECIDED.

18
00:00:52,753 --> 00:00:55,389
NO! ALL ON YOUR OWN?

19
00:00:55,423 --> 00:00:57,125
I THOUGHT YOU NEEDED TWO KEYS

20
00:00:57,158 --> 00:01:00,194
AND A SECRET PASSCODE
TO DEPLOY A SWEATER.

21
00:01:00,228 --> 00:01:03,164
THIS ONE FOR AT NIGHT AND
THIS ONE FOR IN THE MORNING.

22
00:01:03,197 --> 00:01:07,668
IN THE MORNING? I-I-I THOUGHT THIS
DANCE ENDS PROMPTLY AT 11:00 P.M.

23
00:01:07,701 --> 00:01:10,671
YES, BUT AFTERWARDS THERE'S AN
ALL-NIGHT PARTY THAT LASTS...

24
00:01:10,704 --> 00:01:13,674
YOU'RE NOT GONNA BELIEVE THIS...
ALL NIGHT.

25
00:01:13,707 --> 00:01:16,377
IT DOESN'T SAY IT ON THE FLYER.

26
00:01:17,678 --> 00:01:21,649
"ALL-NIGHT PARTY."

27
00:01:21,682 --> 00:01:23,717
- IT'S RIGHT THERE ON THE FLYER.
- YEAH.

28
00:01:23,751 --> 00:01:25,719
HE JUST MISSED IT.

29
00:01:25,753 --> 00:01:27,388
HOW COME I DIDN'T
KNOW ABOUT THIS?

30
00:01:27,421 --> 00:01:30,691
WELL, I GUESS BECAUSE I DON'T
LOVE THE LECTURE SO MUCH.

31
00:01:30,724 --> 00:01:33,727
I DON'T LECTURE. I INFORM.
I GUIDE. I INSTRUCT.

32
00:01:33,761 --> 00:01:36,597
YOU BORE. YOU BULLY. YOU BLAH.

33
00:01:36,630 --> 00:01:40,100
OH, I NEED TO SHOW
YOU EARRING OPTIONS.

34
00:01:40,134 --> 00:01:41,602
DID YOU GO IN MY
JEWELRY BOX AGAIN?

35
00:01:41,635 --> 00:01:44,705
ACTUALLY, NEVER MIND.

36
00:01:46,374 --> 00:01:48,309
YOU KNOW, BURKE, SOMETIMES
I THINK YOU INTENTIONALLY

37
00:01:48,342 --> 00:01:50,378
WITHHOLD INFORMATION FROM
ME JUST TO PISS ME OFF.

38
00:01:50,411 --> 00:01:52,146
I DO NOT DO IT TO PISS YOU OFF.

39
00:01:52,180 --> 00:01:54,715
I DO IT TO MAKE ME LAUGH.

40
00:01:54,748 --> 00:01:57,585
OH, YOU LOOK SO CUTE IN THAT.

41
00:01:57,618 --> 00:01:59,119
( theme music playing )

42
00:01:59,153 --> 00:02:02,256
♪ I GUESS YOU'RE STUCK ♪

43
00:02:02,290 --> 00:02:04,758
♪ WITH ME ♪

44
00:02:06,227 --> 00:02:07,661
SO YOU'RE REALLY
OKAY WITH LENNOX

45
00:02:07,695 --> 00:02:10,164
- GOING TO THIS -
YES, I AM.PARTY?

46
00:02:10,198 --> 00:02:12,633
AND YOU'RE AWARE THAT YOU'VE
CHECK TO GO HAVE SEX? BLANK

47
00:02:12,666 --> 00:02:14,168
IS THAT WHAT I'VE DONE?

48
00:02:14,202 --> 00:02:17,104
IT DOESN'T SAY ANYTHING
ABOUT THAT ON THE FLYER.

49
00:02:17,137 --> 00:02:18,639
IT DOESN'T? ARE YOU SURE?
LET ME...

50
00:02:18,672 --> 00:02:22,610
I COULD HAVE SWORN I
SAW THAT SOMEWHERE.

51
00:02:22,643 --> 00:02:25,213
LOOK AT THAT, SEE?
YOU JUST MISSED IT.

52
00:02:25,246 --> 00:02:27,781
IT'S HARD TO BELIEVE IN
HER SOCIAL LIFE. YOU

53
00:02:27,815 --> 00:02:29,717
I JUST WANT TO MAKE SURE
SOMEBODY'S ON TOP OF THIS.

54
00:02:29,750 --> 00:02:32,653
YEAH WELL, DON'T WORRY. ALL
THE TIME.K ABOUT THIS STUFF

55
00:02:32,686 --> 00:02:35,556
REALLY? YOU TALK TO
HER ABOUT HAVING...

56
00:02:35,589 --> 00:02:37,591
THAT?

57
00:02:37,625 --> 00:02:39,793
YES WE DO BECAUSE
TEENAGERS HAVE SEX.

58
00:02:39,827 --> 00:02:42,463
SEX SEX SEX SEX SEX SEX SEX!

59
00:02:42,496 --> 00:02:43,664
ARE YOU DONE?

60
00:02:43,697 --> 00:02:45,799
SEX! DONE NOW.

61
00:02:45,833 --> 00:02:48,636
ANYWAY, I KNOW THAT LENNOX
IS NOT READY FOR THAT.

62
00:02:48,669 --> 00:02:50,471
- REALLY?
- SHE TOLD ME.NOW THAT?

63
00:02:50,504 --> 00:02:52,340
OH, SHE TOLD YOU.

64
00:02:52,373 --> 00:02:54,242
OH WELL, I FEEL SO
MUCH BETTER NOW.

65
00:02:54,275 --> 00:02:57,278
COME ON, MEL, WHEN YOU
EVER LIE TO YOUR MOTHER?

66
00:02:57,311 --> 00:03:00,614
OH YEAH. YEAH, BUT
ONLY WHEN WE TALKED.

67
00:03:00,648 --> 00:03:02,783
LOOK, I AM NOT LENNOX'S MOTHER.

68
00:03:02,816 --> 00:03:04,885
SHE AND I ARE REALLY CLOSE.
I TRUST HER.

69
00:03:04,918 --> 00:03:08,322
THERE'S SOMEONE ELSE
TAKING HER TO THE DANCE.UY

70
00:03:08,356 --> 00:03:10,258
- I DON'T KNOW IF I TRUST HIM.
- YOU KNOW NOTHING ABOUT HIM.

71
00:03:10,291 --> 00:03:13,561
I KNOW HE'S A TEENAGE BOY.
TO CONVICT.THAT'S ENOUGH

72
00:03:13,594 --> 00:03:15,829
ALL RIGHT, HIS NAME
IS BRENDAN FLYNN.

73
00:03:15,863 --> 00:03:17,698
SHE'S TOLD ME ALL ABOUT HIM.
THEY'VE BEEN GOING OUT

74
00:03:17,731 --> 00:03:20,234
FOR FOUR WEEKS NOW A
BADBOY.VE ME, HE'S NOT

75
00:03:20,268 --> 00:03:23,271
AFTER YEARS OF TRAINING,
BADBOYDAR.HLY-DEVELOPED

76
00:03:23,304 --> 00:03:24,872
IT'S MY SUPERPOWER.

77
00:03:24,905 --> 00:03:27,708
WHAT DO THEY FLASH UP
IN THE SKY FOR THAT?

78
00:03:27,741 --> 00:03:29,577
IT DOESN'T STOP CRIME BUT
IT COMES IN VERY HANDY

79
00:03:29,610 --> 00:03:31,779
WHEN THERE'S A TEENAGE
GIRL IN THE HOUSE.

80
00:03:31,812 --> 00:03:33,614
HEY, GUYS. WITH HOLLY
AND CHARLOTTE.M

81
00:03:33,647 --> 00:03:35,916
HEY, IF YOU GUYS ARE GONNA
UP THERE, SHUT THE DOOR.

82
00:03:35,949 --> 00:03:37,918
GOT IT.

83
00:03:42,723 --> 00:03:46,627
BURKE, YOU JUST LET WITH
TWO GIRLS.O UPSTAIRS

84
00:03:46,660 --> 00:03:49,297
- IT'S RYDER.
- OH YEAH, YOU'RE RIGHT.

85
00:03:52,232 --> 00:03:54,568
OH, EXCUSE ME, CHARLOTTE.

86
00:03:54,602 --> 00:03:56,737
I THINK MY BOYFRIEND
WANTS TO SIT NEXT TO ME.

87
00:03:56,770 --> 00:03:58,672
OH SURE, HOLLY.

88
00:03:58,706 --> 00:04:00,874
HOW ABOUT IF I JUST
SIT IN THE MIDDLE...

89
00:04:00,908 --> 00:04:03,944
OF THE SEAT YOU ASSIGNED ME?

90
00:04:05,813 --> 00:04:08,416
EACH STUDY GROUP WILL
MAKE A PRESENTATION

91
00:04:08,449 --> 00:04:11,285
ON THE SIGNIFICANCE ASSIGNED NOVEL.
THEIR

92
00:04:11,319 --> 00:04:13,287
I ALREADY GOOGLED
"HUMAN BONDAGE."

93
00:04:13,321 --> 00:04:15,656
NOT A LOT OF STUFF
ABOUT THE BOOK.

94
00:04:15,689 --> 00:04:17,625
THE TITLE SAYS IT ALL.

95
00:04:17,658 --> 00:04:19,927
PHILLIP IS HELD PRISONER,
A KIND OF BONDAGE,

96
00:04:19,960 --> 00:04:21,795
BY HIS LOVE FOR MILDRED.

97
00:04:21,829 --> 00:04:23,831
I DON'T KNOW WHY HE STAYS WITH HER.
SHE'S SO CRUEL.

98
00:04:23,864 --> 00:04:25,766
YEAH, YOU WONDER
WHAT THE POOR GUY...

99
00:04:25,799 --> 00:04:27,701
OH, HE'S A WUSS.

100
00:04:27,735 --> 00:04:31,539
MILDRED IS JUST TRYING TO
HELP HIM SHAPE UP, BE A MAN.

101
00:04:31,572 --> 00:04:34,308
- ISN'T THAT CORRECT, RYDER?
- I DISAGREE.

102
00:04:35,509 --> 00:04:37,378
EXCUSE ME?

103
00:04:37,411 --> 00:04:40,648
I JUST THINK MILDRED IS UNREDEEMABLE
FOR THE WAY THAT SHE ABUSES PHILLIP.

104
00:04:40,681 --> 00:04:43,784
CHARLOTTE, WOULD YOU BE A DEAR AND
GET US ALL SOMETHING TO DRINK?

105
00:04:43,817 --> 00:04:46,954
- THANK YOU SO MUCH.
- OH, OKAY.

106
00:04:49,657 --> 00:04:52,460
YOU KNOW, I THINK CHARLOTTE IS A
GREAT ADDITION TO OUR STUDY GROUP.

107
00:04:52,493 --> 00:04:55,863
YEAH, IT'S TOO BAD WE'RE
GONNA HAVE TO LET HER GO.

108
00:04:55,896 --> 00:04:57,365
WHAT?

109
00:04:57,398 --> 00:04:58,966
DID YOU SEE THE WAY
SHE ATTACKED ME?

110
00:04:58,999 --> 00:05:01,469
HOW ARE WE GONNA EXPLAIN
TO HER THAT SHE'S OUT?

111
00:05:01,502 --> 00:05:03,837
JUST BREAK IT TO HER GENTLY.

112
00:05:03,871 --> 00:05:07,641
YOU KNOW, LIKE WHEN YOU PULL OFF A
BAND-AID SLOWLY SO IT DOESN'T HURT.

113
00:05:09,009 --> 00:05:10,778
I THINK THAT MAKES IT HURT MORE.

114
00:05:12,680 --> 00:05:14,415
DOES IT?

115
00:05:16,784 --> 00:05:18,652
HEY, BRENDAN, YOU GONNA
STAY FOR DINNER?

116
00:05:18,686 --> 00:05:20,921
- YOU WANT ME TO PUT A PLATE OUT FOR YOU?
- WISH I COULD, MISS BURKE.

117
00:05:20,954 --> 00:05:23,757
BUT MY MOM HAS TO WORK LATE SO I NEED
TO COOK DINNER FOR MY LITTLE BROTHERS.

118
00:05:23,791 --> 00:05:26,427
WELL, AREN'T YOU RESPONSIBLE?

119
00:05:26,460 --> 00:05:29,697
BE NICE IF SOME PEOPLE IN THIS HOUSE
STARTED DOING MORE THINGS FOR THEMSELVES.

120
00:05:29,730 --> 00:05:31,932
JOE, I WANT DINNER!

121
00:05:31,965 --> 00:05:33,967
WHERE THE HELL IS THAT GUY?

122
00:05:34,001 --> 00:05:36,036
WELL, I'LL SEE YOU
TOMORROW NIGHT.

123
00:05:36,069 --> 00:05:37,738
AND TRY NOT TO LOOK
TOO BEAUTIFUL.

124
00:05:37,771 --> 00:05:40,408
- IT'S NOT FAIR TO THE OTHER GIRLS.
- OH, SHUT UP.

125
00:05:45,813 --> 00:05:47,781
- HELLO.
- ( gasps )

126
00:05:47,815 --> 00:05:49,683
AND WE'RE OFF TO A GOOD START.

127
00:05:49,717 --> 00:05:51,952
SIT.

128
00:05:51,985 --> 00:05:54,087
YOU'RE BRENDAN, RIGHT?

129
00:05:54,121 --> 00:05:55,823
YES SIR. YOU MUST BE JOE.

130
00:05:55,856 --> 00:05:58,526
YES I MUST, AT ALL TIMES.

131
00:05:59,860 --> 00:06:02,062
YOU KNOW, SOMEBODY WAS
CALLING YOU ABOUT DINNER.

132
00:06:02,095 --> 00:06:04,331
YEAH, THAT'S NOT REALLY
YOUR CONCERN, SON.

133
00:06:04,364 --> 00:06:07,568
SO YOU'RE THE GUY TAKING
LENNOX TO THIS DANCE, HUH?

134
00:06:07,601 --> 00:06:10,438
SO WHAT KIND OF DANCE DO YOU LIKE? YOU
LIKE FAST DANCE, SLOW DANCE, WHAT?

135
00:06:10,471 --> 00:06:13,507
- UM, FAST DANCE, SIR.
- IT'S A GOOD ANSWER.

136
00:06:13,541 --> 00:06:15,709
WHY DON'T YOU SHOW
ME A FEW MOVES?

137
00:06:16,844 --> 00:06:19,379
- WAIT, REALLY?
- YEAH. YEAH.

138
00:06:19,413 --> 00:06:20,714
UP UP UP UP. LET'S GO, COME ON.

139
00:06:22,015 --> 00:06:23,784
UM...

140
00:06:30,023 --> 00:06:33,694
YOU CAN SIT BACK DOWN NOW.
THANK YOU.

141
00:06:33,727 --> 00:06:36,664
LOOK, I JUST WANT TO MAKE SURE
THAT AFTER THIS ALL-NIGHT PARTY

142
00:06:36,697 --> 00:06:39,500
LENNOX IS RETURNED TO THIS HOUSE IN
THE SAME CONDITION THAT SHE LEFT.

143
00:06:39,533 --> 00:06:42,536
- GOT IT?
- YES SIR. I THINK SO.

144
00:06:42,570 --> 00:06:44,672
NO NO NO. YOU DON'T
THINK, ALL RIGHT?

145
00:06:44,705 --> 00:06:47,107
YOU JUST DO. OR IN THIS CASE,

146
00:06:47,140 --> 00:06:50,444
YOU DON'T DO. ARE WE CLEAR?

147
00:06:50,478 --> 00:06:52,813
- VERY CLEAR.
- GOOD.

148
00:06:52,846 --> 00:06:55,048
NOW LOOK...

149
00:06:55,082 --> 00:06:57,818
I'M GONNA PUNCH YOU IN THE FACE TWICE.
YOU READY?

150
00:06:59,953 --> 00:07:02,490
OKAY.

151
00:07:02,523 --> 00:07:05,826
I'M JUST KIDDING. I'M NOT
GONNA PUNCH YOU IN THE FACE.

152
00:07:05,859 --> 00:07:08,462
WELL, I MAY PUNCH YOU IN THE FACE, BUT
WHY DON'T YOU JUST GO HOME, OKAY?

153
00:07:11,431 --> 00:07:14,568
YOU SHOULD BE OVER THERE AT THE MEETING.
THEY NEED YOU.

154
00:07:14,602 --> 00:07:16,604
LOOK, I GOT THE CITY CONTROLLER
AND THE TRANSIT LEADER

155
00:07:16,637 --> 00:07:18,138
IN THE SAME ROOM TOGETHER
WITH NO SHARP OBJECTS

156
00:07:18,171 --> 00:07:20,173
AND A DOUGHNUT SAMPLER.
IT'LL BE FINE.

157
00:07:20,207 --> 00:07:23,811
WE'RE FOUR HOURS AWAY FROM A STRIKE
DEADLINE. THINGS ARE GETTING CRITICAL.

158
00:07:23,844 --> 00:07:27,014
THIS IS CRITICALLER.
LENNOX NEEDS LIPSTICK.

159
00:07:27,047 --> 00:07:29,683
THE SEMIFORMAL IS IN A COUPLE OF
HOURS AND SHE'S COUNTING ON ME

160
00:07:29,717 --> 00:07:31,785
TO BRING HOME THE RIGHT SHADE.
AND IF I MESS THIS UP

161
00:07:31,819 --> 00:07:34,421
SHE'LL NEVER LET ME RUN
ERRANDS FOR HER AGAIN.

162
00:07:34,454 --> 00:07:36,724
FINE, WHAT ARE WE LOOKING FOR?

163
00:07:36,757 --> 00:07:39,727
SHE SAID SHE WANTS THE
COLOR OF BUBBLEGUM.

164
00:07:39,760 --> 00:07:42,863
GROSS, BUT ACTUALLY HELPFUL.

165
00:07:42,896 --> 00:07:46,767
CRISIS AVERTED. SO TELL ME ABOUT
THE GUY SHE'S GOING WITH.

166
00:07:46,800 --> 00:07:49,837
OH, BRENDAN'S A SWEETHEART.
HE'S GOT BROWN HAIR.

167
00:07:49,870 --> 00:07:52,640
YOU KNOW, NERDY CUTE.
VERY RESPONSIBLE.

168
00:07:52,673 --> 00:07:54,808
IN FACT HE LOOKS A LOT
LIKE THAT BOY OVER THERE.

169
00:07:54,842 --> 00:07:55,943
WAIT, ACTUALLY THAT IS HIM.

170
00:07:58,612 --> 00:08:01,782
- THE ONE BUYING CONDOMS?
- UH-HUH.

171
00:08:01,815 --> 00:08:04,084
HE IS RESPONSIBLE.

172
00:08:15,996 --> 00:08:19,600
LENNOX, I NEED TO TALK
TO YOU RIGHT AWAY!

173
00:08:19,633 --> 00:08:21,535
NOTHING IMPORTANT!

174
00:08:21,569 --> 00:08:23,503
LENNOX IS NOT HERE, MEL.
SHE HAD TO RUN OUT

175
00:08:23,537 --> 00:08:25,573
FOR SOME LAST MINUTE
DANCE-RELATED EMERGENCY.

176
00:08:25,606 --> 00:08:28,909
AND THEN I SORT OF TUNED HER OUT...
SELF-PRESERVATION

177
00:08:28,942 --> 00:08:31,812
WELL, I GOT HER THE
LIPSTICK SHE ASKED FOR.

178
00:08:31,845 --> 00:08:34,214
AND WHILE I WAS AT THE DRUGSTORE,
FUNNIEST THING IN THE WORLD...

179
00:08:34,247 --> 00:08:37,517
WELL, YOU KNOW, NOT FUNNY
HA-HA, BUT FUNNY WEIRD...

180
00:08:37,551 --> 00:08:40,621
I SAW A TEENAGE BOY
BUYING CONDOMS.

181
00:08:40,654 --> 00:08:42,623
WHAT'S FUNNY ABOUT THAT?

182
00:08:42,656 --> 00:08:46,493
UH, THE FUNNY PART IS
THAT IS WAS BRENDAN.

183
00:08:46,526 --> 00:08:47,995
( laughs )

184
00:08:48,028 --> 00:08:50,530
( laughs ) THAT IS FUNNY.

185
00:08:50,564 --> 00:08:52,232
HE'S A DEAD MAN.

186
00:08:52,265 --> 00:08:54,835
I MEAN BOYS BUY CONDOMS
ALL THE TIME, RIGHT?

187
00:08:54,868 --> 00:08:57,771
'CAUSE THEY THINK THEY'RE GONNA GET
LUCKY, BUT I KNOW LENNOX AND...

188
00:08:57,805 --> 00:09:00,941
AND... AND I KNOW LENNOX.

189
00:09:00,974 --> 00:09:04,544
AND CLEARLY BRENDAN WANTS
TO GET TO KNOW LENNOX TOO.

190
00:09:04,578 --> 00:09:06,279
- DO YOU ALWAYS HAVE TO GO THERE?
- I'M A GUY.

191
00:09:06,313 --> 00:09:09,750
I DON'T HAVE TO GO ANYWHERE.
THAT'S WHERE WE LIVE.

192
00:09:09,783 --> 00:09:11,985
- SO YOU'RE NOT WORRIED ABOUT THIS AT ALL?
- NO, NOT AT ALL.

193
00:09:12,019 --> 00:09:13,987
NOT AT ALL AFTER THE TALKS
I'VE HAD WITH LENNOX.

194
00:09:14,021 --> 00:09:16,523
I MEAN, IF SHE WAS PLANNING ON DOING
SOMETHING TONIGHT SHE WOULD HAVE TOLD ME.

195
00:09:16,556 --> 00:09:19,559
DID SHE BY ANY CHANCE MENTION
WHERE SHE WAS GOING?

196
00:09:19,593 --> 00:09:22,663
- ( phone beeps )
- OH, A TEXT FROM LENNOX

197
00:09:22,696 --> 00:09:24,531
TELLING ME WHAT SHE'S DOING.

198
00:09:24,564 --> 00:09:27,635
"BACK SOON. AT THE SALON.
GETTING WAXED."

199
00:09:30,704 --> 00:09:33,573
OKAY, SO LET'S JUST
RECAP, SHALL WE?

200
00:09:33,607 --> 00:09:35,308
THE BOY IS OUT BUYING CONDOMS

201
00:09:35,342 --> 00:09:37,878
AND THE GIRL JUST
FINISHED GETTING WAXED.

202
00:09:37,911 --> 00:09:39,880
SURE YOU'RE NOT
WORRIED ABOUT THIS?

203
00:09:39,913 --> 00:09:42,582
WHEN YOU PUT THEM IN THE SAME SENTENCE,
OF COURSE IT SOUNDS SUSPICIOUS.

204
00:09:42,616 --> 00:09:45,085
- HOW ELSE CAN YOU PUT IT?
- IT COULD MEAN ALL KINDS OF THINGS.

205
00:09:45,118 --> 00:09:46,787
THIS THING YOU'RE
DOING RIGHT NOW,

206
00:09:46,820 --> 00:09:49,690
IS THIS PARTIAL DENIAL OR
IS IT JUST TOTAL DENIAL?

207
00:09:49,723 --> 00:09:51,759
TOTAL. WHEN I MAKE A
CHOICE I AM ALL IN.

208
00:09:53,126 --> 00:09:55,262
JOE, WHAT DO WE DO?

209
00:09:55,295 --> 00:09:56,997
I DON'T KNOW. WHY
ARE YOU ASKING ME?

210
00:09:57,030 --> 00:09:59,199
I'M NOT THE ONE WHO HAD ALL THESE
DEEP AMAZING CONVERSATIONS

211
00:09:59,232 --> 00:10:02,636
WITH LENNOX ABOUT BOYS AND GIRLS
AND, YOU KNOW, ALL-NIGHT PARTIES.

212
00:10:02,670 --> 00:10:04,872
LOOK, THERE MAY HAVE
BEEN SOME THINGS

213
00:10:04,905 --> 00:10:07,607
THAT I DIDN'T COVER IN
MY TALKS WITH LENNOX.

214
00:10:07,641 --> 00:10:10,043
WHEN I WAS IN HIGH SCHOOL
AT MY FIRST ALL-NIGHT PARTY

215
00:10:10,077 --> 00:10:13,346
I HAD S-E-X.

216
00:10:14,715 --> 00:10:16,583
DID YOU MENTION THAT TO LENNOX?

217
00:10:16,616 --> 00:10:19,619
NO, I DIDN'T THINK I HAD TO BECAUSE,
YOU KNOW, BRENDAN SEEMED SO SWEET.

218
00:10:19,653 --> 00:10:21,621
OF COURSE HE SEEMED SWEET.
I WAS SWEET AT THAT AGE.

219
00:10:21,655 --> 00:10:24,324
THAT'S WHAT WE'RE SUPPOSED TO DO,
BE SWEET WHEN WE MEET THE PARENTS.

220
00:10:24,357 --> 00:10:26,259
SO YOU THINK HE'S
PRESSURING HER?

221
00:10:26,293 --> 00:10:29,763
LET'S SEE, A
HORMONAL TEENAGE BOY

222
00:10:29,797 --> 00:10:31,732
WITH A POCKETFUL OF CONDOMS...

223
00:10:31,765 --> 00:10:34,001
NAH, YOU KNOW, PROBABLY NOT.

224
00:10:34,034 --> 00:10:36,369
THE DANCE IS IN AN HOUR.

225
00:10:36,403 --> 00:10:38,672
I'VE GOT TO TALK TO LENNOX.

226
00:10:38,706 --> 00:10:40,708
OKAY, I'M JUST GONNA HAVE
TO ORGANIZE MY THOUGHTS,

227
00:10:40,741 --> 00:10:43,410
YOU KNOW, CLEARLY AND CONCISELY.

228
00:10:47,848 --> 00:10:50,083
AND SO YOU'RE HAVING
A GLASS OF WINE?

229
00:10:50,117 --> 00:10:53,053
WINE ORGANIZES ME.

230
00:10:58,425 --> 00:11:01,194
MM, HEY, HONEY. YOU'RE HOME.

231
00:11:01,228 --> 00:11:03,263
I'M RUNNING LATE, AUNT MEL.
I'VE GOT TO GET READY.

232
00:11:03,296 --> 00:11:04,965
NO NO NO, LET'S TALK.

233
00:11:04,998 --> 00:11:08,869
DID I EVER TELL YOU ABOUT
MY FIRST ALL-NIGHT PARTY?

234
00:11:08,902 --> 00:11:11,739
I'D LOVE TO HEAR IT, BUT
I DON'T HAVE ALL NIGHT.

235
00:11:11,772 --> 00:11:14,074
I ONLY BRING IT UP
BECAUSE, WELL, YOU KNOW,

236
00:11:14,107 --> 00:11:16,844
AT THESE KINDS OF
EVENTS THINGS HAPPEN

237
00:11:16,877 --> 00:11:19,379
WITH BOYS AND GIRLS

238
00:11:19,412 --> 00:11:21,348
AND CERTAIN PRESSURES.

239
00:11:21,381 --> 00:11:23,016
OH, I GOT IT.

240
00:11:23,050 --> 00:11:24,852
SEE, LOOK AT US COMMUNICATING.

241
00:11:24,885 --> 00:11:26,820
KEEPING IT REAL.

242
00:11:26,854 --> 00:11:28,421
SOMEBODY WILL BRING ALCOHOL.

243
00:11:28,455 --> 00:11:30,690
"HEY, LET'S GO FOR A RIDE."

244
00:11:30,724 --> 00:11:32,659
DON'T WORRY. I'M
NOT GOING TO DRINK

245
00:11:32,692 --> 00:11:34,327
AND MY FRIENDS AND I
ARE TAKING THE BUS.

246
00:11:34,361 --> 00:11:37,330
THAT'S GOOD. THAT'S GOOD.
BUT, WELL OKAY.

247
00:11:37,364 --> 00:11:40,667
- BRENDAN SEEMS LIKE A SWEET GUY.
- OH, HE IS.

248
00:11:40,700 --> 00:11:42,369
- ( doorbell rings )
- DAMN! ALL RIGHT.

249
00:11:42,402 --> 00:11:44,738
YOU KNOW WHAT? JUST STAY HERE.
MORE TO SAY.

250
00:11:47,875 --> 00:11:50,043
MEL, GUESS WHO
WANTED TO COME OVER?

251
00:11:50,077 --> 00:11:53,113
- DALE, PHIL.
- BURKE. NICE PLACE.

252
00:11:53,146 --> 00:11:54,848
THIS LOOKS LIKE A NO-SHOE HOUSE.

253
00:11:54,882 --> 00:11:56,917
NO NO NO NO. PLEASE
LEAVE THEM ON.

254
00:11:56,950 --> 00:12:00,954
UM, SO WHAT BRINGS
THE CITY CONTROLLER

255
00:12:00,988 --> 00:12:03,090
AND UNION BOSS TO MY
HOUSE SO UNINVITEDLY?

256
00:12:03,123 --> 00:12:04,457
PLEASE TELL ME IT'S JUST
TO USE THE BATHROOM.

257
00:12:04,491 --> 00:12:06,894
YOU DON'T LET ME
USE THE BATHROOM.

258
00:12:06,927 --> 00:12:08,996
THE NEGOTIATIONS BROKE DOWN

259
00:12:09,029 --> 00:12:10,831
AND THE ONLY PERSON
THEY'LL TALK TO IS YOU.

260
00:12:10,864 --> 00:12:12,465
OH MAN, BAD TIMING.

261
00:12:12,499 --> 00:12:15,168
- AUNT MEL, I'VE GOT TO GET DRESSED.
- DON'T LEAVE YET.

262
00:12:15,202 --> 00:12:17,905
YOU CAN STOP THE STRIKE, MEL.
YOU CAN BE A HERO.

263
00:12:17,938 --> 00:12:20,373
YOU COULD COME OUT OF THIS WITH
A DOG PARK NAMED AFTER YOU.

264
00:12:20,407 --> 00:12:23,844
ALL RIGHT. BOYS, LET'S TAKE
THIS INTO THE KITCHEN.

265
00:12:23,877 --> 00:12:27,180
BETTER GET MORE THAN A
DOG PARK OUT OF THIS.

266
00:12:27,214 --> 00:12:29,382
I THINK THAT'S WHY THE AUTHOR
HAS MILDRED DIE IN THE END,

267
00:12:29,416 --> 00:12:31,284
SO PHILLIP CAN FIND TRUE LOVE.

268
00:12:32,485 --> 00:12:34,788
OH, YOU'RE RIGHT. THAT'S GREAT.

269
00:12:36,389 --> 00:12:39,059
I DON'T KNOW IF YOU SHOULD WRITE THAT DOWN.
WHAT IF HOLLY SEES THAT?

270
00:12:39,092 --> 00:12:40,894
SHE'LL KNOW WE'RE WORKING
TOGETHER, WON'T SHE?

271
00:12:40,928 --> 00:12:43,897
NO, IT'S OKAY. I'LL TELL HER
I CAME UP WITH IT ON MY OWN.

272
00:12:43,931 --> 00:12:46,733
I'VE GOT THIS WHOLE THING
WITH HOLLY UNDER CONTROL.

273
00:12:46,766 --> 00:12:48,936
( gasps ) OH MY GOD, RYDER!

274
00:12:48,969 --> 00:12:51,004
ARE YOU TWO STUDYING?

275
00:12:51,038 --> 00:12:52,505
NO NO.

276
00:12:52,539 --> 00:12:54,541
NO, WE WERE MAKING OUT.

277
00:12:56,009 --> 00:12:59,279
YEAH, WITH OUR TONGUES
AND EVERYTHING.

278
00:12:59,312 --> 00:13:02,482
YOU WERE NOT. THESE
BOOKS ARE WARM.

279
00:13:03,416 --> 00:13:05,919
AND ARE THOSE NOTES?

280
00:13:05,953 --> 00:13:09,056
CHARLOTTE, I'D LIKE TO SPEAK
TO MY BOYFRIEND IN PRIVATE.

281
00:13:11,124 --> 00:13:13,093
NO.

282
00:13:13,126 --> 00:13:15,929
NO, HOLLY, I'D LIKE TO
SPEAK WITH YOU IN PRIVATE.

283
00:13:24,204 --> 00:13:26,239
WHAT HAS GOTTEN INTO YOU?

284
00:13:26,273 --> 00:13:28,441
ENGLISH LITERATURE
HAS GOTTEN INTO ME.

285
00:13:28,475 --> 00:13:31,111
I THOUGHT WE BOTH
AGREED SHE WAS OUT.

286
00:13:31,144 --> 00:13:33,480
NO, ONE OF US AGREED.

287
00:13:33,513 --> 00:13:35,849
CHARLOTTE IS REALLY
GOOD AT ENGLISH

288
00:13:35,883 --> 00:13:38,018
AND SHE CAN HELP BOTH OF
US ON THIS PRESENTATION.

289
00:13:38,051 --> 00:13:41,521
AND IF YOU WEREN'T SO
STUBBORN, YOU'D REALIZE THAT.

290
00:13:41,554 --> 00:13:44,357
ARE YOU STANDING UP TO ME?

291
00:13:44,391 --> 00:13:47,995
YES, MILDRED... HOLLY, I AM.

292
00:13:51,464 --> 00:13:53,433
WELL, FINE.

293
00:13:53,466 --> 00:13:55,969
I SUPPOSE YOUR GRADES
COULD BE BETTER.

294
00:14:00,473 --> 00:14:03,176
OH MY GOD, SHE BOUGHT IT.

295
00:14:15,388 --> 00:14:17,490
WHAT DO YOU THINK?

296
00:14:17,524 --> 00:14:20,527
IT'S A SEMIFORMAL
DANCE SO FORMAL...

297
00:14:20,560 --> 00:14:23,363
SEMI.

298
00:14:23,396 --> 00:14:25,532
WOW.

299
00:14:25,565 --> 00:14:28,301
YOU LOOK BEAUTIFUL.

300
00:14:28,335 --> 00:14:30,237
I DON'T KNOW IF YOU NEED TO
LOOK THAT BEAUTIFUL THOUGH.

301
00:14:30,270 --> 00:14:33,073
I MEAN, CAN'T YOU PUT ON A PONCHO OR
A HOUSECOAT OVER THAT OR SOMETHING?

302
00:14:33,106 --> 00:14:35,242
- SEE YOU IN THE MORNING.
- WAIT A MINUTE.

303
00:14:35,275 --> 00:14:37,010
I THINK YOUR AUNT MEL WANTED TO
TALK TO YOU BEFORE YOU LEFT.

304
00:14:37,044 --> 00:14:38,411
- WE TALKED ALREADY.
- YOU DID?

305
00:14:38,445 --> 00:14:40,213
YEAH YEAH, "LENNOX,
DID I EVER TELL YOU

306
00:14:40,247 --> 00:14:41,514
ABOUT MY FIRST ALL-NIGHT PARTY?

307
00:14:41,548 --> 00:14:45,085
BOYS AND GIRLS, RESIST
PRESSURE, BLAH BLAH BLAH."

308
00:14:45,118 --> 00:14:47,854
- SHE COVERED ALL THE BASES.
- OH, OKAY.

309
00:14:47,887 --> 00:14:50,557
GOOD THEN. WELL, HAVE A GREAT...

310
00:14:50,590 --> 00:14:53,927
SEMI GREAT TIME TONIGHT.

311
00:14:55,395 --> 00:14:56,563
NOT TOO MEMORABLE.

312
00:14:58,631 --> 00:15:02,102
OKAY, SO WE MAINTAIN PENSIONS AT
LAST YEARS' LEVELS BUT NO ROLLBACKS.

313
00:15:02,135 --> 00:15:04,271
AND IT'S A JOINT PRESS
CONFERENCE SO NOBODY CAVED.

314
00:15:04,304 --> 00:15:05,505
IT'S WIN-WIN. ARE WE AGREED?

315
00:15:05,538 --> 00:15:06,974
- YES.
- OKAY.

316
00:15:07,007 --> 00:15:09,876
ALL RIGHT, THEN IF THERE
AREN'T ANY OTHER ISSUES...

317
00:15:09,909 --> 00:15:12,412
I WOULDN'T MIND THAT
LAST PIECE OF LASAGNA.

318
00:15:12,445 --> 00:15:13,613
I CALLED THAT!

319
00:15:13,646 --> 00:15:16,449
YOU SERIOUS? I'M
SITTING RIGHT HERE.

320
00:15:16,483 --> 00:15:19,987
ALL RIGHT, GUYS. LET'S SAY
YOU DO THIS TOGETHER.

321
00:15:20,020 --> 00:15:23,256
DALE, YOU CUT IT IN HALF.
PHIL, YOU PICK YOUR PIECE.

322
00:15:23,290 --> 00:15:27,327
YOU'RE AMAZING. YOU'RE THE
KING SOLOMON OF PASTA.

323
00:15:27,360 --> 00:15:29,229
STEPHANIE, THINK YOU CAN
HANDLE THE REST OF THIS?

324
00:15:29,262 --> 00:15:31,631
YOU CAN COUNT ON ME. I'VE DEALT
WITH THESE TYPES BEFORE.

325
00:15:31,664 --> 00:15:33,500
NO, I JUST MEANT RUN
THE DISHWASHER.

326
00:15:33,533 --> 00:15:36,003
THERE'S LIKE A MILLION
BUTTONS ON THAT THING.

327
00:15:36,036 --> 00:15:40,573
I'M STOMPING OUT FIRES LEFT AND RIGHT.
NEXT UP... LENNOX!

328
00:15:40,607 --> 00:15:41,908
SHE ALREADY LEFT FOR
THE DANCE, MEL.

329
00:15:41,941 --> 00:15:44,144
WHAT? BUT WE DIDN'T GET
TO FINISH OUR TALK.

330
00:15:44,177 --> 00:15:46,546
YEAH YOU DID. SHE SAID
YOU WENT ON FOREVER.

331
00:15:46,579 --> 00:15:48,215
IT SOUNDED LIKE YOU.

332
00:15:48,248 --> 00:15:51,418
I DID NOT. I BARELY GOT STARTED.

333
00:15:51,451 --> 00:15:54,121
WAIT A MINUTE. SO YOU DIDN'T SAY
ANYTHING TO HER ABOUT BRENDAN

334
00:15:54,154 --> 00:15:57,457
AND HIS LITTLE POCKETFUL OF FUN?

335
00:15:57,490 --> 00:15:59,392
NO, AND NOW IT'S TOO LATE.

336
00:15:59,426 --> 00:16:02,029
YOU KNOW, I CAN'T GO TO THE DANCE
OR THE PARTY AND EMBARRASS HER.

337
00:16:02,062 --> 00:16:04,131
THAT'S SOMETHING A MOM WOULD DO.
SHE'D HATE ME FOREVER,

338
00:16:04,164 --> 00:16:06,199
YEAH, WELL, YOU KNOW
WE CAN'T HAVE THAT.

339
00:16:06,233 --> 00:16:08,501
- I'LL GO.
- WHOA WHOA, JOE.

340
00:16:08,535 --> 00:16:10,203
- WHAT ARE YOU PLANNING TO DO?
- I DON'T KNOW.

341
00:16:10,237 --> 00:16:12,439
TAKE HIM SHOE SHOPPING.
WHAT DO YOU THINK?

342
00:16:12,472 --> 00:16:14,407
JOE, COME HERE. SIT DOWN.

343
00:16:14,441 --> 00:16:18,411
ALL RIGHT, WHEN YOU TELL A
TEENAGER NOT TO DO SOMETHING

344
00:16:18,445 --> 00:16:21,681
SHE DOES THE OPPOSITE,
OFTEN ON HER PARENTS' BED.

345
00:16:21,714 --> 00:16:23,983
AND THEN AGAIN IN
THE POOL HOUSE.

346
00:16:24,017 --> 00:16:26,619
I'M JUST GUESSING.

347
00:16:26,653 --> 00:16:28,721
IS THAT YOUR PLAN? JUST SIT
HERE AND DO NOTHING THEN?

348
00:16:28,755 --> 00:16:33,026
NO. SIT HERE AND DO NOTHING
UNTIL WE THINK OF SOMETHING.

349
00:16:33,060 --> 00:16:35,562
WHERE'S MY GLASS?

350
00:16:36,996 --> 00:16:38,498
( music playing )

351
00:16:40,500 --> 00:16:42,402
HEY, PSST.

352
00:16:43,670 --> 00:16:46,539
IS THIS TARA GLAZER'S HOUSE?
IS THAT THE ALL-NIGHT PARTY?

353
00:16:46,573 --> 00:16:50,377
- ARE YOU THE COPS?
- NO, I'M NOT THE COPS.

354
00:16:50,410 --> 00:16:52,979
YEAH, THAT'S THE HOUSE.

355
00:16:53,012 --> 00:16:56,583
COPS ARE BOUND BY WIMPY
ANTI-TORTURE LAWS.

356
00:16:58,418 --> 00:17:00,687
AND NOW WE WAIT.

357
00:17:14,067 --> 00:17:15,702
HI.

358
00:17:15,735 --> 00:17:17,670
YOU KNOW WHAT EVERYONE
IN THERE IS SAYING?

359
00:17:17,704 --> 00:17:19,772
"YOUR NANNY IS OUTSIDE.
DID HE BRING YOUR BINKY?"

360
00:17:19,806 --> 00:17:22,109
- JOE, WHAT ARE YOU DOING HERE?
- NOTHING.

361
00:17:22,142 --> 00:17:24,010
JUST MAKING SURE THAT BRENDAN
KNOWS THAT I'M OUT HERE.

362
00:17:24,043 --> 00:17:25,345
YOU KNOW, AN ARM'S LENGTH AWAY.

363
00:17:25,378 --> 00:17:29,449
OR IN HIS CASE, MAYBE A
BROKEN ARM'S LENGTH AWAY.

364
00:17:29,482 --> 00:17:31,284
WHAT DO YOU THINK
IS GOING ON HERE?

365
00:17:31,318 --> 00:17:34,387
LOOK, EARLIER THIS AFTERNOON
SEVERAL EYEWITNESSES

366
00:17:34,421 --> 00:17:37,324
SAW BRENDAN IN THE DRUGSTORE
MAKING AN ADULT PURCHASE.

367
00:17:37,357 --> 00:17:39,526
Boy: HEY, LENNOX, IS IT NAPTIME?

368
00:17:41,361 --> 00:17:43,430
CAN WE TALK ABOUT
THIS IN THE CAR?

369
00:17:43,463 --> 00:17:45,598
YEAH, THAT'S WHY I BROUGHT IT.

370
00:17:54,441 --> 00:17:56,343
YOU OBVIOUSLY HAVE MORE TO SAY,

371
00:17:56,376 --> 00:17:59,045
SO LET'S HEAR THE BIG LONG SPEECH
SO WE CAN GET ON WITH OUR LIVES.

372
00:17:59,078 --> 00:18:02,349
OKAY, DON'T HAVE SEX.

373
00:18:02,382 --> 00:18:04,351
YOU GONNA GET TO THE POINT?

374
00:18:04,384 --> 00:18:06,253
I'M JUST TRYING TO LOOK
OUT FOR YOU HERE, OKAY?

375
00:18:06,286 --> 00:18:07,654
AND I DON'T THINK
THAT BRENDAN IS.

376
00:18:07,687 --> 00:18:10,257
YOU SEE, US GUYS,

377
00:18:10,290 --> 00:18:13,226
WE JUST GO, LIKE, ON IMPULSE. YOU
KNOW, WE JUST GET A THOUGHT,

378
00:18:13,260 --> 00:18:15,462
WE PLOW RIGHT THROUGH WITHOUT
EVEN THINKING ABOUT THINGS.

379
00:18:15,495 --> 00:18:17,530
YOU MEAN LIKE YOU
SHOWING UP HERE?

380
00:18:17,564 --> 00:18:20,333
I'M A GROWN-UP. I
DON'T NEED TO THINK.

381
00:18:21,334 --> 00:18:24,737
JOE, WHY ARE YOU DOING THIS?

382
00:18:24,771 --> 00:18:28,441
BECAUSE I'M CONCERNED
AND A LITTLE WORRIED.

383
00:18:28,475 --> 00:18:31,411
ABOUT WHAT? NOTHING WAS
GONNA HAPPEN TONIGHT.

384
00:18:31,444 --> 00:18:33,813
- HOW DO YOU KNOW?
- BECAUSE I DECIDED.

385
00:18:33,846 --> 00:18:37,417
IT'S NOT ABOUT WHAT BRENDAN
WANTS; IT'S ABOUT WHAT I WANT.

386
00:18:37,450 --> 00:18:39,619
GIRLS HAVE THAT POWER, YOU KNOW.

387
00:18:39,652 --> 00:18:41,588
WOW. I MEAN, I ALWAYS
KNEW THAT THEY DID.

388
00:18:41,621 --> 00:18:43,356
I JUST DIDN'T REALIZE
THAT YOU KNEW THAT.

389
00:18:43,390 --> 00:18:45,458
ALTHOUGH I'M HAPPY
TO HEAR THAT YOU DO.

390
00:18:45,492 --> 00:18:49,229
LOOK, BRENDAN'S A NICE KID,
BUT, YOU KNOW, HE'S A BOY.

391
00:18:49,262 --> 00:18:51,831
- HE CAN BE MANAGED.
- MANAGED?

392
00:18:51,864 --> 00:18:54,667
- I LIKE THAT.
- ( laughs )

393
00:18:54,701 --> 00:18:58,305
YOU KNOW, YOUR AUNT PROBABLY WOULD HAVE
DONE A LOT BETTER JOB AT THIS THAN I'M DOING.

394
00:18:58,338 --> 00:19:01,241
IN FACT, SHE WOULD KILL ME IF
SHE KNEW I WAS HERE RIGHT NOW.

395
00:19:01,274 --> 00:19:03,710
SHE JUST DOESN'T WANT
YOU TO HATE HER.

396
00:19:03,743 --> 00:19:05,678
SO IT'S BETTER IF I HATE YOU?

397
00:19:05,712 --> 00:19:08,448
BETTER FOR EVERYBODY, YEAH.

398
00:19:10,850 --> 00:19:12,585
GO ENJOY THE REST OF YOUR NIGHT.

399
00:19:15,588 --> 00:19:17,324
WHAT WAS THAT FOR?

400
00:19:17,357 --> 00:19:19,459
THE LECTURE.

401
00:19:19,492 --> 00:19:22,295
MY DAD'S NOT AROUND TO
ANNOY ME WITH THAT STUFF.

402
00:19:23,763 --> 00:19:25,465
I'M HAPPY TO.

403
00:19:28,401 --> 00:19:32,405
BY THE WAY, YOU LOOK FANTASTIC.

404
00:19:32,439 --> 00:19:35,408
THANKS. I GOT MY EYEBROWS WAXED.

405
00:19:35,442 --> 00:19:38,511
EYEBROWS! OF COURSE.

406
00:19:38,545 --> 00:19:41,448
THANK GOD.

407
00:19:41,481 --> 00:19:43,716
OH, THAT WAS AWESOME.

408
00:19:43,750 --> 00:19:46,319
I WAS RIGHT ABOUT
LENNOX ALL ALONG.

409
00:19:46,353 --> 00:19:49,356
YOU KNOW, OPEN AND HONEST IS
REALLY THE WAY TO GO WITH KIDS.

410
00:19:49,389 --> 00:19:52,359
YEAH, SAYS THE WOMAN HIDING UNDERNEATH
THE BLANKET FROM HER NIECE.

411
00:19:52,392 --> 00:19:55,462
THE ONLY REASON I CAME ALONG WAS
TO MAKE SURE YOU DIDN'T GO NUTS.

412
00:19:55,495 --> 00:19:57,364
QUICK, SHE'S COMING BACK!

413
00:19:57,397 --> 00:19:59,766
- HEY, JOE.
- YEAH?

414
00:19:59,799 --> 00:20:02,669
I JUST WANT YOU TO TELL AUNT MEL
THAT MY OUTFIT WAS A HUGE HIT

415
00:20:02,702 --> 00:20:04,337
AND SHE DID A GREAT JOB
WITH THE LIPSTICK.

416
00:20:04,371 --> 00:20:06,473
- YOU KNOW, IF YOU SEE HER.
- I'LL TELL HER.

417
00:20:06,506 --> 00:20:08,441
NIGHT. BE SAFE.

418
00:20:11,711 --> 00:20:13,680
WE'RE ALL CLEAR.

419
00:20:13,713 --> 00:20:15,682
- DOES SHE KNOW?
- I DON'T KNOW.

420
00:20:15,715 --> 00:20:17,384
I THINK SHE DID.

421
00:20:17,417 --> 00:20:20,920
I MEAN, "IF YOU SEE AUNT MEL"?
WHAT DOES THAT MEAN?

422
00:20:20,953 --> 00:20:22,789
GET DOWN, SHE'S COMING BACK!

423
00:20:22,822 --> 00:20:25,358
PSYCH.

424
00:20:25,392 --> 00:20:27,394
YOU'RE SO EASY.

425
00:20:27,427 --> 00:20:29,396
Mel: GET ME HOME.

426
00:20:42,542 --> 00:20:44,344
( groans ) DO WE
HAVE ANY ASPIRIN

427
00:20:44,377 --> 00:20:46,413
OR MORPHINE OR SOMETHING?

428
00:20:46,446 --> 00:20:49,616
MY BACK IS KILLING ME FROM BEING ALL
SCRUNCHED UP HIDING IN THE BACK SEAT.

429
00:20:49,649 --> 00:20:51,484
I THOUGHT A WOMAN OF
YOUR LIFE EXPERIENCE

430
00:20:51,518 --> 00:20:54,487
WOULD BE USED TO THE RIGORS
OF BACKSEAT GYMNASTICS.

431
00:20:54,521 --> 00:20:56,523
YEAH, WELL, IT'S BEEN A WHILE.

432
00:20:56,556 --> 00:20:58,591
AND NOW THEY HAVE
THOSE CUP HOLDERS.

433
00:20:58,625 --> 00:21:01,861
HERE YOU GO... ANOTHER PROBLEM SOLVED
WITH AMERICAN PHARMACEUTICALS.

434
00:21:02,929 --> 00:21:04,631
IS RYDER HERE?

435
00:21:04,664 --> 00:21:06,933
HEY, HOLLY. 'SUP?

436
00:21:06,966 --> 00:21:09,369
I BAKED YOU A LOAF
OF BANANA BREAD.

437
00:21:09,402 --> 00:21:10,937
THERE'S NO NUTS IN IT, IS THERE?

438
00:21:10,970 --> 00:21:12,772
NO, IT'S JUST THE
WAY YOU LIKE IT.

439
00:21:12,805 --> 00:21:15,442
GREAT, I'LL PUT IT NEXT TO THE
MUFFINS THAT CHARLOTTE MADE ME.

440
00:21:15,475 --> 00:21:17,577
- SHE DID WHAT?
- TALK TO YOU LATER, HOLLY.

441
00:21:17,610 --> 00:21:20,046
- I GOT SOME STUFF.
- NO, BUT YOU...

442
00:21:22,615 --> 00:21:25,017
DUDE, I MADE THOSE MUFFINS.

443
00:21:25,051 --> 00:21:27,387
YEAH, I KNOW.

444
00:21:29,722 --> 00:21:32,024
- OUR BOY IS GROWING UP.
- YEAH.

445
00:21:32,058 --> 00:21:34,961
IT'LL BE A LONG TIME BEFORE HE
HAS GIRLS UP IN HIS ROOM AGAIN.

446
00:21:34,994 --> 00:21:36,996
- OH, DAMN STRAIGHT.
- YEAH.

447
00:21:42,068 --> 00:21:44,036
( theme music playing )