1 00:00:07,075 --> 00:00:10,278 "MELISSA & JOEY" IS RECORDED IN FRONT OF A LIVE STUDIO AUDIENCE. 2 00:00:11,279 --> 00:00:13,981 ( water drips ) 3 00:00:14,014 --> 00:00:15,683 AW, RYDER. YOU'RE CRYING. 4 00:00:15,716 --> 00:00:18,419 AND YOU SAID YOU DIDN'T LIKE SANDRA BULLOCK. 5 00:00:18,452 --> 00:00:21,589 NO NO, I'M NOT CRYING. IT'S A DRIP FROM THE CEILING. 6 00:00:21,622 --> 00:00:23,491 HONEY, IT'S ALL RIGHT FOR A YOUNG MAN 7 00:00:23,524 --> 00:00:26,260 TO EXPRESS HIS EMOTIONS IN FRONT OF HIS AUNT. 8 00:00:26,294 --> 00:00:29,330 YOU KNOW WHAT? SIT HERE IN THE SAD SEAT. 9 00:00:29,363 --> 00:00:32,733 I DON'T KNOW WHAT THAT'S GOING TO PROVE. HEY, HOLY CRAP. 10 00:00:32,766 --> 00:00:35,736 THE CEILING'S DRIPPING. WHERE IS THAT COMING FROM? 11 00:00:35,769 --> 00:00:37,705 THAT LEAK. 12 00:00:37,738 --> 00:00:39,273 JUST A GUESS. 13 00:00:39,307 --> 00:00:40,774 YOU GUYS WANT ME TO GOOGLE A PLUMBER? 14 00:00:40,808 --> 00:00:43,577 NO NO NO, IF I CALL A PLUMBER, JOE'S GONNA GET BENT OUT OF SHAPE. 15 00:00:43,611 --> 00:00:45,546 YOU KNOW, "BURKE, IT'S JUST A LITTLE DRIP. 16 00:00:45,579 --> 00:00:49,550 WHAT, ARE YOU GONNA CALL SOME SLOB WITH A TRUCK AND A HAIRY CRACK?" 17 00:00:49,583 --> 00:00:51,452 "BURKE, LET ME DO IT. SAVE YOU MONEY, 18 00:00:51,485 --> 00:00:54,021 BETTER JOB, NO CRACK, EVERYBODY'S HAPPY." 19 00:00:54,054 --> 00:00:57,391 NOT BAD, LEN. BUT, YOU KNOW, YOU GOT TO BE MORE SMUG. 20 00:00:57,425 --> 00:00:59,260 I'LL WORK ON THAT. 21 00:00:59,293 --> 00:01:00,661 HEY. 22 00:01:00,694 --> 00:01:03,464 JOE, HEY HEY, REMEMBER THAT LITTLE LEAK BEHIND THE TUB 23 00:01:03,497 --> 00:01:06,100 THAT YOU SAID WAS NOTHING? WELL, NOW IT'S SOMETHING. CAN WE CALL A GUY? 24 00:01:06,134 --> 00:01:08,236 CALL A GUY? YOU GOT A GUY RIGHT HERE. I'LL SAVE YOU MONEY, 25 00:01:08,269 --> 00:01:11,372 I'LL DO THE JOB, LOOK GREAT DOING IT, EVERYBODY'S HAPPY. 26 00:01:11,405 --> 00:01:13,674 I COULD NEVER BE THAT SMUG. 27 00:01:13,707 --> 00:01:15,709 I GUESS YOU'RE WONDERING WHY I'M ALL DRESSED UP. 28 00:01:15,743 --> 00:01:19,113 HMM, COULD YOU SENSE OUR INTEREST BY THE WAY WE DIDN'T ASK? 29 00:01:19,147 --> 00:01:21,449 AND I'M SURE YOU'RE INTRIGUED AS TO ALL THE SECRET PHONE CALLS 30 00:01:21,482 --> 00:01:23,684 I'VE BEEN GETTING LATELY AND WHY I'VE BEEN ACTING SO MYSTERIOUS. 31 00:01:23,717 --> 00:01:27,755 NAH, WE THOUGHT IT WAS JUST ANOTHER ONE OF THOSE WOMEN YOU'RE ASHAMED OF. 32 00:01:27,788 --> 00:01:30,458 NO, I ACTUALLY JUST CAME FROM MEETING WITH A JUDGE REUBEN BIDDLE. 33 00:01:30,491 --> 00:01:32,493 HE'S THE GUY WHO'S OVERSEEING THE BANKRUPTCY 34 00:01:32,526 --> 00:01:34,495 AND THE GENERAL WRECKAGE OF SCANLON FINANCIALS. 35 00:01:34,528 --> 00:01:38,166 JOE, IF I CLOSE MY EYES DURING THIS STORY, TRUST ME, I'M STILL LISTENING. 36 00:01:38,199 --> 00:01:40,568 WELL, NOW IT CAN BE REVEALED. SOME OF THE LOST MONEY HAS BEEN FOUND 37 00:01:40,601 --> 00:01:43,204 IN OVERSEAS ACCOUNTS... $50 MILLION WORTH. 38 00:01:43,237 --> 00:01:46,174 IS THAT WHAT'S IN THE BRIEFCASE? 39 00:01:47,241 --> 00:01:49,543 YEAH. 40 00:01:49,577 --> 00:01:51,679 IT'S ALL RIGHT HERE, BUDDY. ( chuckles ) 41 00:01:51,712 --> 00:01:53,447 IN QUARTERS. NO. 42 00:01:53,481 --> 00:01:57,685 LOOK, THE POINT IS THAT LEGITIMATE STOCKHOLDERS OF SCANLON FINANCIAL 43 00:01:57,718 --> 00:02:00,654 ARE ENTITLED TO A PERCENTAGE OF THE PROCEEDS. 44 00:02:00,688 --> 00:02:02,623 - HOW MUCH? - WELL, AFTER TAXES, 45 00:02:02,656 --> 00:02:05,759 - IT'S REALLY JUST A PERCENTAGE OF A PERCENTAGE... - All: HOW MUCH? 46 00:02:05,793 --> 00:02:07,628 $167,000. 47 00:02:07,661 --> 00:02:10,631 WOW, THAT'S HUGE, 48 00:02:10,664 --> 00:02:12,733 NOW YOU CAN DATE LESS SHAMEFUL GIRLS. 49 00:02:14,568 --> 00:02:16,704 LIFE-CHANGING MONEY. 50 00:02:16,737 --> 00:02:18,639 YEAH. 51 00:02:20,874 --> 00:02:22,610 HEY, THAT'S GREAT NEWS. 52 00:02:22,643 --> 00:02:24,712 YOU KNOW, NOTHING BAD ABOUT THAT. 53 00:02:24,745 --> 00:02:26,547 ( halfheartedly ) YAY. 54 00:02:26,580 --> 00:02:27,781 ( theme music playing ) 55 00:02:27,815 --> 00:02:29,683 - ♪ IT'S ALL GOOD - ♪ All good 56 00:02:29,717 --> 00:02:31,185 - ♪ IT'S OKAY - ♪ Okay 57 00:02:31,219 --> 00:02:32,753 - ♪ IT'S ALL RIGHT - ♪ All right 58 00:02:32,786 --> 00:02:34,788 ♪ AS FAR AS I CAN SEE 59 00:02:34,822 --> 00:02:36,790 - ♪ IT'S ALL GOOD - ♪ All good 60 00:02:36,824 --> 00:02:38,459 - ♪ IT'S OKAY - ♪ Okay 61 00:02:38,492 --> 00:02:40,728 - ♪ IT'S ALL RIGHT - ♪ All right 62 00:02:40,761 --> 00:02:43,364 ♪ I GUESS YOU'RE STUCK ♪ 63 00:02:43,397 --> 00:02:45,799 ♪ WITH ME ♪ 64 00:02:47,668 --> 00:02:50,871 HERE YOU GO, AMERICA. FOUR-LAYER LASAGNA, AMOUS 65 00:02:50,904 --> 00:02:52,773 EXTRA CRISPY ON THE EDGES AS ALWAYS. 66 00:02:52,806 --> 00:02:54,508 I'M GONNA MISS THIS LASAGNA. 67 00:02:54,542 --> 00:02:57,211 MISS IT? IT'S RIGHT HERE IN FRONT OF YOU. 68 00:02:57,245 --> 00:03:00,581 BUT FOR HOW LONG, JOE? HOW LONG? 69 00:03:00,614 --> 00:03:03,183 UNTIL YOU EAT IT. 70 00:03:03,217 --> 00:03:07,355 RYDER, JUST BECAUSE AMOUNT OF MONEYHIS INCREDIBLE 71 00:03:07,388 --> 00:03:09,790 DOESN'T MEAN THINGS ARE AROUND HERE. RIGHT, JOE? 72 00:03:09,823 --> 00:03:11,259 YEAH, WHY WOULD ANYTHING BE DIFFERENT? 73 00:03:11,292 --> 00:03:14,595 I CAN THINK OF 167,000 REASONS WHY. 74 00:03:15,696 --> 00:03:16,930 ALL RIGHT, YOU GUYS. COME ON. 75 00:03:16,964 --> 00:03:18,732 LET'S NOT GET AHEAD OF OURSELVES AND IMAGINE 76 00:03:18,766 --> 00:03:21,168 WILD SCENARIOS BASED ON NOTHING. 77 00:03:21,201 --> 00:03:23,404 WE'LL NEVER SEE JOE AGAIN. 78 00:03:23,437 --> 00:03:25,239 REALLY? HOW CAN YOU BE SURE? 79 00:03:25,273 --> 00:03:27,908 BECAUSE HE'S GONNA QUIT. I MEAN, THAT'S WHAT I'D DO. 80 00:03:27,941 --> 00:03:29,843 I WOULDN'T WANT TO WORK FOR ME. WOULD YOU WANT TO WORK FOR ME? 81 00:03:29,877 --> 00:03:32,280 UM, N... YES. 82 00:03:32,313 --> 00:03:35,182 I WOULDN'T STOP WORKING FOR YOU NO MATTER HOW MUCH YOU PAID ME. 83 00:03:35,215 --> 00:03:37,551 GO AHEAD, GIVE ME A RAISE. SEE IF I QUIT. 84 00:03:37,585 --> 00:03:39,553 I KNEW THIS DAY WOULD COME. 85 00:03:39,587 --> 00:03:42,790 AND HERE IT IS, THE DAY. HE'LL BE GONE IN A MONTH. I KNOW IT. 86 00:03:42,823 --> 00:03:44,758 - YOU KNOW, JOE ALWAYS... - NO NO NO. 87 00:03:44,792 --> 00:03:47,261 NO MORE JOE TALK, ALL RIGHT? THIS IS A JOE-FREE ZONE. 88 00:03:47,295 --> 00:03:49,297 FROM NOW ON CITY BUSINESS ONLY. 89 00:03:49,330 --> 00:03:51,732 FINE. THE MAYOR'S OFFICE CALLED TO FIND OUT IF... 90 00:03:51,765 --> 00:03:54,802 I KNOW JOE IS HARD TO HANDLE, BUT THAT'S PART OF HIS SEMI-CHARM. 91 00:03:54,835 --> 00:03:56,770 YOU KNOW, I... WE... THE WHOLE HOUSE 92 00:03:56,804 --> 00:04:00,240 HAS REALLY BECOME, YOU KNOW, SEMI-FOND OF HIM. 93 00:04:00,274 --> 00:04:03,311 WELL, OF COURSE. DEEP INSIDEN'T HOUSES 94 00:04:03,344 --> 00:04:06,980 JUST WOMEN WITH FEELINGS AND NEEDS AND DOORS? 95 00:04:07,014 --> 00:04:10,618 MY POINT IS HOW AM I GONNA FIND SOMEBODY LIKE JOE? 96 00:04:10,651 --> 00:04:13,220 I MEAN, SOMEBODY WHO'S THAT GOOD WITH THE KIDS. 97 00:04:13,253 --> 00:04:15,489 THAT'S MY MAIN CONCERN. 98 00:04:15,523 --> 00:04:18,892 UH-HUH. FOR YOU OR LIVING WITH YOU, 99 00:04:18,926 --> 00:04:21,729 DO YOU THINK HE MIGHT ASK YOU OUT? 100 00:04:21,762 --> 00:04:23,864 WHAT? WHERE DO YOU GET THESE IDEAS? 101 00:04:23,897 --> 00:04:26,233 NO. 102 00:04:26,266 --> 00:04:28,802 NO. I MEAN NO. 103 00:04:28,836 --> 00:04:31,939 I... LOOK, HE'S NOT EVEN HERE AND HE'S GETTING ON MY NERVES. 104 00:04:31,972 --> 00:04:33,641 THIS IS JUST LIKE JOE. 105 00:04:33,674 --> 00:04:35,776 OKAY, SHIFTING BACK TO WHAT THE PEOPLE PAY US FOR. 106 00:04:35,809 --> 00:04:38,512 THE MAYOR'S GALA IS IN A MONTH 107 00:04:38,546 --> 00:04:40,714 AND THE INVITATION IS FOR MEL BURKE PLUS ONE. 108 00:04:40,748 --> 00:04:42,716 AND SECURITY NEEDS TO KNOW AS SOON AS POSSIBLE. 109 00:04:42,750 --> 00:04:45,653 - WHO'S YOUR PLUS ONE? - A MONTH FROM NOW? 110 00:04:48,822 --> 00:04:51,359 - HEY THERE, JOE. - HEY. 111 00:04:51,392 --> 00:04:53,727 MEL, UM, WE NEED TO TALK. 112 00:04:53,761 --> 00:04:55,429 TALK? 113 00:04:55,463 --> 00:04:57,698 YEAH, ABOUT THE LIVING SITUATION. 114 00:04:57,731 --> 00:05:00,668 YOU KNOW, IT'S BEEN SORT OF GOING ON SINCE I MOVED IN UNDERNEATH THE SURFACE. 115 00:05:00,701 --> 00:05:04,004 THERE'S NO REAL EASY WAY TO SAY THIS BUT, UH... 116 00:05:05,806 --> 00:05:08,909 THE SHOWERS YOU'RE TAKING ARE WAY TOO LONG. 117 00:05:08,942 --> 00:05:11,779 - SHOWERS? - YEAH, IT'S AN OLD HOUSE WITH OLD PIPES. 118 00:05:11,812 --> 00:05:13,381 IT REALLY CAN'T HANDLE THAT KIND OF USE. 119 00:05:13,414 --> 00:05:16,049 SHORT SHOWERS, RIGHT. I WENT TO CAMP, I GOT IT. 120 00:05:16,083 --> 00:05:18,719 ALL RIGHT, SO PLUMBING PROBLEM SOLVED. 121 00:05:18,752 --> 00:05:20,721 GOOD GOOD. NOW LET'S TALK ABOUT YOU AND ME. 122 00:05:20,754 --> 00:05:23,624 YOU AND ME? LIKE ME AND YOU? 123 00:05:23,657 --> 00:05:26,960 YEAH, YOU KNOW, ABOUT ME RECEIVING ALL THIS MONEY 124 00:05:26,994 --> 00:05:29,630 AND HOW YOU'RE GONNA GET ALONG WITHOUT ME. 125 00:05:29,663 --> 00:05:32,366 YEAH, WELL, I THINK I'LL MANAGE SOMEHOW. 126 00:05:32,400 --> 00:05:33,934 OKAY. WELL, GOOD. 127 00:05:33,967 --> 00:05:35,903 I JUST WANT TO LET YOU KNOW I WANT TO HELP YOU FIND MY REPLACEMENT. 128 00:05:35,936 --> 00:05:37,805 SHOULDN'T TAKE LONGER THAN LIKE TWO WEEKS. 129 00:05:37,838 --> 00:05:40,708 OH, SO WAIT. YOU'LL BE GONE IN TWO WEEKS? THAT'S PRETTY FAST. 130 00:05:40,741 --> 00:05:43,611 WELL, YOU KNOW, IF I'M NOT WORKING HERE I DON'T WANT TO BE TAKING UP YOUR BASEMENT, 131 00:05:43,644 --> 00:05:45,779 AS AWESOME AS IT IS. 132 00:05:45,813 --> 00:05:47,748 BESIDES, I TALKED TO A BUDDY OF MINE. 133 00:05:47,781 --> 00:05:49,750 HE SAYS THERE'S AN OPEN APARTMENT IN HIS BUILDING. 134 00:05:49,783 --> 00:05:51,752 OH, WELL, THEN YOU SHOULD TAKE A LOOK AT IT. 135 00:05:51,785 --> 00:05:54,755 YEAH, YOU'RE RIGHT. I PROBABLY SHOULD. I DID. 136 00:05:54,788 --> 00:05:57,825 OH, YOU DID ALREADY. WELL, UM, THAT'S GREAT. 137 00:05:57,858 --> 00:05:59,760 - SO HOW WAS IT? - IT'S NICE. 138 00:05:59,793 --> 00:06:02,630 YOU KNOW, ABOVEGROUND. 139 00:06:02,663 --> 00:06:05,533 YOU KNOW HOW COOL IT IS TO BE ABLE TO LOOK OUT YOUR WINDOW AND NOT SEE ANKLES? 140 00:06:05,566 --> 00:06:06,967 'CAUSE I'D FORGOTTEN. 141 00:06:07,000 --> 00:06:09,570 THAT SOUNDS LIKE YOU'VE MADE A DECISION. 142 00:06:09,603 --> 00:06:11,805 WELL, YOU KNOW, THINGS ARE CHANGING. 143 00:06:11,839 --> 00:06:13,841 NO REASON TO DRAG IT OUT, RIGHT? 144 00:06:13,874 --> 00:06:16,510 I GUESS NOT. 145 00:06:16,544 --> 00:06:18,512 LISTEN, I WAS WONDERING. 146 00:06:18,546 --> 00:06:21,715 THERE'S THIS MAYOR'S ANNUAL GALA NEXT MONTH 147 00:06:21,749 --> 00:06:24,051 AND I HAVE TO BRING A DATE. IT'D BE AWKWARD TO GO WITH MY NANNY, 148 00:06:24,084 --> 00:06:27,521 BUT IN A MONTH YOU'LL BE MY... WELL, YOU'LL BE MY NOTHING. 149 00:06:28,822 --> 00:06:31,525 OR YOU COULD BE MY PLUS ONE. 150 00:06:31,559 --> 00:06:33,160 WHOA. 151 00:06:34,762 --> 00:06:36,997 IT'S BEEN A LONG TIME SINCE I'VE SAID THAT. 152 00:06:37,030 --> 00:06:39,767 BUT SERIOUSLY, WHOA! 153 00:06:41,101 --> 00:06:42,670 YOU KNOW WHAT? FORGET IT. 154 00:06:42,703 --> 00:06:44,638 I'LL JUST FIND ANOTHER PLUS ONE. 155 00:06:44,672 --> 00:06:45,939 NO, WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE. 156 00:06:45,973 --> 00:06:48,476 NO, LET'S DO IT. I MEAN, YOU KNOW, 157 00:06:48,509 --> 00:06:51,812 'CAUSE ACTUALLY I'VE BEEN THINKING ABOUT GOING OUT... 158 00:06:51,845 --> 00:06:54,114 TO THE MAYOR'S GALA. 'CAUSE THEY HAD IT LAST YEAR. 159 00:06:55,616 --> 00:06:56,850 IT IS ANNUAL. 160 00:06:56,884 --> 00:06:58,952 YEAH, OKAY. WELL, GOOD THEN. 161 00:06:58,986 --> 00:07:01,489 SO PLUMBING, MOVING, WE COVERED IT ALL. IT'S ALL GOOD. 162 00:07:01,522 --> 00:07:03,724 EXCELLENT. NOW I'M GONNA TAKE MY CLOTHES OFF. 163 00:07:04,725 --> 00:07:07,060 AND CHANGE LIKE I DO EVERY DAY, 164 00:07:11,865 --> 00:07:13,701 PLUS ONE. 165 00:07:22,776 --> 00:07:25,513 - ALL RIGHT, SMILE FOR ME. - ( clicks ) 166 00:07:25,546 --> 00:07:28,081 THERE WE GO. I'M TAKING PICTURES OF ALL THE NANNY CANDIDATES. 167 00:07:28,115 --> 00:07:30,117 AND THEN THE FINALISTS WE PUT THROUGH A LITTLE, YOU KNOW, 168 00:07:30,150 --> 00:07:33,120 DATABASE LAW ENFORCEMENT BACKGROUND CHECK, 169 00:07:33,153 --> 00:07:35,422 MAKE SURE YOU DON'T HAVE ANY OVERDUE LIBRARY BOOKS 170 00:07:35,455 --> 00:07:37,424 OR, YOU KNOW, KILLED A GUY. 171 00:07:37,457 --> 00:07:40,160 GOT IT. WELL, I HOPE YOU HAVE AN OPEN MIND, 172 00:07:40,193 --> 00:07:43,063 'CAUSE A GUY CAN DO A NANNY JOB JUST AS GOOD AS A WOMAN CAN. 173 00:07:43,096 --> 00:07:45,599 I KNOW, MAN. YOU'D BE REPLACING ME. 174 00:07:45,633 --> 00:07:48,602 THEN YOU KNOW HOW TOUGH IT IS FOR PEOPLE LIKE US. 175 00:07:48,636 --> 00:07:50,170 NO NO, I'M NOT ANYTHING LIKE YOU. 176 00:07:50,203 --> 00:07:52,205 AS A MATTER OF FACT, I JUST FELL INTO THIS GIG. 177 00:07:52,239 --> 00:07:54,708 I WAS ACTUALLY A BIG POWER BROKER AT A HUGE FINANCIAL FIRM. 178 00:07:54,742 --> 00:07:56,944 HAD A CORNER OFFICE, SECRETARY, THE WHOLE THING. 179 00:07:56,977 --> 00:07:59,212 TILL MY LIFE BLEW UP. 180 00:07:59,246 --> 00:08:00,814 THIS WAS THE ONLY JOB I COULD GET. 181 00:08:00,848 --> 00:08:02,482 SO, YOU KNOW, TAKE WHAT YOU GET 182 00:08:02,516 --> 00:08:04,117 AND TRY TO MAKE THE BEST OF IT. 183 00:08:04,151 --> 00:08:06,219 I'M SORRY, I'M SUPPOSED TO BE INTERVIEWING YOU HERE, RIGHT? 184 00:08:06,253 --> 00:08:07,755 DO YOU HAVE ANY QUESTIONS FOR ME? 185 00:08:07,788 --> 00:08:11,224 YEAH, IF YOU'RE NOT THE BOSS, WHO'S THE BOSS? 186 00:08:11,258 --> 00:08:13,160 UH... 187 00:08:13,193 --> 00:08:15,863 ACTUALLY, SHE IS. 188 00:08:15,896 --> 00:08:17,230 AT LEAST SHE THINKS SHE IS. 189 00:08:17,264 --> 00:08:19,066 I MEAN, YOU KNOW, THIS IS HER HOUSE, 190 00:08:19,099 --> 00:08:21,134 BUT SHE'S REALLY JUST MORE OF A FIGUREHEAD. 191 00:08:21,168 --> 00:08:22,870 SHE'S NOT REALLY HERE THAT MUCH EITHER, 192 00:08:22,903 --> 00:08:25,105 SO IT INVOLVES MORE THAN JUST TAKING CARE OF THE KIDS. 193 00:08:25,138 --> 00:08:27,641 SO WHAT'S SHE LIKE TO WORK FOR? 194 00:08:27,675 --> 00:08:29,943 UH, YOU KNOW, SHE'S OKAY. 195 00:08:29,977 --> 00:08:32,245 I MEAN, 'CAUSE YOU'RE LIVING HERE YOU KIND OF GET DRAWN INTO EVERYTHING. 196 00:08:32,279 --> 00:08:34,214 YOU KNOW, AND SHE LIKES TO SHARE A LOT. 197 00:08:34,247 --> 00:08:37,184 SO, YOU KNOW, THINGS GET KIND OF INVOLVED. 198 00:08:37,217 --> 00:08:39,787 ( chuckles ) BEEN THERE. 199 00:08:41,555 --> 00:08:44,725 CALL SOME OF MY REFERENCES. VERY SATISFIED. 200 00:08:46,526 --> 00:08:47,928 I HAD THIS ONE WOMAN WHO KEPT ME AROUND 201 00:08:47,961 --> 00:08:49,597 SIX MONTHS AFTER THE KID LEFT FOR COLLEGE. 202 00:08:49,630 --> 00:08:51,865 THAT GOT PRETTY INVOLVED. 203 00:08:51,899 --> 00:08:54,167 OKAY, YOU KNOW WHAT? 204 00:08:54,201 --> 00:08:56,536 YOU ARE SHOCKINGLY GROSS. 205 00:08:56,570 --> 00:08:59,773 TELL YOU WHAT, BUDDY, WHY DON'T YOU TAKE YOUR RESUME 206 00:08:59,807 --> 00:09:02,109 AND YOUR REFERENCES AND WE'LL FIND YOU A NICE STREET CORNER, OKAY? 207 00:09:02,142 --> 00:09:04,144 - SEE WHO DRIVES BY. - THERE COULD BE ROOM FOR BOTH OF US. 208 00:09:04,177 --> 00:09:06,279 YEAH, NOT IN THIS HOUSE, PAL. 209 00:09:06,313 --> 00:09:08,281 SO WHO WAS THAT? 210 00:09:08,315 --> 00:09:11,952 A PIG WITH DIMPLES. 211 00:09:11,985 --> 00:09:13,921 I DON'T LIKE ANY OF THE PEOPLE IN THAT PILE. 212 00:09:13,954 --> 00:09:16,590 WELL, THERE'S NOT GONNA BE ANYBODY LIKE YOU. 213 00:09:16,624 --> 00:09:18,759 WE'VE TRAINED YOU. 214 00:09:18,792 --> 00:09:20,628 YOU'VE TRAINED ME? 215 00:09:20,661 --> 00:09:23,163 DO YOU HAVE ANY IDEA WHAT YOU WERE LIKE BEFORE? 216 00:09:23,196 --> 00:09:25,799 WE PUT A LOT OF WORK INTO YOU. 217 00:09:25,833 --> 00:09:27,534 AND ALL FOR NOTHING. 218 00:09:27,567 --> 00:09:29,136 IT'S NOT LIKE I'M JUST GONNA DISAPPEAR. 219 00:09:29,169 --> 00:09:31,304 AUNT MEL SAID YOU FOUND AN APARTMENT. 220 00:09:31,338 --> 00:09:33,807 I MEAN, WHY WOULD YOU COME BACK HERE ONCE YOU MOVE? 221 00:09:33,841 --> 00:09:35,308 LOTS OF REASONS. 222 00:09:35,342 --> 00:09:37,010 I'VE GOT TO SEE RYDER'S SOCCER GAMES. 223 00:09:37,044 --> 00:09:39,279 AND, YOU KNOW, I'VE GOT TO SCARE THE PUDDING OUT OF ALL 224 00:09:39,312 --> 00:09:41,749 THE LITTLE NERDS THAT COME HERE TO ASK YOU OUT. 225 00:09:41,782 --> 00:09:43,083 YOU THINK I'D MISS OUT ON THAT KIND OF STUFF? 226 00:09:43,116 --> 00:09:45,218 WELL, WHAT ABOUT AUNT MEL? 227 00:09:45,252 --> 00:09:47,587 DO YOU THINK YOU'LL SEE HER? 228 00:09:47,621 --> 00:09:49,923 YEAH YEAH. I MEAN, SURE, I HOPE TO. 229 00:09:49,957 --> 00:09:52,793 YOU KNOW, NOT JUST TO HELP HER OUT WITH HER TAXES LIKE I DID LAST YEAR. 230 00:09:52,826 --> 00:09:56,263 WHEN I TOLD HER THAT SHE COULD WRITE OFF HER HAIR PRODUCTS AS A BUSINESS EXPENSE, 231 00:09:56,296 --> 00:09:58,231 THE WOMAN WEPT OPENLY. 232 00:09:59,833 --> 00:10:02,335 I'M NOT TALKING ABOUT TAXES. 233 00:10:02,369 --> 00:10:04,805 - I'M ASKING IF YOU'D EVER... - ( doorbell rings ) 234 00:10:04,838 --> 00:10:07,340 OH, LOOK AT THAT. THAT SHOULD BE ESTHER TILLIS. 235 00:10:07,374 --> 00:10:10,077 AND AN EXCUSE FOR YOU TO AVOID MY QUESTION. 236 00:10:10,110 --> 00:10:12,212 YES, IT IS. 237 00:10:19,286 --> 00:10:22,089 ALL RIGHT, HERE WE ARE. COME ON IN. 238 00:10:22,122 --> 00:10:24,157 WOW, JOE LONGO'S BACHELOR PAD. 239 00:10:24,191 --> 00:10:26,593 I FEEL HONORED TO BE THE FIRST SINGLE WOMAN TO CROSS THE THRESHOLD. 240 00:10:26,626 --> 00:10:29,196 YEAH, ACTUALLY YOU WEREN'T. 241 00:10:29,229 --> 00:10:31,699 OH? 242 00:10:31,732 --> 00:10:35,235 NO, THE BROKER YESTERDAY WAS IN FACT SINGLE AND INTERESTED 243 00:10:35,268 --> 00:10:37,370 AND ON THE PLUS SIDE OF 70. 244 00:10:37,404 --> 00:10:40,007 SO ARE YOU GONNA SEE HER AGAIN? 245 00:10:40,040 --> 00:10:42,342 YEAH, I'M TAKING HER OUT FOR DINNER TOMORROW NIGHT AT 3:30. 246 00:10:42,375 --> 00:10:44,177 THIS BUILDING HAVE ANY LIGHTS? 247 00:10:44,211 --> 00:10:46,246 OF COURSE IT'S GOT LIGHTS. 248 00:10:50,250 --> 00:10:52,352 BUT NO ELECTRICITY APPARENTLY. 249 00:10:52,385 --> 00:10:54,354 YOU SHOULD GET SOME OF THAT. CHICKS DIG IT. 250 00:10:54,387 --> 00:10:57,324 ALL RIGHT, I'LL PUT IT ON THE TOP OF MY LIST. 251 00:10:57,357 --> 00:11:00,260 WHAT'S IN THIS BOX? IT SMELLS LIKE 252 00:11:00,293 --> 00:11:02,395 CHINESE FOOD FROM THAT PLACE NEAR YOUR OFFICE. 253 00:11:02,429 --> 00:11:05,733 HEY, IT'S CHINESE FOOD FROM THAT PLACE NEAR YOUR OFFICE. 254 00:11:05,766 --> 00:11:09,036 YEAH, WELL, I KNEW YOU WEREN'T GOING TO BE HOME TO COOK FOR ME SO WHAT CHOICE DID I HAVE? 255 00:11:09,069 --> 00:11:10,804 WE'LL HAVE TO DO IT ON THE FLOOR. 256 00:11:12,806 --> 00:11:14,307 EAT DINNER. 257 00:11:14,341 --> 00:11:16,877 OH, NO WE DON'T. 258 00:11:16,910 --> 00:11:18,979 WHERE'S YOUR IMAGINATION? 259 00:11:20,781 --> 00:11:22,315 ALL RIGHT. 260 00:11:22,349 --> 00:11:24,384 TABLE FOR TWO. 261 00:11:26,086 --> 00:11:28,989 LIGHT 'EM UP, LONGO. 262 00:11:29,022 --> 00:11:31,058 NICE CATCH. 263 00:11:31,091 --> 00:11:34,394 SO AS SOON AS I GET THE MONEY I'M GONNA RENT MYSELF AN OFFICE. 264 00:11:34,427 --> 00:11:36,864 NOT A BIG PLACE. JUST SOMETHING SMALL, YOU KNOW? 265 00:11:36,897 --> 00:11:38,832 SO I CAN SORT OF SPREAD MY WINGS. 266 00:11:38,866 --> 00:11:40,167 I'VE GOT TO GET BACK IN THE GAME, MEL. 267 00:11:40,200 --> 00:11:42,770 KIND OF A, YOU KNOW, A NEW PHASE. 268 00:11:42,803 --> 00:11:46,306 MM, A NEW PHASE. KIND OF LIKE IT IS FOR THE TWO OF US. 269 00:11:46,339 --> 00:11:47,741 YEAH. 270 00:11:47,775 --> 00:11:50,243 YEAH, 'CAUSE, YOU KNOW, WITH ME LIVING HERE... 271 00:11:50,277 --> 00:11:52,279 YEAH AND, YOU KNOW, NOT WORKING FOR ME... 272 00:11:52,312 --> 00:11:55,348 IT DOES SORT OF CHANGE THINGS. 273 00:11:58,418 --> 00:12:00,854 - ( door opens ) - YOU SURE THIS IS JOE'S APARTMENT? 274 00:12:00,888 --> 00:12:03,423 - YEAH, IT'S THE RIGHT PLACE. - HEY, COME ON IN, GUYS. 275 00:12:03,456 --> 00:12:05,458 WHY DON'T YOU TURN ON SOME LIGHTS? 276 00:12:05,492 --> 00:12:07,127 'CAUSE THERE NO ELECTRICITY. 277 00:12:07,160 --> 00:12:09,096 MAYBE YOU JUST NEED TO FLIP A BREAKER. 278 00:12:09,129 --> 00:12:12,833 RYDER, IF IT WAS THAT EASY, DON'T YOU THINK I ALREADY WOULD HAVE... 279 00:12:12,866 --> 00:12:14,902 DONE THAT? 280 00:12:14,935 --> 00:12:18,171 HEY, RYDER, LOOKS LIKE THEY WERE HAVING A NICE MEAL. 281 00:12:18,205 --> 00:12:20,473 YOU KNOW, JUST THE TWO OF THEM. LET'S GO HOME. 282 00:12:20,507 --> 00:12:22,943 NO NO, BUT WE'VE GOT TO TELL AUNT MEL ABOUT HER NEW COUCH. 283 00:12:22,976 --> 00:12:25,212 - WHAT NEW COUCH? - THE ONE WE SIGNED FOR. 284 00:12:25,245 --> 00:12:27,447 IT'S SITTING IN OUR LIVING ROOM. 285 00:12:27,480 --> 00:12:29,182 ( gasps ) MY NEW COUCH! 286 00:12:29,216 --> 00:12:31,084 I FORGOT ABOUT THIS. 287 00:12:31,118 --> 00:12:33,253 CUSTOM MADE, CREAM-COLORED ITALIAN SUEDE. 288 00:12:33,286 --> 00:12:36,223 I ORDERED IT A YEAR AGO, BACK WHEN I WAS A GLAMOROUS SINGLE WOMAN 289 00:12:36,256 --> 00:12:38,391 WHO DIDN'T LIVE WITH TEENAGE STAINMAKERS 290 00:12:38,425 --> 00:12:42,195 THAT I LOVE VERY MUCH. 291 00:12:42,229 --> 00:12:45,232 WAIT, WHOA WHOA WHOA. MY NEW COUCH IS NOT SITTING UNDERNEATH THE LEAK, IS IT? 292 00:12:45,265 --> 00:12:47,267 JOE, DIDN'T YOU FIX THE LEAK? 293 00:12:47,300 --> 00:12:50,770 UH, YEAH, I TRIED TO. SEE, IT KEEPS MOVING. 294 00:12:50,804 --> 00:12:52,772 WELL, WHAT IF IT MOVES OVER MY NEW COUCH? 295 00:12:52,806 --> 00:12:54,507 THAT IS $4,000 WORTH OF ITALIAN SUEDE. 296 00:12:54,541 --> 00:12:57,010 ALL RIGHT, YOU KNOW WHAT? WE MAY HAVE TO RUN A FEW RED LIGHTS, 297 00:12:57,044 --> 00:12:59,379 BUT THIS IS A FANCY COUCH EMERGENCY. COME ON. 298 00:12:59,412 --> 00:13:01,481 - I'M SORRY, JOE. - NO, IT'S OKAY. 299 00:13:01,514 --> 00:13:03,817 - WE CAN JUST, YOU KNOW, PICK THIS UP LATER. - OKAY, BYE. 300 00:13:05,252 --> 00:13:06,419 WHAT THE HELL WAS THAT? 301 00:13:06,453 --> 00:13:08,922 WHAT? I WAS JUST SAYING GOODBYE. 302 00:13:08,956 --> 00:13:11,358 DON'T MAKE A BIG DEAL. 303 00:13:14,161 --> 00:13:16,096 WHAT THE HELL WAS THAT? 304 00:13:26,539 --> 00:13:28,475 I NEVER THOUGHT I COULD FEEL THIS WAY. 305 00:13:28,508 --> 00:13:31,178 I LOVE HIM SO MUCH. 306 00:13:31,211 --> 00:13:33,981 I CAN'T IMAGINE THE HOUSE WITHOUT HIM. 307 00:13:34,014 --> 00:13:37,384 AUNT MEL, IT'S JUST A COUCH. 308 00:13:37,417 --> 00:13:40,353 ( gasps ) SHE DOESN'T MEAN THAT, COUCHY. 309 00:13:40,387 --> 00:13:42,422 AUNT MEL, I WAS SLICING A BAGEL 310 00:13:42,455 --> 00:13:43,857 AND I CUT MY FINGER. IT'S BLEEDING. 311 00:13:43,891 --> 00:13:45,525 WHOA WHOA WHOA. GET THE HELL AWAY FROM MY COUCH. 312 00:13:45,558 --> 00:13:48,128 - DO YOU HAVE ANY BAND-AIDS? - YEAH, AND YOU'RE GONNA NEED THEM ALL 313 00:13:48,161 --> 00:13:49,930 IF YOU DON'T BACK THE HELL AWAY. COME ON. 314 00:13:50,898 --> 00:13:53,033 NO FRUIT JUICE! 315 00:13:57,404 --> 00:14:00,073 MR. LONGO, THERE ARE A LOT OF PAPERS HERE FOR YOU TO SIGN 316 00:14:00,107 --> 00:14:02,075 BEFORE YOU RECEIVE YOUR SETTLEMENT. 317 00:14:02,109 --> 00:14:04,011 OH, THIS IS MISS McKENNA. 318 00:14:04,044 --> 00:14:07,480 SHE'S HERE REPRESENTING A NUMBER OF OTHER CLAIMANTS TO THE SCANLON ASSETS. 319 00:14:07,514 --> 00:14:09,983 - VERY NICE TO MEET YOU. - POSSIBLY. 320 00:14:10,017 --> 00:14:13,420 YOUR AWARD IS ACTUALLY A LITTLE MORE THAN WE THOUGHT. 321 00:14:13,453 --> 00:14:16,456 I KNOW THAT COMES AS A BLOW TO YOU. 322 00:14:16,489 --> 00:14:19,259 ( chuckles ) I'LL FIND A WAY TO BOUNCE BACK, YOUR HONOR. 323 00:14:19,292 --> 00:14:23,030 OH, ONE THING BEFORE YOU TAKE A BATH IN ALL YOUR NEW MONEY. 324 00:14:23,063 --> 00:14:25,032 ON BEHALF OF MY CLIENTS, 325 00:14:25,065 --> 00:14:27,500 MANY OF WHOM ARE LIVING IN THEIR CARS, 326 00:14:27,534 --> 00:14:31,438 I COULDN'T HELP BUT NOTICE THE ODDNESS OF YOUR ADDRESS. 327 00:14:31,471 --> 00:14:33,974 - WHAT'S ODD ABOUT IT? - IT'S THE SAME ADDRESS 328 00:14:34,007 --> 00:14:36,443 WHERE LENNOX AND RYDER SCANLON LIVE. 329 00:14:36,476 --> 00:14:38,378 YEAH. 330 00:14:38,411 --> 00:14:41,048 YEAH, THAT'S ACTUALLY A FUNNY COINCIDENCE. 331 00:14:41,081 --> 00:14:43,250 - COINCIDENCE? - YES, COINCIDENCE. 332 00:14:43,283 --> 00:14:45,418 WHEN TWO UNRELATED THINGS HAPPEN AT THE SAME TIME. 333 00:14:45,452 --> 00:14:47,520 YOU KNOW, KIND OF LIKE A NICE GUY 334 00:14:47,554 --> 00:14:50,257 BEING TRAPPED IN A ROOM WITH A BLOODSUCKING ATTORNEY. 335 00:14:50,290 --> 00:14:52,960 YOU LIVE WITH THE SCANLON HEIRS? 336 00:14:52,993 --> 00:14:54,594 WELL, YES. 337 00:14:54,627 --> 00:14:56,863 BUT IT'S ACTUALLY VERY COMPLICATED. 338 00:14:56,896 --> 00:14:58,932 COMPLICATED? 339 00:14:58,966 --> 00:15:02,602 SO YOU JUST REPEAT WORDS AND MAKE THEM SOUND EVIL? 340 00:15:02,635 --> 00:15:05,238 THAT IS A TROUBLING CONNECTION. 341 00:15:05,272 --> 00:15:07,507 I HAVE TO SAY I AGREE. 342 00:15:07,540 --> 00:15:09,509 ( chuckles ) SHOCKER. 343 00:15:09,542 --> 00:15:12,445 IT MAY APPEAR TO SOME THAT WERE MR. LONGO 344 00:15:12,479 --> 00:15:14,247 TO RECEIVE ANY AMOUNT FROM THE SETTLEMENT, 345 00:15:14,281 --> 00:15:16,349 LEWIS SCANLON'S HEIRS WOULD BENEFIT. 346 00:15:16,383 --> 00:15:19,419 THERE WAS NOTHING SHADY GOING ON HERE, OKAY? 347 00:15:19,452 --> 00:15:22,522 THIS WAS A JOB. I WAS THEIR NANNY, OKAY? 348 00:15:22,555 --> 00:15:25,325 THE KIDS NEEDED SOMEBODY, I STEPPED IN. I'M ACTUALLY VERY PROUD OF WHAT I DID. 349 00:15:25,358 --> 00:15:27,460 SO THERE WAS A CONNECTION? 350 00:15:27,494 --> 00:15:29,929 WELL, YES, THERE WAS A CONNECTION. 351 00:15:29,963 --> 00:15:31,498 THERE WAS AN EMOTIONAL CONNECTION. 352 00:15:31,531 --> 00:15:33,500 I'VE BEEN TAKING CARE OF THE KIDS FOR OVER A YEAR NOW. 353 00:15:33,533 --> 00:15:36,336 - IT'S SORT OF LIKE THEY'RE MY KIDS. - YEAH. 354 00:15:36,369 --> 00:15:38,238 IT JUST LOOKS AWFULLY MESSY. 355 00:15:38,271 --> 00:15:41,008 YOU KNOW, A DERIVATIVES BROKER WITH AN M.B.A. 356 00:15:41,041 --> 00:15:43,043 TAKES A JOB AS A NANNY FOR CHILDREN 357 00:15:43,076 --> 00:15:46,379 WHO JUST HAPPEN TO BE THE OFFSPRING OF THE FUGITIVE LEWIS SCANLON 358 00:15:46,413 --> 00:15:48,281 WHO WAS YOUR FORMER BOSS. 359 00:15:48,315 --> 00:15:50,350 JUDGE, I OBJECT... 360 00:15:50,383 --> 00:15:53,520 TO HER BEING SUCH AN UNPLEASANT PERSON. 361 00:15:55,222 --> 00:15:57,057 MR. LONGO, YOU MIGHT WANT TO CONSULT 362 00:15:57,090 --> 00:15:59,126 WITH AN ATTORNEY BEFORE RESPONDING ANY FURTHER. 363 00:15:59,159 --> 00:16:01,594 I DON'T EVEN LIVE THERE ANYMORE, OKAY? 364 00:16:01,628 --> 00:16:03,463 I HAVE A WHOLE NEW ADDRESS NOW. 365 00:16:03,496 --> 00:16:04,564 AS OF WHEN? 366 00:16:04,597 --> 00:16:07,500 YESTERDAY. 367 00:16:07,534 --> 00:16:09,269 YESTERDAY? 368 00:16:09,302 --> 00:16:11,238 AND SHE'S DOING IT AGAIN. 369 00:16:16,209 --> 00:16:18,578 THANKS SO MUCH. I'M SURE YOU'RE A GREAT NANNY. 370 00:16:18,611 --> 00:16:21,448 ALL RIGHT, WE'LL CALL YOU. I HATE THEM ALL. 371 00:16:21,481 --> 00:16:24,417 THEY'RE HORRIBLE PEOPLE, ESPECIALLY THE BIG ONE WITH THE MUSTACHE. 372 00:16:24,451 --> 00:16:27,054 OH, SHE REMINDED ME THE MOST OF JOE. 373 00:16:28,555 --> 00:16:31,024 COULDN'T WE GET SOME YOUNG WOMAN FROM, LIKE, SWEDEN? 374 00:16:31,058 --> 00:16:32,459 I MEAN, HOW MUCH WOULD THAT COST? 375 00:16:32,492 --> 00:16:34,961 I COULD KICK IN SOME OF MY COLLEGE MONEY. 376 00:16:34,994 --> 00:16:36,963 I'M HUNGRY. 377 00:16:36,996 --> 00:16:39,466 - WHAT'S FOR DINNER? - OH, YOU'RE ASKING ME? 378 00:16:39,499 --> 00:16:42,135 I DON'T KNOW. GO DIG AROUND IN THE FREEZER TILL YOU FIND SOMETHING. 379 00:16:42,169 --> 00:16:45,438 HEY, DO NOT TOUCH MY LASAGNA. THAT IS A PIECE OF HISTORY. 380 00:16:45,472 --> 00:16:46,473 ( doorbell rings ) 381 00:16:46,506 --> 00:16:49,008 UGH, THIS MUST BE MRS. CAMPANETTA. 382 00:16:49,042 --> 00:16:50,677 I HATE HER ALREADY. 383 00:16:52,612 --> 00:16:55,682 - HEY. - YOU RANG THE DOORBELL? 384 00:16:55,715 --> 00:16:58,451 IT'S POLITE. I DON'T LIVE HERE ANYMORE. 385 00:16:58,485 --> 00:17:00,453 AND TO THAT POINT, 386 00:17:00,487 --> 00:17:02,489 DID YOU FIND SOMEBODY TO FILL MY POSITION YET? 387 00:17:02,522 --> 00:17:05,625 NOPE. NO, THERE ARE STILL A FEW CREEPY STRANGERS 388 00:17:05,658 --> 00:17:08,128 I HAVEN'T INVITED INTO MY HOME YET. 389 00:17:08,161 --> 00:17:11,531 OKAY, 'CAUSE I JUST GOT OUT OF A MEETING WITH THE JUDGE 390 00:17:11,564 --> 00:17:14,201 AND IT APPEARS MY SETTLEMENT IS GONNA BE 391 00:17:14,234 --> 00:17:16,169 A LITTLE LESS THAN I ORIGINALLY THOUGHT. 392 00:17:16,203 --> 00:17:19,139 - HOW MUCH LESS? - WELL, IT'S STILL GONNA BE SIX FIGURES. 393 00:17:19,172 --> 00:17:22,242 BUT THEY'RE ALL ZEROS. 394 00:17:22,275 --> 00:17:25,345 BUT THAT'S YOUR MONEY. THAT'S NOT FAIR. WHAT HAPPENED? 395 00:17:25,378 --> 00:17:28,381 APPARENTLY THEY DIDN'T LIKE THE FACT THAT I LIVED HERE WITH LENNOX AND RYDER. 396 00:17:28,415 --> 00:17:30,450 THEY THOUGHT THAT MADE US SOME SORT OF A FAMILY. 397 00:17:30,483 --> 00:17:33,353 OKAY, SO YOU LOST THE ENTIRE SETTLEMENT BECAUSE YOU LIVED HERE? 398 00:17:33,386 --> 00:17:35,288 - BECAUSE I HIRED YOU? - YUP. 399 00:17:35,322 --> 00:17:37,457 NO ONE ELSE WAS GOING TO THOUGH. 400 00:17:37,490 --> 00:17:40,560 SO LOOK, IF, UH... 401 00:17:40,593 --> 00:17:43,096 IF THE JOB IS STILL OPEN... 402 00:17:43,130 --> 00:17:46,032 YOU MEAN YOU WOULD... 403 00:17:46,065 --> 00:17:48,635 WELL, LOOK, I HAVE A TON OF REFERENCES, OKAY? 404 00:17:48,668 --> 00:17:50,803 AND A LOT OF EXPERIENCE... 405 00:17:50,837 --> 00:17:53,039 DEALING WITH YOU. 406 00:17:53,072 --> 00:17:55,175 WELL, THAT'S TRUE. 407 00:17:55,208 --> 00:17:57,110 SO IF NOBODY'S JUMPED ON THIS YET, 408 00:17:57,144 --> 00:18:00,147 WOULD YOU LIKE ME TO GO TO THE KITCHEN AND MAKE US SOME DINNER? 409 00:18:00,180 --> 00:18:01,514 - OH GOOD LORD, YES. - OKAY. 410 00:18:01,548 --> 00:18:04,050 HEY, LOOK AT THIS. 411 00:18:04,083 --> 00:18:05,752 THE CREAM-COLORED DREAM COUCH, HUH? 412 00:18:05,785 --> 00:18:08,087 - YES, IT IS. - WOW. 413 00:18:08,121 --> 00:18:10,257 IT'S A LOT BIGGER THAN I THOUGHT. YOU SURE IT'S NOT TOO BIG FOR THIS SPACE? 414 00:18:10,290 --> 00:18:12,259 - I LOVE IT. - OKAY, IT'S YOUR HOUSE. 415 00:18:12,292 --> 00:18:14,661 HEY, JOE, NOW THAT YOU'RE BACK TO BEING THE NANNY, 416 00:18:14,694 --> 00:18:18,565 YOU KNOW, IT MIGHT BE KIND OF AWKWARD FOR US TO GO TO THE... 417 00:18:18,598 --> 00:18:21,801 OH, THE ANNUAL MAYOR'S GALA THING. 418 00:18:21,834 --> 00:18:23,736 YEAH. YEAH, YOU'RE PROBABLY RIGHT. 419 00:18:23,770 --> 00:18:25,838 NOW THAT WE'RE BACK TO HAVING A WORKING RELATIONSHIP 420 00:18:25,872 --> 00:18:28,241 IT PROBABLY WOULD BE INAPPROPRIATE. 421 00:18:28,275 --> 00:18:30,377 HEY, THAT BUCKET IS OUT AGAIN. 422 00:18:30,410 --> 00:18:32,579 I PROMISE YOU I'M GONNA FIX THAT LEAK TOMORROW, OKAY? 423 00:18:32,612 --> 00:18:34,747 OH, NO NEED. I HIRED A PLUMBING CONTRACTOR. 424 00:18:34,781 --> 00:18:36,349 WHY? WHY WOULD YOU DO THAT? 425 00:18:36,383 --> 00:18:38,251 HE SAYS IT'S EXTENSIVE WATER DAMAGE. 426 00:18:38,285 --> 00:18:40,220 - IT COULD BE IN ALL THE WALLS. - YEAH, SURE. 427 00:18:40,253 --> 00:18:42,589 YEAH, THE SKY IS FALLING. EXTENSIVE DAMAGE TO YOUR WALLET. 428 00:18:42,622 --> 00:18:44,524 COME HERE. I'LL SHOW YOU THIS LEAK. IT'S LIKE THIS BIG. 429 00:18:44,557 --> 00:18:46,626 IT'S A LITTLE CRACK RIGHT BEHIND THE TUB. COME ON. 430 00:18:46,659 --> 00:18:48,595 - ( creaking ) - WHOA. 431 00:18:48,628 --> 00:18:51,498 WHAT'S THAT NOISE? IT SOUNDED LIKE CRACKING. 432 00:18:51,531 --> 00:18:53,800 YEAH. HEY, YOU KNOW WHAT? 433 00:18:53,833 --> 00:18:55,568 I HAVE TO SAY, YOU'RE ABSOLUTELY RIGHT. 434 00:18:55,602 --> 00:18:57,370 FROM UP HERE THE COUCH LOOKS PERFECT. 435 00:18:57,404 --> 00:18:58,771 IT'S ALMOST LIKE IT WAS MADE FOR THE SPACE. 436 00:19:19,559 --> 00:19:22,195 OH MY GOD. JOE, YOU'RE BACK. 437 00:19:22,229 --> 00:19:24,431 YES, I AM. 438 00:19:24,464 --> 00:19:25,798 WHAT'S UP, GUYS? HEY. 439 00:19:25,832 --> 00:19:28,501 COUCHY? COUCHY! 440 00:19:28,535 --> 00:19:30,603 YOU KNOW WHAT, MEL? 441 00:19:30,637 --> 00:19:33,906 A LITTLE CLUB SODA, THAT'LL COME RIGHT OUT. 442 00:19:33,940 --> 00:19:36,909 ARE YOU OUT OF YOUR MIND? MY HOUSE IS RUINED! 443 00:19:36,943 --> 00:19:39,412 HEY, RELAX. I LOST MORE THAN YOU DID TODAY. 444 00:19:39,446 --> 00:19:42,882 THIS IS NOT A CONTEST. AND IF IT WAS, I WIN. 445 00:19:42,915 --> 00:19:45,785 HEY, GUYS, THE KITCHEN IS STILL OKAY. 446 00:19:45,818 --> 00:19:47,320 YOU KNOW, PEOPLE GOT TO EAT. 447 00:19:47,354 --> 00:19:49,289 COOL. LET'S GO MAKE SOME FOOD. 448 00:19:51,391 --> 00:19:53,460 ARE YOU GONNA COME, MEL? 449 00:19:53,493 --> 00:19:55,295 YEAH, JUST... JUST A SECOND. 450 00:19:55,328 --> 00:19:57,464 OKAY. 451 00:20:04,871 --> 00:20:06,706 WE'RE GOOD. 452 00:20:13,713 --> 00:20:15,482 LOOK, THERE'S DAMAGE IN ALL THE WALLS. 453 00:20:15,515 --> 00:20:18,518 - EVERYTHING'S GOT TO COME DOWN. - IT ALREADY DID. 454 00:20:18,551 --> 00:20:20,287 HOW LONG'S IT GONNA TAKE TO GET IT BACK THE WAY IT WAS? 455 00:20:20,320 --> 00:20:22,322 WHOA, WHO SAYS IT HAS TO BE BACK THE WAY IT WAS? 456 00:20:22,355 --> 00:20:24,357 THIS IS A CHANCE TO RETHINK THE WHOLE HOUSE. 457 00:20:24,391 --> 00:20:26,493 WOULD YOU TELL HER HOW EXPENSIVE THAT'S GONNA BE, PLEASE? 458 00:20:26,526 --> 00:20:29,228 I NEVER GET IN THE MIDDLE OF A HUSBAND-AND-WIFE ARGUMENT. 459 00:20:29,262 --> 00:20:30,963 - OH. - WHOA, HUSBAND AND WIFE? 460 00:20:30,997 --> 00:20:33,600 - YEAH, GIVE ME A LITTLE CREDIT. - IF I WAS HER HUSBAND, DUDE, 461 00:20:33,633 --> 00:20:35,568 THERE'D BE CLAW MARKS ON THAT DOOR FROM ME TRYING TO GET THE HECK OUT OF HERE. 462 00:20:35,602 --> 00:20:39,238 COULD HAVE FOOLED ME. SO WHAT KIND OF REMODEL ARE WE TALKING? 463 00:20:39,272 --> 00:20:41,508 OKAY, FIRST I HATE THE KITCHEN. SO IF WE COULD RIP THAT OUT. 464 00:20:41,541 --> 00:20:42,975 WHOA, WAIT A MINUTE. YOU HATE THE KITCHEN? 465 00:20:43,009 --> 00:20:44,611 WHEN WAS THE LAST TIME YOU ACTUALLY USED THE KITCHEN? 466 00:20:44,644 --> 00:20:46,613 I GO IN THERE ALL THE TIME. 467 00:20:46,646 --> 00:20:47,980 YEAH, TO GET YOURSELF A NICE GLASS OF RED WINE. 468 00:20:48,014 --> 00:20:50,683 OOH OOH, A WINE CELLAR IN THE BASEMENT. 469 00:20:50,717 --> 00:20:52,585 WAIT WAIT, I LIVE IN THE BASEMENT. 470 00:20:52,619 --> 00:20:54,487 YOU ALWAYS HAVE TO MAKE EVERYTHING ABOUT YOU. 471 00:20:54,521 --> 00:20:55,755 WHAT? YOU KNOW WHAT? YOU'RE CRAZY. 472 00:20:55,788 --> 00:20:57,557 IF YOU'RE NOT MARRIED YOU'VE GOT TO BE ENGAGED. 473 00:20:57,590 --> 00:20:59,726 Both: NO. 474 00:20:59,759 --> 00:21:01,628 - ENGAGED? ARE YOU... TO... - WHY WOULD YOU THINK... 475 00:21:01,661 --> 00:21:04,331 - REALLY? - IT'S MORE LIKE BROTHER AND SISTER OVER HERE. 476 00:21:04,364 --> 00:21:06,633 I DON'T KNOW ABOUT ENGAGED. OH, TIME OUT. 477 00:21:06,666 --> 00:21:10,937 HEY, WHAT? WHAT DO YOU MEAN TIME OUT? 478 00:21:13,606 --> 00:21:15,608 ( theme music playing )